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Encyclopedia > Luigi Alva

Luigi AlvaLuis Ernesto Alva y Talledo (1927) was the foremost lyric tenor of the 1950s and 1960s.


Born in Peru, where he studied with Rosa Mercedes, he went to Milan on a grant to perfect his singing. After his debut at the Piccolo Teatro alla Scala in 1955, he was soon invited to sing at the most important European festivals and opera houses.


A Mozart and Rossini specialist, his interpretations on disc of Don Ottavio (in Don Giovanni), Count Almaviva (in The Barber of Seville) and Fenton (in Verdi's Falstaff) are still references today.


He was admired for his purity of tone, the elegance of his phrasing and the clarity of his diction.


  Results from FactBites:
 
Decca Music Group - New Release (309 words)
Peruvian-born Luigi Alva (born Lima 10 April 1927) first appeared in his native Lima in 1949 and made his European debut in 1954 when he sang Alfredo at the Teatro Nuovo in Milan.
Throughout the 1960s and 1970s Luigi Alva appeared regularly in a number of important opera houses including Covent Garden, Chicago, and New York's Met.
Luigi Alva participated in the Decca recording of L'Italiana in Algeri with Teresa Berganza under the direction of Silvio Varviso, and achieved great distinction for his Rossini and Mozart interpretations.
CATHOLIC ENCYCLOPEDIA: Haarlem (2788 words)
When after the iconoclastic outbreak of 1566, then fortunately prevented in Haarlem, the Duke of Alva was sent to punish the Netherlands, the bishop wrote him a letter trying to move him to deal leniently with the guilty persons of his diocese.
In 1569, on account of his sluggishness, caused in part by the gout from which he was suffering, he was obliged by Alva to send in his resignation to Brussels and to Rome.
At that time the mission was governed, with authorization of the Propaganda, by Luigi Ciamberlani (1794-1828), who was at first obliged to reside in Münster.
  More results at FactBites »

 

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