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Encyclopedia > Narrative film

The narrative film uses chronological reality to tell a fictional story. Film scholars consider the narrative film to be one of the major styles of filmmaking, along with the experimental film and the documentary film. The Three Graces, here in a painting by Sandro Botticelli, were the goddesses of charm, beauty, nature, human creativity and fertility in Greek mythology. ... An experimental film is a film organized neither as narrative fiction nor as non-fiction. ... Documentary film is a broad category of cinematic expression united by the intent to remain factual or non-fictional. ...


Unlike literary fiction, the narrative film has a real referent, called the pro-filmic, which encompasses everything existing and done in front of the camera. Only in fictional filmmaking, the pro-filmic represents a different, diegetic meaning: sets serve as locations and actors as characters. In diegesis the author tells the story. ...


Since the emergence of classical Hollywood style in the early 20th century, narrative, ususally in the form of the feature film, has held dominance in commercial cinema and has become popularly synonymous with "the movies." Classical, invisible filmmaking (what is often called "realist" narrative) is central to this popular definition. Certain films, however, have more experimental narratives (the work of Alain Resnais or neo-noir like Memento, for example), and Hollywood in itself has loosened some of its rules since the 1970s, adopting what some have called a "post-classical" style. For other uses see film (disambiguation) Film refers to the celluliod media on which movies are printed Film — also called movies, the cinema, the silver screen, moving pictures, photoplays, picture shows, flicks, or motion pictures, — is a field that encompasses motion pictures as an art form or as part of... Alain Resnais (born June 3, 1922) is a famous French film director, perhaps best known for his masterpieces Hiroshima mon amour (1959), written by Marguerite Duras, and Last Year at Marienbad (Lannée dernière à Marienbad) (1961), written by the French novelist Alain Robbe-Grillet, but also recognised for... Neo-noir is a term given to the modern trend of incorporating aspects of film noir into films of other genres. ...


  Results from FactBites:
 
Film Basics (4924 words)
Since film story telling grew out of literary and oral story telling, and films often base their stories on novels and short stories, it is useful to compare film narrative to the familiar story-telling forms of novels and short stories.
A film performance, then, may be elusive regarding many aspects of a character’s emotions, thoughts, past history, etc. Or the film narrative may be presented with significant gaps in the story’s past or present action--that viewers are expected to fill in, infer, puzzle out, and interpret.
The narrative thrust of continuously forward moving pictures, and the dramatic import of the unfolding film story depend upon the fimmaker’s creation of believable cinematic space to immerse the viewer imaginatively and perceptually in the film’s time-space illusion, and thus in the film narrative.
How are film endings shaped by their socio-historical context? by Catalin Brylla (7203 words)
Narrative film theorists, such as David Bordwell in Narration in the Fictional Film (1985) and Edward Branigan in Narrative Comprehension and Film (1992) deal with the end only superficially, but Richard Neupert’s study offers an assortment of theories and deep analyses and suggests a simple system of categories to establish a film’s ending.
Consequently, closed Text films struggle to limit and direct themselves toward the overall resolution, and the narrative discourse is designed to reflect the story and create devices that conclude the film when the narrative is completed.
Nowadays, the shift of film studies is away from theorising the audience as a monolithic body of subjects, all sharing the same drives, fears and cultural determinations (Neupert).
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