Luis Buñuel (February 22, 1900 – July 29, 1983) was a Spanish-born surrealist filmmaker and poet. February 22 is the 53rd day of every year in the Gregorian Calendar. ... 1900 is a common year starting on Monday. ... July 29 is the 210th day (211th in leap years) of the year in the Gregorian Calendar, with 155 days remaining. ... 1983 is an integer and composite number that represents a common year starting on Saturday of the Gregorian calendar. ... Surrealism is an artistic movement and an aesthetic philosophy that aims for the liberation of the mind by emphasizing the critical and imaginative powers of the unconscious. ... The film director, on the right, gives last minute direction to the cast and crew, whilst filming a costume drama on location in London. ... Poets are authors of poems, or of other forms of poetry such as dramatic verse. ...

Portrait of Luis Buñuel

Portrait of Luis Buñuel File links The following pages link to this file: Luis Buñuel Categories: Images with unknown source ... Portrait of Luis Buñuel File links The following pages link to this file: Luis Buñuel Categories: Images with unknown source ...

Life

Buñuel was born in Calanda, Teruel, Aragón, Spain. He had a strict Jesuit education and went to university in Madrid. He was a very close friend of Salvador Dalí and Federico García Lorca, among other important Spanish artists that were living in the Residencia de Estudiantes. After that, he moved to Paris to do film-related work though he knew virtually nothing about film. In Paris he made his important two first films, "Un Chien Andalou" and "L'Age D'Or", working around his technical ignorance by filming mostly in sequence and using nearly every foot of film that he shot. Teruel is a city in Aragon, Spain, the capital of the province of the same name. ... Capital Zaragoza Area  – Total  – % of Spain Ranked 4th  47 719 km²  9,4% Population  – Total (2003)  – % of Spain  – Density Ranked 11th  1 217 514  2,9%  25,51/km² Demonym  – English  – Spanish  Aragonese  aragonés Statute of Autonomy August 16, 1982 ISO 3166-2 AR Parliamentary representation  – Congress seats  – Senate seats... The Society of Jesus (Latin: Societas Iesu), commonly known as the Jesuits, is a Roman Catholic religious order. ... Coat of arms The Plaza de España square Madrid, the capital of Spain, is located in the center of the country at 40°25′ N 3°45′ W. Population of the city of Madrid proper was 3,093,000 (Madrilenes, madrileños) as of 2003 estimates. ... Salvador Dalí as photographed in 1934 by Carl Van Vechten Salvador Domenec Felip Jacint Dalí Domenech (May 11, 1904 – January 23, 1989) was an important Catalan-Spanish painter, best known for his surrealist works. ... Federico García Lorca Federico García Lorca (June 5, 1898 – August 19, 1936) was a Spanish poet and dramatist, also remembered as a painter, pianist, and composer. ... The Eiffel Tower has become a symbol of Paris throughout the world. ...

After working in the film archives of the Museum of Modern Art in New York, Bunuel moved to Hollywood to capitalize on the short-lived fad of producing completely new foreign-language versions of hit films for sales abroad. After Bunuel worked on a few Spanish language remakes, the industry turned instead to simple re-dubbing of dialogue.

Buñuel arrived in Mexico in 1946 at the age of 46, and met film producer Oscar Dancigiers. After directing an unsuccessful film named "Gran Casino" (1946), produced by Dancigiers, Buñuel thought his career as a filmmaker was over. Three years later he decided to take the mexican nationality and accepted to direct (under Dancigier's production) "El Gran Calavera" (1949), an unpretending but highly successful film starring super-star (at the time) Fernando Soler. As Buñuel himself has stated, he learnt the technicalitites of directing and editing while shooting "El Gran Calavera". Its success at the box-office made Dancigiers to accept the production of a more ambitious film for which Buñuel, apart from writing the script, had complete freedom to direct. The result was his critically acclaimed "Los Olvidados" (1950), a master-piece of urban surrealism (and recently considered by UNESCO as part of world's cultural heritage). "Los Olvidados" (and its triumph at Cannes) made Buñuel an instant world celebrity and the most important film Spanish-speaking director in the world.

Buñuel spent most of his later life in Mexico, where he directed 21 films. Some of them are master-pieces of world cinema, and were highly acclaimed, specially in European festivals. Among them we find "El" (1952), "Ensayo de un crimen" (1955), "Nazarin" (1958) (based on the novel by Benito Perez-Galdos, and adapted by Buñuel to the colonial mexican context), "Viridiana" (1961) (coproduction Mexico-Spain and winner at Cannes), "El angel exterminador" (1962) and "Simon del desierto" (1965).

After the golden-age of mexican film industry was over, Buñuel started to work in France along with producer Serge Silberman. During this "french age" Buñuel directed some of his best-known works, such as "Belle De Jour", "That Obscure Object Of Desire", and "The Discreet Charm of the Bourgouisie" - as well as some equally brilliant but lesser-known films such as "The Phantom Of Liberty" and "The Milky Way".

He married Jeanne Rucar in 1925 and they remained married throughout his life. His sons are film-maker Rafael Buñuel and Juan Luis Buñuel. 1925 was a common year starting on Thursday (link will take you to calendar). ...

He died in Mexico City in 1983 of cirrhosis of the liver. Mexico City (Spanish: Ciudad de México) is the federal capital of, and largest city in, Mexico. ...

Works

After working on several films as a director's assistant (Jean Epstein on Mauprat and Mario Nalpas on La Sirène des Tropiques) he co-wrote and then filmed a 24 minute short film Un Chien Andalou (1929) with Salvador Dalí. This film, featuring a series of startling and sometimes horrifying images (such as the slow slicing of a woman's eyeball with a razor blade) was enthusiastically received by French surrealists of the time and continues to be shown regularly in film societies to this day. He followed this with "L'Age D'Or", which was begun as a second collaboration with Dali but became Bunuel's solo project due to a falling-out they had before filming began. Creative authorship of both films would be claimed by both men throughout their lives, but Dali's claim doesn't hold up against the great surreal film work later produced by Bunuel. Un chien andalou (An Andalusian Dog in English) is a surrealist short film (16 min. ... 1929 was a common year starting on Tuesday (link will take you to calendar). ... Salvador Dalí as photographed in 1934 by Carl Van Vechten Salvador Domenec Felip Jacint Dalí Domenech (May 11, 1904 – January 23, 1989) was an important Catalan-Spanish painter, best known for his surrealist works. ...

Famous are his scenes where chickens populate nightmares, women grow beards and aspiring saints are desired by luscious women. Even in the many mediocre movies he made for hire (rather than for his own creative reasons), such as "Susana", "Robinson Crusoe", and "The Great Madcap", he always adds his trademark of genuinely disturbing and surreal images. Running through his own brilliant films is a backbone of devoted surrealism; Bunuel's world is one in which an entire dinner party suddenly find themselves inexplicably unable to leave the room and go home, a bad dream hands a man a letter which he brings to the doctor the next day, and where the devil, if unable to tempt a saint with a pretty girl, will fly him to a disco. "Un Chien Andalou" is often hailed as a great surrealist work, which it is, but much less is said about "The Phantom of Liberty", made nearly 50 years later and every bit as surreal, a true masterwork of a filmmaker at his peak. Bunuel kept the faith longer than any other surrealist in any medium, and true to those roots, never explained or promoted his work; as a result he is little-known and often totally misunderstood.

Many of his films were openly critical of middle class morals and organised religion, mocking the pretension and hypocrisy of the Church in ways that are often (then and now) mistaken for vicious and anti-clerical. Many of his most (in)famous films became the target of priggish fury: "L'Age D'Or" (because a bishop is thrown out a window), "Simon Of The Desert" (because the devil tempts the saint by taking the form of a naughty, bare-breasted little girl singing and showing off her legs), "Nazarin" (because the pious lead characher is a fool who wreaks ruin through his attempts at charity) and of course "Viridiana", the story of a helplessly fallen nun who tries unsuccessfully to help the poor. Bunuel was actually a deeply faithful man, whose early disillusionment with the corruption of organized religion remained with him for life and spurred him to expose it fiercely in his films.

The story of the making of Viridiana is illustrative. In 1960 Bunuel's earlier Spanish and French films were still known and respected - "Un Chien Andalou", "L'Age D'Or", and "Las Hurdes". Spain, at the time, had virtually no film industry and very little arts activity going on at all due to years of civil war and the flight of all artists and dissidents from Franco's Spain. As a result Bunuel was revered in Spain far out of proportion to the number of people who'd actually seen his films, so Franco decided to approach Bunuel about returning to Spain to make a goverment-subsidized film. Bunuel (much to the shock and anger of his friends and other Spanish expatriates) agreed to do it. He submitted the script of Viridiana to the Spanish censors, but did not make any of the changes they requested and made his film as planned. It was sent by the Spanish goverment to Cannes without being seen, and it won the Palmes D'Or. The next day, the calls and communications started pouring in - the first from the Vatican - how dare Spain produce and submit to Cannes such blasphemy! Bunuel, untouched by the scandal, went home to Mexico having made the film he wanted and seen acknowledgement for it.

His direction style was extremely economical. He shot films in a few weeks, never deviating from his script and shooting in order as much as possible to minimize editing time. He told actors as little as possible, and limited his directions mostly to physical movements ("move to the right" "walk down the hall and go through that door", etc). He often refused to answer actor's questions and was known to simply turn off his hearing aid on the set; though difficult at the time, many actors who worked with him acknowledged later that his approach made for fresh and excellent performances.

Filmography (director)

• Cet obscur objet du désir ("That Obscure Object of Desire") (1977)
• Le fantôme de la liberté ("The Phantom of Liberty"; a.k.a. "The Specter of Freedom") (1974)
• Le charme discret de la bourgeoisie (The Discreet Charm of the Bourgeoisie) (1972), won Academy Award for Best Foreign Language Film
• Tristana (1970)
• La voie lactée ("The Milky Way") (1969)
• Belle de jour (1967), starring Catherine Deneuve
• Simón del desierto (1965)
• Le journal d'une femme de chambre ("The Diary of a Chambermaid")(1964), starring Jeanne Moreau
• El Ángel exterminador ("The Exterminating Angel") (1962)
• Viridiana (1961), won the Palme d'Or at the Cannes Film Festival
• La joven (1960)
• La fièvre monte à El Pao (1959)
• Nazarín (1959)
• La mort en ce jardin (1956)
• Cela s'appelle l'aurore (1955)
• El río y la muerte (1955)
• Ensayo de un crimen (1955)
• Las Aventuras de Robinson Crusoe (1954)
• Abismos de pasión (1954)
• La ilusión viaja en tranvía (1954)
• El ("This Strange Passion") (1953)
• El bruto (1953)
• Una mujer sin amor (1952)
• Subida al cielo ("Mexican Bus Ride") (1952)
• La hija del engaño (1951)
• Susana (1951)
• Los olvidados (1950)
• El Gran Calavera ("The Great Madcap")(1949)
• Gran Casino (1947)
• Las Hurdes (1933)
• L'Âge d'Or (The Golden Age) (1930)
• Un chien andalou (An Andalusian Dog) (1929)

1977 film directed by Spanish surrealist master Luis Buñuel. ... Le charme discret de la bourgeoisie (The Discreet Charm of the Bourgeoisie) is a surrealist 1972 film written and directed by Luis Buñuel, a Mexican film-maker. ... As a Special Award 1947 Shoeshine (Sciuscià) (Italy) _ Societa Co_operativa Alfa Cinematografica _ Paolo William Tamburella producer _ Vittorio De Sica director 1948 Monsieur Vincent (France) _ E. D. I. C., Union Général Cinématographique _ George de la Grandiere producer - Maurice Cloche director 1949 The Bicycle Thief (Ladri di... Belle de jour film poster Belle de jour is a 1967 French film starring Catherine Deneuve. ... Catherine Deneuve Catherine Deneuve (born October 22, 1943) is a French actress, born in Paris, France. ... Jeanne Moreau (born January 23, 1928) is a French actress. ... The Palme dOr (Golden Palm) is the name of the highest prize given to a film at the Cannes Film Festival. ... The palace in which the festival takes place. ... LÂge dOr (The Golden Age) is a 1930 surrealist film directed by Luis Buñuel and written by Buñuel and Salvador Dalí. The film was financed to the tune of a million francs by the nobleman Vicomte de Noailles, who commissioned a film every year for his... Un chien andalou (An Andalusian Dog in English) is a surrealist short film (16 min. ...

External links

Wikiquote quotations related to:

Luis Buñuel

• Internet Movie Database (http://us.imdb.com/name/nm0000320/)
• AllMovie Guide (http://www.allmovie.com/cg/avg.dll?p=avg&sql=2:83516)