My Name Is Joe is a 1998Scottish film directed by Ken Loach. The film stars Peter Mullan as Joe Kavanagh, an unemployed recovering alchoholic in Glasgow who who meets and falls in love with a health visitor. David McKay plays his troubled friend Liam. The film's title is a reference to the ritualized greeting performed in Alcoholics Anonymous meetings, as portrayed in the film's opening scene. // February 14 - Sharon Stone marries Phil Bronstein. ... Addressing the haggis during Burns supper : Fair fa your honest, sonsie face, Great chieftain o the puddin-race! Scottish culture is the national culture of Scotland. ... Ken Loach Kenneth Loach (born June 17, 1936), known as Ken Loach, is an English television and film director, known for his naturalistic style and socialist themes. ... Peter Mullan (born in 1959 in Peterhead, Scotland) is a Scottish actor who has been appearing in films since 1990. ... “Glaswegian†redirects here. ... David McKay (b. ... Logo for AA Alcoholics Anonymous (AA) is an informal society for recovering alcoholics. ...
The movie was mainly filmed in the actual slums of Glasgow and filling small roles with local residents, many of whom had drug and criminal pasts. The natural Scottish accents of some of the actors are unfamiliar to most American television viewers and as such the film is often shown subtitled.
The film won awards in many film festivals, including Best Actor for Mullan at the Cannes Film Festival. Cannes Film Festival logo. ...
Joe is Glaswegian hard man with a quick-draw temper but a basically sweet disposition, has got sober after years of alcoholism, pulling himself back from the brink because he has realised how violent he can be when he drinks.
Joe and Sarah's burgeoning relationship is fraught with obstacles, not least when he moves to placate the heavies rounding on Liam for unpaid debts With many scenes shot in dark, barely lit rooms, the nightmare of Joe's past seems to be ever present, lurking in the shadows.
MyName is Joe is deeply committed to its characters; underlying humanist ideals, this is an exacting and beautifully measured look at raw, forgot areas of life in '90s Britain.
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