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For every Broadwaylullaby that hit the right notes as a Hollywood melody - like Grease, which segued from stage to screen in 1978 and scored double successes - there was a chorus of very off-key failures.
The theatre world heaped 12 Tonys on them in 2002 and Broadway enthusiasts paid as much as $300 a seat to see them in a brief return run a year later.
Broadway fave Bebe Neuwirth, for example, was at least as obvious a contender for her role, Velma Kelly, as Lane and Broderick would be as Bialystock and Bloom in the stage-to-screen transition of their show a couple of years later.
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