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Encyclopedia > Mitridate, re di Ponto
Operas by Wolfgang Amadeus Mozart

Die Schuldigkeit des ersten Gebotes (1767)
Apollo et Hyacinthus (1767)
Bastien und Bastienne (1768)
La finta semplice (1769)
Mitridate, re di Ponto (1770)
Ascanio in Alba (1771)
Il sogno di Scipione (1772)
Lucio Silla (1772)
La finta giardiniera (1775)
Il re pastore (1775)
Thamos, König in Ägypten (1779)
Zaide (1780)
Idomeneo (1781)
Die Entführung aus dem Serail (1782)
L'oca del Cairo (1783)
Lo sposo deluso (1784)
Der Schauspieldirektor (1786)
The Marriage of Figaro (1786)
Don Giovanni (1787)
Così fan tutte (1790)
La clemenza di Tito (1791)
The Magic Flute (1791)
“Mozart” redirects here. ... Image File history File linksMetadata Wolfgang-amadeus-mozart_1. ... Die Schuldigkeit des ersten Gebotes is an opera, K. 35, composed by Wolfgang Amadeus Mozart in 1767. ... Apollo et Hyacinthus is an opera, K.38, written in 1767 by Wolfgang Amadeus Mozart, who was 11 years old at the time. ... Bastien und Bastienne (Bastien and Bastienne) is a one-act singspiel opera with libretto by Friedrich Wilhelm Weiskern and music by Wolfgang Amadeus Mozart. ... La finta semplice (The Pretended Simpleton), K. 51 (46a) is an opera buffa in three acts for singers and orchestra, composed in 1769 by Wolfgang Amadeus Mozart, on a libretto by the court poet Marco Coltellini based on an early work by Carlo Goldoni. ... Ascanio in Alba, K. 111, Pastoral opera in 2 parts (Festa teatrale in due atti) Composer: Wolfgang Amadeus Mozart Librettist: Abbé Giuseppe Parini First performance: Teatro Regio Ducal, Milan, 17 October 1771 // Dramatis Personæ Venere (Venus) (soprano) Ascanio, her grandson, son of Aeneas (male soprano) Silvia, a nymph descended from... Bold text ... Lucio Silla (K135) is an Italian opera in three acts composed by Wolfgang Amadeus Mozart. ... La finta giardiniera (The Phony Gardener), K. 196, is an Italian opera by Wolfgang Amadeus Mozart. ... Il rè pastore is an opera, K. 208, written by Wolfgang Amadeus Mozart in 6 weeks in 1775. ... Thamos, König in Ägypten (Thamos, King of Egypt, or King Thamos, in English) is a play by Tobias Philipp, baron von Gebler, for which, between 1773 and 1780, Wolfgang Amadeus Mozart wrote incidental music, K. 345/336a, of an operatic character. ... Zaide is an opera, K. 344, written by Wolfgang Amadeus Mozart in 1780. ... Idomeneo, re di Creta ossia Ilia e Idamante (Italian: Idomeneo, King of Crete, or, Ilia and Idamante; usually referred to simply as Idomeneo, K. 366) is an Italian opera by Wolfgang Amadeus Mozart. ... Die Entführung aus dem Serail (K. 384; in English The Abduction from the Seraglio; also known as Il Seraglio) is a opera Singspiel in three acts by Wolfgang Amadeus Mozart. ... Loca del Cairo is an opera buffa (or dramma giocoso per musica), K. 422, written by Wolfgang Amadeus Mozart in 1783. ... Lo sposo deluso is a 2-act opera buffa, K. 430, written by Wolfgang Amadeus Mozart in 1783. ... Der Schauspieldirektor (The Impresario), K. 486, is a comic Singspiel written by Wolfgang Amadeus Mozart to a German libretto by Gottlieb Stephanie. ... Le nozze di Figaro ossia la folle giornata (Trans: ), K. 492, is an opera buffa (comic opera) composed in 1786 by Wolfgang Amadeus Mozart, with libretto by Lorenzo da Ponte, based on a stage comedy by Pierre Beaumarchais, Le mariage de Figaro (1784). ... Don Giovanni (K.527; complete title: Il dissoluto punito, ossia il Don Giovanni, literally The Rake Punishd, or Don Giovanni) is an opera in two acts with music by Wolfgang Amadeus Mozart and libretto by Lorenzo da Ponte. ... Così fan tutte, ossia La scuola degli amanti, K. 588, is an opera buffa by Wolfgang Amadeus Mozart. ... La clemenza di Tito (The Clemency of Titus), K. 621, was an opera seria written by Wolfgang Amadeus Mozart. ... Die Zauberflöte, K. 620, (en: The Magic Flute) is an opera in two acts composed by Wolfgang Amadeus Mozart to a German libretto by Emanuel Schikaneder. ...

'Mitridate, re di Ponto' (Mithridates, King of Pontus), K. 87 (74a), is an early opera seria in three acts by Wolfgang Amadeus Mozart. The libretto is by Vittorio Amadeo Cigna-Santi after Giuseppe Parini's Italian translation of Jean Racine. (For a selective list organized by genre, with commentary, see List of compositions by Wolfgang Amadeus Mozart) The Köchel-Verzeichnis is a complete, chronological catalogue of compositions by Wolfgang Amadeus Mozart which was originally created by Ludwig von Köchel. ... Opera seria is an Italian musical term which refers to the noble and serious style of Italian opera that predominated in Europe from the 1720s to ca 1770. ... “Mozart” redirects here. ... Antonio Ghislanzoni, nineteenth century Italian librettist. ... Giuseppe Parini (Bosisio, now in Lecco province, May 23, 1729 - Milan, 1799) was an Italian satirist and poet. ... Jean Racine. ...


Mozart wrote Mitridate while touring Italy in 1770. It was first performed at the Regio Ducal Teatro, Milan, on the 26th of December 1770 (at the Milan Carnival). The opera was a success, having been performed twenty-one times despite doubts because of Mozart’s extreme youth — he was 14 at the time. No revival took place until the 20th century. This opera features splendid vituoso arias for the principal roles, but only 2 ensemble numbers: the Act II ending duet between Aspasia and Sifare (Se viver non degg’io), and the brief quintet that ends the opera. For the village in Queensland, see 1770, Queensland. ... For other uses, see Milan (disambiguation). ...

Contents

Roles

Premiere, 26 December 1770
(Conductor: Unknown )
Arbate, Governor of Nymphæa soprano castrato Pietro Muschietti
Sifare or Xiphares, Mitridate's son soprano castrato Pietro Benedetti (Sartorino)
Aspasia, pledged in marriage
to Mitridate, the Queen
soprano Antonia Bernasconi
Farnace or Pharnaces, Mitridate's
eldest son
alto castrato Giuseppe Cicognani
Marzio or Marcius, Roman
legionary officer
tenor Gasparo Bassano
Mitridate, King of Pontus tenor Guglielmo d'Ettore
Ismene, Parthian Princess soprano Anna Francesca Varese

This article is about the singing voice part. ... A castrato is a male soprano, mezzo-soprano, or alto voice produced either by castration of the singer before puberty or one who, because of an endocrinological condition, never reaches sexual maturity. ... This article is about the voice-type. ... This article is about Tenor vocalists in music. ...

Synopsis

The opera takes place in and around the Crimean port of Nymphæum in 63BC during the conflict between Rome and Pontus. Mitridate, having suffered a heavy defeat at a battle, is presumed dead. This false news is passed by Arbate, the Governor, to his fiancee Aspasia and his sons, Farnace and Sifare. The Crimea (officially Autonomous Republic of Crimea, Ukrainian transliteration: Avtonomna Respublika Krym, Ukrainian: Автономна Республіка Крим, Russian: Автономная Ре&#1089...


ACT 1


Scene 1


Arbate, the governor of Nymphæum, welcomes Sifare. We learn that Sifare resents his brother, Farnace, because of his brother’s strong ties with their enemies, the Romans. Arbate pledges his loyalty to Sifare.


Aspasia pleas for Sifare to help her against advances by Farnace. He accepts her plea and reveals his love for her.


Scene 2


Farnace makes his advances on Aspasia. Aspasia refuses with support from Sifare who protects her from his forceful brother. News arrives that Mitridate is alive and is approaching the city. Arbate urges brothers to conceal their differences and greet their father. Brothers agree to hide their feelings for Aspasia. Farnace conspires with Marzio, Roman legionary officer, against Mitridate.


Scene 3


Mitridate arrives on the shores of Nymphæaum with princess Ismene, daughter of his ally the King of Parthia. Mitridate wants Farnace to marry Ismene, his promised bride. Ismene is in love with Farnace but senses problems and is worried about her future. Arbate tells Mitridate that Farnace is pursuing Aspasia not mentioning Sifare. Jealous Mitridate swears revenge on Farnace. Parthia[1] (Middle Persian: اشکانیان Ashkâniân) was a civilization situated in the northeast of modern Iran, but at its height covering all of Iran proper, as well as regions of the modern countries of Armenia, Iraq, Georgia, eastern Turkey, eastern Syria, Turkmenistan, Afghanistan, Tajikistan, Pakistan, Kuwait, the Persian Gulf...


ACT II


Scene 1


Farnace scorns and threatens Ismene. She tells Mitridate who suggests that she should marry Sifare. Mitridate asks Aspasia for immediate marriage but she hesitates proving to him she is unfaithful.


Aspasia confesses love to Sifare but they both agree to part to save their honour. Sifare plans to leave and Aspasia is troubled with the conflict between love and duty.


Scene 2


Mitridate is aware of Farnaces plot against him with the Romans and plans his revenge despite Marzio’s offer of peace. He arrests Farnace to execute him. Ismene rescues the prince who admits treachery but implicates Sifare. Mitridate tricks Aspasia into admitting her love for Sifare and swears revenge. Aspasia and Sifare wish to die together in fear of Mitridate’s threats.


ACT III


Scene 1


Ismene, still in love with Farnace, tries to convince Mitridate to forgive Aspasia. Romans attack and Mitridate leaves for battle. Aspasia contemplates suicide by poison. Sifare also wants to die and joins his father in the battle.


Scene 2


Marzio liberates Farnace and promises the rule of Nymphæum to him. Farnace changes his mind deciding to side with Mitridate.


Scene 3


Mitridate commits suicide avoiding defeat. Before he dies he gives his blessing to Sifare and Aspasia and forgives Farnace who now agrees to marry Ismene. All four pledge to free the world from Rome.


Noted arias

  • "Nel sen mi palpita" - Aspasia in Act I
  • "Parto : nel gran cimento" - Sifare in Act I
  • "Quel ribelle" - Mitridate in Act I
  • "Se di lauri" - Mitridate in Act I
  • "In faccia all'oggetto" - Ismene in Act I
  • "L'odio nel cor" - Arbate in Act I
  • "Al destin che la minaccia" - Aspasia in Act I
  • "Soffre il mio cor" - Sifare in Act I
  • "Venga pur, minacci" - Farnace in Act I
  • "Già di pietà mi spoglio" - Mitridate in Act II
  • "Lungi da te" - Sifare in Act II
  • "Nel grave tormento" - Aspasia in Act II
  • "So quanto a te" - Ismene in Act II
  • "Son reo; l'error confesso" - Farnace in Act II
  • "Tu che fedel" - Mitridate in Act II
  • "Va, l'error mio palesa" - Farnace in Act II
  • "Ah ben ne fui presaga…Pallid' ombre" - Aspasia in Act III
  • "Già dagli occhi" - Farnace in Act III
  • "Se di regnar" - Marzio in Act III
  • "Se il rigor d'ingrata sorte" - Sifare in Act III
  • "Tu sai per che m'accese" - Ismene in Act III
  • "Vado incontro" - Mitridate in Act III

Recordings

  • M22: Mitridate, re di Ponto (DVD), Salzburg Festival 2006 (Minkowski/R Croft,B Mehta, Persson)
  • Mitridate, re di Ponto (DVD) JP Ponnelle film (Harnoncourt/Winbergh, Kenny, Murray)
  • Mitridate, re di Ponto (DVD) ROH 1993 (P Daniel/Ford, Kowalski, Murray, Orgonasova)
  • Mitridate, re di Ponto (CD), Salzburg Mozart Week 1997 (Norrington/Ford, Kasarova, Sieden, Oelze)
  • Mitridate, re di Ponto (CD), 1999 (Rousset/Sabbatini, Asawa, Bartoli, Dessay)

Bibliography

  • "Mitridate, re di Ponto" The Oxford Companion to Music. Ed. Alison Latham. Oxford University Press, 2002.
  • "Mitridate, re di Ponto" The Concise Oxford Dictionary of Opera. John Warrack and Ewan West. Oxford University Press, 1996.
  • "Mitridate, re di Ponto" Who's Who in Opera. Joyce Bourne. Oxford University Press, 1998.
  • "Mitridate, King" Who's Who in Opera. Joyce Bourne. Oxford University Press, 1998.

External links



 

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