Lo Spagna (d. c. 1529), the usual designation (due to his Spanish origin) of the Italian painter Giovanni di Pietro, one of the chief followers of Perugino.
The famous Sposalizio, or Marriage of Joseph and Mary, in the museum at Caen, formerly attributed to Perugino, is now credited to Lo Spagna. Nothing whatever is known of his early life, or how he became a member of the Perugian school. There is a marked absence of individuality about his style, which seems like an imitation of the earliest manner of Raphael and that of Pinturicchio in a weaker and less virile form. The chief of his numerous panel paintings are the Nativity, in the Vatican, and the Adoration of the Magi, at Berlin.
In 1510 Lo Spagna executed many frescoes at Todi, and in 1512 several other mural paintings in and near Trevi. His most important works were frescoes at Assisi and Spoleto, of which some exist in good preservation. He received the freedom of the city of Spoleto in 1516, as a reward for his work there. Lo Spagna's frescoes reach a much higher standard of merit than his panel pictures.
The Capitoline Museums in Rome now possess a very beautiful series of life-sized fresco figures by him, representing "Apollo and the Nine Muses." Lo Spagna was alive in 1528, but he appears to have died before 1530, as in that year a pupil of his named Doni completed a fresco in S. Jacopo, near Spoleto, which Lo Spagna had begun.
This article incorporates text from the public domain 1911 Encyclopædia Britannica.
LoSpagna is known for a number of major works completed in the region, that include the Nativity of the Madonna of Spineta in Todi (Pinacoteca Vaticana), the Adoration of the Magi of Ferentillo (Berlin) and the Nativity of St Anthony in Perugia (Paris, Louvre).
In SpoletoLoSpagna received commissions from the governors of the Rocca, as well as from the Franciscan friars and the Canonici Lateranensi, as well as from a number of corporations and penitent brotherhoods.
LoSpagna painted the prophets Jeremiah and Isaiah, along with St Augustine and the portraits of the Canonici Lateranensi, the angels, St Ubaldo, St Joseph and the ‘Bearing of Christ to the Sepulchre’.