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Encyclopedia > Pather Panchali
Pather Panchali
Directed by Satyajit Ray
Produced by Government of West Bengal
Written by Satyajit Ray, from a story by Bibhutibhushan Bandyopadhyay
Starring Kanu Bannerjee,
Karuna Banerjee,
Subir Bannerjee,
Uma Dasgupta,
Chunibala Devi,
Reba Devi
Release date(s) 1955
Running time 122 mins
Language Bengali
Followed by Aparajito
IMDb profile

Pather Panchali (Bengali: পথের পাঁচালী Pôther Pãchali) is the 1955 directorial debut of Satyajit Ray. It is the first film in Ray's Apu trilogy and depicts a boy's childhood in the Indian countryside in the early twentieth century. It is an adaptation of the novel of the same name by noted Bengali writer Bibhutibhushan Bandopadhyay. Image File history File links PatherDVD.jpg Summary Pather Panchali DVD Cover Licensing This image is of a DVD cover, and the copyright for it is most likely owned by either the publisher of the DVD or the studio which produced the DVD in question. ...   (Bengali: সত্যজিত্ রায় Shottojit Rae) (May 2, 1921–April 23, 1992) was an Indian filmmaker who is widely regarded as one of the greatest auteurs of 20th century cinema. ... , West Bengal (Bengali: পশ্চিমবঙ্গ Poshchimbôŋgo) is a state in eastern India. ...   (Bengali: সত্যজিত্ রায় Shottojit Rae) (May 2, 1921–April 23, 1992) was an Indian filmmaker who is widely regarded as one of the greatest auteurs of 20th century cinema. ... Bibhutibhushan Bandopadhyay (Bengali: Bibhutibhushon Bôndopaddhae) was a Bengali novelist and writer. ... Karuna Banerjee is a Bengali actress immortalized by her roles in Satyajit Rays Apu Trilogy and the long suffering mother, Sarbajoya. ... Chunibala Devi was an Indian character actress immortalized in Satyajit Rays Pather Panchali, her debut, where she played the eighty year old aunt of Apu and Durga. ... Year 1955 (MCMLV) was a common year starting on Saturday (link displays the 1955 Gregorian calendar). ... Bengali or Bangla (IPA: ) is an Indo-Aryan language of the eastern Indian subcontinent, evolved from the Magadhi Prakrit, Pāli and Sanskrit languages. ... Aparajito (Bengali: অপরাজিত, Ôporajito, meaning The Unvanquished) is an award-winning 1956 Bengali film directed by Satyajit Ray. ... Bengali or Bangla (IPA: ) is an Indo-Aryan language of the eastern Indian subcontinent, evolved from the Magadhi Prakrit, Pāli and Sanskrit languages. ... Year 1955 (MCMLV) was a common year starting on Saturday (link displays the 1955 Gregorian calendar). ...   (Bengali: সত্যজিত্ রায় Shottojit Rae) (May 2, 1921–April 23, 1992) was an Indian filmmaker who is widely regarded as one of the greatest auteurs of 20th century cinema. ... The Apu trilogy is a series of three films directed by Satyajit Ray. ... Bibhutibhushan Bandopadhyay (Bengali: Bibhutibhushon Bôndopaddhae) was a Bengali novelist and writer. ...

Contents

Title

The title is usually translated as "song of the little road". Pather literally means "of the path" in Bengali, while panchali refers to a type of narrative folk song that used to be performed in Bengal, and was the forerunner of another type of folk song now known as jatra.[1]


Plot

Pather Panchali portrays life in rural Bengal in the 1920s. It focuses on the lives of Apu (full name: Apurba Kumar Roy) and his family members. The 1920s is a decade that is sometimes referred to as the Jazz Age or the Roaring Twenties, usually applied to America. ...


The story revolves around a poor Brahmin family. The father, Harihar, is a priest who is unable to make ends meet to keep his family together. The mother, Sarbajaya, has the chief responsibility for raising her mischievous daughter Durga and caring for her elderly sister-in-law Indir, who is a distant relative and whose independent spirit sometimes irritates her. With the arrival of Apu in the family, scenes of happiness and play enrich their daily life, occasionally interrupted by tragedy (e.g. the death of Indir). Life, however, is a struggle, so Harihar has to find a new job and departs, leaving Sarbajaya alone to deal with the stress of this family's survival, Durga's illness and the turbulence of the monsoon. The final disaster, Durga's death, causes the family to leave their village in search of a new life in Benares. A Brahmin (anglicised from the Sanskrit adjective belonging to Brahma) also known as Brahman belonging to ; Vipra, Dvija twice-born, is considered to be the Priest class (varna) in the ancient universal Varna System and a caste found all over the world, especially India and Nepal in Indian caste system...


Production

For his first film, Ray decided to adapt Pather Panchali, the classic bildungsroman of Bengali literature. Published in 1928 by Bibhutibhusan Bandopadhyay, this semi-autobiographical novel describes the growing up of Apu, a small boy in a Bengal village. Ray's adaptation makes many changes and cuts. Ray always claimed that cinema, as a medium of artistic expression, was entirely different from literary modes such as novels, short stories, and dramas. He restructured the entire story and cut away what he thought were unnecessary elements of the novel.[citation needed] A bildungsroman (IPA: /, German: novel of personal development) is a novelistic form which concentrates on the spiritual, moral, psychological, or social development and growth of the protagonist usually from childhood to maturity. ... The first evidence of Bengali literature is known as Charyapada or Charyageeti, which were Buddhist hymns from the 8th century. ...


The film was made on a shoestring budget. Bandopadhyay was deceased at that point, but his widow was generous enough to allow a complete novice to shoot her husband's masterpiece. The film never had a complete screenplay; it was made from Ray's drawings and notes. Shooting started in early 1953. In retrospect, the technical team was immensely talented, even apart from Ray; both Subrata Mitra (cinematographer) and Bansi Chandragupta (art director) would later be considered undisputed masters of their craft. However, at that point, Ray had never directed anything and Mitra had never operated a movie camera, though Chandragupta was a young professional. Subrata Mitra (Bangla: সুব্রত মিত্র) was an Indian cinematographer. ... Bansi Chandragupta was an indian Art director, regarded among the greatest of Indian Art directors of cinema. ...


The father Harihar, was played by a professional film actor, but Sarbajoya, the mother, was played by Karuna Banerjee, an amateur theatre actress and the wife of a friend of Ray's. Apu was spotted on a neighbor's terrace by Bijoya Ray, while Durga was chosen from an interview. The hardest to cast was of course the character of the wizened, 80 year old Aunt; Ray eventually found Chunibala Devi, a retired stage actress, then living in a brothel. Karuna Banerjee is a Bengali actress immortalized by her roles in Satyajit Rays Apu Trilogy and the long suffering mother, Sarbajoya. ... Chunibala Devi was an Indian character actress immortalized in Satyajit Rays Pather Panchali, her debut, where she played the eighty year old aunt of Apu and Durga. ... A brothel, also known as a bordello or whorehouse, is an establishment specifically dedicated to prostitution, providing the prostitutes a place to meet and to have sex with the clients. ...


Funding was a problem from the beginning, as no producer agreed to produce the film. Ray kept working in Keymer, exhausted his last penny, and sold the LP records close to his heart. His production manager Anil Chowdhury was reduced to sleeping in a taxi at one point, and he (Chowdhury) convinced Bijoya to pawn her jewels as well (Ray's life insurance policy had already been pawned). Still, partway through filming Ray ran out of funds; the Government of West Bengal loaned him the rest, allowing him to finish the film. The money was loaned on record for 'roads improvement', a reference to the film's title.[2] Long play has several meanings. ... , West Bengal (Bengali: পশ্চিমবঙ্গ Poshchimbôŋgo) is a state in eastern India. ...


Property

This section may contain original research or unverified claims.
Please help Wikipedia by adding references. See the talk page for details.

The film's representation of property may be unfamiliar to non-Indians. Image File history File links Circle-question-red. ... This article or section does not cite any references or sources. ...


In the beginning of Pather Panchali, Durga (Apu's elder sister) is shown stealing one fruit a day from her neighbor Mrs. Mukherjee's orchard. She then gives the fruit to her aunt Indir. Sarbajaaya (Durga's mother) is not fundamentally opposed to the idea of her daughter stealing, but she scolds her when Mrs. Mukherjee threatens to complain to the local panchayat or village council. (Ironically, Sarbajaaya herself steals banana leaves from the orchard). A community apple orchard originally planted for productive use during the 1920s, in Westcliff on Sea (Essex, England) An orchard is an intentional planting of trees or shrubs maintained for food production. ... // The Panchayat (पंचायत in Devanagiri) is an Indian political system that groups five villages in a quincunx (four peripheral villages around a central one were laid out as the 5 side of a die). ...


In India, particularly during the colonial era when it was still a British colony, wealth was measured chiefly in terms of property. Mukherjee claims that her property was "bought and paid for," but Sarbajaaya claims it was "stolen" from Harihar's family. We later learn from Harihar that Mukherjee's family claimed that Harihar's dead brother was in debt to them and that the family was forced to repay the debt by giving up the orchard. Harihar's explanation implies the following situation, which was not uncommon in India at the time.


Harihar's brother borrowed money from, and lent money to, several people. He never kept written accounts of his transactions since he felt he was able to remember them otherwise. When he died, however, the Mukherjees (and possibly other families) claimed that he had owed a certain sum of money. Since Harihar's family was now unable to provide evidence to the contrary, the Mukherjees took away the orchard as compensation. Nevertheless, Indira, who has enjoyed the fruits of the orchard for many years, desires the fruit and encourages Durga to steal some.


Reception

Contemporary responses

While it was in production, a number of westerners, including Monroe Wheeler from the Museum of Modern Art, saw the rushes and immediately recognized its originality. This helped Pather Panchali to get a screening at the Cannes Film Festival. The film was screened toward the end of the festival and at the same time as a party thrown by the Japanese delegation, so only a small number of critics attended; however, although some were initially unenthusiastic at the propect of yet another Indian melodrama, they reportedly found "the magic horse of poetry" slowly invading the screen.[3] The film was awarded the Best Human Document prize at the 1955 Cannes film festival. General Electric GE90-115B fanblade, on display at MOMA. The Museum of Modern Art (MoMA) is an art museum located in Midtown Manhattan in New York City. ... Cannes Film Festival logo. ... Poster for The Perils of Pauline (1914). ... Cannes Film Festival logo. ...


Akira Kurosawa said of the film, "I can never forget the excitement in my mind after seeing it. It is the kind of cinema that flows with the serenity and nobility of a big river."[4] Akira Kurosawa , 23 March 1910—6 September 1998) was a prominent Japanese film director, film producer, and screenwriter. ...


Newsweek critic Jack Kroll reviewed the film as "One of the most stunning first films in movie history. Ray is a welcome jolt of flesh, blood and spirit." The Newsweek logo Newsweek is a weekly news magazine published in New York City and distributed throughout the United States and internationally. ...


Hazel-Dawn Dumpert of LA Weekly wrote that the film was "as deeply beautiful and plainly poetic as any movie ever made. Rare and exquisite."[5] L.A. Weekly is a free weekly tabloid-sized newspaper (a so-called alternative weekly) in Los Angeles, California. ...


"The first film by the masterly Satyajit Ray - possibly the most unembarrassed and natural of directors - is a quiet reverie about the life of an impoverished Brahmin family in a Bengali village. Beautiful, sometimes funny, and full of love, it brought a new vision of India to the screen" said Pauline Kael.[citation needed] A Brahmin (anglicised from the Sanskrit adjective belonging to Brahma) also known as Brahman belonging to ; Vipra, Dvija twice-born, is considered to be the Priest class (varna) in the ancient universal Varna System and a caste found all over the world, especially India and Nepal in Indian caste system... Bengal (Bengali: বঙ্গ Bôngo, বাংলা Bangla, বঙ্গদেশ Bôngodesh or বাংলাদেশ Bangladesh), is a historical and geographical region in the northeast of South Asia. ... Pauline Kael (June 19, 1919 – September 3, 2001) was an American film critic who wrote for The New Yorker magazine. ...


"A beautiful picture, completely fresh and personal. [Ray's camera] reaches forward into life, exploring and exposing, with reverence and wonder" wrote Lindsay Anderson.[5] Lindsay Anderson (April 17, 1923 - August 30, 1994), English film and documentary director. ...


After the success of Pather Panchali, Ray was able to obtain a grant from the government of West Bengal, and completed the Apu trilogy at the behest of the Prime Minister of India; this indicates the extent of the first film's cultural impact. , West Bengal (Bengali: পশ্চিমবঙ্গ Poshchimbôŋgo) is a state in eastern India. ... The Prime Minister of India is, in practice, the most powerful person in the government of India. ...


Recent responses

Philip French of The Observer has described Pather Panchali as "one of the greatest pictures ever made".[6] Philip French (born 1933) is a British film critic and former radio producer, who has been film critic of The Observer since 1978. ... Wikipedia does not yet have an article with this exact name. ...


The Village Voice ranked the film at #12 (tied with The Godfather) in its Top 250 "Best Films of the Century" list in 1999, based on a poll of critics.[7] The Village Voice is a weekly newspaper in New York City featuring investigative articles, analysis of current affairs and culture, arts reviews and events listings for New York City. ...


Prolific web reviewer James Berardinelli writes, "This tale, as crafted by Ray, touches the souls and minds of viewers, transcending cultural and linguistic barriers".[8]


In 2005, the film was included in Time magazine's All-Time 100 Movies list. (Clockwise from upper left) Time magazine covers from May 7, 1945; July 25, 1969; December 31, 1999; September 14, 2001; and April 21, 2003. ...


The novel is included as part of the ICSE syllabus for students in India choosing to study Bengali. The Indian Certificate of Secondary Education (ICSE) examination is an examination conducted by the Council for the Indian School Certificate Examinations for class 10, i. ... Bengali or Bangla (IPA: ) is an Indo-Aryan language of the eastern Indian subcontinent, evolved from the Magadhi Prakrit, Pāli and Sanskrit languages. ...


Awards

  • President's Gold & Silver Medals, New Delhi, 1955
  • National Film Award for Best Film, India, 1956
  • Best Human Document, Cannes 1956
  • Diploma Of Merit, Edinbugh, 1956
  • Vatican Award, Rome, 1956
  • Golden Carbao, Manila, 1956
  • Best Film and Direction, San Francisco, 1957
  • Selznik Golden Laurel, Berlin, 1957
  • Best Film, Vancouver, 1958
  • Critics' Award: Best Film, Stratford (Canada), 1958
  • Best Foreign Film, New York, National Board Of Review 1959
  • Kinema Jumpo Award: Best Foreign Film, Tokyo 1966
  • Bodil Award: Best Non-European Film of the Year, Denmark, 1966

The National Film Award (Golden Lotus Award) for Best Film winners: Category: ... Cannes Film Festival logo. ...

Notes

  1. ^ Banglapedia: Panchali. Banglapedia. Retrieved on 9 September 2006.
  2. ^ "Filmi Funda Pather Panchali (1955)", The Telegraph, 2005-04-20. Retrieved on 2006-04-29. 
  3. ^ Seton 1971, pp. 33
  4. ^ Critics on Ray. SatyajitRay.org. Retrieved on 3 April 2006.
  5. ^ a b Pather Panchali (Song of the Little Road). SatyajitRay.org. Retrieved on 3 April 2006.
  6. ^ Philip French (5 May 2002). Pather Panchali. The Observer. Retrieved on 27 July 2006.
  7. ^ Take One: The First Annual Village Voice Film Critics' Poll. The Village Voice (1999). Retrieved on 27 July 2006.
  8. ^ James Berardinelli (1996). Review: Pather Panchali. ReelViews. Retrieved on 3 April 2006.

is the 252nd day of the year (253rd in leap years) in the Gregorian calendar. ... Year 2006 (MMVI) was a common year starting on Sunday (link displays full 2006 calendar) of the Gregorian calendar. ... Year 2005 (MMV) was a common year starting on Saturday (link displays full calendar) of the Gregorian calendar. ... is the 110th day of the year (111th in leap years) in the Gregorian calendar. ... Year 2006 (MMVI) was a common year starting on Sunday (link displays full 2006 calendar) of the Gregorian calendar. ... is the 119th day of the year (120th in leap years) in the Gregorian calendar. ... is the 93rd day of the year (94th in leap years) in the Gregorian calendar. ... Year 2006 (MMVI) was a common year starting on Sunday (link displays full 2006 calendar) of the Gregorian calendar. ... is the 93rd day of the year (94th in leap years) in the Gregorian calendar. ... Year 2006 (MMVI) was a common year starting on Sunday (link displays full 2006 calendar) of the Gregorian calendar. ... Philip French (born 1933) is a British film critic and former radio producer, who has been film critic of The Observer since 1978. ... is the 125th day of the year (126th in leap years) in the Gregorian calendar. ... Also see: 2002 (number). ... Wikipedia does not yet have an article with this exact name. ... is the 208th day of the year (209th in leap years) in the Gregorian calendar. ... Year 2006 (MMVI) was a common year starting on Sunday (link displays full 2006 calendar) of the Gregorian calendar. ... The Village Voice is a weekly newspaper in New York City featuring investigative articles, analysis of current affairs and culture, arts reviews and events listings for New York City. ... Year 1999 (MCMXCIX) was a common year starting on Friday (link will display full 1999 Gregorian calendar). ... is the 208th day of the year (209th in leap years) in the Gregorian calendar. ... Year 2006 (MMVI) was a common year starting on Sunday (link displays full 2006 calendar) of the Gregorian calendar. ... Year 1996 (MCMXCVI) was a leap year starting on Monday (link will display full 1996 Gregorian calendar). ... is the 93rd day of the year (94th in leap years) in the Gregorian calendar. ... Year 2006 (MMVI) was a common year starting on Sunday (link displays full 2006 calendar) of the Gregorian calendar. ...

References

  • Seton, M (1971), Satyajit Ray: Portrait of a director, Indiana University Press.

External links


  Results from FactBites:
 
kamera.co.uk - film review - Pather Panchali directed by Satyajit Ray - reviewed by Yoram Allon (1276 words)
Pather Panchali, released in 1955, is the first film of director Satyajit Ray's Apu trilogy.
Pather Panchali, Ray's first foray into the film making world, was completed in 1955, and proceeded to win the top prize at the 1956 Cannes Film Festival.
Pather Panchali starts slowly, but builds inexorably towards a powerful climax as we come to know, and empathize with, the characters.
The World of Pather Panchali (1676 words)
Anyone who has seen Pather Panchali knows that the film is an experience that sinks deep within and becomes a part of one’s being.
Pather Panchali is about Harihar Ray, a traditional Brahmin priest in the village of Nischindipur, in Bengal, who is unable to maintain his family and eventually has to leave for Banares in search of a better life.
The world of Pather Panchali as we receive it, derives its logic from the expressive rhythm of the portrayal of the village and people of Nischindipur.
  More results at FactBites »


 

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