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Clark's mix of rigorously controlled choreography and head-thumping, heart-pumping music is part of the way he works with the formal vocabulary of classical dance, reshaping it from without through an almost sensory bombardment, as well as from within the form of dance itself.
In 2005 MichaelClark embarked on an exciting 3-year partnership with the Barbican, for a trilogy of works produced by BITE centred on three seminal compositions for dance by Igor Stravinsky.
MichaelClark is an artistic associate at the Barbican.
MichaelClark has built himself a cult following thanks to his punk rock persona, fashionable friends, cool collaborators, and a little personal scandal on the side.
Clark carries off such moments of lunacy with complete conviction, which is always the secret to getting away with it.
Nevertheless, MichaelClark's brilliantly British fudge of classicism, rebellion, superiority, and self-deprecating humour makes him something to be thankful for, even when the sparks don't quite fly.
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