La Resurrezione is a sacred oratorio by George Frideric Handel, set to a libretto by Carlo Sigismondo Capece (1652-1728), court poet to Queen Maria Casimira of Poland, who was living in exile in Rome. It was first performed on the Easter Sunday of 1708 at Rome, with the backing of the Marchese Francesco Ruspoli, Handel's patron at this time. The work details the events between - and during - Good Friday and Easter Sunday, with the action carried forward in recitative, and exploration of character and delineation of mood taking place in the arias. The characters of the liturgical drama that appear in the oratorio are Lucifer, Mary Magdalene, an Angel, St John the Evangelist, and St Mary Cleophas. An oratorio is a large musical composition for orchestra, vocal soloists and chorus. ... George Frideric Handel (23 February 1685 – 14 April 1759) was a German Baroque composer who was a leading composer of concerti grossi, operas and oratorios. ... Nickname: The Eternal City Motto: SPQR: Senatus PopulusQue Romanus Location of the city of Rome (yellow) within the Province of Rome (red) and region of Lazio (grey) Coordinates: Region Lazio Province Province of Rome Founded 21 April 753 BC Mayor Walter Veltroni Area    - City 1,500 km²  (580 sq mi... Recitative, a form of composition often used in operas, oratorios, cantatas and similar works, is described as a melodic speech set to music, or a descriptive narrative song in which the music follows the words. ... This article is about the musical term aria. ...

A large orchestra was employed for the occasion, consisting of 39 strings of varying types, 1 bass viol, 2 trumpets, 1 trombone, and 4 oboes. The staging and scenery were also lavishly produced, and though Roman censorship of the time forbade opera, La Resurrezione was certainly produced in an operatic manner. It was produced at Ruspoli's Palazzo in the main hall on the ground floor. A series of terraced seats, 4 in number, was built for the orchestra, curved towards the audience and rising at the back. Twenty-eight specially commissioned music stands were built for the occasion, engraved with either the coat-of-arms of Ruspoli or his wife. The proscenium was decorated with a tapestry depicting cherubs, palm trees, and foliage: in the middle of which hung a plaque with the name of the oratorio. The 46 letters where spread out over 4 lines, each letter about 18 cm in height. These letters were brought into prominence by the backing light of seventy light pans. The canvas backdrop represented pictorially the characters of Handel's oratorio, and in the centre was depicted the Resurrection itself. Various Viola da gamba The viol or viola da gamba family of musical instruments is related to the vihuela, rebec, etc. ... The Teatro alla Scala in Milan. ... The interior of the Auditorium Building in Chicago built in 1887. ...

The role of Mary Magdalene was sung at the first performance by the female soprano Margherita Durastanti. However, the participation of female singers was prohibited by Papal edict, and the Pope went to the length of admonishing Ruspoli for permitting Durastanti to take part. At all the remaining performances her role was sung by a castrato. The only details given concerning this individual are that he was called "Pippo", and was in the service to the former Queen Casimiri. Durastanti later sang the title role in Handel's Agrippina. The aria "Ho un non so che" , which she had sung as Mary Magdalene anticipating the Resurrection, appears entirely unadapted for her to sing in Agrippina, though in a different context. Look up soprano in Wiktionary, the free dictionary. ... A castrato is a male soprano, mezzo-soprano, or alto voice produced either by castration of the singer before puberty or who, because of an endocrinological condition, never reaches sexual maturity. ... Agrippina is an opera by George Frideric Handel. ...

Reference

• Hogwood, Christopher. Handel (1988), Thames and Hudson, ISBN 0-500-27498-3.