A 1921 film by D.W. Griffith set in late 19th centuryFrance, before and during the French Revolution. 1921 (MCMXXI) was a common year starting on Saturday (see link for calendar). ... David Lewelyn Wark Griffith (January 22, 1875 - July 23, 1948) was an American film director (commonly known as D. W. Griffith) probably best known for his film The Birth of a Nation. ... Alternative meaning: Nineteenth Century (periodical) (18th century — 19th century — 20th century — more centuries) As a means of recording the passage of time, the 19th century was that century which lasted from 1801-1900 in the sense of the Gregorian calendar. ... Liberty Leading the People, a painting by Delacroix commemorating the July Revolution of 1830 but which has come to be generally accepted as symbolic of French popular uprisings against the monarchy in general and the French Revolution in particular. ...
This was the last Griffith film to feature Lillian and Dorothy Gish, and is often considered Griffith's last major commercial success (after Birth of a Nation, Intolerance, and Broken Blossoms). Lillian Gish Lillian Diana de Guiche (October 14, 1893 – February 27, 1993), was an Oscar-nominated American actress, better known as Lillian Gish. ... Dorothy Gish photographed by Carl Van Vechten, 1932 Dorothy Gish (March 11, 1898 - June 4, 1968) was an American actress. ... The Birth of a Nation is a controversial silent film directed by D.W. Griffith, based on the play The Clansmen and the book The Leopards Spots, both by Thomas Dixon. ... Intolerance is a silent film directed by D.W. Griffith in 1916. ... Broken Blossoms (also called The Chink and the Child, Scarlet Blossoms and The Yellow Man and the Girl) is a 1919 film which tells the story of a Chinese man who goes to England to enlighten Christians about the teachings of Buddha. ...
Mary is there called "Mistress of the Heavens, Mother of the Heavenly and earthly Church, Recreation of Life, Mistress of the Tribes, Mother of the Orphans, Breast of the Infants, Queen of Life, Ladder of Heaven." This composition may be as old as the middle of the eighth century.
And there is no reason to believe that these forms of piety had on the whole a delusive effect, and fostered nothing but superstition.
The purity, pity, and motherliness of Mary were always the dominant motive, even the "Miracle" of Max Reinhardt, the wordless play which in 1912 took London by storm, persuaded many how much of true religious feeling must have underlain even the more extravagant conceptions of the Middle Ages.
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