With Denson’s vocals figuring prominently in the mix, The Bridge represents both a decisive new musical step and a return to the ideas Denson explored as founder and leader of The Greyboy Allstars, all of which he insists is a clearer indication of who he is as a musician.
Denson took this latent love of musical freedom with him as he worked with Lenny Kravitz, recording and touring with Kravitz during the rock star’s most liberated period of music-making – the Let Love Rule and Mama Said albums of the early 90s.
Denson’s broad range of projects has earned him a reputation as a groundbreaking musician equally potent as a masterful collaborator and an innovative solo artist.
The infrequency of touring and an unhurried pace is unique for Denson, who estimates his Tiny Universe band has been on the road for a total less than four weeks in 2004, a slight schedule for the saxophonist, who is known for breakneck touring and an unbending work ethic.
KarlDenson’s Tiny Universe is a touring band if there ever was one — their songs evolve with each performance, and concertgoers are now able to catch the vibe and take it home after the show.
KarlDenson’s Tiny Universe will cap off the summer at Hippy Hill Hoodang festival on August 27 in Bean Blossom, Indiana and will hit the Southeast for a three-week jaunt in September.
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