Lope de Vega

Lope de Vega (also Félix Lope de Vega Carpio or Lope Félix de Vega Carpio) (25 November 1562 – 27 August 1635) was a Spanish playwright and poet. His reputation in the world of Spanish letters is second only to that of Cervantes, while the sheer volume of his literary output is unequalled: he is estimated to have written between 1,500 and 2,500 fully-fledged plays – of which some 425 have survived until the modern day – together with a plethora of shorter dramatic and poetic works. Image File history File linksMetadata LopedeVega. ... Image File history File linksMetadata LopedeVega. ... November 25 is the 329th (in leap years the 330th) day of the year in the Gregorian calendar. ... Events Earliest English slave-trading expedition under John Hawkins. ... August 27 is the 239th day of the year in the Gregorian Calendar (240th in leap years), with 126 days remaining. ... Events February 10 - The Académie française in Paris is expanded to become a national academy for the artistic elite. ... Template:Unsourced A playwright, also known as a dramatist, is someone who writes dramatic literature or drama. ... A poet is someone who writes poetry. ... Don Miguel de Cervantes Saavedra (September 29, 1547 – April 23, 1616) was a Spanish novelist, poet and playwright. ... This article or section does not cite its references or sources. ...

Life

Lope de Vega was born in Madrid to a family of undistinguished origins, recent arrivals in the capital from Valle de Carriedo in Cantabria, whose breadwinner, Félix de Vega, was an embroiderer. The first indications of young Lope's genius became apparent in his earliest years. At the age of five he was already reading Spanish and Latin, by his tenth birthday he was translating Latin verse, and he wrote his first play when he was 12. Location Coordinates : 40° 23’N , 3°43′0″W Time Zone : CET (GMT +1) - summer: CEST (GMT +2) General information Native name Villa de Madrid (Spanish) Spanish name Villa de Madrid Founded 9th century Postal code 28001-28080 Area code 34 (Spain) + 91 (Madrid) Website http://www. ... Anthem: Himno de Cantabria Capital Santander Official language(s) Spanish Area  â€“ Total  â€“ % of Spain Ranked 15th  5,321 km²  1. ...

His fourteenth year found him enrolled in the Colegio Imperial, a Jesuit school in Madrid, from which he absconded to take part in a military expedition in Portugal. Following that escapade, he had the good fortune of being taken into the protection of the Bishop of Ávila, who recognized the lad's talent and saw him enrolled in the University of Alcalá de Henares. Following graduation Lope was planning to follow in his patron's footsteps and join the priesthood, but those plans were dashed by his falling in love and realizing that celibacy was not for him. Colegio Imperial de Madrid (also known as the Colegio Imperial de la Compañía de Jesús or El Colegio de San Pedro y San Pablo de la Compañía de Jesús en la Corte) was the name of a Jesuit teaching institution in Madrid. ... The Society of Jesus (Latin: Societas Iesu), commonly known as the Jesuits, is a Roman Catholic religious order. ... Complete name of this city: Ávila de los Caballeros Ávila is a town in the south of Old Castile, the capital of the province of the same name, now part of the autonomous community of Castile and León, Spain. ... Alcalá de Henares, or Alcalá on the Henares, is a Spanish city, whose historical centre is one of the UNESCOs World Heritage Sites, and formerly one of the first bishoprics founded in Spain. ...

In 1583 Lope enlisted in the army, and he saw action with the Spanish Navy in the Azores. Following this he returned to Madrid and began his career as a playwright in earnest. He also began a love affair with Elena Osorio, an actress and the daughter of a leading theater owner. When, after some five years of this torrid affair, Elena spurned Lope in favor of another suitor, his vitriolic attacks on her and his family landed him in jail for libel and, ultimately, earned him the punishment of eight years' banishment from Castile. 1583 was a common year starting on Saturday of the Gregorian calendar or a common year starting on Tuesday of the Julian calendar. ... The Spanish Navy (in Spanish, Armada Española) is the maritime arm of the Spanish Military. ... Motto: Antes morrer livres que em paz sujeitos (Rather die free than in peace subjugated) Anthem: A Portuguesa (national) Hino dos Açores (local) Capital Ponta Delgada (Presidency of the Regional Government) Angra do Heroísmo (Supreme Court)1 Horta (Legislative Assembly)2 Largest city Ponta Delgada Portuguese Government Autonomous... In English and American law, and systems based on them, libel and slander are two forms of defamation (or defamation of character), which is the tort or delict of making a false statement of fact that injures someones reputation. ... This article or section needs a complete rewrite for the reasons listed on the talk page. ...

Exile

He went into exile undaunted, in the company of the 16-year-old Isabel de Urbina, the daughter of a prominent advisor the court of Philip II, whom he was subsequently forced to marry. A few weeks after their marriage, however, Lope signed up for another tour of duty with the Spanish navy: this was the summer of 1588, and the Invincible Armada was about to sail against England. Philip II of Spain. ... 1588 was a leap year starting on Friday of the Gregorian calendar or a leap year starting on Monday of the Julian calendar. ... For the navy of Spain, see Spanish Navy. ... Motto: (French for God and my right) Anthem: God Save the King/Queen Capital London (de facto) Largest city London Official language(s) English (de facto) Unification    - by Athelstan AD 927  Area    - Total 130,395 km² (1st in UK)   50,346 sq mi  Population    - 2006 est. ...

Lope's luck again served him well, and his ship, the San Juan, was one of the few vessels to make it home to Spanish harbors in the aftermath of that failed expedition. Back in Spain, he settled in the city of Valencia to live out the remainder of his exile and to recommence, as prolifically as ever, his career as a dramatist. Location Coordinates : 39°29′ N 0°22′ W Time Zone : CET (GMT +1) - summer: CEST (GMT +2) General information Native name València (Catalan) Spanish name Valencia Founded 137 BC Postal code 46000-46080 Website http://www. ...

In 1590 he was appointed to serve as the secretary to the Duke of Alba, which required him to relocate to Toledo and the ducal estate at Alba de Tormes. Bold text{| align=right cellpadding=3 id=toc style=margin-left: 15px; |- | align=center colspan=2 | Years: 1587 1588 1589 - 1590 - 1591 1592 1593 |-vdsf gno[gldw[pvkijxaiamknn csogfhbvdowkhbfkqhjkhrjkhwgfhbjkpnkfokfgok3pkpk9pjhkt9erktyujkip9kijker9thhrkg9hkitr9gtkih9t0ykltk[u0jo0iey9uhyit90ertyhige9rity9riyh9ujirtyuhjnh-4e9tyigh9thiuy0h8tyh34tu8uy8u8u8u8rtu5y8ru8thu0tru0ut0rhutuh0trhu0hseogtrhr8uyhju8t89er9te9r8fy8shit ass dick bitch fuck | align=center colspan=2 | Decades: 1560s 1570s 1580s - 1590s - 1600s 1610s 1620s |- | align=center | Centuries... Location of Toledo in Spain Toledo is a city and municipality located in central Spain, about 70 kilometers south of Madrid. ...

Return

In 1595, following Isabel's death, he left the Duke's service and – eight years having passed – returned to Madrid. There were other love affairs and other scandals: Antonia Trillo de Armenta, who earned him another lawsuit, and Micaela de Luxán, who inspired a rich series of sonnets and rewarded him with four children. In 1598 he married Juana de Guardo, the daughter of a wealthy butcher. Nevertheless, his trysts with others – including Micaela – continued. Events January 30 - William Shakespeares Romeo and Juliet is performed for the first time. ... Francesco Petrarca or Petrarch, one of the best-known of the early Italian sonnet writers For the Saab automobile, see Saab Sonett, for the Japanese communications company see So-net. ... Events January 7 - Boris Godunov seizes the throne of Russia following the death of his brother-in-law, Tsar Feodor I. April 13 - Edict of Nantes - Henry IV of France grants French Huguenots equal rights with Catholics. ...

The 1600s were the years when Lope's literary output reached it peak. He was also employed as a secretary, but not without various additional duties, by the Duke of Sessa. Once that decade was over, however, his personal situation took a turn for the worse. His favorite son, Carlos Félix (by Juana), died and, in 1612, Juana herself died in childbirth. Micaela also disappears from the history around this point. Deeply affected, Lope gathered his surviving children from both unions together under one roof. 1600 was a leap year starting on Saturday of the Gregorian calendar (or a leap year starting on Tuesday of the 10-day slower Julian calendar). ... Events January 20 - Mathias becomes Holy Roman Emperor. ...

His writing in the early 1610s also assumed heavier religious influences and, in 1614, he joined the priesthood. The taking of holy orders did not, however, impede his romantic dalliances, although it is somewhat unclear what role his employeer the duke, fearful of losing his secretary, played in this by supplying him with various female companions. The most notable and lasting of his relationships during this time was with Marta de Nevares, who would remain with him until her death in 1632. // Events January 7 - Galileo Galilei discovers the Galilean moons of Jupiter. ... Events April 5 - In Virginia, Native American Pocahontas marries English colonist John Rolfe. ... See also: 1632 (novel) Events February 22 - Galileos Dialogue Concerning the Two Chief World Systems is published July 23 - 300 colonists for New France depart Dieppe November 8 - Wladyslaw IV Waza elected king of the Polish-Lithuanian Commonwealth after Zygmunt III Waza death November 16 - Battle of Lützen...

Further tragedies followed in 1635 with the loss of Lope, his son by Micaela and a worthy poet in his own right, in a shipwreck off the coast of Venezuela, and the abduction and subsequent abandonment of his beloved youngest daughter Antonia. Lope de Vega took to his bed and died, in Madrid, on 27 August of that year. Events February 10 - The Académie française in Paris is expanded to become a national academy for the artistic elite. ... August 27 is the 239th day of the year in the Gregorian Calendar (240th in leap years), with 126 days remaining. ...

Work

Title page of El testimonio vengado.

A rapid survey of Lope's nondramatic works can begin with those published in Spain under the title Obras Sueltas (Madrid, 21 vols., 1776-79). The more important elements of this collection include the following: La Arcadia (1598), a pastoral romance, is one of the poet's most wearisome productions; La Dragontea (1598) is a fantastic history in verse of Sir Francis Drake's last expedition and death; El Isidro (1599) is a narrative of the life of St Isidro, patron of Madrid, composed in octosyllabic quintillas; La Hermosura de Angélica (1602), in three books, is a sort of continuation of Ariosto's Orlando Furioso. Lope de Vega is one of the greatest Spanish poets of his time, along with Luis de Góngora and Francisco de Quevedo. In the 1580s and 1590s his poems of moorish and pastoral themes were extremely popular, in part because Lope --who appears in these poems as a moor called Zaide or a shepherd called Belardo-- portrayed elements of his own love affairs. In 1602 he published two hundred sonnets with his La Hermosura de Angélica and in 1604 he republished them with new material in his Rimas. In 1614 his religious sonnets appeared in a book entitled Rimas sacras, which was another huge bestseller. Finally, in 1634 a third book of similar name, Rimas humanas y divinas del licenciado Tomé de Burguillos, which has been considered his masterpiece as a poet and the most modern poem book of the 17th century: Lope created a heteronym, Tomé de Burguillos, a poor scholar who is in love with a maid called Juana and who observes society from a cynical and disillusional position. Download high resolution version (567x781, 89 KB)Title page from a comedy by Spanish playwright Lope de Vega This image is in the public domain because its copyright has expired in the United States and those countries with a copyright term of life of the author plus 100 years. ... Download high resolution version (567x781, 89 KB)Title page from a comedy by Spanish playwright Lope de Vega This image is in the public domain because its copyright has expired in the United States and those countries with a copyright term of life of the author plus 100 years. ... Sir Francis Drake, Vice Admiral, (c. ... Saint Isidore the Laborer or the Labourer, also known as Isidore the Farmer, or San Isidro Labrador in Spanish, (c1070 - May 15, 1130), was a Spanish day laborer known for his goodness toward the poor and animals. ... Ludovico Ariosto (September 8, 1474 – July 6, 1533) was an Italian poet, author of the epic poem Orlando furioso (1516), Orlando Enraged. He was born at Reggio, in Emilia. ... Luis de Góngora, in a portrait by Diego Velázquez. ... Francisco Gómez de Quevedo y Villegas (September 17, 1580 – September 8, 1645) was a Spanish writer during the . ...

Background

It is, however, to his dramatic writings that Lope owes his prominent place in literary history. It curious to note how he himself always treated the art of comedy-writing as one of the humblest of trades and protested against the supposition that in writing for the stage his aim was glory and not money. The reason is not far to seek. Spanish drama, if not literally the creation of Lope, at least owes him its definitive form – the three act comedia – regardless of the precepts of the prevailing school of his contemporaries. Lope accordingly felt bound to prove that from the point of view of literary art, he attached no value to the rustic traits of his humble age: in his Arte nuevo de hacer comedias en este tiempo (1609) – his artistic manifesto and the justification of his style, breaking the neoclassical three unities (place, time, and action) – Lope begins by showing that he knows as well as anyone the established rules of poetry, and then excuses himself for his inability to follow them on the ground that the "vulgar" Spaniard cares nothing about them: "Let us then speak to him in the language of fools, since it is he who pays us." The three unities or classical unities are rules for drama derived from Aristotles Poetics. ...

Lope belonged in literature to what may be called the school of good sense: he boasted that he was a Spaniard pur sang, steadfastly maintained that a writer's business is to write so as to make himself understood, and took the position of a defender of the language of ordinary life. Unfortunately, the books he read, his literary connections, and his fear of Italian criticism all exercised an influence upon his naturally robust spirit and, like so many others, he caught the prevalent contagion of mannerism and of pompous phraseology. Mannerism is the term used to describe the artistic style that arose in mid-16th century. ...

His literary culture was chiefly Latin-Italian and, while he defends the tradition of the nation and the pure simplicity of the old Castilian, he still did not wish to be taken for an uninformed person, a writer devoid of classical training: he especially emphasizes the fact that he has passed through university, and he continually accentuates the difference between those who know Latin and ignorant laymen. This article is about the international language known as Spanish. ...

Another reason for him to speak deprecatingly of his dramatic works was the fact that the vast majority of them were written in haste and to order. Lope does not hesitate to confess that "more than a hundred of my comedies have taken only twenty-four hours to pass from the Muses to the boards of the theatre." His biographer Pérez de Montalbán, a great admirer of this kind of cleverness, tells how on certain occasion in Toledo, Lope composed fifteen acts in as many days: that is to say, five entire comedies in two weeks. For other uses see Muse (disambiguation). ...

In spite of some discrepancies in the figures, Lope's own records indicate that by 1604 he had composed, in round numbers, as many as 230 three-act plays (comedias). The figure had risen to 483 by 1609, to 800 by 1618, to 1000 by 1620, and to 1500 by 1632. Montalbán, in his Fama Póstuma (1636) set down the total of Lope's dramatic productions at 1800 comedias and more than 400 shorter sacramental plays. Of these 637 plays are known to us by their titles, but only the texts of some 450 are extant. Many of these pieces were printed during Lope's lifetime, either in compilations of works by various authors or as separate issues by booksellers who surreptitiously bought manuscripts from the actors or had the unpublished comedy written down from memory by persons they sent to attend the first representation. Therefore such pieces that do not figure in the collections published under Lope's own direction – or under that of his friends – cannot be regarded as perfectly authentic, and it would be unfair to hold their author responsible for all the faults and defects they exhibit.

Themes and sources

The classification of this enormous mass of dramatic literature is a task of great difficulty. The terms traditionally employed – comedy, tragedy, and the like, do not apply to Lope's oeuvre. Another approach to categorization is needed.In the first place, Lope's work essentially belongs to the drama of intrigue: be the subject what it may, it is always the plot that determines everything else. It is from history, Spanish history in particular, that Lope borrows more than from any other source. It would in fact be difficult to say what national and patriotic subjects, from the reign of the half-fabulous King Pelayo down to the history of his own age, he did not put upon the stage. Nevertheless, Lope's most celebrated plays belong to the class called capa y espada or "cloak and sword", where the plots are almost always love intrigues complicated with affairs of honor, most commonly involving the petty nobility of medieval Spain. Pelayo (in Spanish), Pelágio (in Portuguese), or Pelagius (in Latin) (690–737) was the founder of the Kingdom of Asturias, ruling from 718 until his death. ...

Among the best known works of this class are El perro del hortelano ("The Dog in the Manger"), La viuda de Valencia ("The Widow from Valencia"), and El maestro de danzar. In some of these Lope strives to set forth some moral maxim and to illustrate its abuse by a living example. Thus, on the theme that poverty is no crime, we have the play entitled Las Flores de Don Juan. Here, he uses the history of two brothers to illustrate the triumph of virtuous poverty over opulent vice, while simultaneously (but indirectly) attacking the institution of primogeniture, which often places in the hands of an unworthy person the honor and substance of a family when the younger members would be much better qualified for the trust. Such morality pieces are, however, rare in Lope's repertory; generally, his sole aim is to amuse and stir his public, not troubling himself about its instruction. His focus remains fixed on the plot. This article or section does not cite its references or sources. ...

Legacy

Monument in Madrid (1902).

To sum up, Lope found a poorly organized drama: plays were composed sometimes in four acts, sometimes in three, and though they were written in verse, the structure of the versification was left far too much to the caprice of the individual writer. Because the Spanish public liked it, he adopted the style of drama then in vogue. Its narrow framework, however, he enlarged to an extraordinary degree, introducing everything that could possibly furnish material for dramatic situations: the Bible, ancient mythology, the lives of the saints, ancient history, Spanish history, the legends of the middle ages, the writings of the Italian novelists, current events, and everyday Spanish life in the 17th century. Prior to Lope, playwrights barely sketched the conditions of persons and their characters; with fuller observation and more careful description, Lope de Vega created real types and gave to each social order the language and accoutrements appropriate to it. The old comedy was awkward and poor in its versification; Lope introduced order into all the forms of national poetry, from the old romance couplets to the rarest lyrical combinations borrowed from Italy. He was thus justified in saying that those who should come after him had only to go on along the path which he had opened. He died of scarlet fever before his plays were ever published. Image File history File linksMetadata Download high resolution version (820x1780, 291 KB) Description / Descripción en: Monument to Lope de Vega (1562–1635). ... Image File history File linksMetadata Download high resolution version (820x1780, 291 KB) Description / Descripción en: Monument to Lope de Vega (1562–1635). ... The word Bible refers to the canonical collections of sacred writings of Judaism and Christianity. ... // For the Derek Sherinian album, see Mythology (Derek Sherinian album). ... In traditional Christian iconography, Saints are usually depicted as having halos. ... This is the history of Spain. ...

Plays

The following are some of the most famous plays by Lope de Vega:

• El acero de Madrid
• El perro del Hortelano ("The Dog in the Manger")
• La viuda valenciana ("The Valencian Widow")
• El maestro de danzar ("The Dance Teacher")
• Peribáñez y el comendador de Ocaña
• Fuente Ovejuna
• El anzuelo de Fenisa
• El cordobés valeroso Pedro Carbonero
• El mejor alcade, el Rey
• El caballero de Olmedo
• La dama boba ("The Stupid Lady")
• El amor enamorado
• El castigo sin venganza ("Justice Without Revenge")
• Las bizarrías de Belisa
• The Duchess of Amalfi's Steward

This article needs to be wikified. ... Fuente Ovejuna, probably Lope de Vegas most famous play, was published in 1619 in the Docena Parte de las Comedias de Lope de Vega and was most likely written between 1612 and 1614. ...

References

• This article incorporates text from the Encyclopædia Britannica Eleventh Edition, a publication now in the public domain.

Encyclopædia Britannica, the 11th edition The Encyclopædia Britannica Eleventh Edition (1910–1911) is perhaps the most famous edition of the Encyclopædia Britannica. ... The public domain comprises the body of all creative works and other knowledge—writing, artwork, music, science, inventions, and others—in which no person or organization has any proprietary interest. ...