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Encyclopedia > Mambo
Mambo
Stylistic origins: Cuban son montuno and danzón mixed with American big band swing
Cultural origins: 1940s Cubans in Havana, drawing on Haitian-Cuban influences
Typical instruments: conga, cajon, bongo, timbales, claves, upright bass, piano, trombone, trumpet, saxophone
Mainstream popularity: Significant in Cuba, sporadic in US and elsewhere, peaking in the 1950s
Subgenres
Cha-cha-cha - Pachanga
Fusion genres
Boogaloo - Mozambique - Salsa music
Other topics
Music of Cuba

Mambo is a Cuban musical form and dance style. The word mambo (conversation with the gods) is the name of a priestess in Haitian Voodoo, derived from the language of the African slaves who were imported into the Caribbean. Arsenio Rodríguez initially developed son montuno from son. ... Danzón is the official music of Cuba, and derives from a European-influenced ballroom dance played by Cuban ensembles. ... A big band is a type of musical ensemble associated with playing jazz music and which became popular during the Swing Era from 1935 until the late 1940s. ... Swing music, also known as swing jazz, is a form of jazz music that developed during the 1920s and had solidified as a distinctive style by 1935 in the United States. ... This article or section does not cite any references or sources. ... A musical instrument is a device constructed or modified with the purpose of making music. ... A pair of congas The conga is a tall, narrow, single-headed Cuban drum of African origin, probably derived from the Congolese Makuta drums. ... A caj n (Spanish for crate, drawer, or box, pronounced ka. ... Look up bongo in Wiktionary, the free dictionary. ... Timbales (or tymbales) are shallow cylindrical single-headed drums, similar to single-headed tom-toms. ... Claves is a percussion instrument, consisting of a pair of short, thick wooden dowels. ... Side and front views of a modern double bass with a French bow. ... A short grand piano, with the top up. ... The trombone is a musical instrument in the brass family. ... For Trumpet Winsock, see Winsock. ... The saxophone (colloquially referred to as sax) is a conical-bored instrument of the woodwind family, usually made of brass and played with a single-reed mouthpiece like the clarinet. ... This does not cite any references or sources. ... For the dance, see Cha-cha-cha (dance). ... Pachanga is a type of Latin American music and dance originating from Cuba in the 1960s. ... Boogaloo (shing-a-ling, popcorn music) is a genre of Latin music and dance that was very popular in the United States in the late 1960s. ... Salsa music is a diverse and predominantly Spanish Caribbean genre that is popular across Latin America and among Latinos. ... It has been suggested that Cuban folk music be merged into this article or section. ... jus like my ass For other uses, see Dance (disambiguation). ... Voodoo (Vodou, Vodoun, Vudu, or Vudun in Benin, Togo, southeastern Ghana, Burkina Faso, and Senegal; also Vodou in Haiti) is a name attributed to a traditionally uten West African spiritual system of faith and ritual practices. ...

Contents

History

The history of modern mambo begins in 1938, when a danzón called "Mambo" was written by Orestes and Cachao López. The song was a danzón, descended from European social dances like the English country dance, French contredanse and Spanish contradanza, but it used rhythms derived from African folk music. The contradanza had arrived in Cuba in the 18th century, where it became known as danza and grew very popular. The arrival of black Haitians later that century changed the face of contradanza, adding a syncopation called cinquillo (which is also found in another contradanza-derivative, Argentine tango). Year 1938 (MCMXXXVIII) was a common year starting on Saturday (link will take you to calendar). ... Danzón is the official music of Cuba, and derives from a European-influenced ballroom dance played by Cuban ensembles. ... Orestes López (1908-1991) was a Cuban musician and bandleader, often credited with popularizing the musical form Mambo, alongside his brother Israel Cachao Lopez. ... Israel Cachao López (born 1918 in Havana, Cuba), often known just as Cachao (pronounced kuh-CHOW) was a Cuban mambo musician and composer, who helped bring mambo music to popularity in the United States of America in the early 1950s. ... Social dance is a major category or classification of danceforms or dance styles, where sociability and socializing are the primary focuses of the dancing. ... English Country Dance, sometimes abbreviated ECD, is a form of folk dance. ... Thursday night contras in Cambridge, Massachusetts Contradance (also Contra dance, Contra-dance and other variant spellings) refers to several folk dance styles in which couples dance in two facing lines. ... Contredanse (also contra-dance and other variant spellings) refers to several folk dance styles in which couples dance in two facing lines. ... (17th century - 18th century - 19th century - more centuries) As a means of recording the passage of time, the 18th century refers to the century that lasted from 1701 through 1800. ... The Danza is an enclosed sandwich originally created by Polish Deli owner Neb Brasky in Lincoln, Nebraska circa 1987. ... A Cinquillo is a typical Cuban / Caribbean rythm, to be found amongst others in dances like the Mambo. ... Tango music is traditionally played by an orquesta típica, a sextet which includes two violins, piano, doublebass, and two bandoneons. ...


By the end of the 19th century, contradanza had grown lively and energetic, unlike its European counterpart, and was then known as danzón. The 1877 song "Las alturas de Simpson" was one of many tunes that created a wave of popularity for danzón. One part of the danzón was a coda which became improvised overtime. The bands then were brass (orquestra tipica), but was followed by smaller groups called charangas. Alternative meaning: Nineteenth Century (periodical) (18th century — 19th century — 20th century — more centuries) As a means of recording the passage of time, the 19th century was that century which lasted from 1801-1900 in the sense of the Gregorian calendar. ... Danzón is the official music of Cuba, and derives from a European-influenced ballroom dance played by Cuban ensembles. ... 1877 (MDCCCLXXVII) was a common year starting on Monday (see link for calendar). ... Coda sign Coda (Italian for tail; from the Latin cauda), in music, is a passage which brings a movement or a separate piece to a conclusion through prolongation. ... A charanga is a Cuban orchestra composed of piano, strings, vocals, flute and Cuban musical style characterized by this kind of orchestration. ...


The most influential charanga was that of Antonio Arcano, who flourished in the late 1930s. It was Arcano's cellist, Orestes Lopez, whose "Mambo" was the first modern song of the genre. His brother, bassist and composer Cachao López, is often described as "the inventor of the mambo". Face The 1930s (years from 1930–1939) were described as an abrupt shift to more radical and conservative lifestyles, as countries were struggling to find a solution to the Great Depression, also known in Europe as the World Depression. ... A bassist is a musician who plays a double bass or electric bass (also referred to as bass guitar). ...


In the late 1940s, a musician named Perez Prado came up with the dance for the mambo and became the first person to market his music as "mambo". After Havana, Prado moved his music to Mexico, and then New York City. Along the way, his style became increasingly homogenized in order to appeal to mainstream American listeners. This article or section does not cite any references or sources. ... Dámaso Pérez Prado, a Cuban bandleader and composer, was born on December 11, 1916 in Matanzas, Cuba. ... Mambo is a Latin dance of Cuban origin that corresponds to mambo music. ...


Following in the footsteps of Prado came a wave of mambo musicians, such as Enrique Jorrín. Some experimented with new techniques, such as faster beats and the use of side steps in the dance; this latter innovation formed the foundation of chachachá, and was the result of Jorrin's experimentation. Chachachá was very pop-oriented, especially after Arthur Murray further simplified the dance. Mambo remained popular throughout the United States and Cuba until the 1960s, when a combination of boogaloo and pachanga (both modified forms of mambo) were created. Enrique Jorrín, c. ... For the dance, see Cha-cha-cha (dance). ... Arthur Murray (April 4, 1895 – March 3, 1991), was a dance instructor and businessman, whose name is most often associated with the dance studio chain that bears his name. ... Boogaloo (shing-a-ling, popcorn music) is a genre of Latin music and dance that was very popular in the United States in the late 1960s. ... Pachanga is a type of Latin American music and dance originating from Cuba in the 1960s. ...


Some of New York's biggest mambo dancers and bands of the 50s included Augie & Margo Michael Terrace& Elita Carmen Cruz & Gene Ortiz Larry Selon Vera Rodriguez, Mambo Aces, Killer Joe Piro, Paulito and Lilon, Louie Maquina, Pedro Aguilar ("Cuban Pete"), Machito, Tito Puente, Tito Rodriguez and Jose Curbelo. Pedro Cuban Pete Aguilar is a United States dancer of Puerto Rican origin, referred to as the greatest Mambo dancer ever, by Life magazine and Tito Puente. ... Cuban Pete may refer to one of the following. ... Machito (February 16, 1912-April 15, 1984) was an influential Latin jazz musician and bandleader. ... Tito Puente Ernesto Antonio Puente Jr. ... Tito Rodríguez a. ...


By the mid-1950s mambo mania had reached fever pitch. In New York the mambo was played in a high-strung, sophisticated way that had the Palladium Ballroom, the famous Broadway dance-hall, jumping. The Ballroom soon proclaimed itself the "temple of mambo," for the city's best dancers--the Mambo Aces, "Killer Joe" Piro, Augie and Margo Rodriguez, Paulito and Lilon, Louie Maquina and Cuban Pete--gave mambo demonstrations there and made a reputation for their expressive use of arms, legs, head and hands. Augie and Margo became the highest paid dance duo in the world and still dance in Las Vegas 50 years later (2006).


There was fierce rivalry between bands. The bands of Machito, Tito Puente, Tito Rodriguez and Jose Curbelo delighted habitués such as Duke Ellington, Bob Hope, Marlon Brando, Lena Horne and Afro-Cuban jazz pioneer Dizzy Gillespie. The shows were popular with Afro-Americans, Puerto Ricans, Cubans, Upper East-Side WASPs and Jews and Italians from Brooklyn. Class and color melted away in the incandescent rhythm of the music. Even jazz musicians such as Erroll Garner, Charlie Parker, Sonny Rollins and Sonny Stitt fell under the mambo's charm, as can be heard on the many Latin recordings they made in the 1950s. Edward Kennedy “Duke” Ellington (April 29, 1899–May 24, 1974) was an American jazz composer, pianist, and band leader who has been one of the most influential figures in jazz, if not in all American music. ... Bob Hope, KBE (May 29, 1903 – July 27, 2003), born Leslie Townes Hope, was an English-Born American entertainer who appeared in vaudeville, on Broadway, on radio and television, in movies, and in performing tours for U.S. Military personnel, well known for his good natured humor and career longevity. ... Marlon Brando, Jr. ... Lena Mary Calhoun Horne (born June 30, 1917 in Bedford-Stuyvesant, Brooklyn, New York City, New York) is a popular African American singer. ... Afro-Cuban jazz is a variety of Latin jazz. ... John Birks Dizzy Gillespie (October 21, 1917 – January 6, 1993) was born in Cheraw, South Carolina. ... Erroll Louis Garner (June 15, 1921 - January 21, 1977) was a jazz pianist whose distinctive and melodic style brought him both popular acclaim and the admiration of peers. ... Charles Bird Parker, Jr. ... An early Rollins picture graces the cover of Volume One Theodore Walter Sonny Rollins (born September 7, 1930 in New York City) is an American jazz tenor saxophonist. ... Sonny Stitt, a quintessential bop saxophonist. ...


In 1954 the cha-cha-cha, a kind of mambo created by the Cuban violinist Enrique Jorrín, a member of the Orquesta America Charanga, swept through Havana and New York. Easier to dance than the mambo, with a squarish beat and a characteristic hiccup on the third beat, it spread to Europe, before being dethroned in the early 1960s by the pachanga and then the boogaloo. For the dance, see Cha-cha-cha (dance). ... Enrique Jorrín, c. ...


Mambo returned to prominence in the 1995 when Guinness used Perez Prado's track Guaglione in an advertising campaign featuring the dancing of Dublin actor Joe McKinney. The song was released as a single and reached number 2 in the UK charts. In 1999, Lou Bega released a cover version of Mambo No. 5, another Prado original, which became a hit across Europe. 1995 (MCMXCV) was a common year starting on Sunday of the Gregorian calendar. ... Guinness logo World War II era advert. ... Alcohol advertising is the promotion of alcoholic beverages by alcohol producers through a variety of media. ... WGS-84 (GPS) Coordinates: 53. ... Year 1999 (MCMXCIX) was a common year starting on Friday (link will display full 1999 Gregorian calendar). ... David Lubega (aka Lou Bega) (born April 13, 1975 in Munich) is a Latin pop musician famous for his song Mambo No. ... Mambo No. ... World map showing the location of Europe. ...


See also

Mambo is a Latin dance of Cuban origin that corresponds to mambo music. ... This article uses Weasel Words. ...

External links

  • Mambo Mania

Video

Mambo musicians


  Results from FactBites:
 
Mambo Dance History (750 words)
A modified version of the "Mambo" (the original dance had to be toned down due to the violent acrobatics) was presented to the public at dance studios, resort hotels, and at night-clubs in New York and Miami.
One of the greatest contributions of the Mambo is that it led to the development of the Cha-Cha.
The Mambo is enjoying a renewed popularity due to a number of films featuring the dance as well as a man named Eddie Torres.
Mambo - Wikipedia, the free encyclopedia (829 words)
The word mambo (conversation with the gods) is the name of a priestess in Haitian Voodoo, derived from the language of the African slaves who were imported into the Caribbean.
Mambo remained popular throughout the United States and Cuba until the 1960s, when a combination of boogaloo and pachanga (both modified forms of mambo) were created.
Easier to dance than the mambo, with a squarish beat and a characteristic hiccup on the third beat, it spread to Europe, before being dethroned in the early 1960's by the pachanga and then the boogaloo.
  More results at FactBites »


 

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