Creative nonfiction is a genre of literature, also known as literary journalism, which uses literary skills in the writing of nonfiction. A work of creative nonfiction, if well written, contains accurate and well-researched information and also holds the interest of the reader. Creative nonfiction is contrasted to research nonfiction which may contain accurate information, but may not be particularly well written.
Forms of creative nonfiction include the personal essay and the memoir.
Narrative nonfiction is a type of creative nonfiction which tells a story, for example, Black Hawk Down by Mark Bowden. Black Hawk Down began as a series of newspaper and Internet articles. Its availability as an Internet series gave the author the benefit of extensive feedback from viewers. Bob Woodward of the Washington Post is also noted for his skills at narrative nonfiction, in books like All the President's Men and Bush at War.
Noted practitioners of creative nonfiction include humorous travel journalists like Bill Bryson, political commentatorP. J. O'Rourke, Annie Dillard, and David Sedaris. Angela's Ashes, by Frank McCourt, is perhaps the most widely known work of creative nonfiction.
"Literaryjournalism" has been widely recognized as a genre since Tom Wolfe's description of the "new journalism" in 1973, although journalism using techniques of fiction has existed for far longer.
Such writing was not "new" journalism and therefore simply a type of journalism; nor was it "factual" fiction, merely a type of realistic fiction.
The roots of this "new journalism" are traced, and ideas of the theorists of this genre are explicated.
Literaryjournalism is an emerging field of study that is known by varying names, including creative nonfiction, the literature of fact and literarynonfiction.
LiteraryJournalism majors take three intensive writing seminars, and are expected to develop a portfolio of work by graduation which they can present as evidence of their skill for purposes of employment or future education.
One is LJ 20, “Introduction to LiteraryJournalism.” In this course, students will open their acquaintance with the field, reading selected exemplary texts, trying their own hand at literaryjournalism, and exploring how this type of nonfiction responds to and shapes experience.