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Encyclopedia > Negro Ensemble Company

The Negro Ensemble Company is a New York City-based theater company. Established in 1967 by playwright Douglas Turner Ward, producer/actor Robert Hooks, and theater manager Gerald Krone, the company focuses on themes in "black life". Nickname: Big Apple, Gotham, NYC, City That Never Sleeps, The Concrete Jungle, The City So Nice They Named It Twice Location in the state of New York Coordinates: Country United States State New York Boroughs The Bronx Brooklyn Manhattan Queens Staten Island Settled 1676 Government  - Mayor Michael Bloomberg (R) Area... It has been suggested that Drama (art form) be merged into this article or section. ... 1967 (MCMLXVII) was a common year starting on Sunday of the Gregorian calendar (the link is to a full 1967 calendar). ... Template:Unsourced A playwright, also known as a dramatist, is someone who writes dramatic literature or drama. ... Robert Dean Hooks (April 18, 1937 in Washington, DC) is an African American actor. ...


Notable alumni

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External links

  • Negro Ensemble Company website

  Results from FactBites:
 
American Masters . Negro Ensemble Co. | PBS (948 words)
Though the new company succeeded in attracting audiences from all walks of life, they ran into a number of political and economic difficulties.
Among the many plays produced by the Negro Ensemble Company were such greats as Peter Weiss' "Song of the Lucitanian Bogey", Lonnie Elder's Ceremonies in Dark Old Men" (1969) and Charles Fuller's "Zooman and the Sign" (1980).
In the 1972-73 season the resident company was disbanded, staff was cut back, training programs canceled, and salaries deferred.
LA Weekly - Company Town (1675 words)
These are the kinds of services that companies must provide to their volunteer/dues-paying membership in order to keep them.
Ensemble Studio Theater’s Laura Jane Salvato spins on her heels when asked whether the theater in Los Angeles is really a profession, or just a hobby.
Company members are mostly over 40 years old — hence the in-house training academy, to “pass the torch.” After a series of Monday-night salons through the early ’90s, the troupe was solidified into an arm of the Mark Taper Forum, where it performed Equity workshops of classical plays being considered for production there.
  More results at FactBites »


 

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