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Encyclopedia > List of pieces which use extended techniques
Musical pieces by style
Period
Neoclassical (see Neoclassicism)
Modernistic (see Modernism)
Style
Dadaistic (see Dada)
Impressionistic (see Impressionist music)
Jazz (see Jazz)
Minimalistic (see Minimalist music)
Nationalistic (see Nationalism)
Populistic (see Populism)
Postminimalistic (see Postminimalism)
Surrealist (see Surrealism)
Technique
Atonal (see Atonality)
Twelve-tone (see Twelve-tone technique)
List of pieces which use serialism (see Serialism)
Extended techniques (see Extended technique)
Pandiatonic (see Pandiatonic)
Polytonal (see Polytonality)
Process music (see Process music)
Quartal (see Quartal harmony)
Quarter tone (see Quarter tone)
Whole tone (see Whole tone scale)
Phase (see Phasing)
Quotation (see Quotation)
Sequenzas I-XIV
prepared piano pieces (1938)
One8 (1991), for curved bow
  • Henry Cowell
Tides of Manaunaun (1915), large tone-clusters
The Banshee, Aeolian Harp, and Sinister Resonance, played inside the piano
Black Angels, extended string techniques, including bowing with glass rods
Makrokosmos (1972), prepared and amplified piano
Vox Balaenae (1971), harmonic glissando (gull effect)
Miqi'nahual (1993) from his modular composition Doloritas (1992), stringed instrument with two right hand bows
String quartets
Imaginings (1994), stringed instrument with two right hand bows
Concord Sonata, use of a 14 3/4 inch long piece of wood to create a cluster chord
Piece with Clocks, prepared guitar using cork, matches and a foam mute
The Prince's Toys - Suite for Guitar, cross string "snare" technique, string scraped with thumbnail, percussion (striking of the guitar), playing behind the nut or saddle
Aventures, Nouvelles Aventures
Anaklasis (1959), extended string techniques
Polymorphia (1961), extended string techniques
Threnody for the Victims of Hiroshima (1960), extended string techniques
Ogoun Badagris (1976), for 5 percussionists, innovative percussion techniques
Ku-Ka-Ilimoku (1978), for 4 percussionists, innovative percussion techniques
Rotae Passionis (1982), for small ensemble, woodwinds and piano double on percussion, extended percussion, flute and clarinet techniques
Bonham (1988), for 8 percussionists
Rouse makes constant use of extended techniques for percussion and other instruments
  • Marc Sabat
For Magister Zacharias, the mechanism of lifting the dampers without the hammers touching the keys is highly-amplified
Flute Concerto No.1, Op.17 for Flute and Orchestra (2004-2006); and
Violin Concerto No.1, Op.17b for Violin and Orchestra (2004-2006): both works make use of glissando in both the flute and violin as well as string harmonics
Nomos Alpha (1966), for solo cello, uses harmonic glissando
Chronos Kristalla (1990), for string quartet using a special tuning and only natural harmonics

  Results from FactBites:
 
Extended technique - Wikipedia, the free encyclopedia (331 words)
Extended technique is a term used in music to describe unconventional, unorthodox or "improper" techniques of singing, or of playing musical instruments.
breath technique or articulation: multiphonics, tonguing or flutter tonguing, continuous breathing or circular breathing, trumpet half-valve playing, humming while blowing, double buzz, blowing a disengaged mouthpiece or reed, unusual mutes
It should be noted that nearly all jazz performers make significant use of extended techniques of one sort or another, particularly those involved in more recent styles such as hard bop and avant-garde jazz.
List of atonal pieces - Wikipedia, the free encyclopedia (68 words)
List of pieces which use serialism (see Serialism)
For atonal pieces using the twelve-tone technique and serialism see: List of twelve-tone pieces and List of serial pieces.
This page was last modified 22:20, 28 July 2006.
  More results at FactBites »


 

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