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Encyclopedia > Minor chord
minor triad
Component intervals
perfect fifth
minor third
root

Generally speaking, a minor chord is any chord which has a minor third above its root, as opposed to a major chord which has a major third. More specifically, it is the three-note chord made up of a minor third and perfect fifth above the root — if the root of the chord is C, the C minor chord will consist of the notes C (root), D# (minor third) and G (perfect fifth). This is also known as a minor triad. Below is an A minor chord (consisting of notes A, C, E) shown three ways (root and inversions); all are A minor: The perfect fifth or diapente is one of three musical intervals that span five diatonic scale degrees; the others being the diminished fifth, which is one semitone smaller, and the augmented fifth, which is one semitone larger. ... A minor third is the smaller of two commonly occurring musical intervals compounded of two steps of the diatonic scale. ... The root (basse fondamentale) of a chord is the note upon which that chord is perceived or labelled as built or centered, the root of a chord in root position or normal form. ... Typical fingering for a second inversion C major chord on a guitar. ... A minor third is the smaller of two commonly occurring musical intervals compounded of two steps of the diatonic scale. ... The root (basse fondamentale) of a chord is the note upon which that chord is perceived or labelled as built or centered, the root of a chord in root position or normal form. ... Generally speaking, a major chord is any chord which has a major third above its root, as opposed to a minor chord which has a minor third. ... A major third is the larger of two commonly occuring musical intervals that span three diatonic scale degrees. ... The perfect fifth or diapente is one of three musical intervals that span five diatonic scale degrees; the others being the diminished fifth, which is one semitone smaller, and the augmented fifth, which is one semitone larger. ... In music or music theory, a triad is a tonal or diatonic tertian trichord. ...


Image:Minor chord root and inversions.PNG Minor chord root and inversions. ...


The minor chord resembles the major chord except that it has a minor third with a major third on top, while a major chord has a major third with a minor third on top. They both contain fifths because a major third (4 semitones) plus a minor third (3 semitones) equals a fifth (7 semitones). Generally speaking, a major chord is any chord which has a major third above its root, as opposed to a minor chord which has a minor third. ...


A minor chord in just intonation is tuned in the frequency ratio 15:12:10. In twelve-tone equal temperament (now the most common tuning system in the west), a minor chord has 4 semitones between the third and fifth, 3 between the root and third, and 7 between the root and fifth. It is represented by the integer notation 0,3,7. The fifth is only two cents narrower than the just perfect fifth, but the minor third is noticeably different at 15.641 cents smaller. In music, just intonation, also called rational intonation, is any musical tuning in which the frequencies of notes are related by ratios of whole numbers. ... An equal temperament is a musical temperament — that is, a system of tuning intended to approximate some form of just intonation — in which an interval, usually the octave, is divided into a series of equal steps (equal frequency ratios). ... A semitone (also known in the USA as a half step) is a musical interval. ... The cent is a logarithmic unit of measure used for musical intervals. ...


The minor chord, along with the major chord, is one of the basic building blocks of tonal music and the common practice period. It is considered consonant or stable, only slightly less so than the major chord. A diminished chord is a minor chord with a lowered fifth. Tonality is a system of writing music according to certain hierarchical pitch relationships around a key center or tonic. ... In music the common practice period is a long period in western musical history spanning from before the classical era proper to today, dated, on the outside, as 1600-1900. ... In music, a consonance (Latin consonare, sounding together) is a harmony, chord, or interval considered stable, as opposed to a dissonance, which is considered unstable. ... Generally speaking, a diminished chord is a chord which has a diminished fifth in it. ...


Minor chord table

Chord Root Minor Third Perfect Fifth
C♭ C♭ E♭♭ G♭
C C E♭ G
C♯ C♯ E G♯
D♭ D♭ F♭ A♭
D D F A
D♯ D♯ F♯ A♯
E♭ E♭ G♭ B♭
E E G B
F F A♭ C
F♯ F♯ A C♯
G♭ G♭ B♭♭ D♭
G G B♭ D
G♯ G♯ B D♯
A♭ A♭ C♭ E♭
A A C E
A♯ A♯ C♯ E♯ (F)
B♭ B♭ D♭ F
B B D F♯

See also

Chords

By Type Triad Major · Minor · Augmented · Diminished · Suspended

Seventh Major · Minor · Dominant · Diminished · Half-diminished · Minor-major · Augmented major · Augmented minor

Extended Ninth · Eleventh · Thirteenth

Other Sixth · Augmented sixth · Altered · Added tone · Polychord · Quartal and quintal · Tone cluster· Power

By Function Diatonic Tonic · Dominant · Subdominant · Submediant

Altered Borrowed · Neapolitan chord · Secondary dominant · Secondary subdominant


  Results from FactBites:
 
Chord Theory for the Guitar (0 words)
The notes of a triad are the root (or name of the chord) the third counting up from the root and the fifth counting up from the root.
Minor chords are the same as major chords except that the 3rd is lowered.
When the usual C chord is played the root, C, is played on the fifth string and an octave higher on the second string; the 3rd, E, is played on the fourth string and an octave higher on the first string; the 5th, G, is played on the third string.
mozart music notation software: chord names (1511 words)
These chords are probably encountered more often than the diminished triad, and so the "7" is sometimes omitted, effectively leaving it to the discretion of the player whether or not to include the diminished 7th note.
Augmented seventh chords are formed by adding a minor seventh to an augmented triad, or alternatively by augmenting the 5th of an ordinary seventh chord.
In a sus chord the third of the chord is replaced by another note – usually the 4th, sometimes the 2nd – with the original notion being that it should resolve by changing to the third, albeit a little late.
  More results at FactBites »


 

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