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The lute song was a generic form of music in the late Renaissance and very early Baroque eras, generally consisting of a singer accompanying himself on a lute, though lute songs may often have been performed by a singer and a separate lutenist. A bass viol was very often used to support the bass line in performance.the lute is boring Renaissance music is European classical music written during the Renaissance, approximately 1400 to 1600. ...
Baroque music describes an era and a set of styles of European classical music which were in widespread use between approximately 1600 and 1750 (see Dates of classical music eras for a discussion of the problems inherent in defining the beginning and end points). ...
A medieval era lute. ...
Various sizes of viol, from Michael Praetorius Syntagma musicum (1618) The viol (also called viola da gamba) is any one of a family of bowed, fretted stringed musical instruments developed in the 1400s and used primarily in the Renaissance and Baroque periods. ...
Many of the composers of lute songs were themselves lutenists, and performed the songs themselves; many were also madrigalists or composers of chansons. In general, lute songs were written from about 1550 to around 1650, though there is evidence that some music was performed this way much earlier (for instance, Baldassare Castiglione mentions that frottola were sometimes performed by solo voice and lute, presumably in the first decade or so of the 16th century.) A madrigal is a setting for 3â6 voices of a secular text, often in Italian. ...
Chanson is a French word for song, and in English-language contexts is often applied to any song with French words, particularly a cabaret song. ...
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Year 1650 (MDCL) was a common year starting on Saturday (link will display the full calendar) of the Gregorian calendar (or a common year starting on Tuesday of the 10-day slower Julian calendar). ...
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The frottola is the predominant type of Italian popular, secular song of the fifteenth and early sixteenth century. ...
The lute song flourished in Italy, France and England; it had different styles and names in each location. In England, it was called the ayre (or air). Famous composers included John Dowland, Thomas Campion, and Philip Rosseter. In Italy, composers of lute songs included Vincenzo Galilei and Luzzasco Luzzaschi; the songs written later in the 16th century were the first to show Baroque characteristics. The French lute song was called the air de cour, and had a somewhat longer lifespan than elsewhere, due to the influence of musique mesurée; it also influenced early French opera. Motto: (French for God and my right) Anthem: God Save the King/Queen Capital London (de facto) Largest city London Official language(s) English (de facto) Unification - by Athelstan AD 927 Area - Total 130,395 km² (1st in UK) 50,346 sq mi Population - 2006 est. ...
Ayre is one of 6 Sheadings in the Isle of Man and consists of the parishes of Andreas, Bride and Lezayre Full description Isle of Man and Main article: Local government in the Isle of Man Sheadings and parishes (resume) Isle of Man sheadings map The Isle of Man is...
John Dowland (1563 â February 20, 1626) was an English composer, singer, and lutenist. ...
Thomas Campion, sometimes Campian (February 12, 1567 â March 1, 1620) was an English composer, poet and physician. ...
Philip Rosseter (1567/8âMay 5, 1623) was an English composer and musician, as well as a theatrical manager. ...
Vincenzo Galilei (1520 â July 2, 1591) was an Italian lutenist, composer, and music theorist, and the father of the famous astronomer Galileo Galilei. ...
Luzzasco Luzzaschi (c. ...
The Air de cour was a popular type of secular vocal music in France in the very late Renaissance and early Baroque period, from about 1570 until around 1650. ...
Musique mesurée, or Musique mesurée à lantique, was a style of vocal musical composition in France in the late 16th century. ...
The Teatro alla Scala in Milan, Italy. ...
Media Image File history File links I_care_not_for_these_ladies. ...
Software development stages In computer programming, development stage terminology expresses how the development of a piece of software has progressed and how much further development it may require. ...
Thomas Campion, sometimes Campian (February 12, 1567 â March 1, 1620) was an English composer, poet and physician. ...
References and further reading - Geoffrey Chew. "Song", The New Grove Dictionary of Music and Musicians, ed. Stanley Sadie (London: Macmillan, 1980), xvii, 510-521.
- Nigel Fortune, David Greer. "Air" in ibid., i, 180-182.
- Gustave Reese, Music in the Renaissance. New York, W.W. Norton & Co., 1954. ISBN 0-393-09530-4
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