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Encyclopedia > Maria de Alvear

Maria de Alvear (born 1960 in Madrid, Spain) is a Spanish-German composer living in Germany. Her music is highly unusual, especially for a European composer, in both notation and effect. In many of her scores she writes only noteheads, with no rhythms, and her work is remarkable for its relentless repeating notes and chords. Several of de Alvear's works are written for her own voice with orchestral accompaniment, and she speaks in a kind of free sprechstimme, in four languages, often about frank sexual issues; two of these works, more than half an hour long, are titled Sexo and Vagina. She tends toward long one-movement works, including a piano concerto entitled World, which includes a large percussion section and a second piano in the orchestra tuned a quarter-tone off. For some of her pieces she surrounds the stage with salt, stones, branches, leaves, or clothing to create a feeling of ritual. Because of her music's unconventionality she has run into (and frequently overcome) considerable resistance from the European contemporary music establishment, and has premiered several of her pieces in the United States. Yet despite the heavy intensity of her music, and its often spectacular subject matter, her music is deeply spiritual and concerned with healing. 1960 was a leap year starting on Friday (link will take you to calendar). ... This article is about the Spanish capital. ... Sprechgesang (German for speech song) or Sprechstimme (speech voice) is a technique of vocal production halfway between singing and speaking. ... A quarter tone is an interval half as wide (aurally, or logarithmically) as a semitone, which is half a whole tone. ...


De Alvear was a student of Mauricio Kagel. In search of the authentic wellsprings of music, and to counteract the egoistic tendencies of a European culture, de Alvear regularly spends time among the indigenous peoples of America and Russia, including the Cherokee and Tuscarora Indians and the Nenets people of northern Siberia. With the assistance of her sister Ana de Alvear, a visual artist, she runs a company called World Edition to produce books and CDs by herself and the individuals from indigenous tribes whom she considers her spiritual advisers. Mauricio Kagel (born Buenos Aires, December 24, 1931) is an Argentine composer noted for his interest in developing the theatrical side of musical performance. ... Alternate meanings: Cherokee (disambiguation) The Cherokee are a people native to North America who at time of European contact in the 16th century inhabited what is now the eastern and southeastern United States before most were forcefully moved to the Ozark Plateau. ... The Tuscarora are a Native American tribe originally in North Carolina, which moved north to New York, and then partially into Canada. ... The Nenets people (Russian name: Ненцы - Nentsy (plural)) are an indigenous people in Russia. ... Siberia Siberia (Russian: , common English transliterations: Sibir’, Sibir; from the Tatar for “sleeping land”) is a vast region of Russia and northern Kazakhstan constituting almost all of northern Asia. ...


External links

  • Maria de Alvear's web site

  Results from FactBites:
 
Maria de Alvear - Wikipedia, the free encyclopedia (344 words)
Maria de Alvear (born 1960 in Madrid, Spain) is a Spanish-German composer living in Germany.
Several of de Alvear's works are written for her own voice with orchestral accompaniment, and she speaks in a kind of free sprechstimme, in four languages, often about frank sexual issues; two of these works, more than half an hour long, are titled Sexo and Vagina.
De Alvear was a student of Mauricio Kagel.
Sequenza21/The Contemporary Classical Music Weekly (901 words)
Maria de Alvear is a composer of Spanish/German descent who currently resides in Germany.
Maria de Alvear's music is frequently quiet, influenced by art (the composer is also an artist and sculptor), often long and focused (I hate to use the term repetitive, since it implies something her music is not).
However, her music is deeply spiritual in a way that Feldman's is not, and often combines instrumentalists with a vocalist (de Alvear herself in several recordings) who intones words in a fashion similar to sprechstimme.
  More results at FactBites »


 

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