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Ludwig Michael Schwanthaler (August 26, 1802 - November 14, 1848), German sculptor, was born in Munich. August 26 is the 238th day of the year in the Gregorian Calendar (239th in leap years). ...
1802 was a common year starting on Friday (see link for calendar). ...
November 14 is the 318th day of the year (319th in leap years) in the Gregorian Calendar, with 47 days remaining. ...
1848 is a leap year starting on Saturday (link will take you to calendar). ...
Sculptor redirects here. ...
Munich: Frauenkirche and Town Hall steeple Munich (German: München (pronounced listen) is the state capital of the German state of Bavaria. ...
His family had been sculptors in Tirol for three centuries; young Ludwig received his earliest lessons from his father, and the father had been instructed by the grandfather. The last to bear the name was Xaver, who worked in his cousin Ludwig's studio and survived till 1854. For successive generations the family lived by the carving of busts and sepulchral monuments, and from the condition of mechanics rose to that of artists. Tyrol (Tirol in German) is a federal state or Bundesland, located in the west of Austria. ...
1854 was a common year starting on Sunday (see link for calendar). ...
From the Munich gymnasium Schwanthaler passed as a student to the Munich academy; at first he purposed to be a painter, but afterwards reverted to the plastic arts of his ancestors. His talents received timely encouragement by a commission for an elaborate silver service for the king's table. Cornelius also befriended him; the great painter was occupied on designs for the decoration in fresco of the newly erected Glyptothek, and at his suggestion Schwanthaler was employed on the sculpture within the halls. Peter von Cornelius (1784 - 1867), German painter, was born in Düsseldorf. ...
Thus arose between painting, sculpture, and architecture that union and mutual support which characterized the revival of the arts in Bavaria. Schwanthaler in 1826 went to Italy as a pensioner of the king, and on a second visit in 1832 Thorvaldsen gave him kindly help. His skill was so developed that on his return he was able to meet the extraordinary demand for sculpture consequent on King Ludwig's passion for building new palaces, churches, galleries,and museums, and he became the fellow-worker of the architects Klenze, Gartner and Ohlmüller, and of the painters Cornelius, Schnorr and Hess. Architecture (in Greek αÏÏή = first and ÏÎÏνη = craftsmanship) is the art and science of designing buildings and structures. ...
With an area of 70,553 km² (27,241 square miles) and 12. ...
1826 was a common year starting on Sunday (see link for calendar). ...
1832 was a leap year starting on Sunday (see link for calendar). ...
Bertel Thorvaldsen, portrait by Karl Begas, c. ...
Julius Schnorr von Karolsfeld (1794 - 1872), German painter, was born at Leipzig, where he received his earliest instruction from his father Johann Veit Schnorr (1764-1841), a draughtsman, engraver and painter. ...
Karl Hess (May 25, 1923-April 22, 1994), called the most beloved libertarian, was a veteran of World War II, a libertarian thinker, ultimately a foe of the military-industrial complex, and a planner and applied-technologist. ...
Owing to the magnitude and multitude of the plastic products they turned out, over-pressure and haste in design and workmanship brought down the quality of the art. The works of Schwanthaler in Munich are so many and miscellaneous that they can only be briefly indicated. The new palace is peopled with his statues: the throne-room has twelve imposing gilt bronze figures 10 feet high; the same palace is also enriched with a frieze and with sundry other decorations modelled and painted from his drawings. The sculptor, like his contemporary painters, received help from trained pupils. The same prolific artist also furnished the old Pinakothek with twenty-five marbles, commemorative of as many great painters; likewise he supplied a composition for the pediment of the exhibition building facing the Glyptothek, and executed sundry figures for the public library and the hall of the marshals. Frieze of the Tower of the Winds. ...
Sacred art lay outside his ordinary routine, yet in the churches of St Ludwig and St Mariahilf he gave proof of the widest versatility. The Ruhmeshalle afforded further gauge of unexampled power of production; here alone is work which, if adequately studied, might have occupied a lifetime; ninety-two metopes, and, conspicuously, the colossal but feeble figure of Bavaria, 60 ft. high, rank among the boldest experiments. A short life of forty-six years did not permit serious undertakings beyond the Bavarian capital, yet time was found for the groups within the north pediment of the Walhalla, Ratisbon, and also for numerous portrait statues, including those of Mozart, Jean Paul Richter, Goethe and Shakespeare. Schwanthaler died at Munich in 1848, and left by will to the Munich academy all his models and studies, which now form the Schwanthaler Museum. W. A. Mozart, 1790 portrait by Johann Georg Edlinger Wolfgang Amadeus Mozart (January 27, 1756 â December 5, 1791) is among the most popular, significant and influential composers of European classical music. ...
Johann Paul Friedrich Richter (March 21, 1763 - November 14, 1825), usually called Jean-Paul, famous German humorist, was born at Wunsiedel, in Bavaria. ...
Johann Wolfgang von Goethe Johann Wolfgang von Goethe (pronounced [gø tə]) (August 28, 1749–March 22, 1832) was a German writer, politician, humanist, scientist, and philosopher. ...
William Shakespeare—born April 1564; baptised April 26, 1564; died April 23, 1616 (O.S.), May 3, 1616 (N.S.)—has a reputation as the greatest of all writers in English. ...
This article incorporates text from the public domain 1911 Encyclopædia Britannica. The public domain comprises the body of all creative works and other knowledge—writing, artwork, music, science, inventions, and others—in which no person or organization has any proprietary interest. ...
The Eleventh Edition of the Encyclopædia Britannica (1911) in many ways represents the sum of knowledge at the beginning of the 20th century. ...
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