Bharata natyam dance

Natya Yoga, popularly known as Dance Yoga, the all-inclusive spiritual path of action, is a combination of mainly Bhakti Yoga and Karma Yoga with many elements of Hatha Yoga and Raja Yoga. Image File history File links Metadata No higher resolution available. ... Image File history File links Metadata No higher resolution available. ... A Bharatanatyam Dancer Bharatanatyam (also spelled Bharathanatyam, Bharatnatyam or Bharata Natyam) is a South Indian classical dance form. ... Bhakti yoga is the Hindu term for the spiritual practice of fostering of loving devotion to God, called bhakti. ... Karma yoga (Sanskrit: कर्म योग), (also known as Buddhi Yoga) or the discipline of action is based on the teachings of the Bhagavad Gita, a sacred Sanskrit scripture of Hinduism. ... Hatha yoga (Sanskrit हठयोग), also known as Hatha Vidya (हठविद्या), is a particular system of Yoga introduced by Yogi Swatmarama, a sage of 15th century India, and compiler of the Hatha Yoga Pradipika. ... Raja Yoga (lit. ...

Those practising Natya Yoga believe that the fastest way to realize all the intricate aspects of Bhakti (e.g. different types of Lilas) is by enacting various devotional songs, which require one to master one's emotional states. Lila is a concept from Hinduism that explains the universe as a cosmic puppet theater or playground for the gods. ...

According to the Karma Yoga principles, the practitioner of Natya Yoga learns to do everything with a certain attitude that leads to the complete detachment from and control of one's physical, emotional and mental activities. One is expected to devote all one's actions to the Supreme as a sacrifice. The stage performances are an opportunity for the dancer to remain indifferent to the spectators' reactions, which require a great deal of self-control. The dancer strives to learn to be guided in every smallest move by the various devas that are supposed to be established in various chakras. Deva can refer to: Deva (Hinduism), a Hindu deity. ... For the Naruto jutsu, see Chakra (Naruto). ...

Unlike the shamanistic dance practitioners, the Natya Yoga dancer must not let himself become possessed by the lower spirits. Natya Yoga involves far more than, for instance, Sufi whirling. Shamanism is a range of traditional beliefs and practices that involve the ability to diagnose, cure, and sometimes cause human suffering because of a special relationship with, or control over, spirits. ... -1...

Those practising Natya Yoga are expected to perform 108 karanas, in addition to standard asanas and pranayamas, as well as meditation practises that involve various visualizations that lead to the "internalization" of the dance. In fact, the dancer learns the intimate links between the movements of the physical, emotional and mental bodies. The example of such links can be found in hastas and mudras that the dancer is supposed to master. Karana may refer to: Karana dance, a reconstructed dance of India one of the EverQuest Deities Karrana, a village in Bahrain Karanam is a caste in Orissa and Andhra Pradesh in India Category: ... H. H. Sri Swami Rama demonstrates Sukhasana or Easy pose, the most basic seated posture Padmasana or Lotus pose is a more advanced seated posture Chakrasana or Wheel pose is a backbending pose Asana, Sanskrit for sitting posture (asanam is sitting or ass / aste is he sits), is a body... Pranayama (Sanskrit: ) is a Sanskrit word often translated as control of the life force (prana). ... The Spanish language has a range of prepositions that are comparable to those of English. ... A mudrā (Sanskrit, मुद्रा, literally seal) is a symbolic gesture usually made with the hand or fingers. ...

Nada Yoga, or the meditation on sound, is also part of it, as the practitioner of Natya Yoga learns to focus on certain sounds and teach his body to move according to them in order to achieve a certain state of consciousness. Therefore, the musical instruments used for the meditative dance in Natya Yoga are the ones that can produce the mystic sounds described in Patanjali's Yoga Sutras. Patañjali, is the compiler of the Yoga Sutra, a major work containing aphorisms on the practical and philosophical wisdom regarding practice of Raja yoga. ... This article is in need of attention. ...

According to Natya Shastra, Natya Yoga was initially practised by Narada and Gandharvas, especially by Apsaras. The birth of Bhakti Yoga greatly modified the Natya Yoga techniques. In the medieval times, Natya Yoga was practised by the devadasi's and some temple Brahmins. Many elements of Natya Yoga have been preserved in the orthodox Bharatanatyam and Odissi. The followers of the Siddhendra Yogi line of Kuchipudi practise it too. Natya Yoga is part of Integral Yoga, and is taught in the Sri Aurobindo Ashram through Odissi. The Natya Shastra or Nātyaśāstra is the principal work of dramatic theory in the Sanskrit drama of classical India. ... Narada (Sanskrit: नारद, nārada) is the Hindu divine sage, who is an enduring chanter of the names Hari and Narayana which other names for Vishnu, considered to be the supreme God by Vaishnavites and many other Hindus. ... // In Hinduism, the Gandharvas (Sanskrit: गंधर्व, gandharva) are male nature spirits, husbands of the Apsarases. ... For other uses, see Apsara (disambiguation). ... Bhakti yoga is the Hindu term for the spiritual practice of fostering of loving devotion to God, called bhakti. ... Devadasis (Sanskrit: देवदासी, translation: Servant of God) are cult prostitutes in the service of the Yellamma, the Hindu goddess of fertility. ... Bharatanatyam[1] is a classical dance form originating from Tamil Nadu[2][3][4][5][6], a state in Southern India. ... Odissi (or Orissi) is the traditional style of dance that originated in the state of Orissa in Eastern India, where it was performed by the maharis (temple dancers). ... Kuchipudi is a classical dance form from Andhra Pradesh, a southern state of India. ... Kuchipudi (కుచిపుడి) is a Classical Indian dance form from Andhra Pradesh, a state of South India. ... Integral yoga or purna yoga (Sanskrit for full or complete yoga) refers in Sri Aurobindos teachings to the union of all the parts of ones being with the Divine, and the transmutation of all of their jarring elements into a harmonious state of higher divine consciousness and existence. ... Sri Aurobindo (Bangla: শ্রী অরবিন্দ Sri Ôrobindo, Sanskrit: श्री अरविन्द Srī Aravinda) (August 15, 1872–December 5, 1950) was an Indian/Hindu nationalist, scholar, poet, mystic, evolutionary philosopher, yogi and guru [1]. After a short political career in which he became one of the leaders of the early movement for the freedom of India... Odissi (or Orissi) is the traditional style of dance that originated in the state of Orissa in Eastern India, where it was performed by the maharis (temple dancers). ...

According to Balasaraswathi, "The greatest blessing of Bharatanatyam is its ability to control the mind. Most of us are incapable of single-minded contemplation even when actions are abandoned. On the other hand, in Bharatanatyam actions are not avoided; there is much to do but it is the harmony of various actions that results in the concentration we seek. The burden of action is forgotten in the pleasant charm of the art. The feet keeping to time, hands expressing gesture, the eye following the hand, the ear listening to the master’s music and the dancer’s own singing - by harmonizing these five elements the mind achieves concentration and attains clarity in the very richness of participation. The inner feeling of the dancer is the sixth sense, which harmonizes these five mental and mechanical elements to create the experience and enjoyment of beauty. It is the spark, which gives the dancer her sense of spiritual freedom in the midst of the constraints and discipline of the dance. The yogi achieves serenity through concentration that comes from discipline. The dance brings together her feet, hands, eyes, ears and singing into fusion which transforms the serenity of the yogi into a torrent of beauty. The spectator, who is absorbed in intently watching this, has his mind freed of distractions and feels a great sense of clarity. In their shared involvement, the dancer and the spectator are both released from the weight of the worldly life and experience the divine joy of the art with a sense of total freedom."