This is a selective list of the works of Wolfgang Amadeus Mozart, for a complete list organized by Köchel number, see Köchel catalogue... “Mozart” redirects here. ... (For a selective list organized by genre, with commentary, see List of compositions by Wolfgang Amadeus Mozart) The Köchel-Verzeichnis is a complete, chronological catalogue of compositions by Wolfgang Amadeus Mozart which was originally created by Ludwig von Köchel. ...

Wolfgang Amadeus Mozart (January 27, 1756 – December 5, 1791) was prolific and wrote in many genres. Perhaps his best-admired work is in opera, the piano concerto, the symphony, and in the string quartet and string quintet. Mozart also wrote much work for solo piano, other forms of chamber music, masses and other religious music, and endless dances, divertimentos, and other forms of light entertainment. “Mozart” redirects here. ... is the 27th day of the year in the Gregorian calendar. ... 1756 was a leap year starting on Thursday (see link for calendar). ... is the 339th day of the year (340th in leap years) in the Gregorian calendar. ... 1791 (MDCCXCI) was a common year starting on Saturday (see link for calendar) of the Gregorian calendar (or a common year starting on Tuesday of the 11-day-slower Julian calendar). ... For other uses, see Opera (disambiguation). ... A piano concerto is a concerto for solo piano and orchestra. ... This article does not cite any references or sources. ... The Juilliard String Quartet performing in 1963. ... A string quintet is an ensemble of five string instrument players or a piece written for such a combination. ... Chamber music is a form of classical music, written for a small group of instruments which traditionally could be accommodated in a palace chamber. ... This article discusses the Mass as a standard form of classical music composition. ... Divertimento is a music genre, with most of its examples stemming from the 18th century. ...

How Mozart's compositions are listed

• The indication "K." or KV refers to "Köchel (Verzeichnis)", i.e. the (more or less) chronological (i.e. by composition date) catalog of Mozart's works by Ludwig von Köchel. Note that this catalog has been amended several times, leading to ambiguity over some KV numbers (see e.g. Symphony No. 25). A version of the Köchel catalog can be found here and here.
• The compositions of Mozart listed below are grouped thematically, i.e. by type of composition. Not all thematic groups of Mozart's works have a separate numbering that is generally accepted: Köchel only numbers Symphonies (1 to 41); Piano concertos (1 to 27, leaving out some early transcriptions by Mozart) and a few other groups, on the other hand, for string quartets, most chamber music and vocal music there is no such numbering (or at least no general accepted one).
• Only relatively few of Mozart's compositions have Opus numbers, as not so many of his compositions were published during his lifetime, so numbering by Opus number proves quite impractical for Mozart compositions.

(For a selective list organized by genre, with commentary, see List of compositions by Wolfgang Amadeus Mozart) The Köchel-Verzeichnis is a complete, chronological catalogue of compositions by Wolfgang Amadeus Mozart which was originally created by Ludwig von Köchel. ... (For a selective list organized by genre, with commentary, see List of compositions by Wolfgang Amadeus Mozart) The Köchel-Verzeichnis is a complete, chronological catalogue of compositions by Wolfgang Amadeus Mozart which was originally created by Ludwig von Köchel. ... Portrait of von Köchel Ludwig Alois Ferdinand Ritter von Köchel (January 14, 1800 - June 3, 1877) was a musicologist, writer, composer, botanist and publisher. ... The Symphony No. ... (For a selective list organized by genre, with commentary, see List of compositions by Wolfgang Amadeus Mozart) The Köchel-Verzeichnis is a complete, chronological catalogue of compositions by Wolfgang Amadeus Mozart which was originally created by Ludwig von Köchel. ... Opus, from the Latin word opus meaning work, is usually used in the sense of a work of art. In this sense the plural of opus, opera, is used to refer to the genre of music drama. ...

Symphonies

Mozart's symphonic production covers a 24 year interval, from 1764 to 1788. According to most recent investigations, Mozart wrote not just the 41 symphonies reported in traditional editions, but up to 68 complete works of this type. However, by convention, the original numbering has been retained, and so his last symphony is still known as "No. 41". Some of the symphonies (K .297, 385, 550) were revised by the author after their first versions. 1764 was a leap year starting on Sunday (see link for calendar). ... 1788 was a leap year starting on Tuesday (see link for calendar). ...

Childhood symphonies (1764-1771)

These are the numbered symphonies from Mozart's early childhood. It should be noted that there are also a fair amount of unnumbered symphonies from this time period.

• Symphony No. 1 in E-flat major, K. 16
• Symphony No. 2 in B-flat major, K. 17 (spurious)
• Symphony No. 3 in E-flat major, K. 18 (spurious, by Abel)
• Symphony No. 4 in D major, K. 19
• Symphony No. 5 in B-flat major, K. 22
• Symphony No. 6 in F major, K. 43
• Symphony No. 7 in D major, K. 45
• Symphony No. 8 in D major, K. 48
• Symphony No. 9 in C major, K. 73
• Symphony No. 10 in G major, K. 74
• Symphony No. 11 in D major, K. 84
• Symphony No. 12 in G major, K. 110
• Symphony No. 13 in F major, K. 112

The Symphony No. ... The piece of music once known as Wolfgang Amadeus Mozarts Symphony No. ... This article or section does not cite its references or sources. ... Karl Friedrich Abel (December 22, 1723 – June 20, 1787) was a German composer of the Classical era. ... This article or section does not cite its references or sources. ... The Symphony No. ... The Symphony No. ...

Salzburg-era symphonies (1771-1781)

These symphonies are sometimes subcategorized as "Early" (1771-1773) and "Late" (1773-1775), and sometimes subcategorized as "Germanic" (with minuet) or "Italian" (without minuet). None of these were printed during Mozart's lifetime. A minuet, sometimes spelled menuet, is a social dance of French origin for two persons, usually in 3/4 time. ...

Although not counted as "symphonies" the three Divertimenti K. 136-138, in 3-movement Italian overture style, are sometimes indicated as "Salzburg Symphonies" too. Divertimento is a music genre, with most of its examples stemming from the 18th century. ...

• Symphony No. 14 in A major, K. 114 (1771)
• Symphony No. 15 in G major, K. 124 (1772)
• Symphony No. 16 in C major, K. 128 (1772)
• Symphony No. 17 in G major, K. 129 (1772)
• Symphony No. 18 in F major, K. 130 (1772)
• Symphony No. 19 in E-flat major, K. 132 (1772)
• Symphony No. 20 in D major, K. 133 (1772)
• Symphony No. 21 in A major, K. 134 (1772)
• Symphony No. 22 in C major, K. 162 (1773)
• Symphony No. 23 in D major, K. 181 (1773)
• Symphony No. 24 in B-flat major, K. 182 (1773)
• Symphony No. 25 in G minor, K. 183 (173d B) (1773)
• Symphony No. 26 in E-flat major, K. 184 (1773)
• Symphony No. 27 in G major, K. 199 (1773)
• Symphony No. 28 in C major, K. 200 (1774)
• Symphony No. 29 in A major, K. 201 (1774)
• Symphony No. 30 in D major, K. 202 (1774)

This article or section does not cite its references or sources. ... The Symphony No. ... This article or section does not cite its references or sources. ... The Symphony No. ... The Symphony No. ... The Symphony No. ...

Late symphonies (1781-1791)

• Symphony No. 31 "Paris" in D major, K. 297 (K. 300a) (1778)
• Symphony No. 32 "Overture in the Italian style" in G major, K. 318 (1779)
• Symphony No. 33 in B-flat major, K. 319 (1779)
• Symphony No. 34 in C major, K. 338 (1780)
• Symphony No. 35 "Haffner" in D major, K. 385 (1782)
• Symphony No. 36 "Linz" in C major, K. 425 (1783)
• Symphony No. 37 in G major, K. 444 (1783)

For years this was categorized as a Mozart symphony, but later scholarship determined that it was actually composed by Michael Haydn (Symphony No. 25), and Mozart wrote only the slow introduction for it.

• Symphony No. 38 "Prague" in D major, K. 504 (1786)

The three final symphonies (Nos. 39-41) were completed in about three months in 1788. It is quite likely that he hoped to publish these three works together as a single opus, although actually they remained unpublished until after his death. One or two of them might have been played in public in Leipzig in 1789. The Symphony Number 31, better known as the Paris Symphony, is one of the more famous symphonies by Wolfgang Amadeus Mozart. ... This article or section does not cite its references or sources. ... This article or section does not cite its references or sources. ... This article or section does not cite its references or sources. ... The Symphony Number 35, better known as the Haffner Symphony , is one of the most famous symphonies by Wolfgang Amadeus Mozart. ... The Symphony No. ... For the town in Germany, see Linz am Rhein. ... The Symphony No. ... For the American general, see Michael Hayden Michael Haydn Johann Michael Haydn (September 14, 1737 – August 10, 1806) was an Austrian composer, the younger brother of (Franz) Joseph Haydn. ... Wolfgang Amadeus Mozart composed his Symphony No. ...

• Symphony No. 39 in E flat major, K. 543 (1788)
• Symphony No. 40 in G minor, K. 550 (1788)
• Symphony No. 41 "Jupiter" in C major, K. 551 (1788)

The Symphony no. ... Wolfgang Amadeus Mozart wrote his Symphony No. ... This article or section does not cite its references or sources. ...

Concertos

Piano concertos

Main article: Mozart Piano Concertos

Mozart's production for piano and orchestra are numbered from 1 to 27. The first four numbered concertos are early works (Piano Concertos Nos 1-4 (Mozart)). The movements of these concertos are arrangements of keyboard sonatas by various contemporary composers (Raupach, Honauer, Schobert, Eckart, C.P.E. Bach). Concertos 7 and 10 are compositions for three and two pianos respectively. The remaining twenty-one are original compositions for solo piano and orchestra. Among them, fifteen were written in the years from 1782 to 1786, while in the last five years Mozart wrote just two more piano concertos. The Mozart piano concertos are a set of 27 concertos for piano and orchestra written by Wolfgang Amadeus Mozart between 1767 and 1791. ... The Mozart piano concertos are a set of 27 concertos for piano and orchestra written by Wolfgang Amadeus Mozart between 1767 and 1791. ... Mozart began his series of preserved piano concertos with four that he wrote at the age of 11, in Salzburg: KV 37 and 39-41. ... Carl Philipp Emanuel Bach (Weimar, March 8, 1714 – December 14, 1788) was a German musician and composer, the second son of Johann Sebastian Bach. ... In 1776, Wolfgang Amadeus Mozart composed three independent piano concertos, one of which was the Concerto in F for Three Pianos and Orchestra, No. ... The Concerto No. ... 1782 was a common year starting on Tuesday (see link for calendar). ... 1786 was a common year starting on Sunday (see link for calendar). ...

• Piano Concerto No. 1 in F major, K. 37
• Piano Concerto No. 2 in B flat major, K. 39
• Piano Concerto No. 3 in D major, K. 40
• Piano Concerto No. 4 in G major, K. 41
• Piano Concerto No. 5 in D major, K. 175
• Piano Concerto No. 6 in B flat major, K. 238
• Piano Concerto No. 7 in F major for Three Pianos, K. 242
• Piano Concerto No. 8 "Lützow" in C major, K. 246
• Piano Concerto No. 9 "Jeunehomme" in E flat major, K. 271
• Piano Concerto No. 10 in E flat major for Two Pianos, K. 365
• Piano Concerto No. 11 in F major, K. 413/387a
• Piano Concerto No. 12 in A major, K. 414/385p
• Piano Concerto No. 13 in C major, K. 415/387b
• Piano Concerto No. 14 in E flat major, K. 449
• Piano Concerto No. 15 in B flat major, K. 450
• Piano Concerto No. 16 in D major, K. 451
• Piano Concerto No. 17 in G major, K. 453
• Piano Concerto No. 18 in B flat major, K. 456
• Piano Concerto No. 19 in F major, K. 459
• Piano Concerto No. 20 in D minor, K. 466
• Piano Concerto No. 21 in C major, K. 467
• Piano Concerto No. 22 in E flat major, K. 482
• Piano Concerto No. 23 in A major, K. 488
• Piano Concerto No. 24 in C minor, K. 491
• Piano Concerto No. 25 in C major, K. 503
• Piano Concerto No. 26 "Coronation" in D major, K. 537
• Piano Concerto No. 27 in B flat major, K. 595

Mozart began his series of preserved piano concertos with four that he wrote at the age of 11, in Salzburg: KV 37 and 39-41. ... Mozart began his series of preserved piano concertos with four that he wrote at the age of 11, in Salzburg: KV 37 and 39-41. ... Mozart began his series of preserved piano concertos with four that he wrote at the age of 11, in Salzburg: KV 37 and 39-41. ... Mozart began his series of preserved piano concertos with four that he wrote at the age of 11, in Salzburg: KV 37 and 39-41. ... Mozarts fifth piano concerto in D Major, K. 175, was written 1773, when Mozart was 17. ... The Piano Concerto No. ... In 1776, Wolfgang Amadeus Mozart composed three independent piano concertos, one of which was the Concerto in F for Three Pianos and Orchestra, No. ... The Piano Concerto No. ... The Piano Concerto No. ... The Concerto No. ... Mozarts piano concerto No. ... Wolfgang Amadeus Mozarts Piano Concerto No. ... The Piano Concerto No. ... The Piano Concerto No. ... The Piano Concerto No. ... The Piano Concerto No. ... The Piano Concerto No. ... The Piano Concerto No. ... The Piano Concerto No. ... Wolfgang Amadeus Mozarts Piano Concerto No. ... Wolfgang Amadeus Mozarts Piano Concerto No. ... The Piano Concerto No. ... Mozarts Concerto No. ... The Piano Concerto No. ... The Piano Concerto No. ... The Piano Concerto No. ... Mozarts last concerto for the piano, the B flat, KV595, has taken on certain valedictory associations almost certainly nurtured by the wisdom of hindsight. ...

Violin concertos

Five violin concertos were written in his late teens while he was still touring with his father throughout Europe, an exceptional feat for a traveling composer. Mozart's Violin Concertos are notable for the beauty of their melodies and the skillful use of the expressive and technical characteristics of the instrument, though Mozart probably never went through all the violin possibilities like others (e.g. Beethoven and Brahms) did after him. (Alfred Einstein notes that the violin concerto–like sections in the serenades are more virtuosic than in the works titled Violin Concertos.) “Beethoven” redirects here. ... Johannes Brahms Johannes Brahms (May 7, 1833 – April 3, 1897) was a German composer of the Romantic period. ... Alfred Einstein (December 30, 1880–February 13, 1952), was a German-American musicologist and music editor. ...

• Violin Concerto No. 1 in B flat major, K. 207 (1775)
• Violin Concerto No. 2 in D major, K. 211 (1775)
• Violin Concerto No. 3 in G major, K. 216 (1775)
• Violin Concerto No. 4 in D major, K. 218 (1775)
• Violin Concerto No. 5 in A major, K. 219 (1775)
• Violin Concerto in E flat major, K. 268 (1780) (Doubtful)
• Violin Concerto in D major, K. 271a Kolb (1777) (Doubtful)

Wolfgang Amadeus Mozarts Violin Concerto No. ... Violin Concerto No. ... To meet Wikipedias quality standards, this article may require cleanup. ... Violin Concerto No. ... The Violin Concerto No. ...

Horn concertos

Arguably the most widely played concertos for horn, the four Horn Concertos are a major part of most professional horn players' repertoire. They were written for Mozart's lifelong friend Joseph Leutgeb. The concertos (especially the fourth) were written as virtuoso vehicles that allow the soloist to show a variety of abilities on the valveless horns of Mozart's day. French horn redirects here. ... Joseph (Ignaz) Leutgeb (or Leitgeb) (October 8, 1732 - February 27, 1811) was an outstanding horn player of the classical era, a friend and musical inspiration for Wolfgang Amadeus Mozart. ...

The Horn Concertos are characterized by an elegant and humorous dialogue between the soloist and the orchestra. Many of the autographs contain jokes aimed at the dedicatee.

• Horn Concerto No. 1 in D major, K. 412 (1791)
• Horn Concerto No. 2 in E flat major, K. 417 (1783)
• Horn Concerto No. 3 in E flat major, K. 447 (c. 1784-87)
• Horn Concerto No. 4 in E flat major, K. 495 (1786)

The four Horn Concertos by Wolfgang Amadeus Mozart are a major part of most professional horn players repertoire. ... The four Horn Concertos by Wolfgang Amadeus Mozart are a major part of most professional horn players repertoire. ... The four Horn Concertos by Wolfgang Amadeus Mozart are a major part of most professional horn players repertoire. ... The four Horn Concertos by Wolfgang Amadeus Mozart are a major part of most professional horn players repertoire. ...

Other concertos

• Bassoon Concerto in B flat major, K. 191 (1774)
• Concerto for Harp, Flute and Orchestra, K. 299 (1778)
• Oboe Concerto in C major, K. 314 (has come down to us as the second flute concerto, but was almost certainly an oboe concerto)
• Concerto for Clarinet and Orchestra in A major, K. 622 (1791)
• Flute Concerto No. 1 in G Major, K. 313 (1778)
• Flute Concerto No. 2 in D Major, K. 314 (1778) (An arrangement of the above Oboe Concerto).
• Andante for Flute and Orchestra in C Major, K. 315 (1778)
• Concerto for Trumpet, K47a (lost)

The Bassoon Concerto in B flat major (K191), written in 1774 by Wolfgang Amadeus Mozart, is the most standard piece in the entire bassoon repertory. ... The Concerto for Harp, Flute and Orchestra in C major (K. 299) was written in 1778 by Wolfgang Amadeus Mozart during his sojourn to Paris. ... Wolfgang Amadeus Mozarts Oboe Concerto in C major, K. 314 was later reworked by the composer as a flute concerto in D major. ... Mozarts Clarinet concerto in A major, K. 622 was written in 1791 for the clarinetist Anton Stadler. ... The Concerto for Flute Concerto No. ... Wolfgang Amadeus Mozarts Oboe Concerto in C major, K. 314 was later reworked by the composer as a flute concerto in D major. ... The Andante for Flute and Orchestra (K. 315) in C major was written by Wolfgang Amadeus Mozart in 1778 and commissioned by Ferdinand De Jean as a possible replacement or alternative second movement for the Flute Concerto No. ...

Concertante symphonies

• Sinfonia Concertante for Violin, Viola and Orchestra K. 364 in E flat major (1779)
• Sinfonia Concertante for Oboe, Clarinet, Horn and Bassoon K. 297b in E flat major Anh.9 and later Anh. C 14.01 (1778)

Sinfonia concertante is a musical form that originated in the classical music era, and is a mixture of the symphony and the concerto genres: It is a concerto, in that it has one or more soloists (in the classical music era usually more than one). ... In the 1770s Mozart had been experimenting with the Sinfonia concertante genre, leading in 1779 to the Sinfonia Concertante for Violin, Viola and Orchestra K. 364, which can be considered his most successful realisation in this cross-over genre between Symphony and Concerto. ...

Piano music

See also: List of solo piano pieces by composer: M

Mozart's earliest composition attempts begin with piano sonatas and other piano pieces, as this is the instrument on which his musical education took place. Almost everything that he wrote for piano was intended to be played by himself (or by his sister, also a proficient piano player). Examples of his earliest works are those found in Nannerl's Music Book. Between 1782 and 1786 he wrote 20 works for piano solo (including sonatas, variations, fantasias, suites, fugues, rondo) and works for piano four hands and two pianos. Lists of solo piano pieces, by composer: By composer A - B - C - D - E - F - G - H - I - J - K - L - M - N - O - P - Q - R - S - T - U - V - W - X - Y - Z Paolo Marzocchi Presso la Quercia di Herne Fliegenden Schatten Felix Mendelssohn-Bartholdy External link to... A piano sonata is a sonata written for unaccompanied piano. ... Nannerls Music Book is a collection of short keyboard (typically harpsichord) pieces, it is notable for containing Wolfgang Amadeus Mozarts first works. ... For the ballet Theme and Variations, see Theme and Variations (ballet). ... The fantasia (also English: , German: , French: ) is a musical composition with its roots in the art of improvisation. ... In music, a suite is an organized set of instrumental or orchestral pieces normally performed at a single sitting, as a separate musical performance, not accompanying an opera, ballet, or theater-piece. ... In music, a fugue (IPA: ) is a type of contrapuntal composition or technique of composition for a fixed number of parts, normally referred to as voices, irrespective of whether the work is vocal or instrumental. ... a rondo is played between episode which are played by non solo people Rondo, and its French equivalent rondeau, is a word that has been used in music in a number of ways, most often in reference to a musical form, but also in reference to a character-type that...

Solo piano works

Sonatas

• Piano Sonata No. 1 in C major, K. 279 (Munich, Summer 1774)
• Piano Sonata No. 2 in F major, K. 280 (Munich, Summer 1774)
• Piano Sonata No. 3 in B-flat major, K. 281 (Munich, Summer 1774)
• Piano Sonata No. 4 in E-flat major, K. 282 (Munich, Summer 1774)
• Piano Sonata No. 5 in G major, K. 283 (Munich, Summer 1774)
• Piano Sonata No. 6 in D major, K. 284 (Munich, Feb-Mar 1775)
• Piano Sonata No. 7 in C major, K. 309 (Mannheim, Nov. 8 1777)
• Piano Sonata No. 8 in A minor, K. 310 (Paris, Summer 1778)
• Piano Sonata No. 9 in D major, K. 311 (Mannheim, Nov 1777)
• Piano Sonata No. 10 in C major, K. 330 (Summer 1778)
• Piano Sonata No. 11 "Turkish March" in A major, K. 331 (Summer 1778)
• Piano Sonata No. 12 in F major, K. 332 (Summer 1778)
• Piano Sonata No. 13 in B-flat major, K. 333 (Summer 1778)
• Piano Sonata No. 14 in C minor, K. 457 (Vienna, Oct. 14, 1784)
• Piano Sonata No. 15 in F Major, K. 533/494 (Vienna, Jan. 3, 1788)
• Piano Sonata No. 16 in C Major, K. 545 (so-called facile or semplice sonata; Vienna, Jun. 26, 1788)
• Piano Sonata No. 17 in B-flat Major, K. 570 (Vienna, February, 1789)
• Piano Sonata No. 18 in D Major K. 576 (Vienna, July 1789)

For other uses, see Munich (disambiguation). ... Mannheim is a city in Germany. ... Wolfgang Amadeus Mozarts Piano Sonata No. ... This article is about the capital of France. ... Wolfgang Amadeus Mozarts Piano Sonata no. ... The Piano Sonata No. ... The first two bars of Sonata in A, K331 Wolfgang Amadeus Mozarts Piano Sonata No. ... The Piano Sonata in F major by Wolfgang Amadeus Mozart is in Ludwig von Köchels catalogue of Mozarts works ( in the 1964 revised edition). ... Mozarts 13th Piano Sonata (or simply, K.333) is written mostly in its Major Key: B-flat. ... Wolfgang Amadeus Mozarts Piano Sonata No. ... For other uses, see Vienna (disambiguation). ... The Piano Sonata No. ... The Piano Sonata No. ...

Miscellaneous pieces

• Nannerl's Music Book

1. Andante in C, K. 1a
2. Allegro in C, K. 1b
3. Allegro in F, K. 1c
4. Minuet in F, K. 1d
5. Minuet in G, K. 1e
6. Minuet in C, K. 1f
7. Minuet in F, K. 2
8. Allegro in B-flat, K. 3
9. Minuet in F, K. 4
10. Minuet in F, K. 5
11. Allegro in C, K. 5a
12. Andante in B-flat, K. 5b

• Fantasy No. 1 with Fugue in C major, K. 394 (Vienna, 1782)
• Fantasy No. 2 in C minor, K. 396 (Vienna, 1782)
• Fantasy No. 3 in D minor, K. 397 (Vienna, 1782)
• Fantasy No. 4 in C minor, K. 475 (Vienna, May 20, 1785)
• Rondo No. 1 in D major, K. 485
• Rondo No. 2 in F major, K. 494 (finale to K.533 above initially published alone)
• Rondo No. 3 in A minor, K. 511
• Adagio for Piano in B minor, K. 540 (Vienna, 1788)
• Allegro and Rondo for piano in F Major, K. 547a (Vienna, Summer 1788) (adapted from K. 547 and K. 545)

Nannerls Music Book is a collection of short keyboard (typically harpsichord) pieces, it is notable for containing Wolfgang Amadeus Mozarts first works. ... The Andante in C is a keyboard work, K. 1a, written by Wolfgang Amadeus Mozart in 1761 and found in Nannerls Music Book. ... The Allegro in C, K. 1b, is a keyboard work written by Wolfgang Amadeus Mozart in 1761. ... The Allegro in F, K. 1c, is a keyboard work, written by Wolfgang Amadeus Mozart in 1761. ... The Minuet in F is a keyboard work, K. 1d, written by Wolfgang Amadeus Mozart on December 16, 1761 in Salzburg. ... There actually two famous Minuet in G, both are composed for keyboard. ... The Minuet in C is a keyboard work, K. 1f, written by Wolfgang Amadeus Mozart in December1761 or January 1762 in Salzburg. ... Fantasia No. ... The Piano Sonata No. ...

Variations

• 8 Variations in G major on the Dutch song "Laat ons Juichen, Batavieren!" by Christian Ernst Graaf, K. 24
• 7 Variations in D major on the Dutch song "Willem van Nassau"", K. 25
• 6 Variations in F major, K 54 (Anh 138a)
• 12 Variations in C major on a Menuet by Johann Christian Fischer, K 179
• 6 Variations in G major on "Mio car Adone" from the opera "La fiera di Venezia" by Antonio Salieri, K. 180
• 9 Variations in C major on the arietta "Lison dormait" from the opera "Julie" by Nicolas Dezede, K 264 ("Lison dormait")
• 12 Variations in C major on the French song "Ah, vous virai-je, Maman", K. 265
• 8 Variations in F major on the choir "Dieu d´amour" from the opera "Les mariages samnites" by Andre-Ernest-Modeste Gretry, K. 352
• 12 Variations in E flat major on the French song "La belle Françoise", K. 353
• 12 Variations in E flat major on the Romance "Je suis Lindor" from "Le Barbier de Seville" by Pierre Beaumarchais, music by Antoine-Laurent Baudron, K. 354
• 6 Variations in F major on the aria "Salve tu, Domine" from the opera "I filosofi immaginarii" by Giovanni Paisiello, K 398
• 10 Variations in G major on the aria "Unser dummer Pöbel meint" from "La rencontre imprévue" by Christophe Willibald Gluck, K 455
• 8 Variations in A major on "Come un'agnello" from "Fra i due litiganti il terzo gode" by Giuseppe Sarti, K 460
• 12 Variations on an Allegretto in B major, K 500
• 9 Variations in D major on a Menuet by Jean-Pierre Duport, K 573
• 8 Variations in F major on the song "Ein Weib ist das herrlichste Ding" from the Singspiel "Der dumme Gartner" by Benedikt Schack, K 613

La fiera di Venezia is an opera buffa, described as a commedia per musica, by Antonio Salieri, set to an itallian libretto by Giovanni Gastone Boccherini. ... Antonio Salieri Antonio Salieri (August 18, 1750 – May 7, 1825), was an Italian composer and conductor. ... Audio samples: Tema ( file info) — Tema of Variations on Ah vous dirais-je, Maman, piano solo Variation I (file info) — First Variation of Variations on Ah vous dirais-je, Maman, piano solo Problems playing the files? See media help. ... Les mariages samnites (The Samnite Marriages) is an opéra comique, described as a drame lyrique, in three acts by André Grétry, The French text was by Barnabé Farmain de Rosoi based on a work by Jean François Marmontel. ... Andr Ernest Modeste Gr try (February 8, 1741 – September 24, Belgian-born French composer, was born at Li ge, his father being a poor musician. ... For the Rossini opera, see The Barber of Seville. ... Beaumarchais Pierre-Augustin Caron de Beaumarchais (January 24, 1732 – May 17-18, 1799) was a watch-maker, inventor, musician, politician, invalid, fugitive, spy, publisher, arms-dealer, and revolutionary (both French and American). ... Paisiello at the clavichord, by Marie Louise Élisabeth Vigée-Lebrun, 1791. ... La rencontre imprévue (The Unexpected Encounter), also known as Les pèlerins de la Mecque (The Pilgrims to Mecca) is an opéra comique by Christoph Willibald Gluck, first performed at the Burgtheater, Vienna on January 7, 1764. ... “Gluck” redirects here. ... Fra i due litiganti il terzo gode (While Two Dispute, the Third Enjoys) is a dramma giocoso in two acts by Giuseppe Sarti. ... Giuseppe Sarti (December 28, 1729 - July 28, 1802), was an Italian composer. ... Jean-Pierre Duport (November 27, 1741–December 31, 1818) was a significant cellist of the late 18th and early nineteenth centuries. ... Benedikt Schack (1758-1826) was a composer and tenor of the Classical era, a close friend of Mozart and the first performer (1791) of the role of Tamino in Mozarts opera The Magic Flute. ...

Dual piano/performer works

• Sonata for Keyboard Four-hands in C major, K. 19d (London, May 1765)
• Sonata for Keyboard Four-hands in D major, K. 381 / 123a
• Sonata for Keyboard Four-hands in B flat major, K. 358 / 186c
• Sonata for Keyboard Four-hands in F major, K. 497
• Sonata for Keyboard Four-hands in C major, K. 521
• Sonata for Keyboard Four-hands in G major, K. 357 (incompleted)
• Sonata for Two Pianos in D Major, K. 448 / 375a
• Fugue for Two Pianos in C minor, K. 426

Sonata for Keyboard Four-hands in C major, K. 19d is a sonata composed by Wolfgang Amadeus Mozart in May 1765 when he was in London. ... The Sonata for Two Pianos in D major, K. 448 is a solo piano work composed by Wolfgang Amadeus Mozart in 1781, at 25 years of age. ...

Chamber music

Chamber music is a form of classical music, written for a small group of instruments which traditionally could be accommodated in a palace chamber. ...

Violin music

He also wrote for piano and violin (16 complete sonatas, plus several fragments and two variation sets), where - mainly in the more mature years - the piano does not play just a support to the other solo instrument, but builds a dialogue with it. For the Anne Rice novel, see Violin (novel). ... For the ballet Theme and Variations, see Theme and Variations (ballet). ...

Childhood violin sonatas (1763-66)

• Violin Sonata No. 1 in C major, K. 6
• Violin Sonata No. 2 in D major, K. 7
• Violin Sonata No. 3 in B flat major, K. 8
• Violin Sonata No. 4 in G major, K. 9
• Violin Sonata No. 5 in B flat major, K. 10
• Violin Sonata No. 6 in G major, K. 11
• Violin Sonata No. 7 in A major, K. 12
• Violin Sonata No. 8 in F major, K. 13
• Violin Sonata No. 9 in C major, K. 14
• Violin Sonata No. 10 in B flat major, K. 15
• Violin Sonata No. 11 in E flat major, K. 26
• Violin Sonata No. 12 in G major, K. 27
• Violin Sonata No. 13 in C major, K. 28
• Violin Sonata No. 14 in D major, K. 29
• Violin Sonata No. 15 in F major, K. 30
• Violin Sonata No. 16 in B flat major, K. 31

Sonata in C for Keyboard and Violin, K. 6, was written by Wolfgang Amadeus Mozart and is one of his earliest works. ...

Mature violin sonatas (1778-88)

• Violin Sonata No. 17 in C major, K. 296
• Violin Sonata No. 18 in G major, K. 301
• Violin Sonata No. 19 in E flat major, K. 302
• Violin Sonata No. 20 in C major, K. 303
• Violin Sonata No. 21 in E minor, K. 304
• Violin Sonata No. 22 in A major, K. 305
• Violin Sonata No. 23 in D major, K. 306
• Violin Sonata No. 24 in F major, K. 376
• Violin Sonata No. 25 in F major, K. 377
• Violin Sonata No. 26 in B flat major, K. 378
• Violin Sonata No. 27 in G major, K. 379
• Violin Sonata No. 28 in E flat major, K. 380
• Violin Sonata No. 29 in A major, K. 402 (completed by M. Stadler)
• Violin Sonata No. 32 in B flat major, K. 454
• Violin Sonata No. 33 in E flat major, K. 481
• Violin Sonata No. 35 in A major, K. 526
• Violin Sonata No. 36 in F major, K. 547

Violin Sonata No. ... The violin sonata in A for violin and keyboard, written in 1787 by Wolfgang Amadeus Mozart and number 526 in Ludwig von Köchels catalog of Mozarts music is a work in three movements: Molto allegro in A major Andante, in D major and Presto, in A. The...

Variations for violin and piano

• Variations in G major, K. 359, "La bergere Celimene"
• 6 Variations in G minor on Helas, j'ai perdu mon amant, K. 360

String duos and trios

• Duo for Violin & Viola in G major, K. 423
• Duo for Violin & Viola in B flat major, K. 424
• Trio for Violin, Viola & Cello in E flat major, K. 563 (1788)
• Trio for 2 Violins & Cello in B flat major, K. 266
• Preludes and Fugues for Violin, Viola & Cello, K. 404a

The Divertimento in E flat, K. 563, is a classical composition for string trio, written by Wolfgang Amadeus Mozart in 1788, the year in which he completed his last three symphonies and his Coronation Piano Concerto. ...

String quartets

• Quartetti Milanesi, K. 80 and K. 155-160 (1770-1773)

This cycle, in three movements, is interesting as far as these works can be considered precursors of the later - more complete - string quartets.

• String Quartet No. 1 in G major, K. 80/73f (1770)
• String Quartet No. 2 in D major, K. 155/134a (1772)
• String Quartet No. 3 in G major, K. 156/134b (1772)
• String Quartet No. 4 in C major, K. 157 (1772-3)
• String Quartet No. 5 in F major, K. 158 (1772-3)
• String Quartet No. 6 in B-flat major, K. 159 (1773)
• String Quartet No. 7 in E-flat major, K. 160/159a (1773)

• Vienna Quartets, K. 168-173 (1773) +

Much more stylistically developed. In Vienna Mozart is believed to have heard the op. 17 and op. 20 quartets of Joseph Haydn, and had received from them a deep impression.

• String Quartet No. 8 in F major, K. 168 (1773)
• String Quartet No. 9 in A major, K. 169 (1773)
• String Quartet No. 10 in C major, K. 170 (1773)
• String Quartet No. 11 in E-flat major, K. 171 (1773)
• String Quartet No. 12 in B-flat major, K. 172 (1773)
• String Quartet No. 13 in D minor, K. 173 (1773)

• Haydn Quartets K. 387, 421, 428, 458, 464, 465, Opus 10 (1782–1785)

Mozart returned to the quartet in the early 1780s after he had moved to Vienna, met Haydn in person, and developed a friendship with the older composer. Haydn had just published his set of six quartets Opus 33, which are thought to have been a stimulus to Mozart in returning to the genre. These quartets are often regarded as among the pinnacles of the genre.

• String Quartet No. 14 in G major, ("Spring") K. 387 (1782)
• String Quartet No. 15 in D minor, K. 421/417b (1783)
• String Quartet No. 16 in E-flat major, K. 428/421b (1783)
• String Quartet No. 17 in B-flat major ("Hunt"), K. 458 (1784)
• String Quartet No. 18 in A major, K. 464 (1785)
• String Quartet No. 19 in C major ("Dissonance"), K. 465 (1785)

• String Quartet No. 20 in D major ("Hoffmeister"), K. 499 (1786)

This work was published by (dedicated to?) Franz Anton Hoffmeister, as well as the Prussian Quartets. Mozart's last three quartets, dedicated to the King of Prussia Friedrich Wilhelm II, are noted for the cantabile character of the parts for cello (the instrument played by the king himself), the sweetness of sounds and the equilibrium among the different instruments.

• Prussian Quartets K. 575, 589, 590 (1789-1790)

• String Quartet No. 21 in D major, K. 575 (1789)
• String Quartet No. 22 in B-flat major, K. 589 (1790)
• String Quartet No. 23 in F major, K. 590 (1790)

Haydn redirects here. ... The Haydn quartets by Wolfgang Amadeus Mozart are a set of six string quartets composed between 1782 and 1785, dedicated to Joseph Haydn, generally considered to be the creator of the modern string quartet. ... Opus, from the Latin word opus meaning work, is usually used in the sense of a work of art. In this sense the plural of opus, opera, is used to refer to the genre of music drama. ... The String Quartet No. ... The String Quartet No. ... The String Quartet No. ... The first nine bars of the Allegretto opening of the quartet The String Quartet in D Major, K. 499, was written in 1786 in Vienna by Wolfgang Amadeus Mozart. ... Franz Anton Hoffmeister (May 12, 1754 – February 9, 1812) was an Austrian composer. ... Frederick William II (German: ; September 25, 1744–November 16, 1797) was the fourth King of Prussia, reigning from 1786 until his death. ...

String quintets

The string quintets (K. 174, 406, 515, 516, 593, 614), for two violins, two violas and cello. Charles Rosen wrote that "by general consent, Mozart's greatest achievement in chamber music is the group of string quintets with two violas."^[1]. A string quintet is an ensemble of five string instrument players or a piece written for such a combination. ... Charles Rosen (born May 5, 1927) is an American pianist and music theorist. ...

• String Quintet in B flat major, K. 174
• String Quintet in C major, K. 515
• String Quintet in G minor, K. 516
• String Quintet in C minor, K. 406 (516b)

This is a transcription for string quintet of the earlier Serenade for wind octet in C minor (K. 388).

• String Quintet in D major, K. 593
• String Quintet in E flat major, K. 614

The String Quintet No. ... The String Quintet No. ... The String Quintet No. ... The String Quintet No. ... The String Quintet No. ... The String Quintet No. ...

Piano trios

• Piano Trio in B flat, K. 254
• Piano Trio in G, K. 496
• Piano Trio in B flat, K. 502
• Piano Trio in E, K. 542
• Piano Trio in C, K. 548
• Piano Trio in G, K. 564

Other chamber music

• Flute Quartets (flute, violin, viola, cello) K. 285, 285a, 285b, 298 (1777–1778)
• Sonata for Bassoon and Violoncello in B-flat major, K. 292
• Oboe Quartet in F, K. 370
• Horn Quintet In E Flat, K. 407
• Quintet for piano and winds (oboe, clarinet, horn, bassoon) K. 452 (1784)
• Piano Quartet No. 1 in G minor K. 478 (1785)
• 12 Duets - For Two Basset Horns, K. 487
• Piano Quartet No. 2 in E-flat major K. 493 (1786)
• Trio for Clarinet, Viola and Piano in E flat major, K. 498 "Kegelstatt" (1786)
• Clarinet Quintet in A major, K. 581 (1789)

A flute quartet is a musical term for a type of chamber group. ... Quintet in E flat for Piano and Winds is the common name of a composition by Wolfgang Amadeus Mozart with the Köchel number of 452. ... Wolfgang Amadeus Mozarts Piano Quartet No. ... The Kegelstatt Trio (K. 498), also referred to as the Mozart Clarinet Trio in E♭, is a classical composition for clarinet, viola, and piano by Wolfgang Amadeus Mozart in 1786. ... Mozarts Clarinet quintet in A major, K. 581 was written in 1789 for the clarinetist Anton Stadler. ...

Serenades, divertimenti, and other instrumental works

Please help improve this section by expanding it with: a complete list of works. Further information might be found on the talk page or at requests for expansion.

The production for instrumental ensembles includes several Divertimenti, Notturni, Serenades, Cassations, Marches, and Dances, besides, of course, the Symphonies. Mozart's production for orchestra is written for string ensembles (like the early Divertimenti K. 136–138), as well as for wind instruments ensembles and the varied combinations of string and wind. Image File history File links This is a lossless scalable vector image. ... Divertimento is a music genre, with most of its examples stemming from the 18th century. ...

Serenades

• Serenade No. 1 in D major, K. 100
• Serenade No. 3 ("Antretter") in D major, K. 185
• Serenade No. 4 ("Colleredo") in D major, K. 203
• Serenade No. 5 in D major, K. 204
• Serenade No. 6 ("Serenata Notturna") in D major, K. 239
• Serenade No. 7 ("Haffner") in D major, K. 250
• Serenade No. 9 ("Posthorn") in D major, K. 320
• Serenade No. 10 for winds (Serenade for Thirteen Wind Instruments or "Gran Partita") in B flat major, K. 361
• Serenade No. 11 for winds in E flat major, K. 375
• Serenade No. 12 for winds in C minor, K. 388
• Serenade No. 13, "Eine kleine Nachtmusik" for String Quartet & Bass in G major, K. 525

Serenade for orchestra in D major, K. 250, popularly known as the Haffner Serenade, is a serenade by Wolfgang Amadeus Mozart. ... The Serenade No. ... The Serenade for strings in G major, better known as Eine kleine Nachtmusik (A little night music or less literally, A little serenade), is one of the most popular compositions by Wolfgang Amadeus Mozart. ...

Divertimenti

• Galimathias Musicum (Quodlibet), K. 32 (1766)
• Cassation in G, K. 63 (1769)
• Cassation in B flat, K. 99 (1769)
• Divertimento in E flat, K. 113 (1771)
• Divertimento in D, K. 131 (1772)
• Divertimenti, K. 136-138 (1772)

Although sometimes described as string quartets, they are almost certainly for strings with double bass and are like Sinfonias in the Italian style.

• Divertimento in D, K. 205 (1773)
• Divertimento in F "Lodron", K. 247 (1776)
• Divertimento in D, K. 251 (1776)
• Notturno in D for Four Orchestras, K. 286 (1776-77)
• Divertimento in B flat "Lodron", K. 287 (1777)
• Divertimento in D, K. 334 (1779-80)
• Divertimento for two horns and strings, A Musical Joke, (Ein Musikalischer Spaß,) K. 522

Divertimento for two horns and strings, A Musical Joke, (Ein Musikalischer Spaß,) K. 522 was published on June 14, 1787 by Wolfgang Amadeus Mozart. ...

Dances

Mozart left a huge production of dances for orchestra, including the genres of Minuetto (more than 100), Contredanse and Allemande (or Teitsch, or Laendler, or German Dances).

In his production of minuets, Mozart generally followed Haydn's example, preferring the slow character of the dance. Allemandes (56 between 1787 and 1791) were written mainly for public balls in Vienna. In the Contredanse production, also written mainly in Vienna, some examples of program music are found, like Il Temporale K. 534, La Bataille K. 535, Canary K. 600/5, etc. A minuet, sometimes spelled menuet, is a social dance of French origin for two persons, usually in 3/4 time. ...

• 6 Menuets, K. 61h
• 7 Menuets, K. 65a
• 4 Contredanses, K. 101/250a
• 20 Menuets, K. 103
• 6 Menuets, K. 104/61e
• 6 Menuets, K. 105/61f
• Menuet in E flat, K. 122
• Contredanse in B flat, K. 123
• 6 Menuets, K. 164
• 16 Menuets, K. 176
• 4 Contredanses, K. 267/271c
• Gavotte in B flat, K. 300
• 3 Menuets, K. 363
• 5 Menuets, K. 461
• 6 Contredanses, K. 462/448b
• 2 Quadrilles, K. 463/448c
• 6 German Dances, K. 509
• Contredanse in D, "Das Donnerwetter", K. 534
• Contredanse in C, "La Bataille", K. 535
• 6 German Dances, K. 536
• 6 German Dances, K. 567
• 12 Menuets, K. 568
• 6 German Dances, K. 571
• 12 Menuets, K. 585
• 12 German Dances, K. 586
• Contredanse in C, "Der Sieg vom Helden Koburg", K. 587
• 6 Menuets, K. 599
• 6 German Dances, K. 600
• 4 Menuets, K. 601
• 4 German Dances, K. 602
• 2 Contredanses, K. 603
• 2 Menuets, K. 604
• 3 German Dances, K. 605
• 6 German Dances, K. 606
• 5 German Dances, K. 609
• Contredanse in G, K. 610

Sacred music

Mozart's sacred music is mainly vocal, though also instrumental examples exist, like the Sonate da Chiesa for 2 violins, double bass and organ, composed between 1767 and 1780.

Mozart's sacred music presents a rich stylistic mosaic: Gregorian choral elements meet rigorous counterpoint, and even operatic elements can sometimes emerge. Stylistic unity and consistency is present over all his sacred music work.

We include in this genre, for their liturgical character, also the compositions written for the Masonic Lodge, like The Cantata Laut Verkunde unsre Freude K623 and the Maurerische Trauermusik (Masonic Funeral Music) K477. A cantata (Italian, sung) is a vocal composition with an instrumental accompaniment and generally containing more than one movement. ... The Maurerische Trauermusik (Masonic Funeral Music), for orchestra in C minor, K. 477 (K. 479a) was a piece composed by Wolfgang Amadeus Mozart in 1785 on the death of brothers Mecklenburg and Esterházy, as Mozart noted in the inventory of his compositions. ...

Masses

• Mass No. 1 ("Missa brevis") in G major, K. 49
• Mass No. 2 ("Missa brevis") in D minor, K. 65
• Mass No. 3 in C major (Dominicusmesse), K. 66
• Mass No. 4 ("Missa solemnis") in C minor, K. 139
• Mass No. 5 ("Missa brevis") in G major, K. 140
• Mass No. 6 ("Missa brevis") in F major, K. 192
• Mass No. 7 in C major (Missa in honorem Sanctissimae Trinitatis), K. 167
• Mass No. 8 ("Missa brevis") in D major, K. 194
• Mass No. 9 ("Missa brevis") in C major (Spatzenmesse), K. 220
• Mass No. 10 ("Missa brevis") in C major ("Credo" Mass), K. 257
• Mass No. 11 in C major (Spaurmesse or Piccolomissa), K. 258
• Mass No. 12 ("Missa brevis") in C major ("Organ Solo"), K. 259
• Mass No. 13 ("Missa longa") in C major, K. 262
• Mass No. 14 ("Missa brevis") in B flat major, K. 275
• Mass No. 15 in C major ("Coronation"), K. 317
• Mass No. 16 ("Missa solemnis") in C major (Missa aulica), K. 337
• Mass No. 17 in C minor ("Great"), K. 427
• Requiem Mass in D minor, K. 626 (completed by Franz Xaver Süssmayr after Mozart's death)

The Krönungsmesse Coronation Mass (Mass No. ... Mozarts Große Messe (or Great Mass) No. ... The Requiem Mass in D minor (K. 626) by Wolfgang Amadeus Mozart was composed in 1791. ... Franz Xaver Süssmayr (German: Franz Xaver Süßmayr; b. ...

Other sacred music

• Regina Coeli for soprano, chorus and orchestra, K. 108
• Regina Coeli for soprano, chorus and orchestra, K. 127
• Te Deum, K. 141
• Exsultate, jubilate, K. 165
• Regina Coeli for soloists, chorus and orchestra, K. 276
• Vesperae de Dominica in C, K. 321
• Vesperae solennes de confessore, K. 339 (1780)
• Kyrie in D minor, K. 341
• Ave verum corpus, K. 618

The Regina Caeli or Regina Coeli (Queen of Heaven), an ancient latin Marian Hymn of the Roman Catholic Church, is one of the four seasonal Marian antiphons of the Blessed Virgin Mary, prescribed to be sung or recited in the Liturgy of the Hours at the conclusion of the last... Te Deum is an early Christian hymn of praise. ... Exsultate, Jubilate K. 165, by Wolfgang Amadeus Mozart was written in 1773. ... Kyrie is the vocative case of the Greek word κύριος (kyrios - lord) and means O Lord; it is the common name of an important prayer of Christian liturgy, also called Kyrie eleison which is Greek for Lord, have mercy. ... Wolfgang Amadeus Mozarts setting of the ancient hymn Ave verum Corpus, K.618, was written for Anton Stoll (a friend of his and Haydns) who was musical co-ordinator in the parish of Baden, near Vienna. ...

Church sonatas

• Church Sonata No. 1 in E flat, K. 41h (1772)
• Church Sonata No. 2 in B, K. 68 (1772)
• Church Sonata No. 3 in D, K. 69 (1772)
• Church Sonata No. 4 in D, K. 144 (1772)
• Church Sonata No. 5 in F, K. 145 (1772)
• Church Sonata No. 6 in B, K. 212 (1775)
• Church Sonata No. 7 in F, K. 241a (1776)
• Church Sonata No. 8 in A, K. 241b (1776)
• Church Sonata No. 9 in G, K. 241 (1776)
• Church Sonata No. 10 in F, K. 244 (1776)
• Church Sonata No. 11 in D, K. 245 (1776)
• Church Sonata No. 12 in C, K. 263 (1776)
• Church Sonata No. 13 in G, K. 274 (1777)
• Church Sonata No. 14 in C, K. 278 (1777)
• Church Sonata No. 15 in C, K. 328 (1779)
• Church Sonata No. 16 in C, K. 329 (1779)
• Church Sonata No. 17 in C, K. 336 (1780)

Organ music

• Fugue in E flat major, K. 153 (375f)
• Fugue in G minor, K. 154 (385k)
• Ouverture in C major, K. 399 (385i)
• Fugue in G minor, K. 401 (375e)
• Adagio un C major, K. 536 (617a)
• Eine Kleine Gigue, K. 574
• Adagio and Allegro in F minor for a Mechanical Organ, K. 594 (1790)
• Fantasia in F minor for a Mechanical Organ, K. 608 (1791)
• Andante in F for a Small Mechanical Organ, K. 616 (1791)

Operas

Mozart, at Vienna, playing his Opera "Don Juan" for the first time

• Die Schuldigkeit des ersten Gebotes, K. 35 (1767)
• Apollo et Hyacinthus, K. 38 (1767)

In 1767 Mozart composed his first opera, if one may thus call the scholastic musical drama Apollo et Hyacinthus.

• Bastien und Bastienne, K. 50=46b (1768)

With respect to that first attempt, Bastien et Bastienne generates a definitely different result. The young musician is already able to dominate texts and his music emanates pastoral joy and spontaneous fascination.

• La finta semplice, K. 51 (1768)

La finta semplice can be considered Mozart's first - only partially achieved - approach to the Opera buffa genre.

• Mitridate, rè di Ponto, K. 87 (1770)

Then, the first Italian operas were composed, upon assignments received in Milan and Salzburg: Mitridate, re di Ponto, Ascanio in Alba, Il sogno di Scipione, and Lucio Silla. In all of these works, Mozart still shows some awkwardness while moving in the traditional opera seria frame. The librettos are often dramatically weak and improbable. Nevertheless, one can find in these works some unambiguously Mozartian distinguishing marks, though the weight, substance and formal perfection of the older Mozart are still lacking.

• Ascanio in Alba, K. 111 (1771)
• Betulia Liberata, an oratorio, K. 118=74c (1771)

On the subject of Judith and Holofernes.

• Il sogno di Scipione, K. 126 (1772)
• Lucio Silla, K. 135 (1772)
• Thamos, König in Ägypten (1773, 1775)
• La finta giardiniera, K. 196 (1774-5)

With La finta giardiniera, Mozart comes back to the opera buffa, outranging all previous models of that genre. The libretto is still weak, but characters are not schematic anymore and become real individuals, with music definitely contributing to their definition.

• Il rè pastore, K. 208 (1775)
• Zaide, K. 344 (1779)
• Idomeneo, K. 366 (1781)
• Die Entführung aus dem Serail, K. 384 (1782)

After many years from his debut in the German music drama (Singspiel), Mozart came back to this genre with Die Entführung aus dem Serail and, finally, with Die Zauberflöte.

• L'oca del Cairo, K. 422 (1783)
• Lo sposo deluso, K. 430
• Der Schauspieldirektor, K. 486 (1786)
• Le nozze di Figaro, K. 492 (1786)

Le nozze di Figaro, the first of the three great operatic works, all belonging to the opera buffa genre (though the Don Giovanni obviously involves tragic elements), that Mozart composed with libretto by Lorenzo da Ponte. Le nozze di Figaro was taken from the comedy Le mariage de Figaro by Pierre Beaumarchais, a work that was hardly accepted - and performed - in France, due to its denunciation contents against the flaws of the higher dominating classes (Clergy and Aristocracy), opposed to the healthy activism of the Third Estate. In Austria, too, Mozart's opera met the opposition of the imperial court, though it should be said that Da Ponte had purged the most shocking aspects from the original text. Actually, the opera was executed during the Spring of 1786 at the Vienna Burgtheater, with enormous success.

• Don Giovanni, K. 527 (1787)

The trilogy of Da Ponte librettos continued with Don Giovanni and Così fan tutte, both dealing - but in highly different ways - with the subject of love between men and women.

• Così fan tutte, K. 588 (1789)
• Die Zauberflöte, K. 620 (1791)

Die Zauberflöte has been criticized for the absurdities of its libretto (by Emanuel Schikaneder), that was probably rehandled several times. However, it achieved great successes with its premiere. Its music proposes elements of great brightness and spirituality, with the composition of sacred and profane love in unique delight. This work was also influenced by Freemasonry.

• La clemenza di Tito, K. 621 (1791)

Mozart at Vienna playing his Opera Don Juan for the first time This image has been released into the public domain by the copyright holder, its copyright has expired, or it is ineligible for copyright. ... Mozart at Vienna playing his Opera Don Juan for the first time This image has been released into the public domain by the copyright holder, its copyright has expired, or it is ineligible for copyright. ... Die Schuldigkeit des ersten Gebotes is an opera, K. 35, composed by Wolfgang Amadeus Mozart in 1767. ... Apollo et Hyacinthus is an opera, K.38, written in 1767 by Wolfgang Amadeus Mozart, who was 11 years old at the time. ... Year 1767 (MDCCLXVII) was a common year starting on Thursday (link will display the full calendar) of the Gregorian calendar (or a common year starting on Monday of the 11-day slower Julian calendar). ... For other uses, see Opera (disambiguation). ... Apollo et Hyacinthus is an opera, K.38, written in 1767 by Wolfgang Amadeus Mozart, who was 11 years old at the time. ... Bastien und Bastienne (Bastien and Bastienne) is a one-act singspiel opera with libretto by Friedrich Wilhelm Weiskern and music by Wolfgang Amadeus Mozart. ... Bastien und Bastienne (Bastien and Bastienne) is a one-act singspiel, comic opera, with libretto by Friedrich Wilhelm Weiskern and music by Wolfgang Amadeus Mozart. ... La finta semplice (The Pretended Simpleton), K. 51 (46a) is an opera buffa in three acts for singers and orchestra, composed in 1769 by Wolfgang Amadeus Mozart, on a libretto by the court poet Marco Coltellini based on an early work by Carlo Goldoni. ... La finta semplice (The Pretended Simpleton), K. 51 (46a) is an opera buffa in three acts for singers and orchestra, composed in 1769 by Wolfgang Amadeus Mozart, on a libretto by the court poet Marco Coltellini based on an early work by Carlo Goldoni. ... Opera buffa (a form of comic opera), also known as Commedia in musica or Commedia per musica, is a genre of opera. ... Mitridate, re di Ponto (Mithridates, King of Pontus), K. 87 (74a), is an early opera seria in three acts by Wolfgang Amadeus Mozart. ... Mitridate, re di Ponto (Mithridates, King of Pontus), K. 87 (74a), is an early opera seria in three acts by Wolfgang Amadeus Mozart. ... Ascanio in Alba, K. 111, Pastoral opera in 2 parts (Festa teatrale in due atti) Composer: Wolfgang Amadeus Mozart Librettist: Abbé Giuseppe Parini First performance: Teatro Regio Ducal, Milan, 17 October 1771 // Dramatis Personæ Venere (Venus) (soprano) Ascanio, her grandson, son of Aeneas (male soprano) Silvia, a nymph descended from... Il sogno di Scipione, K. 126, Dramatic serenade in one act (Azione teatrale) Composer: Wolfgang Amadeus Mozart Librettist: Pietro Metastasio First performance: Palace of the Archbishop, Salzburg, 1? May, 1772 Judith Weir has made an adaptation of the score. ... Lucio Silla (K135) is an Italian opera in three acts composed by Wolfgang Amadeus Mozart. ... A caricature of a performance of Handels Flavio, featuring three of the most well-known opera seria singers of their day: Senesino on the left, diva Francesca Cuzzoni in the centre, and art-loving castrato Gaetano Berenstadt on the right. ... Ascanio in Alba, K. 111, Pastoral opera in 2 parts (Festa teatrale in due atti) Composer: Wolfgang Amadeus Mozart Librettist: Abbé Giuseppe Parini First performance: Teatro Regio Ducal, Milan, 17 October 1771 // Dramatis Personæ Venere (Venus) (soprano) Ascanio, her grandson, son of Aeneas (male soprano) Silvia, a nymph descended from... The Betulia liberata, K. 118 (74c) is a sacred action in two parts for solos, choir and orchestra, composed in March-July 1771 by a young Mozart (15 y. ... An oratorio is a large musical composition for orchestra, vocal soloists and chorus. ... For other uses of Judith, see Judith (disambiguation). ... Artemisia Gentileschis painting Judith Beheading Holofernes. ... Il sogno di Scipione, K. 126, Dramatic serenade in one act (Azione teatrale) Composer: Wolfgang Amadeus Mozart Librettist: Pietro Metastasio First performance: Palace of the Archbishop, Salzburg, 1? May, 1772 Judith Weir has made an adaptation of the score. ... Lucio Silla (K135) is an Italian opera in three acts composed by Wolfgang Amadeus Mozart. ... Thamos, König in Ägypten (Thamos, King of Egypt, or King Thamos, in English) is a play by Tobias Philipp, baron von Gebler, for which, between 1773 and 1780, Wolfgang Amadeus Mozart wrote incidental music, K. 345/336a, of an operatic character. ... La finta giardiniera (The Phony Gardener), K. 196, is an Italian opera by Wolfgang Amadeus Mozart. ... La finta giardiniera (The Phony Gardener), K. 196, is an Italian opera by Wolfgang Amadeus Mozart. ... Il rè pastore (The Shepherd King) is an opera, K. 208, written by Wolfgang Amadeus Mozart to a Italian libretto by Pietro Metastasio. ... Zaide is an opera, K. 344, written by Wolfgang Amadeus Mozart in 1780. ... Idomeneo, re di Creta ossia Ilia e Idamante (Italian: Idomeneo, King of Crete, or, Ilia and Idamante; usually referred to simply as Idomeneo, K. 366) is an Italian opera by Wolfgang Amadeus Mozart. ... Die Entführung aus dem Serail (K. 384; in English The Abduction from the Seraglio; also known as Il Seraglio) is a opera Singspiel in three acts by Wolfgang Amadeus Mozart. ... Singspiel (song-play) is a form of German-language music drama, similar to modern musical theater, though it is also referred to as a type of operetta or opera. ... Die Entführung aus dem Serail (K. 384; in English The Abduction from the Seraglio; also known as Il Seraglio) is a opera Singspiel in three acts by Wolfgang Amadeus Mozart. ... Die Zauberflöte (en: The Magic Flute) is an opera in two acts composed by Wolfgang Amadeus Mozart to a German libretto by Emanuel Schikaneder. ... Loca del Cairo is an opera buffa (or dramma giocoso per musica), K. 422, written by Wolfgang Amadeus Mozart in 1783. ... Lo sposo deluso is a 2-act opera buffa, K. 430, written by Wolfgang Amadeus Mozart in 1783. ... Der Schauspieldirektor (The Impresario), K. 486, is a comic Singspiel written by Wolfgang Amadeus Mozart to a German libretto by Gottlieb Stephanie. ... Le Nozze di Figaro, is a comic opera composed in 1786 by Wolfgang Amadeus Mozart, with libretto by Lorenzo da Ponte, based on a stage comedy by Beaumarchais. ... Le Nozze di Figaro, is a comic opera composed in 1786 by Wolfgang Amadeus Mozart, with libretto by Lorenzo da Ponte, based on a stage comedy by Beaumarchais. ... Lorenzo da Ponte Lorenzo Da Ponte (March 10, 1749–August 17, 1838) was an Italian librettist born in Ceneda (now Vittorio Veneto). ... Le Nozze di Figaro, is a comic opera composed in 1786 by Wolfgang Amadeus Mozart, with libretto by Lorenzo da Ponte, based on a stage comedy by Beaumarchais. ... The Marriage of Figaro (French: Le Mariage de Figaro or La Folle Journée) is a comedy in five acts, written in 1778 by Pierre Beaumarchais. ... Beaumarchais Pierre-Augustin Caron de Beaumarchais (January 24, 1732 – May 17-18, 1799) was a watch-maker, inventor, musician, politician, invalid, fugitive, spy, publisher, arms-dealer, and revolutionary (both French and American). ... Clergy is the generic term used to describe the formal religious leadership within a given religion. ... Aristocrat redirects here. ... In France of the ancien régime and the age of the French Revolution, the term Third Estate (tiers état) indicated the generality of people which were not part of the clergy (the First Estate) nor of the nobility (the Second Estate). ... Don Giovanni (K.527; complete title: Il dissoluto punito, ossia il Don Giovanni, literally The Rake Punishd, or Don Giovanni) is an opera in two acts with music by Wolfgang Amadeus Mozart and libretto by Lorenzo da Ponte. ... Don Giovanni (K.527; complete title: Il dissoluto punito, ossia il Don Giovanni, literally The Rake Punishd, or Don Giovanni) is an opera in two acts with music by Wolfgang Amadeus Mozart and libretto by Lorenzo da Ponte. ... Così fan tutte, ossia La scuola degli amanti (Thus Do They [f. ... Così fan tutte, ossia La scuola degli amanti (Thus Do They [f. ... Die Zauberflöte (en: The Magic Flute) is an opera in two acts composed by Wolfgang Amadeus Mozart to a German libretto by Emanuel Schikaneder. ... Emanuel Schikaneder (Straubing, September 9, 1751 – September 21, 1812, Vienna), born Johann Joseph Schikaneder, was a German impresario, dramatist, actor, and singer. ... Freemasons redirects here. ... La clemenza di Tito (The Clemency of Titus), K. 621, was an opera seria written by Wolfgang Amadeus Mozart. ...

Concert arias, songs and canons

Arias, canzonettas, cavatinas, recitatives

Soprano

• Conservati fedele

Aria with orchestra, K. 23 (1765-10), libretto by Metastasio

Aria with piano, K. Zu 23 (1766-01), libretto by Metastasio

• A Berenice, K. 70=61c (1767-02 or 1769-02)

Recitative for soprano and orchestra, librettist unknown

• Sol nascente, K. 70=61c (1767-02 or 1769-02)

Aria for soprano and orchestra, librettist unknown

• Non curo l'affetto, K⁶ 74b (1771)

Aria for soprano and orchestra, librettist unknown

• Misero me!, K. 77=73e (1770-03)

Recitative for soprano and orchestra, libretto by Metastasio

• Misero pargoletto, K. 77=73e (1770-03)

Aria for soprano and orchestra, libretto by Metastasio

• O temerario Arbace!, K. 78=73b (1766)

Recitative for soprano and orchestra, libretto by Metastasio

• Per pietà, bell'idol mio, K. 78=73b (1766)

Aria for soprano and orchestra, libretto by Metastasio

• Per quel paterno amplesso, K. 79-73d (1766)

Aria for soprano and orchestra, libretto by Metastasio

• Se ardire, e speranza, K. 82=73o (1770-04-25)

Aria for soprano and orchestra, libretto by Metastasio

• Se tutti i mali miei, K. 83=73p (1770)

Aria for soprano and orchestra, libretto by Metastasio

• Fra cento affanni e cento, K. 88=73c (1770)

Aria for soprano and orchestra, libretto by Metastasio

• Der Liebe himmlisches Gefühl, K. 119=382h (1782)

Arrangement of aria for soprano and orchestra, librettist unknown

• Ridente la calma, K. 152=210a (Between 1772 and 1775)

Canzonetta for soprano and piano accompaniment, libretto by G. Migliavacca

Piano arrangement of Josef Mysliveček's aria 'Ridente la calma' for the opera Armida

• Voi avete un cor fedele, K. 217 (1775-10-26

Aria for soprano and orchestra, libretto by Carlo Goldoni

• Ah, lo previdi!, K. 272 (1777-08)

Recitative for soprano and orchestra, libretto by Vittorio Amedio Cigna-Santi

• Ah, t'invola agl'occhi miei, K. 272 (1777-08)

Aria for soprano and orchestra, libretto by Vittorio Amedio Cigna-Santi

• Deh, non varcar quell'onda, K. 272 (1777-08)

Cavatina for soprano and orchestra, libretto by Vittorio Amedio Cigna-Santi

• Alcandro, Io confesso, K. 294 (1778-02-24)

Recitative for soprano and orchestra, libretto by Metastasio

• Non sò d'onde viene, K. 294 (1778-02-24)

Aria for soprano and orchestra, libretto by Metastasio

• Basta, vincesti, K. 295a (1778-02-28)

Recitativo for soprano and orchestra, libretto by Metastasio

• Ah, non lasciarmi, no, K. 295a (1778-02-28)

Aria for soprano and orchestra, libretto by Metastasio

• Popoli di Tessaglia!, K. 316=300b (1779-01-08)

Recitative for soprano and orchestra, libretto by Ranieri de' Calzabigi.

• Io non chiedo, eterni Dei, K. 316=300b (1779-01-08)

Aria for soprano and orchestra, libretto by Ranieri de' Calzabigi.

• Ma che vi fece, o stelle, K. 368 (1781-01)

Recitavo for soprano and orchestra, libretto by Metastasio

• Sperai vicino il lido, K. 368 (1781-01)

Aria for soprano and orchestra, libretto by Metastasio

• Misera, dove son!, K. 369 (1781-03-08)

Recitative for soprano and orchestra, libretto by Metastasio

• Ah! non son io che parlo, K. 369 (1781-03-08)

Aria for soprano and orchestra, libretto by Metastasio

• A questo seno deh vieni, K. 374 (1781-04)

Recitative for soprano and orchestra, libretto by Giovanni de Gamerra

• Or che il cielo a me ti rende, K. 374 (1781-04)

Aria for soprano and orchestra, libretto by Giovanni de Gamerra

• Nehmt meinen Dank, ihr holden Gönner, K. 383 (1782-04-10)

Aria for soprano and orchestra, librettist unknown

• Mia speranza adorata, K. 416 (1783-01-08)

Recitavo for soprano and orchestra, libretto by Gaetano Sertor

• Ah, non sai qual pena, K. 416 (1783-01-08)

Aria for soprano and orchestra, libretto by Gaetano Sertor

• Vorrei spiegarvi, oh Dio!, K. 418 (1783-06-20)

Aria for soprano and orchestra, librettist unknown

• No, che non sei capace, K. 419 (1783-06)

Aria for soprano and orchestra, librettist unknown

• In te spero, oh sposo amato, K. 440=383h (1782-02)

Aria for soprano and orchestra, libretto by Metastasio

• Ch'io mi scordi di te?, K. 505 (1786-12-26)

Recitative for soprano and orchestra, librettist unknown

• Bella mia fiamma, addio!, K. 528 (1787-11-03)

Recitative for soprano and orchestra, libretto by D. Michele Sarcone

• Resta, oh cara!, K. 528 (1788-03-04)

Aria for soprano and orchestra, libretto by Metastasio

• Ah se in ciel, benigne stelle, K. 538 (1788-03-04)

Aria for soprano and orchestra, libretto by Metastasio

• Ohne Zwang aus eignem Triebe, K. 569 (?)

Aria for soprano, LOST

• Alma grande e nobil core, K. 578 (1789-08)

Aria for soprano and orchestra, libretto by |Giuseppe Palomba

• Schon lacht der holde Fruhling, K. 580 (1789-09-17)

Aria for soprano and orchestra, librettist unknown

• Chi sà, chi sà, qual sia, K. 582 (1789-10)

Aria for soprano and orchestra, libretto by Lorenzo Da Ponte

• Vado, ma dove? oh Dei!, K. 583 (1789-10)

Aria for soprano and orchestra, libretto by Lorenzo Da Ponte

• Io ti lascio, oh cara, addio, NMA II/7/4 Anh III (?)

Cavatina for soprano and orchestra, libretto by Metastasio

• Cara, se le mie pene, NMA II/7/1 No. 7 (1769)

Aria with soprano, 2 horns, violin, viola & bass, librettist unknown

• "Aria for Gretl Marchard", K. deest

Aria for soprano, LOST

• "Aria for daughter of Joseph Wolf", K. deest

Aria for soprano, LOST

Pietro Trapassi (January 13, 1698 - April 12, 1782), Italian poet, is better known by his pseudonym of Metastasio. ... Pietro Trapassi (January 13, 1698 - April 12, 1782), Italian poet, is better known by his pseudonym of Metastasio. ... Pietro Trapassi (January 13, 1698 - April 12, 1782), Italian poet, is better known by his pseudonym of Metastasio. ... Pietro Trapassi (January 13, 1698 - April 12, 1782), Italian poet, is better known by his pseudonym of Metastasio. ... Pietro Trapassi (January 13, 1698 - April 12, 1782), Italian poet, is better known by his pseudonym of Metastasio. ... Pietro Trapassi (January 13, 1698 - April 12, 1782), Italian poet, is better known by his pseudonym of Metastasio. ... Pietro Trapassi (January 13, 1698 - April 12, 1782), Italian poet, is better known by his pseudonym of Metastasio. ... Pietro Trapassi (January 13, 1698 - April 12, 1782), Italian poet, is better known by his pseudonym of Metastasio. ... Pietro Trapassi (January 13, 1698 - April 12, 1782), Italian poet, is better known by his pseudonym of Metastasio. ... Pietro Trapassi (January 13, 1698 - April 12, 1782), Italian poet, is better known by his pseudonym of Metastasio. ... Josef Mysliveček (March 9, 1737 - February 4, 1781) was a Czech composer. ... Armida is a beautiful enchantress in Torquato Tassos Jerusalem Delivered, who bewitched Rinaldo, one of the Crusaders, by her charms, as Circe did Ulysses, and who in turn, when the spell was broken, overpowered her by his love and persuaded her to become a Christian. ... Carlo Goldoni Carlo Osvaldo Goldoni (25 February 1707 - 6 February 1793) was a celebrated Italian playwright, whom critics today rank among the European theatres greatest authors. ... Pietro Trapassi (January 13, 1698 - April 12, 1782), Italian poet, is better known by his pseudonym of Metastasio. ... Pietro Trapassi (January 13, 1698 - April 12, 1782), Italian poet, is better known by his pseudonym of Metastasio. ... Pietro Trapassi (January 13, 1698 - April 12, 1782), Italian poet, is better known by his pseudonym of Metastasio. ... Pietro Trapassi (January 13, 1698 - April 12, 1782), Italian poet, is better known by his pseudonym of Metastasio. ... Ranieri de Calzabigi (1714-1795) was an Italian poet and librettist, most famous for his collaboration with the composer Christoph Willibald Gluck on his reform operas. ... Ranieri de Calzabigi (1714-1795) was an Italian poet and librettist, most famous for his collaboration with the composer Christoph Willibald Gluck on his reform operas. ... Pietro Trapassi (January 13, 1698 - April 12, 1782), Italian poet, is better known by his pseudonym of Metastasio. ... Pietro Trapassi (January 13, 1698 - April 12, 1782), Italian poet, is better known by his pseudonym of Metastasio. ... Pietro Trapassi (January 13, 1698 - April 12, 1782), Italian poet, is better known by his pseudonym of Metastasio. ... Pietro Trapassi (January 13, 1698 - April 12, 1782), Italian poet, is better known by his pseudonym of Metastasio. ... Pietro Trapassi (January 13, 1698 - April 12, 1782), Italian poet, is better known by his pseudonym of Metastasio. ... Pietro Trapassi (January 13, 1698 - April 12, 1782), Italian poet, is better known by his pseudonym of Metastasio. ... Pietro Trapassi (January 13, 1698 - April 12, 1782), Italian poet, is better known by his pseudonym of Metastasio. ... Lorenzo da Ponte Lorenzo Da Ponte (March 10, 1749–August 17, 1838) was an Italian librettist born in Ceneda (now Vittorio Veneto). ... Lorenzo da Ponte Lorenzo Da Ponte (March 10, 1749–August 17, 1838) was an Italian librettist born in Ceneda (now Vittorio Veneto). ... Pietro Trapassi (January 13, 1698 - April 12, 1782), Italian poet, is better known by his pseudonym of Metastasio. ...

Contralto

• Ombra felice!, K. 255 (1776-09)

Recitativo for contralto and orchestra, libretto by Giovanni de Gamerra

• Io ti lascio, e questo addio, K. 255 (1776-09)

Aria for contralto and orchestra, libretto by Giovanni de Gamerra

Tenor

• Va, dal furor portata, K. 21=19c (1765)

Aria with Orchestra, libretto by Metastasio

• Or che il dover, K. 36=33i (1766-12)

Recitative for tenor and orchestra, librettist unknown

• Tali e cotanti sono, K. 36=33i (1766-12)

Aria for tenor and orchestra, librettist unknown

• Ah, più tremar non voglio, K. 71 (1769 or 1770)

Aria for tenor and orchestra, libretto by Metastasio

• Si mostra la sorte, K. 209 (1775-05-19)

Aria for tenor and orchestra, librettist unknown

• Con ossequio, con rispetto, K. 210 (1775-05)

Aria for tenor and orchestra, librettist unknown

• Clarice cara mia sposa, K. 256 (1776-09)

Aria for tenor and orchestra, librettist unknown

• Se al labbro mio non credi, KV 295 (1778-02-28)

Aria for tenor and orchestra, libretto by Antonio Salvi

• Per pietà, non ricercate, K. 420 (1783-06-21)

Aria for tenor and orchestra, librettist unknown

• Misero! O sogno, K. 431=425b (1783)

Recitative for tenor and orchestra, librettist unknown

• Aura, che intorno spiri, K. 431=425b (1783)

Aria for tenor and orchestra, librettist unknown

Pietro Trapassi (January 13, 1698 - April 12, 1782), Italian poet, is better known by his pseudonym of Metastasio. ... Pietro Trapassi (January 13, 1698 - April 12, 1782), Italian poet, is better known by his pseudonym of Metastasio. ...

Bass

• Un dente guasto e gelato, K⁶ 209a (1775)

Aria for bass and orchestra, librettist unknown

• Così dunque tradisci, K. 432=421a (1783)

Recitative for bass and orchestra, libretto by Metastasio

• Aspri rimorsi atroci, K. 432=421a (1783)

Aria for bass and orchestra, libretto by Metastasio

• Warnung: "Maenner suchen stets zu naschen", K. 433=416c (1783)

Aria for bass and orchestra, librettist unknown

• Alcandro, Io confesso, K. 512 (1787-03-[18 or 19])

Recitativo for bass and orchestra, libretto by Metastasio

• Non so d'onde viene, K. 512 (1787-03-[18 or 19])

Aria for bass and orchestra, libretto by Metastasio

• Mentre ti lascio, oh figlia, K. 513 (1787-03-23)

Aria for bass and orchestra, libretto by Duca Sant' Angioli-Morbilli

• Ich möchte wohl der Kaiser sein, K. 539 (1788-03-05)

German War Song for bass and orchestra, libretto by Johann Wilhelm Ludwig Gleim

• Un bacio di mano, K. 541 (1788-06)

Arietta for bass and orchestra, libretto by Lorenzo Da Ponte

• Io ti lascio, oh cara, addio, K⁶ 621a (1791)

Aria for bass and orchestra, librettist unknown

Pietro Trapassi (January 13, 1698 - April 12, 1782), Italian poet, is better known by his pseudonym of Metastasio. ... Pietro Trapassi (January 13, 1698 - April 12, 1782), Italian poet, is better known by his pseudonym of Metastasio. ... Pietro Trapassi (January 13, 1698 - April 12, 1782), Italian poet, is better known by his pseudonym of Metastasio. ... Pietro Trapassi (January 13, 1698 - April 12, 1782), Italian poet, is better known by his pseudonym of Metastasio. ... Johann Wilhelm Ludwig Gleim (April 2, 1719 - February 18, 1803) was a German poet. ... Lorenzo da Ponte Lorenzo Da Ponte (March 10, 1749–August 17, 1838) was an Italian librettist born in Ceneda (now Vittorio Veneto). ...

Group

• Del gran regno delle amazzone, K. 434=480b (End of 1785)

Aria for tenor, 2 basses, and orchestra, libretto by Guiseppe Petrosellini

• Dite almeno, in che mancai, K. 479 (1785-11-05)

Aria for soprano, tenor, 2 basses, and orchestra, librettist unknown

• Mandina amabile, K. 480 (1785-11-21)

Aria for soprano, tenor, bass, and orchestra, librettist unknown

• Per questa bella mano, K. 612 (1791-03-08)

Aria for bass, contrabass, and orchestra, librettist unknown

Songs

• Abendempfindung an Laura: Abend ist's, die Sonne ist verschwunden: K. 523 (1787-06-24)
• Ach, was müssen wir erfahren! K. 43a (1767-10-15)
• Ah, spiegarti, oh Dio: K. 417e (1783)
• Als aus Ägypten Israel: K. 336c/2 (1787-02)
• Als Luise die Briefe ihres ungetruen Liebhabers verbrannte: Erzeugt von heißer Phantasie: K. 520 (1787-05-26)
• An Chloe: Wenn die Lieb’ aus deinen blauen, hellen, offnen Augen sieht: K. 524 (1787-06-24)
• An die Freude: Freude, Königin der Weisen: K. 47e (1768-11)
• Auf die feierliche Johannisloge: O heiliges Band der Freundschaft treuer Brüder: K. 125h (1772)
• Caro mio Druck und Schluck: K. 571a (1789)
• Dans un bois solitaire: K. 295b (1777-10-30 to 1778-03-14)
• Das Kinderspiel: Wir Kinder, wir schmecken der Freuden recht viel! K. 598 (1791-01-14)
• Das Lied der Trennung: Die Engel Gottes weinen: K. 519 (1787-05-23)
• Das Traumbild: Wo bist du, Bild: K. 530 (1787-11-06)
• Das Veilchen: Ein Veilchen auf der Wiese stand: K. 476 (1785-06-08)
• Der Frühling: Erwacht zum neuen Leben: K. 597 (1791-01-14)
• Der Zauberer: Ihr Mädchen, flieht Damöten: K. 472 (1785-05-07)
• Des kleinen Friedrichs Geburtstag: Es war einmal, ihr Leute: K. 529 (1787-11-06)
• Die Alte: Ein bißchen aus der Nase: K. 517 (1787-05-18)
• Die betrogene Welt: Der reiche Tor: K. 474 (1785-05-07)
• Die kleine Spinnerin: Was spinnst du? K. 531 (1787-12-11)
• Die Verschweigung: Sobald Damötas Chloen sieht: K. 518 (1787-05-20)
• Die Zufriedenheit: Was frag' ich viel nach Geld und Gut: K. 367a (1777-11-8 to 1778-03-14)
• Die Zufriedenheit: Wie sanft, wie ruhig: K. 473 (1785-05-07)
• Due pupille amabili: K. 439 (1783)
• Ecco quel fiero istante: K. 436 (1783)
• Einsam bin ich, meine Liebe: K. 475a (Possibly 1785)
• Bardengesang auf Gibraltar: O Calpe! Dir donnert's am Fusse: K. 386d (1782-12)
• God is our refuge: K. 20 (1765-07)
• Grazie agl'inganni tuoi: K. 532 (1787)
• Ich würd' auf meinem Pfad: K. 340c (1781-08 to 1782-05)
• Ihr unsre neuen Leiter: K. 484 (1785-12)
• Komm, libe Zither, komm: K. 367b (1780-11 to 1781-03)
• Leid beim Auszugin in das Feld: Dem hohen Kaiserworte treu K. 552: (1788-08-11)
• Liebes Manndel, wo ist's Bandel? K. 441 (1783)
• Lied der Freiheit: Wer unter eines Mädchens Hand: K. 506 (end of 1785)
• Lied zur Gesellenreise: Die ihr einem neuen Grad: K. 468 (1785-03-26)
• Luci care, luci belle: K. 439a (1783)
• Mi lagnerò tacendo: K. 437 (1783)
• O Gotteslamm: K. 336c/1 (1787-02)
• Oiseaux, si tous les ans: K. 284d (1777-10-30)
• Più non si trovano: K. 549 (1788-07-16)
• Ridente la calma: K. 210a (Between 1772 and 1775)
• Se lontan, ben mio, tu sei: K. 438 (1783)
• Sehnsucht nach dem Frühling: Komm, lieber Mai, und mache: K. 596 (1791-01-14)
• Sei du mein trost: K. 340b (1781-08 to 1782-05)
• Verdankt sei es dem Glanz der Großen: K. 340a (1781-08 to 1782-05)
• Wie unglücklich bin ich nit: K. 125g (1772)
• Zerfließet heut', geliebte Brüder: K. 483 (1785-12)

Canons

• 14 Interval Canons No. 1 for 2 in 1: Canoni in unisono: NMA III/10 No. 26 No. 1 (1786-06-03)
• 14 Interval Canons No. 2 for 2 in 1: Canoni in seconda di sopra: NMA III/10 No. 26 No. 2 (1786-06-03)
• 14 Interval Canons No. 3 for 2 in 1: Canoni in seconda di sotto: NMA III/10 No. 26 No. 3 (1786-06-03)
• 14 Interval Canons No. 4 for 2 in 1: Canoni in terza di sopra: K. 508a No. 3 (1786-06-03)
• 14 Interval Canons No. 5 for 2 in 1: Canoni in terza di sotto: NMA III/10 No. 26 No. 5 (1786-06-03)
• 14 Interval Canons No. 6 for 2 in 1: Canoni in quarta di sopra: K. 508a No. 4 (1786-06-03)
• 14 Interval Canons No. 7 for 2 in 1: Canoni in quarta di sotto: NMA III/10 No. 26 No. 7 (1786-06-03)
• 14 Interval Canons No. 8 for 2 in 1: Canoni in quinta di sopra: K. 508a No. 5 (1786-06-03)
• 14 Interval Canons No. 9 for 2 in 1: Canoni in quinta di sotto: NMA III/10 No. 26 No. 9 (1786-06-03)
• 14 Interval Canons No. 10 for 2 in 1: Canoni in sesta di sopra: K. 508a No. 6 (1786-06-03)
• 14 Interval Canons No. 11 for 2 in 1: Canoni in sesta di sotto: NMA III/10 No. 26 No. 11 (1786-06-03)
• 14 Interval Canons No. 12 for 2 in 1: Canoni in settima di sopra: K. 508a No. 7 (1786-06-03)
• 14 Interval Canons No. 13 for 2 in 1: Canoni in settima di sotto: K. 508a NMA III/10 No. 26 No. 13 (1786-06-03)
• 14 Interval Canons No. 14 for 2 in 1: Canoni in settima di sotto: K. 508a No. 8 (1786-06-03)
• 2 Canons for 2 in 1: NMA III/10 Anh II No. 7a (1786-06-03)
• 2 Canons for 2 in 1: NMA III/10 Anh II No. 7b (1786-06-03)
• 4 Riddle Canons No. 1 for 3 Male Voices in 1: Ter ternis canite vocibus: Incipe Menalios: K. 73r (July or August 1770)
• 4 Riddle Canons No. 2 for 9 Female Voices in 1: Clama ne cesses. Tertia pars si placet: Cantate Domino: K. 73r (July or August 1770)
• 4 Riddle Canons No. 3 for 2 Mixed Voices and 1 additional Voice: Ter voce ciemus. Voce ter insonuit: Confitebor tibi Domine: K. 73r (July or August 1770)
• 4 Riddle Canons No. 4 for 6 Mixed Voices in 2: Thebana bella cantus / Troiana cantat: K. 73r (July or August 1770)
• Canon for 2 Voices in 1: Selig, selig: K. 382b (1782)
• Canon for 3 in 1: K. 508A (1786-06-03)
• Canon for 3 in 1: NMA III/10 Anh II No. 6 (1786-06-03)
• Canon for 3 in 3: NMA III/10 Anh II No. 1b (1781 or 1782)
• Canon for 4 Instruments in 1 for 2 Violins, Viola & Bass: K. 562c (?)
• Canon for 3 Voices in 1: Canone a tre soprani: Auf das Wohl aller Freunde: K. 508 (1786-06-03)
• Canon for 3 Voices in 1: Ave Maria: K. 554 (1888-09-02)
• Canon for 3 Voices in 1: Bei der Hitz im Sommer eß ich: K. 382e (1782)
• Canon for 3 Voices in 1: Essen, Trinken / Bei der Hitz im Sommer eß ich: K. 382e (1782)
• Canon for 3 Voices in 1: Heiterkeit und leichtes Blut: K. 507 (1786-06-03)
• Canon for 3 Voices in 1: Leck mir den Arsch fein recht schön sauber / Nichts labt mich mehr als Wein: K. 233/382d (1782)
• Canon for 3 Voices in 1: Nichts labt mich mehr als Wein: K. 382d (1782)
• Canon for 3 Voices in 1: O du eselhafter Peierl: K. 559a (some point between 1785 and 1787)
• Canon for 3 Voices in 1: Sie ist dahin: K. 382a (1782)
• Canon for 3 Voices in 1: V'amo di core: K. 382g (1782)
• Canon for 4 in 1: K. 562a (?)
• Canon for 4 in 1: NMA III/10 No. 28 (Summer 1786)
• Canon for 4 in 3: NMA III/10 Anh II No. 11 (1787 or 1888)
• Canon for 4 in 4: NMA III/10 Anh II No 2 (1781 or 1782)
• Canon for 4 in 4: NMA III/10 Anh II No. 10 (1787 or 1888)
• Canon for 4 in 4: NMA III/10 Anh II No. 3 (1781 or 1782)
• Canon for 4 in 4: NMA III/10 Anh II No. 4 (end of 1785 or 1786)
• Canon for 4 in 4: NMA III/10 Anh II No. 9 (1787 or 1888)
• Canon for 4 Instruments in 1: K. 73i (1770-04)
• Canon for 4 Voices in 1: Alleluia K. 553 (1888-09-02)
• Canon for 4 Voices in 1: Bona nox! bist a rechta Ox K. 561 (1888-09-02)
• Canon for 4 Voices in 1: Caro bell'idol mio K. 562 (1888-09-02)
• Canon for 4 Voices in 1: Difficile lectu mihi mars K. 559 (1888-09-02)
• Canon for 4 Voices in 1: Gehn wir im Prater, gehn wir in d'Hetz K. 558 (1888-09-02)
• Canon for 4 Voices in 1: Grechtelt's enk K. 556 (1888-09-02)
• Canon for 4 Voices in 1: Lacrimoso son'io K. 555 (1888-09-02)
• Canon for 4 Voices in 1: Nascoso è il mio sol K. 557 (1888-09-02)
• Canon for 4 Voices in 1: O du eselhafter Martin (Jakob) K. 560 (1888-09-02)
• Canon for 5 in 5: NMA III/10 Anh II No. 1a (1781 or 1782)
• Canon for 6 Voices in 1: Laßt froh uns sein K. 382c (1782)
• Canon for 6 Voices in 1: Wo der perlende Wein im Glase blinkt K. 382f (1782)
• Canon in 3 Parts for 3 Female Voices in 1: Canone a tre soprani: K. 508a No. 1 (1786-06-03)
• Canon in 3 Parts for 3 Female Voices in 1: Canone a tre soprani: K. 508a No. 2 (1786-06-03)
• Canonical Study for 4 in 2: K. 616b/31 (Summer 1887)
• Double Canon for 4 Voices in 2: K. 515b (1787-04-24)
• Kyrie K. 73k (1770-05)
• Canon for 6 voices in 1: Leck mich im Arsch / Laßt froh uns sein: K. 231/382c (1782)
• Triple Canon for 12 Voices in 3: Lieber Freistädtler, lieber Gaulimauli: K. 509a (1787-07-04)
• Untexted Canon for 4 (or 5) Voices in 1: Sit trium series una: K. 73i (1770-04)

Posthumous painting by Barbara Krafft in 1819 Lick Me in the Ass (German: ) is a canon in B-flat major composed by Wolfgang Amadeus Mozart, K. 231 (K382c), with lyrics in German. ...

Media

K331

Piano Sonata No. 11 in A major

K545

Piano Sonata in C major, 1st movement

K545

Piano Sonata in C major, 2nd movement

K545

Piano Sonata in C major, 3rd movement

K321, 1st movement

Vesperae de dominica - dixit dominus

K321, 2nd movement

Vesperae de dominica - confitebor

K321, 3rd movement

Vesperae de dominica - beatus vir

K321, 4th movement

Vesperae de dominica - laudate pueri

K321, 5th movement

Vesperae de dominica - laudate dominum

K321, 6th movement

Vesperae de dominica - magnificat

K570

Piano Sonata in B Flat

The Marriage of Figaro overture

Overture to the Marriage of Figaro

K314

Concerto in D for Flute

K527

Overture to Don Giovanni

K622

Concerto in A major, 1st movement

K622

Concerto in A major, 2nd movement

K622

Concerto in A major, 3rd movement

K466

Piano Concerto No.20 in D minor, 1st movement

K503

Piano Concerto No.25 In C Major

K364

Sinfonia Concertante in E flat

K550

Mozart's 40th Symphony, 1st movement

K550

Mozart's 40th Symphony, 2nd movement

K550

Mozart's 40th Symphony, 3rd movement

K550

Mozart's 40th Symphony, 4th movement

• Problems playing the files? See media help.

Rondo Alla Turka. ... K545 allegro. ... K545 andante. ... K545 rondo. ... Mozart - vesperae de dominica. ... Mozart - vesperae de dominica. ... Mozart - vesperae de dominica. ... Mozart - vesperae de dominica. ... Mozart - vesperae de dominica. ... Mozart - vesperae de dominica. ... Mozart - KV 570. ... Marriage of Figaro. ... Mozart - Concerto in D for Flute K.314. ... Image File history File links Wolfgang Amadeus Mozart - Don Giovanni - Overtüre. ... Wolfgang Amadeus Mozart - Klarinettenkonzert A-Dur - 1. ... Wolfgang Amadeus Mozart - Klarinettenkonzert A-Dur - 2. ... Wolfgang Amadeus Mozart - Klarinettenkonzert A-Dur - 3. ... Image File history File links Mozart_-_Piano_Concerto_No. ... Image File history File links Wolfgang_Amadeus_Mozart_-_Klaviersonate_C-Dur_KV_330_(300h)_-_2-_Andante_cantabile_-_Schmidt_2000. ... Image File history File links Wolfgang Amadeus Mozart - Sinfonia Concertante für Violine, Viola und Orchester - 3. ... Wolfgang Amadeus Mozart - Symphony 40 g-moll - 1. ... Wolfgang Amadeus Mozart wrote his Symphony No. ... Wolfgang Amadeus Mozart - Symphony 40 g-moll - 2. ... Wolfgang Amadeus Mozart wrote his Symphony No. ... Image File history File links Wolfgang_Amadeus_Mozart_-_Symphony_40_g-moll_-_3. ... Wolfgang Amadeus Mozart wrote his Symphony No. ... Wolfgang Amadeus Mozart - Symphony 40 g-moll - 4. ... Wolfgang Amadeus Mozart wrote his Symphony No. ...

References

1. ^ Rosen, Charles. "The Classical Style: Haydn, Mozart, Beethoven". page 264. New York: Norton, 1997.

External links

• Find Project Gutenberg's publications of music and writings by Mozart here: http://www.gutenberg.org/catalog/world/authrec?fk_authors=1368
• Complete recording of all of Mozart's works: http://www.joanrecords.com/classical/mozart/mozart-index.html
• (Spanish) A more comprehensive listing from the Spanish-language Wikipedia
• Digitized version of the Complete Mozart Edition is available here: http://nma.redhost24-001.com/mambo/index.php
• A comprehensive list of Mozart's works by David Lampson here: http://www.classical.net/music/composer/works/mozart/index.html