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Encyclopedia > Mukti
This article is about a religious term. See Moksha (disambiguation) for other meanings.

Moksha (Sanskrit: liberation) or Mukti (Sanskrit: release) refers, in general, to liberation from the cycle of death and rebirth. In higher Hindu philosophy, it is seen as a transcendence of phenomenal being, of any sense of consciousness of time, space and causation (Karma). It is not seen as a soteriological goal in the same salvific sense as, say, in a Judeo-Christian context, but signifies dissolution of the sense of "I", or ego, and the overall breakdown of nama-roopa (name-form). It is, in Hinduism, viewed as analogous to Nirvana, though Buddhist thought tends to differ with even the Advaita Vedantist reading of liberation. Jainism also believes in Moksha.


Hinduism, in support of the idea of Moksha, posits the idea of atman and Brahman. A common mistake is to view them, both spoken of as Self, as a monist being of sorts, something possessing substances. In actuality, Hindu scripture like the Upanishads and Bhagavad Gita, and especially the non-dual Hindu school of Advaita Vedanta, say that the Self or Super-Soul is beyond being and non-being, beyond any sense of tangibility and comprehension. Moksha is seen as a final release from one's worldly conception of self, the loosening of the shackle of experiential duality and a re-establishment in one's own fundamental nature, though the nature is seen as ineffable and beyond sensation.

  • In Advaita, the concepts of Moksha and Buddhist Nirvana are not so disunited as to be incomparable. Indeed, there is much overlap in their views of consciousness and attainment of enlightenment. For Advaitists, the ultimate truth is not a singular Godhead, per se, but rather is oneness without form or being, something that essentially is without manifestation, and this, by many liberal Advaitists, is seen as complementing, rather than denying, the 'voidness' of Buddhism.
  • In dualist Hinduism, on the other hand, Moksha is not quite analogous to Nirvana in Buddhism. For Vaishnavites and Shaivites, Moksha means union with God. Buddhism, being a non-theistic religion, does not focus on God.

Means to achieve Moksha

There are four yogas (unions) or margs (paths) for the attainment of Moksha. They are the ways of selfless work, of self-dissolving love, of absolute discernment, and of 'royal' meditative immersion. Different schools of Hinduism place varying emphasis on one path or other, some of the most famous being the tantric and yogic practices developed in Hinduism. Today, the two major schools of thought are Advaita Vedanta and Bhakti branches.

Moksha in the sacred Hindu temple dance
Moksha in the sacred Hindu temple dance
  1. Bhakti sees the Self as God, most often a personified monotheistic conception of Vishnu, Shiva or Devi (the Mother Goddess). Unlike in Abrahamic traditions, this monotheism does not prevent a Hindu from worship of other aspects of God, beings or teachers, as they are all seen as rays from a single source. However, it is noteworthy to note that the Bhagavad Gita condemns worship of demigods as it does not lead to Moksha. The concept is essentially of self-dissolution in love, since the ideal nature of being is seen as that of harmony, euphony, its manifest essence being love. By immersing oneself in the love of God, one's Karmas (good or bad, regardless) slough off, one's illusions about beings decay and 'truth' is soon known and lived.
  2. Vedanta finds itself split three-fold, though the dualist and modified non-dualist schools are primarily associated with the foregoing thought of Bhakti. The most famous today is Advaita Vedanta, a non-dual (i.e. no separation between the individual and reality/God/etc.) perspective which often played the role of Hindu foil to contemporary Buddhist philosophy. In general, it focused on intense meditation and moral realignment, its bedrock being the Upanishads, Brahma Sutras and the teachings of its putative founder, Adi Shankara. Through discernment of the real and the unreal, as a peeling of the layers of an onion, the sadhak (practitioner) would unravel the maya (illusion) of being and the cosmos to find nothing within, a nothingness which was paradoxically being, and transcendentally beyond both such inadequate descriptions. This was Moksha, this was atman and Brahman realized as the substance and void of existential duality.

Moksha in the sacred Hindu temple dance, as in the classical Indian dance too, is symbolized by Shiva raising his right leg, as if freeing himself from the gravitation of the material world.

Topics in Hinduism
Shruti (Primary Scriptures):

Vedas | Upanishads | Bhagavad Gita | Itihasa (Ramayana & Mahabharata) | Agamas

Smriti (Other texts):

Tantras | Sutras | Puranas | Brahma Sutras | Hatha Yoga Pradipika | Smritis | Yoga Sutra | Tirukural

Concepts:

Avatar | Brahman | Dharma | Karma | Moksha | Maya | Ishta-Deva | Murti | Reincarnation | Samsara | Trimurti | Turiya

Schools & Systems:

Schools of Hinduism (Overview) | Early Hinduism | Samkhya | Nyaya | Vaisheshika | Yoga | Mimamsa | Vedanta | Tantra | Bhakti

Traditional Practices:

Jyotish | Ayurveda

Rituals:

Aarti | Bhajans | Darshan | Mantras | Puja | Satsang | Stotras | Yagnya

Gurus and Saints:

Shankara | Ramanuja |Madhvacharya | Ramakrishna | Vivekananda | Aurobindo | Ramana Maharshi | Sivananda | Chinmayananda | Sivaya Subramuniyaswami

Denominations:

Vaishnavism | Saivism | Shaktism | Madhva | Smartism | Agama Hindu Dharma | Contemporary Hindu movements | Survey of Hindu organisations


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Mukti - SikhiWiki, free Sikh encyclopedia. (1381 words)
MUKTI and its synonym mokh (Sanskrit moksa, Pali mo(k)kha) are derived from the root much (to let go, release) and seem to be identical in primary meaning with the English words deliverance, liberation, release, freedom and emancipation.
Mukti, in fact, is a by-product of the practice of liv, not its highest objective which is nothing short of God-experience itself, and subsequently remaining immersed in it forever.
This ultimate mukti is a continuation of jivan mukti, going on after the shedding away of the corporeal frame to the final absorption into the One Absolute—the blending of light with Light (joti jot samana).
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