The Parthenon west façade The Parthenon, (ancient Greek: Παρθενών) is a temple built for the Greek goddess Athena,the protectress of Athens, in the 5th century BC on the athenian Acropolis. It is the most important surviving building of Classical Greece, generally considered to be the culmination of the development of the Doric order. Its decorative sculptures are considered one of the high points of Greek art. The Parthenon is regarded as an enduring symbol of ancient Greece and of Athenian democracy, and is one of the world's greatest cultural monuments. The Greek Ministry of Culture is currently carrying out a program of restoration and reconstruction.[1] Image File history File links Metadata Size of this preview: 800 Ã 600 pixelsFull resolution (2048 Ã 1536 pixel, file size: 803 KB, MIME type: image/jpeg) File history Legend: (cur) = this is the current file, (del) = delete this old version, (rev) = revert to this old version. ...
Image File history File links Metadata Size of this preview: 800 Ã 600 pixelsFull resolution (2048 Ã 1536 pixel, file size: 803 KB, MIME type: image/jpeg) File history Legend: (cur) = this is the current file, (del) = delete this old version, (rev) = revert to this old version. ...
Parthenon may refer to: Parthenon, the temple in Athens Parthenon (Nashville), a full-scale replica of the Parthenon in Nashville The Parthenon, the student newspaper of Marshall University in Huntington, West Virginia Category: ...
Facade of the Pantheon For other uses, see Pantheon (disambiguation). ...
Beginning of Homers Odyssey The Ancient Greek language is the historical stage of the Greek language[1] as it existed during the Archaic (9thâ6th centuries BC) and Classical (5thâ4th centuries BC) periods in Ancient Greece. ...
The Greeks began to build monumental temples in the first half of the 8th century BC. The temples of Hera at Samos and of Poseidon at Isthmia were among the first erected. ...
A listing of Greek mythological beings. ...
This is the Greek name of the capital of the Hellenic Republic (Greece). ...
The Acropolis of Athens is the best known acropolis (high city, The Sacred Rock) in the world. ...
Parthenon This article is on the term Classical Greece itself. ...
The Doric order was one of the three orders or organizational systems of Ancient Greek or classical architecture; the other two canonical orders were the Ionic and the Corinthian. ...
The art of ancient Greece has exercised an enormous influence on the culture of many countries from ancient times until the present, particularly in the areas of sculpture and architecture. ...
The term ancient Greece refers to the periods of Greek history in Classical Antiquity, lasting ca. ...
Athenian democracy (sometimes called Direct democracy) developed in the Greek city-state of Athens. ...
The Hellenic Republic Ministry of Culture (official name) or Greek Ministry of Culture (Greek Î¥ÏοÏ
Ïγείο ΠολιÏιÏμοÏ, located in Athens, Greece, was founded in September 1971. ...
The Parthenon replaced an older temple of Athena, called the Pre-Parthenon or Older Parthenon, that was destroyed in the Persian invasion of 480 BC. Like most Greek temples, the Parthenon was used as a treasury, and for a time served as the treasury of the Delian League, which later became the Athenian Empire. In the 6th century AD, the Parthenon was converted into a Christian church dedicated to the Virgin. After the Ottoman conquest, it was converted into a mosque in the early 1460s, and it even had a minaret. On September 28, 1687, an Ottoman ammunition dump inside the building was ignited by Venetian bombardment. The resulting explosion severely damaged the Parthenon and its sculptures. In 1806, Thomas Bruce, 7th Earl of Elgin removed some of the surviving sculptures, with Ottoman permission. These sculptures, now known as the Elgin or Parthenon Marbles, were sold in 1816 to the British Museum in London, where they are now displayed. The Greek government is committed to the return of the sculptures to Greece, so far with no success. The Older Parthenon or PreâParthenon, as it is frequently referred to,[1] constitutes the first endeavour to build a sanctuary for Athena Parthenos on the site of the present Parthenon, Athens, Greece. ...
Persian Wars redirects here. ...
The term treasury was first used in classical times to describe the votive buildings erected to house gifts to the gods, such as the Siphnian Treasury in Delphi or the many buildings put up in Olympia, Greece by competing city-states, to impress each other during the Ancient Olympic Games. ...
Delian League (Athenian Empire), right before the Peloponnesian War in 431 BC. Corcyra was not part of the League The Delian League was an association of Greek city-states in the 5th century BC. It was led by Athens. ...
The Delian League was an association of Greek city-states in the 5th century BC. As it was led by Athens, it is sometimes pejoratively referred to as the Athenian Empire. ...
Topics in Christianity Movements · Denominations Ecumenism · Relation to other religions Preaching · Prayer Music · Liturgy · Calendar Symbols · Art · Criticism Christianity Portal This box: Church historian redirects here. ...
For the architectural structure, see Church (building). ...
Saint Mary and Saint Mary the Virgin both redirect here. ...
Greece was part of the Ottoman Empire from the 14th century until its declaration of independence in 1821. ...
The Masjid al-Haram in Mecca as it exists today A mosque is a place of worship for followers of the Islamic faith. ...
Centuries: 14th century - 15th century - 16th century Decades: 1410s 1420s 1430s 1440s 1450s - 1460s - 1470s 1480s 1490s 1500s 1510s Years: 1460 1461 1462 1463 1464 1465 1466 1467 1468 1469 Events and Trends Sonni Ali, first Songhai king, conquers many of his African neighbors. ...
This article or section does not cite any references or sources. ...
is the 271st day of the year (272nd in leap years) in the Gregorian calendar. ...
Events March 19 - The men under explorer Robert Cavelier de La Salle murder him while searching for the mouth of the Mississippi River. ...
Borders of the Republic of Venice in 1796 Capital Venice Language(s) Venetian, Latin, Italian Religion Roman Catholic Government Republic Doge - 1789â97 Ludovico Manin History - Established 697 - Treaty of Zara June 27, 1358 - Treaty of Leoben April 17, 1797 * Traditionally, the establishment of the Republic is dated to 697. ...
Thomas Bruce, 7th Earl of Elgin and 11th Earl of Kincardine (July 20, 1766 - November 14, 1841) was a British nobleman and diplomat, known for the removal of marble sculptures from the Parthenon in Athens -- popularly known as the Elgin Marbles. ...
Metope from the Elgin marbles depicting a Centaur and a Lapith fighting. ...
Metope from the Parthenon marbles depicting a Centaur and a Lapith fighting The Elgin Marbles is the popular term for the Parthenon Marbles, a large collection of marble sculptures brought to Britain between 1801 and 1805 by Thomas Bruce, 7th Earl of Elgin, the official British resident in Ottoman Athens...
London museum | name = British Museum | image = British Museum from NE 2. ...
This article is about the capital of England and the United Kingdom. ...
Design and construction
The Parthenon from the south. In the foreground of the image, a reconstruction of the marble imbrices and tegulae (roof tiles) forming the roof is visible, resting on wooden supports. The first endeavour to build a sanctuary for Athena Parthenos on the site of the present Parthenon was begun shortly after the Battle of Marathon (c. 490-88 BC) upon a massive limestone foundation that extended and leveled the southern part of the Acropolis summit. This building replaced a hekatompedon (meaning "hundred-footer") and would have stood beside the archaic temple dedicated to the Athena Polias. The Older or Pre-Parthenon, as it is frequently referred to, was still under construction when the Persians sacked the city in 480 BC and razed the Acropolis.[2] Image File history File links Download high resolution version (533x800, 216 KB) Summary Picture of Parthenon I took, late autumn of 2005. ...
Image File history File links Download high resolution version (533x800, 216 KB) Summary Picture of Parthenon I took, late autumn of 2005. ...
Each tegula (a) overlaps the one below it, with its raised borders tapering in to nestle between the next tiles borders. ...
This is the Greek name of the capital of the Hellenic Republic (Greece). ...
Combatants Athens, Plataea Persia Commanders Miltiades, Callimachus â , Arimnestus Datis â ?, Artaphernes Strength 10,000 Athenians, 1,000 Plataeans 20,000 - 100,000 a Casualties 192 Athenians killed, 11 Plataeans killed (Herodotus) 6,400 killed, 7 ships captured (Herodotus) a These are modern consensus estimates. ...
For other uses, see Limestone (disambiguation). ...
The Older Parthenon or PreâParthenon, as it is frequently referred to,[1] constitutes the first endeavour to build a sanctuary for Athena Parthenos on the site of the present Parthenon, Athens, Greece. ...
Persia redirects here. ...
In the mid-5th century BC, when the Athenian Acropolis became the seat of the Delian League and Athens was the greatest cultural centre of its time, Pericles initiated an ambitious building project which lasted the entire second half of the century. The most important buildings visible on the Acropolis today – the Parthenon, the Propylaia, the Erechtheion and the temple of Athena Nike – were erected during this period. The Parthenon was built under the general supervision of the sculptor Phidias, who also had charge of the sculptural decoration. The architects, Iktinos and Kallikrates, began in 447 BC, and the building was substantially completed by 432, but work on the decorations continued until at least 431. Some of the financial accounts for the Parthenon survive and show that the largest single expense was transporting the stone from Mount Pentelicus, about 16 kilometers from Athens, to the Acropolis. The funds were partly drawn from the treasury of the Delian League, which was moved from the Panhellenic sanctuary at Delos to the Acropolis in 454 BC. Delian League (Athenian Empire), right before the Peloponnesian War in 431 BC. Corcyra was not part of the League The Delian League was an association of Greek city-states in the 5th century BC. It was led by Athens. ...
Phidias Showing the Frieze of the Parthenon to his Friends by Sir Lawrence Alma-Tadema Phidias (or Pheidias) (in ancient Greek, ) (c. ...
For other uses, see Architect (disambiguation). ...
Iktinos (also Iktious or Ictinus) was an architect active in the mid 5th century BC, who, together with Kallikrates designed the Parthenon (447â432 BC) in Athens, Greece. ...
Kallikrates was one of the two architects of the Parthenon, active mid-5th century BC. He was responsible for the Temple of Athena Nike, also on the Acropolis. ...
Pentéli or Pendeli, (Greek: ΠενÏÎλη, ancient forms: Pentele, Pentelikon or Pentelicus, and Vrilissos or Vrilittos (Greek: ÎÏιληÏÏÏÏ, ÎÏιληÏÏÏÏ), Mendeli in medieval times) is a tall mountain and mountain range situated northeast...
The island of Delos, Carl Anton Joseph Rottmann, 1847 The island of Delos (Greek: ÎήλοÏ, Dhilos), isolated in the centre of the roughly circular ring of islands called the Cyclades, near Mykonos, had a position as a holy sanctuary for a millennium before Olympian Greek mythology made it the birthplace of...
Although the nearby Temple of Hephaestus is the most complete surviving example of a Doric order temple, the Parthenon, in its day, was regarded as the finest. The temple, wrote John Julius Norwich, "Enjoys the reputation of being the most perfect Doric temple ever built. Even in antiquity, its architectural refinements were legendary, especially the subtle correspondence between the curvature of the stylobate, the taper of the naos walls and the entasis of the columns."[3] Entasis refers to the slight bulge of the columns as they rise, though the observable effect on the Parthenon is considerably more subtle than on earlier temples with their noticeably cigar-shaped columns. The stylobate is the platform on which the columns stand. As in many other classical Greek temples,[4] it has a slight parabolic upward curvature intended primarily to shed rainwater. The columns might therefore be supposed to lean outwards, but they actually lean slightly inwards; and since they are all the same height, the curvature of the outer stylobate edge is transmitted to the architrave and roof above: "all follow the rule of being built to delicate curves" Gorham Stevens observed when pointing out that in addition, the west front was built at a slightly higher level than that of the east front.[5] It is not universally agreed what the intended effect of these 'optical refinements' was; it is often suggested that it was to enliven what might have appeared an inert mass in the case of a building without curves, but the comparison ought to be with the Parthenon's more obviously curved predecessors than with a notional rectilinear temple. Temple of Hephaestus, an Doric Greek temple in Athens with the original entrance facing east, 449 BC (western face depicted) Temple of Hephaestus, Athens: eastern face The Temple of Hephaestus in central ancient Athens, Greece, is the best-preserved ancient Greek temple in the world, but is far less well...
The Doric order was one of the three orders or organizational systems of Ancient Greek or classical architecture; the other two canonical orders were the Ionic and the Corinthian. ...
John Julius Cooper, 2nd Viscount Norwich (born 15 September 1929), known as John Julius Norwich, is a British historian, travel writer and television personality and the son of the Conservative politician and diplomat Duff Cooper, who in 1952 was created Viscount Norwich, and of Lady Diana Cooper, a celebrated beauty...
The uncompleted Doric temple at Segesta, Sicily, has been waiting for finishing of its surfaces since 430 - 420 BC The Doric order was one of the three orders or organizational systems of Ancient Greek or classical architecture; the other two orders were the Ionic and the Corinthian. ...
In Greek architecture, stylobate is a platform on which colonnades of columns are placed (it is the floor of the temple). ...
Naos is a term used in classical architecture to refer to the inner chamber of a temple which houses an idol. ...
schema of a Corinthian column In architecture, entasis is a design technique used to counteract a certain optical illusion. ...
Some studies of the Acropolis, including the Parthenon, conclude that many of its proportions approximate the golden ratio. The Parthenon's facade as well as elements of its facade and elsewhere can be circumscribed by golden rectangles.[6] This view that the golden ratio was employed in the design has been disputed in more recent studies.[7] Not to be confused with Golden mean (philosophy), the felicitous middle between two extremes, Golden numbers, an indicator of years in astronomy and calendar studies, or the Golden Rule. ...
The large rectangle BA is a golden rectangle; that is, the proportion b:a is 1:. If we remove square B, what is left, A, is another golden rectangle. ...
Measured at the top step, the dimensions of the base of the Parthenon are 69.5 meters by 30.9 meters (228.0 x 101.4 ft). The cella was 29.8 metres long by 19.2 metres wide (97.8 x 63.0 ft), with internal Doric colonnades in two tiers, structurally necessary to support the roof. On the exterior, the Doric columns measure 1.9 meters (6.2 ft) in diameter and are 10.4 meters (34.1 ft) high. The corner columns are slightly larger in diameter. The Parthenon had 46 outer pillars and 19 inner pillars in total. The stylobate has an upward curvature towards its center of 60 millimeters (2.36 in) on the east and west ends, and of 110 millimeters (4.33 in) on the sides. The roof was covered with large overlapping marble tiles known as imbrices and tegulae. Temple layout with cella highlighted A cella (from Latin for small chamber) or naos (from the Greek for temple), is the inner chamber of a temple in classical architecture, or a shop facing the street in domestic Roman architecture (see domus). ...
Each tegula (a) overlaps the one below it, with its raised borders tapering in to nestle between the next tiles borders. ...
Sculptural decoration
Floor plan of the Parthenon
Detail of the West metopes, illustrating the current condition of the temple in detail after 2,500 years of war, pollution, erratic conservation, pillage and vandalism
South metope 3, one of the high-relief sculptures removed by Lord Elgin's expedition and now in the British Museum The Parthenon, an octostyle, peripteral Doric temple with Ionic architectural features, housed the chryselephantine statue of Athena Parthenos sculpted by Phidias and dedicated in 439/438 BC. The decorative stonework was originally highly coloured.[8] The temple was dedicated to the Athena at that time, though construction continued until almost the beginning of the Peloponnesian War in 432. By the year 438, the sculptural decoration of the Doric metopes on the frieze above the exterior colonnade, and of the Ionic frieze around the upper portion of the walls of the cella, had been completed. The richness of the Parthenon's frieze and metope decoration is in agreement with the function of the temple as a treasury. In the opisthodomus (the back room of the cella) were stored the monetary contributions of the Delian League, of which Athens was the leading member. Image File history File links This is a lossless scalable vector image. ...
Image File history File links This is a lossless scalable vector image. ...
Image File history File links Download high resolution version (3519x2345, 1339 KB) File links The following pages link to this file: Parthenon ...
Image File history File links Download high resolution version (3519x2345, 1339 KB) File links The following pages link to this file: Parthenon ...
Image File history File linksMetadata Size of this preview: 690 Ã 600 pixelsFull resolution (2220 Ã 1930 pixel, file size: 2. ...
Image File history File linksMetadata Size of this preview: 690 Ã 600 pixelsFull resolution (2220 Ã 1930 pixel, file size: 2. ...
London museum | name = British Museum | image = British Museum from NE 2. ...
An Octostyle, in architecture, describes a temple or portico of eight columns in front. ...
Bahut a dwarf-wall of plain masonry, carrying the roof of a cathedral or church and masked or hidden behind the balustrade. ...
The uncompleted Doric temple at Segesta, Sicily, has been waiting for finishing of its surfaces since 430 - 420 BC The Doric order was one of the three orders or organizational systems of Ancient Greek or classical architecture; the other two orders were the Ionic and the Corinthian. ...
Architects first real look at the Greek Ionic order: Julien David LeRoy, Les ruines plus beaux des monuments de la Grèce Paris, 1758 (Plate XX) Ionic order: 1 - entablature, 2 - column, 3 - cornice, 4 - frieze, 5 - architrave or epistyle, 6 - capital (composed of abacus and volutes), 7 - shaft, 8...
Chryselephantine (from Greek ÏÏÏ
ÏÎ¿Ï (chrysos), âgold,â and ελεÏανÏÎ¹Î½Î¿Ï (elephantinos), âivoryâ), the architectural term given to statues which were built up on a wooden core, with ivory representing the flesh and gold the drapery. ...
Athena Parthenos is the title of a massive chryselephantine sculpture of the Greek goddess Athena by Phidias, which was housed in the Parthenon in Athens. ...
Phidias Showing the Frieze of the Parthenon to his Friends by Sir Lawrence Alma-Tadema Phidias (or Pheidias) (in ancient Greek, ) (c. ...
Athenian War redirects here. ...
Temple layout with cella highlighted A cella (from Latin for small chamber) or naos (from the Greek for temple), is the inner chamber of a temple in classical architecture, or a shop facing the street in domestic Roman architecture (see domus). ...
Metopes -
The ninety-two metopes were carved in high relief, a practice employed until then only in treasuries (buildings used to keep votive gifts to the gods). According to the building records, the metope sculptures date to the years 446-440 BC. Their design is attributed to the sculptor Kalamis. The metopes of the east side of the Parthenon, above the main entrance, depict the Gigantomachy (mythical battles between the Olympian gods and the Giants). The metopes of the west end show Amazonomachy (mythical battle of the Athenians against the Amazons). The metopes of the south side—with the exception of the somewhat problematic metopes 13–20, now lost—show the Thessalian Centauromachy (battle of the Lapiths aided by Theseus against the half-man, half-horse Centaurs). On the north side of the Parthenon the metopes are poorly preserved, but the subject seems to be the sack of Troy. This article or section does not cite its references or sources. ...
This article or section does not cite its references or sources. ...
Metope from the Parthenon marbles depicting a Centaur and a Lapith fighting In classical architecture, a metope is the space between two triglyphs of a Doric frieze. ...
Dionysos attacking a Giant during the Gigantomachia, Attic red-figure pelike, ca. ...
Gigantomachia: Dionysos attacking a Gigante, Attic red-figure pelike, ca. ...
Amazons were warrior women of Greek legend believed to have lived on the northern fringes of Greece, modern Thrace and toward the Black Sea. ...
The Amazons (in Greek, ) were a mythical ancient nation of all-female warriors. ...
In Greek mythology, the Lapiths were a semi-legendary, semi-historical race, whose home was in Thessaly in the valley of the Peneus. ...
In Greek mythology, the Lapiths were a semi-legenday, semi-historical race, whose home was in Thessaly in the valley of the Peneus. ...
Theseus (Greek ) was a legendary king of Athens, son of Aethra, and fathered by Aegeus and Poseidon, with whom Aethra lay in one night (By some accounts, this was presented as a rape). ...
This article is about the mythological creatures. ...
The Iliou persis (Greek: ; also known as Iliupersis, esp. ...
The metopes present surviving traces of the Severe Style in the anatomy of the figures' heads, in the limitation of the corporal movements to the contours and not to the muscles, and in the presence of pronounced veins in the figures of the Centauromachy. Several of the metopes still remain on the building, but with the exception of those on the northern side, they are severely damaged. Some of them are located at the Acropolis Museum, others are in the British Museum and one can be seen at the Louvre museum. In Greek mythology, the Lapiths were a semi-legendary, semi-historical race, whose home was in Thessaly in the valley of the Peneus. ...
This article does not cite any references or sources. ...
This article is about the museum. ...
Frieze -
The most characteristic feature in the architecture and decoration of the temple is the Ionic frieze running around the exterior walls of the cella. The bas-relief frieze was carved in situ; it is dated in 442 BC-438 BC. Cavalry from the Parthenon Frieze, West II, British Museum. ...
Frieze of the Tower of the Winds. ...
One interpretation is that it depicts an idealized version of the Panathenaic procession from the Dipylon Gate in the Kerameikos to the Acropolis. In this procession held every year, with a special procession taking place every four years, Athenians and foreigners were participating to honour the goddess Athena offering sacrifices and a new peplos (dress woven by selected noble Athenian girls called ergastines). The Acropolis and the Propylaea in an 1846 painting by Leo von Klenze The Panathenaea (âagfhjs fgy hjer cm ll-Athenian festival) was the most important festival for Athens and one of the grandest in the entire Greek world. ...
The Kerameikos is the name of the deme or part of Athens to the northwest of the Acropolis and includes an extensive area both within and outside of the city walls. ...
Acropolis (Gr. ...
This is the Greek name of the capital of the Hellenic Republic (Greece). ...
Terracotta of a Greek woman 2. ...
Phidias Showing the Frieze of the Parthenon to his Friends, 1868 painting by Lawrence Alma-Tadema Joan Breton Connelly has recently argued for another interpretation of the Frieze, in which she attempts to prove that the iconography of the Frieze is based on Greek mythology. This interpretation postulates that the scenes depict the sacrifice of Pandora, youngest daughter of Erechtheus, to Athena. This human sacrifice was demanded by Athena to save the city from Eumolpus, king of Eleusis, who had gathered an army to attack Athens.[9] Image File history File links Size of this preview: 800 Ã 531 pixel Image in higher resolution (2280 Ã 1513 pixel, file size: 330 KB, MIME type: image/jpeg) +/- â See Parthenon Frieze Slabs at [1] Last accessed 07-Apr-2007 â he introduces us to Phidias showing the frieze of the Parthenon to...
Image File history File links Size of this preview: 800 Ã 531 pixel Image in higher resolution (2280 Ã 1513 pixel, file size: 330 KB, MIME type: image/jpeg) +/- â See Parthenon Frieze Slabs at [1] Last accessed 07-Apr-2007 â he introduces us to Phidias showing the frieze of the Parthenon to...
Phidias Showing the Frieze of the Parthenon to his Friends by Sir Lawrence Alma-Tadema Phidias (or Pheidias) (in ancient Greek, ) (c. ...
Sir Lawrence Alma-Tadema, OM, RA (January 8, 1836, Dronrijp, the Netherlands. ...
Joan Breton Connelly is a classical archaeologist and Professor of Art History at New York University. ...
The bust of Zeus found at Otricoli (Sala Rotonda, Museo Pio-Clementino, Vatican) Greek mythology is the body of stories belonging to the Ancient Greeks concerning their gods and heroes, the nature of the world and the origins and significance of their own cult and ritual practices. ...
For other uses, see Pandora (disambiguation) and Pandoras box (disambiguation). ...
Erechtheus in Greek Mythology was the name of a king of Athens, and a secondary name for two other characters In Homers Iliad the name is applied to the earth-born son of Hephaestus later mostly called Erichthonius by later writers. ...
In Greek mythology, Eumolpus was the son of Poseidon and Chione (or Hermes and Aglaulus). ...
Eleusis (Game) The cardgame invented by Robert Abbott in 1962, and later popularized in 1977 by Martin Gardner in his Mathematical Games column in Scientific American magazine. ...
Pediments The 2nd-century traveller Pausanias, when he visited the Acropolis at the end of the second century AD , only mentioned briefly the sculptures of the pediments (gable ends) of the temple, reserving the majority of his description for the gold and ivory statue of the goddess inside. Pausanias (Greek: ) was a Greek traveller and geographer of the 2nd century A.D., who lived in the times of Hadrian, Antoninus Pius and Marcus Aurelius. ...
A pediment is a classical architectural element consisting of a triangular section or gable found above the horizontal superstructure (entablature) which lies immediately upon the columns. ...
East pediment The East pediment narrates the birth of Athena from the head of her father, Zeus. According to Greek mythology Zeus gave birth to Athena after a terrible headache prompted him to summon Hephaestus' (the god of fire and the forge) assistance. To alleviate the pain he ordered Hephaestus to strike him with his forging hammer, and when he did, Zeus's head split open and out popped the goddess Athena in full armour. The sculptural arrangement depicts the moment of Athena's birth. This is the Greek name of the capital of the Hellenic Republic (Greece). ...
For other uses, see Zeus (disambiguation). ...
The bust of Zeus found at Otricoli (Sala Rotonda, Museo Pio-Clementino, Vatican) Greek mythology is the body of stories belonging to the Ancient Greeks concerning their gods and heroes, the nature of the world and the origins and significance of their own cult and ritual practices. ...
Hephaestus (pronounced or ; Greek HÄphaistos) was a Greek god whose Roman equivalent was Vulcan; he was the god of technology, blacksmiths, craftsmen, artisans, sculptors, metals and metallurgy, and fire. ...
Unfortunately, the center pieces of the pediment were destroyed even before Jacques Carrey created otherwise useful documentary drawings in 1674, so all reconstructions are subject to conjecture and speculation.. The main Olympian gods must have stood around Zeus and Athena watching the wondrous event, with Hephaestus and Hera probably near them. The Carrey drawings are instrumental in reconstructing the sculptural arrangement beyond the center figures to the north and south.[10] For other uses, see Zeus (disambiguation). ...
This is the Greek name of the capital of the Hellenic Republic (Greece). ...
Hephaestus (pronounced or ; Greek HÄphaistos) was a Greek god whose Roman equivalent was Vulcan; he was the god of technology, blacksmiths, craftsmen, artisans, sculptors, metals and metallurgy, and fire. ...
For other uses, see Hera (disambiguation). ...
West pediment The west pediment faced the Propylaia and depicted the contest between Athena and Poseidon during their competition for the honor of becoming the city's patron. Athena and Poseidon appear at the center of the composition, diverging from one another in strong diagonal forms with the goddess holding the olive tree and the god of the sea raising his trident to strike the earth. At their flanks they are framed by two active groups of horses pulling chariots, while a crowd of legendary personalities from Athenian mythology fills the space out to the acute corners of the pediment. Neptune reigns in the city of Bristol. ...
This is the Greek name of the capital of the Hellenic Republic (Greece). ...
Neptune reigns in the city of Bristol. ...
The work on the pediments lasted from 438 to 432 BC, and the sculptures of the Parthenon pediments are some of the finest examples of classical Greek art. The figures are sculpted in natural movement with bodies full of vital energy that bursts through their flesh, as the flesh in turn bursts through their thin clothing. The thin chitons allow the body underneath to be revealed as the focus of the composition. The distinction between gods and humans is blurred in the conceptual interplay between the idealism and naturalism bestowed on the stone by the sculptors.[11] The pediments no longer exist. Centuries: 6th century BC - 5th century BC - 4th century BC Decades: 480s BC 470s BC 460s BC 450s BC 440s BC - 430s BC - 420s BC 410s BC 400s BC 390s BC 380s BC Years: 443 BC 442 BC 441 BC 440 BC 439 BC - 438 BC - 437 BC 436 BC...
Centuries: 6th century BC - 5th century BC - 4th century BC Decades: 480s BC 470s BC 460s BC 450s BC 440s BC - 430s BC - 420s BC 410s BC 400s BC 390s BC 380s BC Years: 437 BC 436 BC 435 BC 434 BC 433 BC 432 BC 431 BC 430 BC...
A Danaid, wearing a low-girded chiton A chiton was a piece of clothing in the Ancient Greek world. ...
With regard to living things, a body is the integral physical material of an individual. ...
Athena Parthenos -
The only piece of sculpture from the Parthenon known to be from the hand of Pheidias[12] was the statue of Athena housed in the naos. This massive chryselephantine sculpture is now lost and known only from copies, vase painting, gems, literary descriptions and coins.[13] Athena Parthenos is the title of a massive chryselephantine sculpture of the Greek goddess Athena by Phidias, which was housed in the Parthenon in Athens. ...
Chryselephantine (from Greek ÏÏÏ
ÏÎ¿Ï (chrysos), âgold,â and ελεÏανÏÎ¹Î½Î¿Ï (elephantinos), âivoryâ), the architectural term given to statues which were built up on a wooden core, with ivory representing the flesh and gold the drapery. ...
Older Parthenon -
The first endeavour to build a sanctuary for Athena Parthenos on the site of the present Parthenon was begun shortly after the Battle of Marathon (c. 490-88 BC). This building replaced a hekatompedon (meaning "hundred-footer") and would have stood beside the archaic temple dedicated to Athena Polias. The “older Parthenon”, as it is frequently referred to, was still under construction when the Persians sacked the city in 480 BC and razed the Acropolis. The existence of the proto-Parthenon and its destruction were known from Herodotus,[14] and the drums of its columns were plainly visible built into the curtain wall north of the Erechtheum. Further material evidence of this structure was revealed with the excavations of Patagiotis Kavvadias of 1885-90. The findings of this dig allowed Wilhelm Dörpfeld, then director of the German Archaeological Institute, to assert that there existed a distinct substructure to the original Parthenon, called Parthenon I by Dörpfeld, not immediately below the present edifice as had been previously assumed.[15] Dörpfeld's observation was that the three steps of the first Parthenon consisted of two steps of Poros limestone, the same as the foundations, and a top step of Karrha limestone that was covered by the lowest step of the Periclean Parthenon. This platform was smaller and slightly to the north of the final Parthenon, indicating that it was built for a wholly different building, now wholly covered over. This picture was somewhat complicated by the publication of the final report on the 1885-90 excavations, indicating that the substructure was contemporary with the Kimonian walls, and implying a later date for the first temple.[16] The Older Parthenon or PreâParthenon, as it is frequently referred to,[1] constitutes the first endeavour to build a sanctuary for Athena Parthenos on the site of the present Parthenon, Athens, Greece. ...
Combatants Athens, Plataea Persia Commanders Miltiades, Callimachus â , Arimnestus Datis â ?, Artaphernes Strength 10,000 Athenians, 1,000 Plataeans 20,000 - 100,000 a Casualties 192 Athenians killed, 11 Plataeans killed (Herodotus) 6,400 killed, 7 ships captured (Herodotus) a These are modern consensus estimates. ...
Persia redirects here. ...
Herodotus of Halicarnassus (Greek: HÄródotos HalikarnÄsseús) was a Greek historian who lived in the 5th century BC (ca. ...
Erechtheum, from SW The Porch of Maidens The Erechtheum, or Erechtheion, is an ancient Greek temple on the north side of the Acropolis of Athens in Greece, notable for a design that is both elegant and unusual. ...
Wilhelm Dörpfeld Wilhelm Dörpfeld (or Doerpfeld) (26 December 1853 â 25 April 1940) was a German architect, best known for his contributions to classical archaeology. ...
If the original Parthenon was indeed destroyed in 480, it invites the question of why the site was left a ruin for thirty-three years. One argument involves the oath sworn by the Greek allies before the Battle of Plataea in 479 BC[17] declaring that the sanctuaries destroyed by the Persians would not be rebuilt, an oath from which the Athenians were only absolved with the Peace of Callias in 450.[18] The mundane fact of the cost of reconstructing Athens after the Persian sack is at least as likely a cause. However, the excavations of Bert Hodge Hill led him to propose the existence of a second Parthenon, begun in the period of Kimon after 468 BC.[19] Hill claimed that the Karrha limestone step Dörpfeld took to be the highest of Parthenon I was in fact the lowest of the three steps of Parthenon II, whose stylobate dimensions Hill calculated to be 23.51x66.888m. Combatants Greek city-states Persia Commanders Pausanias Mardonius â Strength 110,000 (Herodotus) ~40,000 (Modern Consensus) 300,000 (Herodotus) 50,000-70,000 [1][2][3] (Modern Consensus) Casualties 10,000+ (Ephorus and Diodorus) 1,360 (Plutarch) 759 (Herodotus) 43,000 survived (Herodotus) The Battle of Plataea was the final...
The Peace of Callias was established around 449 BC between the Delian League (led by Athens) and Persia, ending the Persian Wars. ...
This article or section does not cite its references or sources. ...
One difficulty in dating the proto-Parthenon is that at the time of the 1885 excavation the archaeological method of seriation was not fully developed; the careless digging and refilling of the site led to a loss of much valuable information. An attempt to make sense of the potsherds found on the acropolis came with the two-volume study by Graef and Langlotz published 1925-33.[20] This inspired American archaeologist William Bell Dinsmoor to attempt to supply limiting dates for the temple platform and the five walls hidden under the re-terracing of the Acropolis. Dinsmoor concluded that the latest possible date for Parthenon I was no earlier 495 BC, contradicting the early date given by Dörpfeld.[21] Further Dinsmoor denied that there were two proto-Parthenons, and that the only pre-Periclean temple was what Dörpfeld referred to as Parthenon II. Dinsmoor and Dörpfeld exchanged views in the American Journal of Archaeology in 1935.[22] In archaeology, seriation is a method in relative dating in which artifacts of numerous sites, in the same culture, are placed in chronological order. ...
William Bell Dinsmoor, Sr. ...
Name The origin of the Parthenon's name is unclear. According to Jeffrey M. Hurwit, the term "Parthenon" means "of the virgin" or "of the virgins", and seems to have originally referred only to a particular room of the Parthenon; it is debated which room this is, and how the room acquired its name. One theory holds that the "parthenon" was the room in which the peplos presented to Athena at the Panathenaic Festival was woven by the arrephoroi, a group of four young girls chosen to serve Athena each year.[23] Christopher Pelling asserts that Athena Parthenos may have constituted a discrete cult of Athena, intimately connected with, but not identical to, that of Athena Polias.[24] According to this theory, the name of Parthenon means the "temple of the virgin goddess", and refers to the cult of Athena Parthenos that was associated with the temple.[25] The epithet parthénos (Greek: παρθένος), whose origin is also unclear,[26] meant "virgin, unmarried woman", and was especially used for Artemis, the goddess of wild animals, the hunt, and vegetation, and for Athena, the goddess of war, handicraft, and practical reason.[27] It has also been suggested that the name of the temple alludes to the virgins (parthenoi), whose supreme sacrifice guaranteed the safety of the city.[28] Terracotta of a Greek woman 2. ...
The Acropolis and the Propylaea in an 1846 painting by Leo von Klenze The Panathenaea (âagfhjs fgy hjer cm ll-Athenian festival) was the most important festival for Athens and one of the grandest in the entire Greek world. ...
A maiden acolyte in the cult of Athena Polias on the Athenian Acropolis. ...
This article is about the goddess Athena. ...
For other uses, see Artemis (disambiguation). ...
In any case, the first instance in which Parthenon definitely refers to the entire building is in the 4th-century BC orator Demosthenes. In the 5th-century building accounts, the structure is simply called ho neos ("the temple"). The architects Mnesikles and Kallikrates are said to have called the building Hekatompedos ("the hundred footer") in their lost treatise on Athenian architecture,[29] and in the 4th century and later the building was referred to as the Hekatompedos or the Hekatompedon as well as the Parthenon; the 1st-century AD writer Plutarch refers to the building as the Hekatompedon Parthenon.[30] Demosthenes (384â322 BC, Greek: ÎημοÏθÎνηÏ, DÄmosthénÄs) was a prominent Greek statesman and orator of ancient Athens. ...
Mestrius Plutarchus (Greek: ΠλοÏÏαÏÏοÏ; 46 - 127), better known in English as Plutarch, was a Greek historian, biographer, essayist, and Middle Platonist. ...
Treasury or temple? Architecturally, the Parthenon is clearly a temple, formerly containing the famous cult image of Athena by Phidias and the treasury of votive offerings. Since actual Greek sacrifices always took place at an altar invariably under an open sky, as was in keeping with their religious practices, the Parthenon does not suit some definitions of "temple," as no evidence of an altar has been discovered. Thus, some scholars have argued that the Parthenon was only ever used as a treasury. While this opinion was first formed late in the 19th century, it has gained strength in recent years. The majority of scholarly opinion still sees the building in the terms Walter Burkert described for the Greek sanctuary, consisting of temenos, altar and temple with cult image.[31] This article does not cite any references or sources. ...
This is the Greek name of the capital of the Hellenic Republic (Greece). ...
Phidias Showing the Frieze of the Parthenon to his Friends by Sir Lawrence Alma-Tadema Phidias (or Pheidias) (in ancient Greek, ) (c. ...
Look up Altar in Wiktionary, the free dictionary. ...
Walter Burkert (born Neuendettelsau (Bavaria), February 2, 1931), the most eminent living scholar of Greek myth and cult, is an emeritus professor of classics at the University of Zurich, Switzerland who has also taught in the United Kingdom and the United States. ...
Ajax prepares to violate the sanctuary of Athena by abducting Cassandra by force: red-figure vase, c. ...
Greek Temenos ([1], from the Greek verb to cut) (plural = temene) is a piece of land cut off and assigned as an official domain, especially to kings and chiefs, or a piece of land marked off from common uses and dedicated to a god, a sanctuary, holy grove or holy...
Later history Christian church The Parthenon survived as a temple to Athena for close to a thousand years. It was certainly still intact in the 4th century AD, by which time it was already as old as Notre Dame Cathedral in Paris is now, and far older than St. Peter's Basilica in Rome. But by that time Athens had been reduced to a provincial city of the Roman Empire, albeit one with a glorious past. Sometime in the 5th century AD, the great cult image of Athena was looted by one of the Emperors, and taken to Constantinople, where it was later destroyed, possibly during the sack of the city during the Fourth Crusade in 1204 AD. This article is about the Notre-Dame cathedral in Paris. ...
This article is about the capital of France. ...
The Basilica of Saint Peter (Latin: ), officially known in Italian as the Basilica di San Pietro in Vaticano and commonly known as St. ...
For other uses, see Rome (disambiguation). ...
For other uses, see Roman Empire (disambiguation). ...
This article does not cite any references or sources. ...
This article is about the city before the Fall of Constantinople (1453). ...
Belligerents Crusaders Holy Roman Empire Republic of Venice Montferret Champagne Blois Amiens Ãle-de-France Saint-Pol Burgundy Flanders Balkans Byzantine Empire Kingdom of Hungary Croatia Dalmatia Commanders Otto IV Boniface I Theobald I Lois I Alexios V Doukas Isaac II Angelos Alexios III Angelos Emeric I The Fourth Crusade...
The Parthenon's position on the Acropolis allows it to dominate the city skyline of Athens. Shortly after this, the Parthenon was converted to a Christian church. In Byzantine times it became the Church of the Parthenos Maria (Virgin Mary), or the Church of the Theotokos (Mother of God). It was the fourth most important pilgrimage in the Eastern Roman Empire after Constantinople, Ephessos and Thessalonica.[32] In 1018, the emperor Basil II, went on a pilgrimage to Athens directly after his final victory over the Bulgarians for the sole purpose of worshipping at the Parthenon.[32] In medieval Greek accounts it called the Temple of Theotokos Atheniotissa and often indirectly reffered to, as famous without explaining which temple they were referring to precisely, thus establishing that it was indeed well known.[32] Image File history File linksMetadata Parthenon_from_SW_(finished_438_BC). ...
Image File history File linksMetadata Parthenon_from_SW_(finished_438_BC). ...
Topics in Christianity Movements · Denominations Ecumenism · Relation to other religions Preaching · Prayer Music · Liturgy · Calendar Symbols · Art · Criticism Christianity Portal This box: Church historian redirects here. ...
For the architectural structure, see Church (building). ...
Byzantine redirects here. ...
Theotokos of Kazan Theotokos (Greek: , translit. ...
Saint Mary and Saint Mary the Virgin both redirect here. ...
Painting of Basil II, from an 11th century manuscript. ...
At the time of the Latin occupation it became for about 250 years a Roman Catholic Church of Our Lady. The conversion of the temple to a church involved removing the internal columns and some of the walls of the cella, and the creation of an apse at the eastern end. This inevitably led to the removal and dispersal of some of the sculptures. Those depicting gods were either possibly re-interpreted according to a Christian theme, or removed and destroyed. Arms of the Latin Empire of Constantinople The Latin Empire with its vassals and the Greek successor states after the partition of the Byzantine Empire, c. ...
Catholic Church redirects here. ...
Temple layout with cella highlighted A cella (from Latin for small chamber) or naos (from the Greek for temple), is the inner chamber of a temple in classical architecture, or a shop facing the street in domestic Roman architecture (see domus). ...
This article is about an architectural feature; for the astronomical term see apsis. ...
During Ottoman rule In 1456, Athens fell to the Ottomans, and the Parthenon was converted again, into a mosque. Contrary to subsequent misconception, the Ottomans were broadly respectful of ancient monuments in their territories and did not willfully destroy the antiquities of Athens, but at the same time made no special effort to protect them. In times of war they were willing to demolish them to provide materials for walls and fortifications. A minaret was added to the Parthenon, and its base and stairway are still functional, leading up as high as the architrave and hence invisible from the outside; but otherwise the building was not damaged further. European visitors in the 17th century, as well as some representations of the Acropolis hill, testified that the building was largely intact. Motto دÙÙØª ابد Ù
دت Devlet-i Ebed-müddet (The Eternal State) Anthem Ottoman imperial anthem Borders in 1683, see: list of territories Capital SöÄüt (1299â1326) Bursa (1326â1365) Edirne (1365â1453) İstanbul (1453â1922) Government Monarchy Sultans - 1281â1326 (first) Osman I - 1918â22 (last) Mehmed VI Grand Viziers - 1320...
The Masjid al-Haram in Mecca as it exists today A mosque is a place of worship for followers of the Islamic faith. ...
This article or section does not cite any references or sources. ...
The southern side of the Parthenon, which sustained considerable damage in the 1687 explosion In 1687, the Parthenon suffered its greatest blow when the Venetians under Francesco Morosini attacked Athens, and the Ottomans fortified the Acropolis and used the building as a gunpowder magazine. On September 26 a Venetian mortar, fired from the Hill of Philopappus, blew the magazine up and the building was partly destroyed.[33] Morosini then proceeded to attempt to loot sculptures from the now ruin. The internal structures were demolished, whatever was left of the roof collapsed, and some of the pillars, particularly on the southern side, were decapitated. The sculptures suffered heavily. Many fell to the ground, and souvenirs were later made from their pieces. Consequently some sections of the sculptural decoration are known only from the drawings made by Flemish artist Jacques Carrey in 1674.[34] After this, much of the building fell into disuse and a smaller mosque was erected. Image File history File links No higher resolution available. ...
Image File history File links No higher resolution available. ...
Borders of the Republic of Venice in 1796 Capital Venice Language(s) Venetian, Latin, Italian Religion Roman Catholic Government Republic Doge - 1789â97 Ludovico Manin History - Established 697 - Treaty of Zara June 27, 1358 - Treaty of Leoben April 17, 1797 * Traditionally, the establishment of the Republic is dated to 697. ...
Francesco Morosini was the Doge of Venice from 1688 to 1694, at the height of the Great Turkish War. ...
is the 269th day of the year (270th in leap years) in the Gregorian calendar. ...
The 18th century was a period of Ottoman stagnation; as a result, many more Europeans found access to Athens, and the picturesque ruins of the Parthenon were much drawn and painted, spurring a rise in philhellenism and helping to arouse sympathy in Britain and France for Greek independence. Amongst those early travellers and archaeologists were James Stuart and Nicholas Revett, who were commissioned by the Society of Dilettanti to survey the ruins of classical Athens. What they produced was the first measured drawings of the Parthenon published in 1787 in the second volume of Antiquities of Athens Measured and Delineated. In 1801, the British Ambassador at Constantinople, the Earl of Elgin, obtained a firman (edict) from the Sultan to make casts and drawings of the antiquities on the Acropolis, to demolish recent buildings if this was necessary to view the antiquities, and to remove sculptures from them. He took this as permission to collect all the sculptures he could find. He employed local people to detach them from the building itself; a few others he collected from the ground, and some smaller pieces he bought from local people. The detachment of the sculptures caused further irreparable damage to what was left of the building, as some of the frieze blocks were sawn in half to lessen their weight for shipment to England. Philhellenism (the love of Greek culture) was the intellectual fashion at the turn of the 19th century that led Europeans like Lord Byron to lend their support for the Greek movement towards independence from the Ottoman Empire. ...
The Dilettante Society or Dilettanti was a society of noblemen and gentlemen founded in England in 1734, and which contributed to correct and purify the public taste of the country; their labours were devoted chiefly to the study of the relics of ancient Greek art, and resulted in the production...
This article is about the city before the Fall of Constantinople (1453). ...
Thomas Bruce, 7th Earl of Elgin and 11th Earl of Kincardine (July 20, 1766 - November 14, 1841) was a British nobleman and diplomat, known for the removal of marble sculptures from the Parthenon in Athens -- popularly known as the Elgin Marbles. ...
For other uses, see Sultan (disambiguation). ...
Independent Greece When independent Greece gained control of Athens in 1832, the visible section of the minaret was demolished from the Parthenon, and soon all the medieval and Ottoman buildings on the Acropolis were destroyed. However the image of the small mosque within the Parthenon's cella has been preserved in Joly de Lotbinière's Excursions Daguerriennes, published 1842: the first photograph of the Acropolis.[35] The area became a historical precinct controlled by the Greek government. Today it attracts millions of tourists every year, who travel up the path at the western end of the Acropolis, through the restored Propylaea, and up the Panathenaic Way to the Parthenon, which is surrounded by a low fence to prevent damage. Crowds of tourists climb the steps to the Propylaea, gateway to the Acropolis, Athens Stairs leading up to the Propylea The Propylaea, Propylea or Propylaia (Greek Î ÏοÏÏ
λαια) is the monumental gateway that serves as the entrance to the Acropolis in Athens. ...
Dispute over the marbles Life-size pediment sculptures from the Parthenon in the British Museum Today, the Parthenon Marbles which were removed by the Earl of Elgin are in the British Museum. Other sculptures from the Parthenon are now in the Louvre in Paris, in Copenhagen, and elsewhere, but most of the remainder are in Athens in the Acropolis Museum, which still stands below ground level a few metres to the south-east of the Parthenon, but will be soon transferred to a new building.[36] A few can still be seen on the building itself. The Greek government has been campaigning since 1983 for the British Museum sculptures to be returned to Greece.[37] The British Museum has steadfastly refused to return the sculptures, and successive British governments have been unwilling to force the Museum to do so (which would require legislation). Nevertheless, talks between senior representatives from Greek and British cultural ministries, and their legal advisors took place in London on May 4, 2007. These were the first serious negotiations for several years, and there are hopes that the two sides may move a step closer to a resolution.[38] London museum | name = British Museum | image = British Museum from NE 2. ...
This article is about the museum. ...
This article is about the capital of France. ...
For other uses, see Copenhagen (disambiguation). ...
This article does not cite any references or sources. ...
is the 124th day of the year (125th in leap years) in the Gregorian calendar. ...
Year 2007 (MMVII) was a common year starting on Monday of the Gregorian calendar in the 21st century. ...
Reconstruction
Restoration work on the Parthenon in February 2004 In 1975, the Greek government began a concerted effort to restore the Parthenon and other Acropolis structures. The project later attracted funding and technical assistance from the European Union. An archaeological committee thoroughly documented every artifact remaining on the site, and architects assisted with computer models to determine their original locations. In some cases, prior re-construction was found to be incorrect. Particularly important and fragile sculptures were transferred to the Acropolis Museum. A crane was installed for moving marble blocks; the crane was designed to fold away beneath the roofline when not in use. The incorrect reconstructions were dismantled, and a careful process of restoration began. The Parthenon will not be restored to a pre-1687 state, but the explosion damage will be mitigated as much as possible, both in the interest of restoring the structural integrity of the edifice (important in this earthquake-prone region) and to restore the aesthetic integrity by filling in chipped sections of column drums and lintels, using precisely sculpted marble cemented in place. New marble is being used from the original quarry. Ultimately, almost all major pieces of marble will be placed in the structure where they originally would have been, supported as needed by modern materials. Image File history File links Parthenon-scaffolding. ...
Image File history File links Parthenon-scaffolding. ...
For other uses, see Marble (disambiguation). ...
Originally, various blocks were held together by elongated iron H pins that were completely coated in lead, which protected the iron from corrosion. Stabilizing pins added in the 19th century were not so coated and corroded. Since the corrosion product (rust) is expansive, the expansion caused further damage by cracking the marble.[39] All new metalwork uses titanium, a strong, light, and corrosion resistant material. General Name, symbol, number iron, Fe, 26 Chemical series transition metals Group, period, block 8, 4, d Appearance lustrous metallic with a grayish tinge Standard atomic weight 55. ...
General Name, Symbol, Number lead, Pb, 82 Chemical series Post-transition metals or poor metals Group, Period, Block 14, 6, p Appearance bluish gray Standard atomic weight 207. ...
General Name, symbol, number titanium, Ti, 22 Chemical series transition metals Group, period, block 4, 4, d Appearance silvery grey-white metallic Standard atomic weight 47. ...
Pollution hazards
Acropolis and Parthenon at night An immediate problem facing the Parthenon is the environmental impact of the growth of Athens since the 1960s. Corrosion of its marble by acid rain and car pollutants has already caused irreparable damage to some sculptures and threatens the remaining sculptures and the temple itself. Over the past 20 years, the Greek government and the city of Athens have made some progress on these issues, but the future survival of the Parthenon does not seem to be assured. Image File history File linksMetadata Download high-resolution version (2969x1979, 2416 KB) Summary Image of Acropolis hill and Parthenon at night. ...
Image File history File linksMetadata Download high-resolution version (2969x1979, 2416 KB) Summary Image of Acropolis hill and Parthenon at night. ...
The term acid rain is commonly used to mean the deposition of acidic components in rain, snow, fog, dew, or dry particles. ...
Media See also Image File history File links Download high-resolution version (1064x720, 193 KB) Photograph of the Parthenon in Nashville, Tennessee, replica. ...
Image File history File links Download high-resolution version (1064x720, 193 KB) Photograph of the Parthenon in Nashville, Tennessee, replica. ...
The Parthenon in Nashville, Tennessee is a full-scale replica of the original Parthenon in Athens. ...
The New Acropolis Museum is a museum by architect Bernard Tschumi located near the Acropolis in Athens, Greece. ...
Erechtheum, from SW The Porch of Maidens The Erechtheum, or Erechtheion, is an ancient Greek temple on the north side of the Acropolis of Athens in Greece, notable for a design that is both elegant and unusual. ...
The Parthenon in Nashville, Tennessee is a full-scale replica of the original Parthenon in Athens. ...
Polychrome is one of the terms used to describe the use of multiple colors in one entity. ...
The National Monument, on Calton Hill, Edinburgh, viewed from the front The National Monument, Edinburgh is Scotlands memorial to those who died in the Napoleonic Wars. ...
The Greeks began to build monumental temples in the first half of the 8th century BC. The temples of Hera at Samos and of Poseidon at Isthmia were among the first erected. ...
Notes - ^ Ioanna Venieri. Acropolis of Athens. Hellenic Ministry of Culture. Retrieved on 2007-05-04.
- ^ Hurwit, The Parthenon and the Temple of Zeus, 135
Venieri, Acropolis of Athens - History - ^ John Julius Norwich, Great Architecture of the World, 2001, p.63
- ^ And in the surviving foundations of the preceding Older Parthenon (Penrose, Principles of Athenian Architecture 2nd ed. ch. II.3, plate 9).
- ^ Penrose op. cit. pp 32-34, found the difference motivated by economies of labour; Gorham P. Stevens, "Concerning the Impressiveness of the Parthenon" American Journal of Archaeology 66.3 (July 1962:337-338).
- ^ Van Mersbergen, Audrey M., "Rhetorical Prototypes in Architecture: Measuring the Acropolis", Philosophical Polemic Communication Quarterly, Vol. 46, 1998.
- ^ See, e.g., George Markowsky. [http://www.math.nus.edu.sg/aslaksen/teaching/maa/markowsky.pdf "Misconceptions about the Golden Ratio." The College Mathematics Journal. Volume 23, No 1, January 1992.
- ^ Tarbell, F.B. A History of Ancient Greek Art. (online book).
- ^ Connelly, Parthenon and Parthenoi, 53–80.
- ^ Thomas Sakoulas, Ancient Greece.org
- ^ Thomas Sakoulas, Ancient Greece.org
- ^ Kenneth D. S. Lapatin, Chryselephantine Statuary in the Ancient Mediterranean World, 2002, p.63.
- ^ N. Leipen, Athena Parthenos: a huge reconstruction, 1972.
- ^ Herodotus Histories, 8.53
- ^ W. Dörpfeld, "Der aeltere Parthenon", Ath. Mitteilungen, XVII, 1892, p. 158-89 and W. Dörpfeld, "Die Zeit des alteren Parthenon", AM 27, 1902, 379-416
- ^ P. Kavvadis, G. Kawerau, Die Ausgabung der Acropolis vom Jahre 1885 bis zum Jahre 1890, 1906
- ^ NM Tod, A Selection of Greek Historical Inscriptions II, 1948, no. 204, lines 46-51, The authenticity of this is disputed, however; see also P. Siewert, Der Eid von Plataia (Munich 1972) 98-102
- ^ See Minott Kerr, "The Sole Witness": The Periclean Parthenon
- ^ B. H. Hill, "The Older Parthenon", AJA', XVI, 1912, 535-58
- ^ B. Graef, E. Langlotz, Die Antiken Vasen von der Akropolis zu Athen, Berlin 1925-33
- ^ W. Dinsmoor, "The Date of the Older Parthenon", AJA, XXXVIII, 1934, 408-48
- ^ W. Dörpfeld, "Parthenon I, II, III", AJA, XXXIX, 1935, 497-507, and W. Dinsmoor, AJA, XXXIX, 1935, 508-9
- ^ Hurwit, The Athenian Acropolis, 161–163.
- ^ Research has revealed a shrine with altar pre-dating the Older Parthenon, respected by, incorporated and rebuilt in the north pteron of the Parthenon (Pelling, Greek Tragedy and the Historian, 169).
- ^ "Parthenon". Encyclopaedia Britannica.
- ^ Parthenon, Online Etymology Dictionary
- ^ Bernal, Black Athena Writes Back-CL, 159
* Frazer, The Golden Bough, 18 * "Parthenos". Encyclopaedia Mythica. - ^ Whitley, The Archaeology of Ancient Greece, 352
- ^ Harpocration.[citation needed]
- ^ Plutarch, Pericles 13.4.
- ^ Burkert, Greek Religion, 84
- ^ a b c Anthony Kaldellis Associate Professor (Department of Greek and Latin, The Ohio State University), A Heretical (Orthodox) History of the Parthenon, p.3
- ^ Theodor E. Mommsen, The Venetians in Athens and the Destruction of the Parthenon in 1687, American Journal of Archaeology, Vol. 45, No. 4 (Oct. - Dec., 1941), pp. 544–556
- ^ T. Bowie, D. Thimme, The Carrey Drawings of the Parthenon Sculptures, 1971
- ^ Neils, The Parthenon: From Antiquity to the Present, 336 – the picture was taken in October 1839
- ^ Greek Premier Says New Acropolis Museum to Boost Bid for Parthenon Sculptures, International Herald Tribune
* "Parthenon". Encyclopaedia Britannica. - ^ Greek Premier Says New Acropolis Museum to Boost Bid for Parthenon Sculptures, International Herald Tribune
- ^ Talks Due on Elgin Marbles Return, BBC News
- ^ Hadingham, Evan (2008). Unlocking the Mysteries of the Parthenon. Smithsonian Magazine. Retrieved on 2008-02-22.
Year 2007 (MMVII) was a common year starting on Monday of the Gregorian calendar in the 21st century. ...
is the 124th day of the year (125th in leap years) in the Gregorian calendar. ...
Wikipedia does not yet have an article with this exact name. ...
Valerius Harpocration was a Greek grammarian of Alexandria, of unknown date. ...
Mestrius Plutarchus (Greek: ΠλοÏÏαÏÏοÏ; 46 - 127), better known in English as Plutarch, was a Greek historian, biographer, essayist, and Middle Platonist. ...
Smithsonian is a monthly magazine published by the Smithsonian Institution of the United States in Washington, DC External link Smithsonian webpage Categories: Smithsonian Institution | United States magazines | Stub ...
2008 (MMVIII) is the current year, a leap year that started on Tuesday of the Anno Domini (or common era), in accordance to the Gregorian calendar. ...
is the 53rd day of the year in the Gregorian calendar. ...
References Printed sources - Bernal, Martin (2001). Black Athena Writes Back-CL: Martin Bernal Responds to His Critics. Duke University Press. ISBN 0-822-32717-1.
- Burkert, Walter (1985). Greek Religion. Harvard University Press. ISBN 0-674-36281-0.
- Connelly, Joan B. (January 1996). "Parthenon and Parthenoi: A Mythological Interpretation of the Parthenon Frieze". American Journal of Archaeology 100 (1). Retrieved on 2007-04-23.
- Frazer, Sir James George (1998). "The King of the Woods", The Golden Bough: A Study in Magic and Religion. Oxford University Press. ISBN 0-192-83541-6.
- Hurwit, Jeffrey M. (2000). The Athenian Acropolis: History, Mythology, and Archeology from the Neolithic Era to the Present. Cambridge University Press. ISBN 0-521-42834-3.
- Hurwit, Jeffrey M. (2005). "The Parthenon and the Tample of Zeus at Olympia", in Judith M. Barringer, Jeffrey M. Hurwit, Jerome Jordan Pollitt: Periklean Athens and Its Legacy: Problems and Perspectives. University of Texas Press. ISBN 0-292-70622-7.
- Neils, Jenifer (2005). The Parthenon: From Antiquity to the Present. Cambridge University Press. ISBN 0-521-82093-6.
- "Parthenon". Encyclopaedia Britannica. (2002).
- "Parthenos". Encyclopaedia Mythica.
- Pelling, Christopher (1997). "Tragedy and Religion: Constructs and Readings", Greek Tragedy and the Historian. Oxford University Press. ISBN 0-198-14987-5.
- Tarbell, F.B. A History of Ancient Greek Art.
- Whitley, James (2001). "The Archaeology of Democracy: Classical Athens", The Archaeology of Ancient Greece. Cambridge University Press. ISBN 0-521-62733-8.
Martin Bernal is a scholar of modern Chinese political history who claims classical civilization in Ancient Greece actually stems from Afroasiatic and Semitic cultures, not just from Europe. ...
Walter Burkert (born Neuendettelsau (Bavaria), February 2, 1931), the most eminent living scholar of Greek myth and cult, is an emeritus professor of classics at the University of Zurich, Switzerland who has also taught in the United Kingdom and the United States. ...
Joan Breton Connelly is a classical archaeologist and Professor of Art History at New York University. ...
The American Journal of Archaeology (AJA) is the journal of the American Institute of Archaeology. ...
Year 2007 (MMVII) was a common year starting on Monday of the Gregorian calendar in the 21st century. ...
is the 113th day of the year (114th in leap years) in the Gregorian calendar. ...
Online sources Year 2006 (MMVI) was a common year starting on Sunday of the Gregorian calendar. ...
is the 282nd day of the year (283rd in leap years) in the Gregorian calendar. ...
Year 2007 (MMVII) was a common year starting on Monday of the Gregorian calendar in the 21st century. ...
is the 113th day of the year (114th in leap years) in the Gregorian calendar. ...
Year 2007 (MMVII) was a common year starting on Monday of the Gregorian calendar in the 21st century. ...
is the 125th day of the year (126th in leap years) in the Gregorian calendar. ...
Year 2007 (MMVII) was a common year starting on Monday of the Gregorian calendar in the 21st century. ...
is the 111th day of the year (112th in leap years) in the Gregorian calendar. ...
Year 2007 (MMVII) was a common year starting on Monday of the Gregorian calendar in the 21st century. ...
is the 113th day of the year (114th in leap years) in the Gregorian calendar. ...
Year 2007 (MMVII) was a common year starting on Monday of the Gregorian calendar in the 21st century. ...
is the 124th day of the year (125th in leap years) in the Gregorian calendar. ...
Further reading - Beard, Mary. The Parthenon. Harvard University: 2003. ISBN 0-674-01085-X.
- Cosmopoulos, Michael (editor). The Parthenon and its Sculptures. Cambridge University: 2004. ISBN 0-521-83673-5.
- Holtzman, Bernard (2003). L'Acropole d'Athènes : Monuments, Cultes et Histoire du sanctuaire d'Athèna Polias (in French). Paris: Picard. ISBN 2-7084-0687-6.
- Papachatzis, Nikolaos D. Pausaniou Ellados Periegesis- Attika Athens, 1974.
- Tournikio, Panayotis. Parthenon. Abrams: 1996. ISBN 0-8109-6314-0.
- Traulos, Ioannis N. I Poleodomike ekselikses ton Athinon Athens, 1960 ISBN 960-7254-01-5
- Woodford, Susan. The Parthenon. Cambridge University: 1981. ISBN 0-521-22629-5.
- King, Dorothy "The Elgin Marbles" Hutchinson / Random House, January 2006. ISBN 0-09-180013-7
Mary Beard is Professor in Classics at the University of Cambridge and a fellow of Newnham College. ...
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Olympia among the principal Greek sanctuaries Olympia (Greek: OlympÃa or Olýmpia, older transliterations, Olimpia, Olimbia), a sanctuary of ancient Greece in Elis, is known for having been the site of the Olympic Games in classical times, comparable in importance to the Pythian Games held in Delphi. ...
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The art of ancient Greece has exercised an enormous influence on the culture of many countries from ancient times until the present, particularly in the areas of sculpture and architecture. ...
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TRENT IS SOOOOOOOOO HOT!!!!!!!!!!!!!!!!!!!!!!! Ancient Greek law is a branch of comparative jurisprudence relating to the laws and legal institutions of Ancient Greece. ...
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To the ancient Greeks, Paideia (Ïαιδεία) was the process of educating man into his true form, the real and genuine human nature. ...
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Funerary stele: the slave represented as a shorter person, beside the mistress, Munich Glyptothek Slavery was an essential component of the development of Ancient Greece throughout its history. ...
Ancient Greek technology is a set of artifacts and customs that lasted for more than one thousand years. ...
Ruins of the training grounds at Olympia The Ancient Olympic Games, originally referred to as simply the Olympic Games (Greek: ; Olympiakoi Agones) were a series of athletic competitions held between various city-states of Ancient Greece. ...
Modern reconstruction of a hoplite phalanx formation. ...
Ancient Greek philosophy focused on the role of reason and inquiry. ...
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Anaximenes (in Greek: ÎναξιμÎνηÏ) of Miletus (585 BC - 525 BC) was a Greek philosopher from the latter half of the 6th century, probably a younger contemporary of Anaximander, whose pupil or friend he is said to have been. ...
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Heraclitus of Ephesus (Ancient Greek - Herákleitos ho Ephésios (Herakleitos the Ephesian)) (about 535 - 475 BC), known as The Obscure (Ancient Greek - ho Skoteinós), was a pre-Socratic Greek philosopher, a native of Ephesus on the coast of Asia Minor. ...
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Protagoras (in Greek Î ÏÏÏαγÏÏαÏ) was born around 481 BC in Abdera, Thrace in Ancient Greece. ...
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Zeno of Citium Zeno of Citium (The Stoic) (sometime called Zeno Apathea) (333 BC-264 BC) was a Hellenistic philosopher from Citium, Cyprus. ...
Ancient Greek literature refers to literature written in the Greek language until the 4th century AD. // Wikisource has original text related to this article: an essay on the transition to written literature in Greece This period of Greek literature stretches from Homer until the 4th century BC and the rise...
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Nofootnotes|date=February 2008}} Aesop, as conceived by Diego Velázquez Aesop, as depicted in the Nuremberg Chronicle by Hartmann Schedel in 1493. ...
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Herodotus of Halicarnassus (Greek: HÄródotos HalikarnÄsseús) was a Greek historian who lived in the 5th century BC (ca. ...
Roman bronze bust, the so-called Pseudo-Seneca, now identified by some as possibly Hesiod Hesiod (Hesiodos, ) was an early Greek poet and rhapsode, who presumably lived around 700 BC. Hesiod and Homer, with whom Hesiod is often paired, have been considered the earliest Greek poets whose work has survived...
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Bust of Menander Menander (342â291 BC) (Greek ), Greek dramatist, the chief representative of the New Comedy, was born in Athens. ...
For the PINDAR military bunker in London, please see the PINDAR section of Military citadels under London Pindar (or Pindarus, Greek: ) (probably born 522 BC in Cynoscephalae, a village in Boeotia; died 443 BC in Argos), was a Greek lyric poet. ...
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The restored Stoa of Attalus, Athens Architecture, executed to considered design, was extinct in Greece from the end of the Mycenaean period (about 1200 BC) to the 7th century BC, when urban life and prosperity recovered to a point where public building could be undertaken. ...
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The Acropolis of Athens is the best known acropolis (high city, The Sacred Rock) in the world. ...
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A 1908 illustration of the temple as it might have looked in the 5th century BCE Ruins of the Temple of Zeus at Olympia, Greece Metope showing Hercules and the Cretan Bull The Temple of Zeus at Olympia, Greece was built between 470 BCE and completed by 456 BCE to...
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Temple of Hephaestus, an Doric Greek temple in Athens with the original entrance facing east, 449 BC (western face depicted) Temple of Hephaestus, Athens: eastern face The Temple of Hephaestus in central ancient Athens, Greece, is the best-preserved ancient Greek temple in the world, but is far less well...
General location of Samothrace The Samothrace Temple Complex, known as the Sanctuary of the Great Gods is one of the principal Pan-Hellenic religious sanctuaries, located on the island of Samothrace within the larger Thrace. ...
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Aegean civilization is a general term for the Bronze Age civilizations of Greece and the Aegean. ...
The Minoan civilization was a bronze age civilization which arose on the island of Crete. ...
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The Greek Dark Ages (ca. ...
The archaic period in Greece is the period during which the ancient Greek city-states developed, and is normally taken to cover roughly the 9th century to the 6th century BCE. The Archaic period followed the dark ages, and saw significant advancements in political theory, and the rise of democracy...
Parthenon This article is on the term Classical Greece itself. ...
The Hellenistic period of Greek history was the period between the death of Alexander the Great in 323 BC and the annexation of the Greek peninsula and islands by Rome in 146 BC. Although the establishment of Roman rule did not break the continuity of Hellenistic society and culture, which...
Roman Greece is the period of Greek history following the Roman victory over the Corinthians at the Battle of Corinth in 146 BC until the reestablishment of the city of Byzantium and the naming of the city by Emperor Constantine I as the capital of the Roman Empire (as Nova...
This an alphabetical list of ancient Greeks. ...
For the film of the same name, see Alexander the Great (1956 film). ...
// Lycurgus Lycurgus (Greek: , Lukoûrgos; 700 BC?â630 BC) was the legendary lawgiver of Sparta, who established the military-oriented reformation of Spartan society in accordance with the Oracle of Apollo at Delphi. ...
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Alcibiades Cleiniou Scambonides (Greek: ; English /ælsɪbaɪÉdi:z/; 450 BCâ404 BC), also transliterated as Alkibiades, was a prominent Athenian statesman, orator, and general. ...
Demosthenes (384â322 BC, Greek: ÎημοÏθÎνηÏ, DÄmosthénÄs) was a prominent Greek statesman and orator of ancient Athens. ...
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The Charioteer of Delphi, Delphi Archaeological Museum. ...
The great kouros of Samos, the largest surviving kouros in Greece (Samos Archaeological Museum) The Ancient Greek word kouros meant a male youth, and is used by Homer to refer to young soldiers. ...
The Lady of Auxerre, an example of a kore Kore (Greek - maiden), plural korai, is the name given to a type of ancient Greek sculpture of the archaic period, the female equivalent of a kouros. ...
The Kritios boy belongs to the Late Archaic period and is considered the precursor to the later classical sculptures of athletes. ...
The Doryphoros of Polykleitos The Doryphoros (Greek δοÏÏ
ÏÏÏοÏ, lit. ...
Statue of Zeus The Greek sculptor Phidias created the 12-m (40-ft) tall Statue of Zeus in about 435 bc. ...
Townley Discobolus, London, British Museum, with incorrectly restored head defying the balance of the figure The Discobolus of Myron (discus thrower Greek ÎιÏκοβÏÎ»Î¿Ï ÏοÏ
ÎÏÏÏνα) is a famous Roman marble copy of a lost Greek bronze original, completed during the zenith of the classical period between 460-450 BC. Myrons Discobolus was...
-1...
The statue of Laocoön and His Sons, also called the Laocoön Group, is a monumental marble sculpture, now in the Vatican Museums, Rome. ...
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Death of Sarpedon, painted by Euphronios Euphronios was a Greek painter and potter of red-figure vases, active in Athens between 520 and 470 BC, the time of the Persian Wars. ...
Polykleitos (or Polycletus, Polyklitos, Polycleitus, Polyclitus) the Elder was a Greek sculptor of the 5th century BC and the early 4th century BC. Next to famous Phidias, Myron and Kresilas he is the most important sculptor of the Classical antiquity. ...
Minotaur, from a fountain in Athens, reflecting Myrons lost group of Theseus and the Minotaur (National Archeological Museum, Athens) Myron of Eleutherae (Greek ÎÏÏÏν) working 480-444 BCE, was an Athenian sculptor from the mid-fifth century BCE.[1] He was born in Eleutherae on the borders of Boeotia and...
Cavalry from the Parthenon Frieze, West II, British Museum. ...
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