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A minuet, sometimes spelled menuet, is a social dance of French origin for two persons, usually in 3/4 time. The word was adapted, under the influence of the Italian minuetto, from the French menuet, meaning small, pretty, delicate, a diminutive of menu, from the Latin minutus; menuetto is a word that occurs only on musical scores. The word refers probably to the short steps, pas menus, taken in the dance. At the period when it was most fashionable it was slow, ceremonious, and graceful. Social dance is a major category or classification of danceforms or dance styles, where sociability and socializing are the primary focuses of the dancing. ...
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Latin is an ancient Indo-European language originally spoken in Latium, the region immediately surrounding Rome. ...
The name is also given to a musical composition written in the same time and rhythm, but when not accompanying an actual dance the pace was quicker. Stylistically refined minuets, outside of the social dance context, were introduced — to opera at first — by Jean-Baptiste Lully, and in the late 17th century the minuet was adopted into the suite, such as some of the suites of Johann Sebastian Bach and Georg Friedrich Händel. As the other dances that made up a Baroque suite dropped out of use, the minuet retained its popularity. Among Italian composers, the minuet was often considerably quicker and livelier, and was sometimes written in 3/8 or 6/8 time. A minuet was often used as the final movement in an Italian overture. Initially, before its adoption in context outside of social dance, the minuet was usually in binary form, with two sections of usually eight bars each, but the second section eventually expanded, resulting in a kind of ternary form. On a larger scale, two such minuets were often combined, so that the first minuet was followed by a second one, and finally by a repetition of the first. The second (or middle) minuet usually provided some form of contrast, by means of different key and orchestration. Around Lully's time, it became a common practice to score this section for a trio (such as two oboes and a bassoon, as is common in Lully). As a result, this middle section came to be called trio, even when no trace of such an orchestration remains. Rhythm (Greek = flow, or in Modern Greek, style) is the variation of the length and accentuation of a series of sounds or other events. ...
The Teatro alla Scala in Milan, Italy. ...
Jean-Baptiste de Lully, originally Giovanni Battista di Lulli (November 28, 1632 â March 22, 1687), was an Italian-born French composer, who spent most of his life working in the court of Louis XIV of France. ...
(16th century - 17th century - 18th century - more centuries) As a means of recording the passage of time, the 17th century was that century which lasted from 1601-1700. ...
It has been suggested that Suite_de_Danses be merged into this article or section. ...
Bach in a 1748 portrait by Haussmann Places in which Bach resided throughout his life Johann Sebastian Bach (pronounced ) (21 March 1685 O.S. â 28 July 1750 N.S.) was a prolific German composer and organist whose sacred and secular works for choir, orchestra and solo instruments drew together the...
George Frideric Handel (German Georg Friedrich Händel), (February 23, 1685 â April 14, 1759) was a German Baroque music composer who lived much of his life in England. ...
Adoration, by Peter Paul Rubens. ...
The Italian overture is a piece of orchestral music with which in the late 17th and early 18th century several operas, oratorios and other large-scale works opened. ...
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In musical notation, a bar or measure is a segment of time defined as a given number of beats of a given duration. ...
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Trio is generally used in any of the following ways: Three musicians playing the same or different musical instrument. ...
The oboe is a double reed musical instrument of the woodwind family. ...
The bassoon is a woodwind instrument in the double reed family that typically plays music written in the bass and tenor registers and occasionally even higher. ...
The minuet and trio eventually became the standard third movement in the four-movement classical symphony, Johann Stamitz being the first to employ it thus with regularity. A livelier form of the minuet later developed into the scherzo (which was generally also coupled with a trio). This term came into existence approximately from Beethoven onwards, but the form itself can be traced back to Haydn. The Classical period in Western music occurred from about 1730 through 1820, despite considerable overlap at both ends with preceding and following periods, as is true for all musical eras. ...
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Johann Wenzel Anton Stamitz (Czech: Jan Václav Stamic) (June 19, 1717 â March 27, 1757) was a Czech composer and violinist. ...
A scherzo (plural scherzi) is a name given to a piece of music or a movement from a larger piece such as a symphony. ...
A portrait by Joseph Karl Stieler, 1820 Ludwig van Beethoven (IPA: ), (baptized December 17, 1770[1] â March 26, 1827) was a German composer and one of the pillars of European classical music. ...
Portrait by Thomas Hardy, 1792 Franz Joseph Haydn[1] (March 31, 1732 â May 31, 1809) was one of the most prominent composers of the Classical period, and is called by some the Father of the Symphony and Father of the String Quartet. A life-long resident of Austria, Haydn spent...
An example of the true form of the minuet is to be found in Don Giovanni. One particularly famous minuet has been written by Luigi Boccherini. Don Giovanni (K.527; complete title: Il dissoluto punito, ossia il Don Giovanni, literally The Rake Punishd, or Don Giovanni) is an opera in two acts with music by Wolfgang Amadeus Mozart and libretto by Lorenzo da Ponte. ...
Luigi Boccherini Luigi Rodolfo Boccherini (February 19, 1743 â May 28, 1805) was a classical era composer and cellist from Italy, whose music retained a courtly and galante style while he matured somewhat apart from the major European musical centers. ...
The minuet also remained in some countries as elements in folk dance, such as in Finland and parts of Sweden. The minuet is also a stately court dance of the 17th and 18th centuries. Folk dancers in Prague Folk dance is a term used to describe a large number of dances, mostly of European origin, that tend to share the following attributes: They were originally danced in about the 19th century or earlier (or are, in any case, not currently copyrighted); Their performance is...
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