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Ludwig van Beethoven's Symphony No. 6, the "Pastoral" in F Major (Op. 68), was completed in the year 1808. One of Beethoven's few works of program music, the symphony was labeled at its first performance with the title "Recollections of Country Life." Ludwig van Beethoven Ludwig van Beethoven (baptized December 17, 1770; died March 26, 1827) was a German composer of classical music, who predominantly lived in Vienna, Austria. ...
1808 was a leap year starting on Friday (see link for calendar). ...
Program music is music intended to musically represent, or accompany, an extra-musical theme, constrasting with absolute music. ...
Background, composition and reception
Beethoven was a lover of nature who spent a great deal of his time on walks in the country. He frequently left Vienna to work in rural locales. He was, however, not the first composer to depict nature symphonically; for example, Joseph Haydn's oratorio The Seasons, premiered in 1802, likewise portrayed the loveliness of nature, dancing peasants, a thunderstorm, bird calls, and so on. Beethoven, perhaps wisely, did not write another oratorio, but a symphony, and thus escaped from the overly-literal character that a libretto would have imposed. As the composer said, the Sixth Symphony is "a matter more of feeling than of painting in sounds," and the same point is made in the title he attached to the first movement (see below). Franz Joseph Haydn, (March 31 or April 1, 1732 – May 31, 1809) was a leading composer of the Classical period, called the Father of the Symphony and Father of the String Quartet. His friendly disposition also earned him another title: Papa Haydn. ...
An oratorio is a large musical composition for orchestra, vocal soloists and chorus. ...
The Seasons (German: Die Jahreszeiten) is an oratorio by Joseph Haydn. ...
A libretto is the body of words used in an extended musical work such as an opera, operetta, oratorio, or musical. ...
The Sixth Symphony was composed simultaneously with Beethoven's more famous -- and more fiery -- Fifth Symphony. It was premiered along with the Fifth in a long and somewhat underrehearsed concert in the Theater an der Wien in Vienna, on December 22, 1808. It was received rather coldly, mainly due to the excitement caused by its more flamboyant counterpart. Although the Sixth Symphony contains some of Beethoven's most beautiful writing, the crowds had been wanting another bold and adventurous work, and the relatively calm and introspective composition was not wholly to their liking. Ludwig van Beethovens Symphony No. ...
The Theater an der Wien is a historic theater in Vienna. ...
Vienna (German: Wien [viËn]) is the capital of Austria, and also one of Austrias nine federal states (Bundesland Wien). ...
Since this inauspicious beginning, however, the work has become one of the central works of the symphonic repertoire. It is a favorite of many listeners and is frequently performed and recorded today.
A performance of the work lasts about 40 minutes.
Form The symphony breaks from the standard symphonic form of the time in having five movements, rather than the four typical of the Classical era. The movements are marked as follows: The Classical period in Western music occurred in a large part of the 18th century, and into the early 19th century. ...
- I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande (Awakening of joyous feelings upon arrival in the country). Allegro ma non troppo
- II. Szene am Bach (By the brook). Andante molto mosso
- III. Lustiges Zusammensein der Landleute (Happy gathering of country folk). Allegro attacca
- IV. Gewitter. Sturm (Thunderstorm; Storm). Allegro attacca
- V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm (Shepherd's song; cheerful and thankful feelings after the storm). Allegretto
The last three movements are performed together without pause. In musical terminology, tempo (Italian for time) is the speed or pace of a given piece. ...
This article is about tempo in music. ...
In musical terminology, tempo (Italian for time) is the speed or pace of a given piece. ...
In musical terminology, tempo (Italian for time) is the speed or pace of a given piece. ...
This article is about tempo in music. ...
The scoring of the symphony differs by movement. For the more lyrical first, second, and final movements, Beethoven specified a fairly small Classical orchestra: two flutes, two oboes, two clarinets, two bassoons, two French horns, and a string section consisting of the usual first and second violins, violas, cellos, and double basses. For the third movement, these players are joined by two trumpets, and to increase the effectiveness of the storm, Beethoven adds the trumpets, two trombones, timpani, and a piccolo. The Classical period in Western music occurred in a large part of the 18th century, and into the early 19th century. ...
This article pertains to the musical instrument. ...
Modern Oboe The Oboe is a musical instrument of the woodwind double reed family. ...
A bass clarinet, which sounds an octave lower than the more common Bâ™ soprano clarinet. ...
A Fox Instruments bassoon; view detail. ...
The horn is a brass instrument consisting of tubing wrapped into a coiled form. ...
The violin is a stringed musical instrument that has four strings tuned a perfect fifth apart. ...
The viola is a stringed musical instrument which serves as the middle voice of the violin family, between the upper lines played by the violin and the lower lines played by the cello and double bass. ...
A cropped image to show the relative size of a cello to a human (Uncropped Version) The violoncello, or as it is more commonly to refered to as the cello or cello (pronounced Cheh-loh), is a stringed instrument and a member of the violin family. ...
Side and front views of a modern double bass with a French bow. ...
Trumpeter performing with the United States Air Forces in Europe Band The trumpet is the highest brass instrument in register, above the tuba, euphonium, trombone, sousaphone, and french horn. ...
The trombone is a musical instrument in the brass family. ...
Timpani, or kettledrums, are musical instruments in the percussion family. ...
This article is about the instrument. ...
Description of Movements
The symphony begins with a placid and cheerful movement depicting the composer's feelings as he arrives in the country. The work is in sonata form, and makes use of a small number of themes, each of which is extensively developed and transformed. In musical terminology, tempo (Italian for time) is the speed or pace of a given piece. ...
An unusual aspect of the movement is the use of a microscopic texture, obtained by multiple repetitions of very short motifs. As Yvonne Frindle has said, "the infinite repetition of pattern in nature [is] conveyed through rhythmic cells, its immensity through sustained pure harmonies."
This movement, entitled by Beethoven "By the brook," is held to be one of Beethoven's most beautiful and serene compositions. It is in B flat major, the subdominant of the main key of the work, and is in sonata form. This article is about tempo in music. ...
In music, the subdominant is the technical name for the fourth degree of the scale. ...
At the opening the strings play a motif that clearly imitates flowing water. The cello section is divided, with just two players playing the flowing-water notes on muted instruments, with the remaining cellos playing mostly pizzicato notes together with the double basses. Pizzicato is a method of playing an orchestral string instrument. ...
Toward the end of the movement there is a cadenza for three woodwind instruments that imitates bird calls. Beethoven helpfully identified the bird species in the score: nightingale (flute), quail (oboe), and cuckoo (clarinet). A cadenza is usually now taken to mean a portion near the end of a movement of a concerto (though it can be at any point in a concerto; an example being the Tchaikovsky First Piano Concerto, where in the first five minutes a cadenza is used) in which the...
A woodwind instrument is a wind instrument in which sound is produced by blowing through a mouthpiece against an edge or by a vibrating reed, and in which the pitch is varied by opening or closing holes in the body of the instrument. ...
Binomial name Luscinia megarhynchos (Brehm, 1831) The Nightingale (Luscinia megarhynchos) is a small passerine bird that was formerly classed as a member of the thrush family Turdidae, but is now more generally considered to be an Old World flycatcher, Muscicapidae. ...
Genera Coturnix Anurophasis Perdicula Ophrysia † See also Pheasant, Partridge, Grouse Quail is a collective name for several genera of mid-sized birds in the Pheasant family Phasianidae. ...
Genera See text. ...
This is the scherzo movement of the symphony, which depicts the country folk dancing and reveling. It is in F major, returning to the main key of the symphony. In musical terminology, tempo (Italian for time) is the speed or pace of a given piece. ...
A scherzo (plural scherzi) is a name given to a piece of music or a movement from a larger piece such as a symphony. ...
The form of the movement is an altered version of the usual form for scherzi, as follows:
- Scherzo | Trio | 2/4 section | Scherzo | Trio | 2/4 section | Scherzo (abbreviated)
In other words, the Trio appears twice rather than just once, and each time it appears it is interrupted by a boisterous passage in 2/4 time (a similar 2/4 eruption is found in Beethoven's Hammerklavier sonata for piano). Perhaps to accommodate this rather spacious arrangement, Beethoven left out the normally observed repeats of the second parts of the scherzo and the trio. Beethovens Hammerklavier sonata, Op. ...
The final return of Scherzo conveys a riotous atmosphere with a faster tempo. The movement ends abruptly when the country folk notice that raindrops are starting to fall...
The fourth movement, in F minor, depicts a violent thunderstorm with painstaking realism, starting with just a few drops of rain and building to a great climax. There is, of course, thunder, as well as lightning, high winds, and sheets of rain. From Beethoven's injunction that the symphony is meant to be more "a matter more of feeling than of painting in sounds," one might guess that the movement depicts not just the storm itself, but the feelings of awe and fear experienced by a witness to the storm. In musical terminology, tempo (Italian for time) is the speed or pace of a given piece. ...
The storm eventually spends itself, with an occasional peal of thunder still heard in the distance. There is a seamless transition into the final movement, including a theme that could be interpreted as depicting a rainbow. RAINBOW is an album by Ayumi Hamasaki. ...
Since the fourth movement does not resolve in a final cadence, and by the pattern of Classical symphonies would count as the "extra" movement among the five, critics have described it structurally as an extended introduction to the final movement, rather than an independent movement in itself. A precedent for Beethoven's procedure is found in an earlier work (1787), Mozart's String Quintet in G minor K. 516, which likewise prefaces a serene final movement with a long, emotionally stormy introduction. W. A. Mozart, 1790 portrait by Johann Georg Edlinger Wolfgang Amadeus Mozart (January 27, 1756 – December 5, 1791) is among the most popular, significant and influential composers of European classical music. ...
The finale is in F major and is in 6/8 time. The first eight bars form a continuation of the introduction of which the storm was the main part; the finale proper begins in the ninth bar. The movement is written in sonata rondo form, meaning that the main theme appears in the tonic key at the beginning of the development as well as the exposition and the recapitulation. There is a very long coda. This article is about tempo in music. ...
Sonata rondo form was a form of musical organization often used during the Classical music era. ...
The tonic is the first note of a musical scale, and in the tonal method of music composition it is extremely important. ...
Like many classical finales, this movement emphasizes a symmetrical eight-bar theme, in this case representing the shepherds' song of thanksgiving. The mood throughout is unmistakably joyful.
The coda, which Antony Hopkins has called "arguably the finest music of the whole symphony," starts quietly and gradually builds to an ecstatic culmination for the full orchestra (minus "storm instruments"), with the first violins playing very rapid triplets at the top of their range. There follows a fervent passage suggestive of prayer, marked by Beethoven "pianissimo, sotto voce"; most conductors slow the tempo for this passage. After a brief period of afterglow, the work ends with two emphatic chords. Not to be confused with the actor Anthony Hopkins. ...
In music and music theory, a chord (from the middle English cord, short for accord) is three or more different notes or pitches sounding simultaneously, or nearly simultaneously, over a period of time. ...
Books This article draws heavily on the following works: - Antony Hopkins, The Nine Symphonies of Beethoven (Scolar Press, 1981, ISBN 1-859-28246-6).
- Charles Rosen, The Classical Style (2nd edition 1997, W.W. Norton & Company, New York, ISBN 0393317129).
Not to be confused with the actor Anthony Hopkins. ...
Charles Rosen (born May 5, 1927) is an American pianist and music theorist. ...
External links - Analysis of the Beethoven Symphony No. 6 on the All About Ludwig van Beethoven Page
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