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Encyclopedia > Just noticeable difference

In psychophysics, a just noticeable difference, customarily abbreviated with lowercase letters as jnd, is the smallest difference in a specified modality of sensory input that is detectable by a human being or other animal. It is also known as the difference limen or the differential threshold. Psychophysics is the branch of cognitive psychology dealing with the relationship between physical stimuli and their perception. ...


Explanation

For many sensory dimensions, the 'jnd' is an increasing function of the base level of input, and the ratio of the two is roughly constant. Measured in physical units, we have

frac {Delta I} {I} = k,

where I! is the original intensity of stimulation, Delta I! is the addition to it required for the difference to be perceived (the jnd), and k is a constant. This rule was first discovered by Ernst Heinrich Weber, in experiments on the thresholds of perception of lifted weights. A theoretical rationale (not universally accepted) was subsequently provided by Gustav Fechner, so the rule is therefore known either as the Weber Law or as the Weber–Fechner law; the constant k is called the Weber constant. It is true, at least to a good approximation, of many but not all sensory dimensions, for example the brightness of lights, and the intensity and the pitch of sounds. It is not true, however, of the wavelength of light. Stanley Smith Stevens argued that it would hold only for what he called prothetic sensory continua, where change of input takes the form an increase in intensity or something obviously analogous; it would not hold for metathetic continua, where change of input produces a qualitative rather than a quantitative change of the percept. Ernst Heinrich Weber, born on June 24, 1795 in Wittenberg, died on January 26, 1878 was a German physician. ... Gustav Theodor Fechner (April 19, 1801 - November 28, 1887), was a German experimental psychologist. ... The Weber–Fechner law attempts to describe the relationship between the physical magnitudes of stimuli and the perceived intensity of the stimuli. ... In music, pitch is the perception of the frequency of a note. ... Stanley Smith Stevens (1906-1973) was an American psychologist best known as the founder of Harvards Psycho-Acoustical Laboratory and credited with the introduction of Stevens power law. ...


The jnd is a statistical, rather than an exact quantity: from trial to trial, the difference that a given person notices will vary somewhat, and it is therefore necessary to conduct many trials in order to determine the threshold. The jnd usually reported is the difference that a person notices on 50% of trials. If a different proportion is used, this should be included in the description—for example one might report the value of the "75% jnd".


Modern approaches to psychophysics, for example signal detection theory, imply that the observed jnd, even in this statistical sense, is not an absolute quantity, but will depend on situational and motivational as well as perceptual factors. Signal detection theory, or SDT, is a means to quantify the ability to discern between signal and noise. ...


It has also been observed for the distribution of weights on a beam balance (see [1]).


See also


  Results from FactBites:
 
Just noticeable difference - Wikipedia, the free encyclopedia (402 words)
In psychophysics, the just noticeable difference (usually abbreviated as jnd, using lowercase letters) is the smallest difference in a sensory input that is perceivable by a human being or other animal.
For many sensory dimensions, the jnd is an increasing function of the base level of input, and the ratio of the two is roughly constant.
The jnd is a statistical, rather than an exact quantity: from trial to trial, the difference that a given person notices will vary somewhat, and it is therefore necessary to conduct many trials in order to determine the threshold.
Encyclopedia: Just noticeable difference (799 words)
In fact, the just noticeable difference, the threshold at which a change in pitch is perceived, is about five centss, but varies over the range of hearing and is more precise when the two pitches are played simultaneously.
Musically the frequency of specific pitches is not as important as their relationships to other frequencies - the difference between two pitches can be expressed by a ratio or measured in centss.
The initial standard was A=, but this was superseded by A=440 Hz after complaints that 439 Hz was difficult to reproduce in a laboratory owing to 439 being a prime number.
  More results at FactBites »


 

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