NationMaster - Encyclopedia: Patience (opera)

Patience, or Bunthorne's Bride, is a comic opera in two acts, with music by Arthur Sullivan and libretto by W. S. Gilbert. First performed at the Opera Comique, London, on April 23, 1881, it moved to the 1,292-seat Savoy Theatre on October 10, 1881, where it was the first theatrical production in the world to be lit entirely by electric light. Henceforth, the G&S comic operas would be known as the Savoy Operas, and both fans and performers of G&S would come to be known as "Savoyards." Image File history File links Wikisource-logo. ... The original Wikisource logo. ... Image File history File links No higher resolution available. ... Image File history File links No higher resolution available. ... Image File history File links No higher resolution available. ... Image File history File links No higher resolution available. ... The Savoy Operas are a series of operettas written by Gilbert and Sullivan. ... Patience has several meanings: Patience, the concept Patience, or Bunthornes Bride, an operetta by Gilbert and Sullivan Patience, the British English term for solo card games (usually known in American English as solitaire) Patience sorting Patience, a Middle English poem. ... Comic opera is a subcategory of opera, and denotes a sung dramatic work of a light or comic nature. ... Sir Arthur Seymour Sullivan Sir Arthur Seymour Sullivan (May 13, 1842 â€“ November 22, 1900) was an English composer best known for his operatic collaborations with librettist W. S. Gilbert. ... Sir William Schwenck Gilbert Sir William Schwenck Gilbert (November 18, 1836 â€“ May 29, 1911) was an English dramatist, librettist and illustrator best known for the fourteen comic operas produced in collaboration with the composer Sir Arthur Sullivan. ... The Opéra-Comique is an opera house in Paris. ... This article is about the capital of England and the United Kingdom. ... April 23 is the 113th day of the year in the Gregorian Calendar (114th in leap years). ... Year 1881 (MDCCCLXXXI) was a common year starting on Saturday (link will display the full calendar). ... Savoy Theatre London, December 2003 The Savoy Theatre, which opened on 10 October 1881, was built by Richard DOyly Carte (1844 - 1901) on the site of the old Savoy Palace in London as a showcase for the works of Gilbert and Sullivan, which became known as the Savoy Operas... October 10 is the 283rd day of the year (284th in leap years). ... Year 1881 (MDCCCLXXXI) was a common year starting on Saturday (link will display the full calendar). ... Most of the industrialized world is lit by electric lights, which are used both at night and to provide additional light during the daytime. ... The Savoy Operas are a series of operettas written by Gilbert and Sullivan. ...

Patience was the sixth operatic collaboration of fourteen between Gilbert and Sullivan. It ran for a total of 578 performances, which was seven more than the authors' earlier work, H.M.S. Pinafore, and the second longest run of any work of musical theatre up to that time, after the operetta Les Cloches de Corneville. Sir W. S. Gilbert Sir Arthur Sullivan Librettist W. S. Gilbert (1836â€“1911) and composer Arthur Sullivan (1842â€“1900) collaborated on a series of fourteen comic operas in Victorian England between 1871 and 1896. ... Wikisource has original text related to this article: H.M.S. Pinafore H.M.S. Pinafore, or The Lass that Loved a Sailor, is a comic opera in two acts, with music by Arthur Sullivan and libretto by W. S. Gilbert. ... Operetta (literally, little opera) is a performance art-form similar to opera, though it generally deals with less serious topics. ... Le Cloches de Corneville (known in English as The Chimes of Normandy or The Bells of Corneville) is an operetta in three acts, composed by Robert Planquette to a French libretto by Louis Clairville and Charles Gabet based on a play by Gabet. ...

Background

The opera is a satire on the aesthetic movement of the 1870s and '80s in England, when the output of poets, composers, painters and designers of all kinds was indeed prolific—but, some argued, empty and self-indulgent. This artistic movement was so popular, and also so easy to ridicule as a meaningless fad, that it made Patience a big hit. The topical nature of the story may make Patience somewhat less accessible to some modern audiences, and G&S fans tend to have strong feelings one way or the other about Patience. Modern productions have sometimes "updated" the setting of Patience to an analogous era, such as a hippie poet versus a beat poet. 1867 edition of the satirical magazine Punch, a British satirical magazine, ground-breaking on popular literature satire. ... The Aesthetic movement is a loosely defined movement in art and literature in later nineteenth century Britain. ... Motto: (French for God and my right) Anthem: God Save the King/Queen Capital London (de facto) Largest city London Official language(s) English (de facto) Unification - by Athelstan AD 927 Area - Total 130,395 kmÂ² (1st in UK) 50,346 sq mi Population - 2006 est. ... Singer at contemporary Russian Rainbow gathering Hippie, often spelled hippy outside the United States, refers to a subgroup of the 1960s and early 1970s counterculture that began in the United States, becoming an established social group by 1965 before declining during the mid-1970s. ... The term beat generation was introduced by Jack Kerouac in approximately 1948 to describe his social circle to the novelist John Clellon Holmes (who published an early novel about the beat generation, titled Go, in 1952, along with a manifesto of sorts in the New York Times Magazine: This is...

A popular myth holds that the central character, Bunthorne, a "Fleshly Poet," was intended to satirize Oscar Wilde. However, this identification is retrospective: In fact, the authors hired Wilde, after the fact, to popularize the opera in America (see below). There is a good case to be made that Bunthorne is based on the poets Algernon Swinburne and Dante Gabriel Rossetti, who were considerably more famous than Wilde in 1881. Rossetti had been attacked for immorality by Robert Buchanan (under the pseudonym of Thomas Maitland) in an article called "The Fleshly School of Poetry", published in the Contemporary Review for October, 1871. Nonetheless, Wilde's biographer Richard Ellmann suggests that Wilde is a partial model for both Bunthorne and his rival Grosvenor. Wilde had recently been satirised by F. C. Burnand in his play The Colonel (February 1881), and he wrote to George Grossmith (who played the role of Bunthorne), having been informed that Bunthorne 'took him off', asking for tickets for the first night.^{[citation needed]} Oscar Fingal OFlahertie Wills Wilde (October 16, 1854 â€“ November 30, 1900) was an Irish playwright, novelist, poet, short story writer and Freemason. ... The poor poet A poet is a person who writes poetry. ... Algernon Swinburne, Portrait by Rossetti Algernon Charles Swinburne (April 5, 1837 â€“ April 10, 1909) was a Victorian era English poet. ... Dante Gabriel Rossetti (May 12, 1828 - April 10, 1882) was an English poet, painter and translator. ... Robert Williams Buchanan (August 18, 1841 - June 10, 1901) was a British poet, novelist and dramatist. ... From The History of Punch Sir Francis Cowley Burnand (November 29, 1836 â€“ April 21, 1917), often credited as F. C. Burnand, was an editor of Punch, taking over from Tom Taylor in 1880, until 1906, when he was succeeded by Sir Owen Seaman. ... George Grossmith, as illustrated in The Idler magazine, 1897 George Grossmith (December 9, 1847 - March 1, 1912) was an English actor and comic writer, best remembered for his work with Gilbert & Sullivan. ...

The makeup and costume adopted by the first Bunthorne, George Grossmith, used the velvet jacket of Swinburne, the hair style and monocle of the painter James McNeill Whistler, and knee-breeches similar to those worn by Wilde and others. The title character, Patience, was made up and costumed to exactly resemble the subject of Luke Fildes's first successful picture, "Where are you going to, my pretty maid?"^[1] George Grossmith, as illustrated in The Idler magazine, 1897 George Grossmith (December 9, 1847 - March 1, 1912) was an English actor and comic writer, best remembered for his work with Gilbert & Sullivan. ... Self portrait James Abbott McNeill Whistler (July 14, 1834 â€“ July 17, 1903) was an American-born, British-based painter and etcher. ... Sir Luke Fildes (1843-1927) was an English painter and illustrator born at Liverpool and trained in the South Kensington and Royal Academy schools. ...

Gilbert and Sullivan's partner, the impresario Richard D'Oyly Carte, was also the booking manager for Oscar Wilde. It was he who sent Wilde and his green carnation and knee-breeches to enlighten Americans on the English Aesthetic Movement and, incidentally, to build up the box office for Patience. Wilde even agreed to attend one of the early performances of Patience, with suitable publicity arranged by Helen Lenoir, who would become the second Mrs. D'Oyly Carte. An impresario is a manager or producer in one of the entertainment industries, usually Music or Theatre. ... Richard DOyly Carte Richard DOyly Carte (May 3, 1844 â€“ April 3, 1901) was an English theatrical impresario during the latter half of the nineteenth century. ... Helen DOyly Carte Helen DOyly Carte or Helen Lenoir (May 12, 1852 â€“ May 5, 1913) was the second wife of impresario and hotelier Richard DOyly Carte. ...

Gilbert originally conceived Patience as a tale of rivalry between two curates and of the doting ladies who attended upon them. The plot and even some of the dialogue was lifted straight out of Gilbert's Bab Ballad "The Rival Curates." During the course of writing the libretto, however, Gilbert took note of the criticism he had received for his very mild satirizing of a clergyman in The Sorcerer, and looked about for an alternative pair of rivals. The aesthetes proved to be a gift to topsy-turvydom. Some remnants of the Bab Ballad version do survive in the final text of Patience. Bunthorne sings to Grosvenor, "Your style is much too sanctified—your cut is too canonical!" Later, Grosvenor agrees to change his lifestyle by saying, "I do it on compulsion!"—the very words used by the Reverend Hopley Porter in the Bab Ballad. This article needs to be wikified. ... Wikisource has original text related to this article: The Sorcerer The Sorcerer is the earliest surviving two-act Gilbert and Sullivan operetta. ...

Roles

A bass-baritone is a singing voice that shares certain qualities of both the baritone and the bass. ... Baritone (French: baryton; Deutsch: Bariton; Italian: baritono) is most commonly the type of male voice that lies between bass and tenor. ... In music, a tenor is a male singer with a high voice. ... Baritone (French: baryton; Deutsch: Bariton; Italian: baritono) is most commonly the type of male voice that lies between bass and tenor. ... Baritone (French: baryton; Deutsch: Bariton; Italian: baritono) is most commonly the type of male voice that lies between bass and tenor. ... A mezzo-soprano (meaning medium soprano in Italian) is a female singer with a range usually extending from the A below middle C to the F an eleventh above middle C. Mezzo-sopranos generally have a darker (or lower) vocal tone than sopranos, and their vocal range is between that... A mezzo-soprano (meaning medium soprano in Italian) is a female singer with a range usually extending from the A below middle C to the F an eleventh above middle C. Mezzo-sopranos generally have a darker (or lower) vocal tone than sopranos, and their vocal range is between that... Look up soprano in Wiktionary, the free dictionary. ... Look up soprano in Wiktionary, the free dictionary. ... In music, an alto is a singer with a vocal range somewhere between a tenor and a soprano. ... Look up soprano in Wiktionary, the free dictionary. ...

Synopsis

Act I

In front of Castle Bunthorne, a group of "lovesick maidens" are all in love with the aesthetic poet Bunthorne ("Twenty lovesick maidens we"). Lady Jane, the oldest and plainest of the ladies, informs them that Bunthorne, far from returning their affections, has his heart set on the simple, unpretentious milkmaid Patience. Patience herself appears, and, when asked about Bunthorne, confesses that she has never loved him – or anyone else – and is thankful that love has not turned her miserable as it has them ("I cannot tell what this love may be"). Soon, the ladies' old sweethearts, the Dragoon Guards, appear ("The soldiers of our Queen"), led by Colonel Calvarey ("If you Want a Reciet for the popular Mystery"), Major Murgatroyd and the regiment's resident nobleman, the droopy and wimpish Duke of Dunstable. They arrive ready to propose, only to discover their beloveds fawning over Bunthorne, who is in the throes of poetical composition,pretending to ignore the attention of the ladies thronging around him ("In a doleful train"). Bunthorne reads his poem and departs, while the officer are coldly rebuffed and mocked by the poetically-obsessed ladies, who turn their noses up at the sight of their red and yellow uniform. the Dragoons, reeling from the insult, depart ("When I first put this uniform on").

When Bunthorne is finally left alone, he confesses that his aestheticism is a complete sham, and mocks the field's pretensions ("If you're anxious for to shine"). Soon, Patience approaches and he confesses his love to her, yet she turns him down even after he reveals that he is a fraud. Later, Lady Angela, one of Bunthorne's lovelorn admirers, discusses Patience's inability to love since a childhood crush ("Long years ago"). Lady Angela rhapsodizes upon love as the one truly unselfish pursuit in the world. Impressed by this eloquence, Patience promises to fall in love at the earliest opportunity.

Said opportunity is provided by one Archibald Grosvenor, another aesthete who turns out to be Patience's childhood love, who has grown up to be the infallible, widely-loved poet known as "Archibald the All-Right". The two declare themselves determined to love one another ("Prithee, pretty maiden"), but are brought up short by the realization that as Grosvenor is perfect in all aspects, for Patience to love him would be a selfish act, and therefore impossible; thus, they must part.

Bunthorne, heartbroken by Patience's rejection, has chosen to [[raffle] himself off among his lady followers ("Let the merry cymbal sound"), the proceeds going to charity. The Dragoons interupt the proceedings, and, led by the Duke, attempt to reason with the ladies ("Your maiden hearts ah, do not steel"), but the ladies are too busy clamoring for tickets to the raffel to listen ("Come walk up"). Just as Bunthorne is handing the vase to the monstrous Jane, ready for the worst, Patience interupts the proceedings and proposes to unselfishly sacrifice herself by loving the poet ("True Love must singlehearted be"). A delighted Bunthorne accepts immediately, and his followers, their idol lost, return to the Dragoons to whom they are engaged ("I hear the soft note of the echoing voice"). All seems resolved, when Grosvenor enters and the ladies, finding him even more aesthetic than Bunthorne, become his partisans instead ("Oh, list while we a love confess"), much to the dismay of the Dragoons, Patience, Bunthorne and especially Grosvenor himself.

Act II

Grosvenor entertains the ladies ("A magnet hung in a hardware shop"), while the Dragoons' Major, Colonel, and Duke attempt to earn their partners' love through aestheticism ("It's clear that mediaeval art"). Patience confesses her affection for Grosvenor to Bunthorne, who is naturally furious at the revelation. Confronting Grosvenor, Bunthorne threatens him with a dire curse unless he undertakes to become a perfectly ordinary young man. Grosvenor, intimidated, agrees to do so. This plot backfires, however, when Grosvenor reappears as an ordinary man; all of the ladies follow him into ordinariness, becoming "matter-of-fact young girls." Patience realizes that Grosvenor has lost his perfection in her eyes – and therefore, it's completely unselfish for her to marry him, which she undertakes to do without delay. The ladies, following suit, return to their old boyfriends among the Dragoons. In the spirit of fairness, the Duke chooses Lady Jane as his paramour, for her very lack of appeal. Bunthorne is left to the love he has claimed (falsely) to desire most of all: poetry and flowers.

Musical numbers

Act I

¹ This was originally followed by a song for the Duke, "Though men of rank may useless seem." The orchestration survives in Sullivan's autograph score, but without a vocal line. There have been several attempts at a reconstruction, including one by David Russell Hulme that was included on the 1994 New D'Oyly Carte Opera Company recording.

Act II

Production history

The original run of Patience in London, split across two theatres, was the second-longest of the Gilbert and Sullivan series, eclipsed only by The Mikado. Its first London revival was in 1900, making it the last of the revivals for which all three partners (Gilbert, Sullivan, and D'Oyly Carte) were alive. Gilbert admitted some doubts as to whether the æsthetic subject would still be appreciated, years after the fad had died out. Gilbert wrote to Sullivan after the premiere of this revival (which the composer was too ill to attend), "The old opera woke up splendidly." (Allen 1975, p. 461). The Mikado, or The Town of Titipu, is a comic opera in two acts, with music by Arthur Sullivan and libretto by W. S. Gilbert, their ninth of fourteen operatic collaborations. ...

In the British provinces, Patience played — either by itself, or in repertory — continuously from summer 1880 through 1885, then again in 1888. It rejoined the touring repertory in 1892 and was included in every season until 1955–56. A new production debuted on January 28, 1957. The opera returned to its regular place in the repertory, aside from a break in 1962–63. Late in the company's history, it toured a reduced set of operas to reduce costs. Patience had its final D'Oyly Carte performances in April 1979 and was left out of the company's last three seasons of touring. January 28 is the 28th day of the year in the Gregorian calendar. ... 1957 (MCMLVII) was a common year starting on Tuesday of the Gregorian calendar. ...

In America, Richard D'Oyly Carte mounted a production at the Standard Theatre in September 1881, six months after the London premiere. Unlike H.M.S. Pinafore, there were no "pirated" productions before the official version opened, although there were several afterwards.

Patience entered the repertory of the English National Opera in 1969, in an acclaimed production with Derek Hammond-Stroud as Bunthorne. The production was later mounted in Australia and was preserved on video as part of the Brent Walker series. In 1984, ENO also took the production on tour to the Metropolitan Opera House, in New York City. The London Coliseum, home of the English National Opera English National Opera (ENO), located at the Coliseum Theatre on St. ... The Metropolitan Opera is located at Lincoln Center in New York, New York. ... Nickname: Big Apple, Gotham, NYC, City That Never Sleeps, The Concrete Jungle, The City So Nice They Named It Twice Location in the state of New York Coordinates: Country United States State New York Boroughs The Bronx Brooklyn Manhattan Queens Staten Island Settled 1676 Government - Mayor Michael Bloomberg (R) Area...

The following table shows the history of the D'Oyly Carte productions in Gilbert's lifetime:

April 23 is the 113th day of the year in the Gregorian Calendar (114th in leap years). ... Year 1881 (MDCCCLXXXI) was a common year starting on Saturday (link will display the full calendar). ... October 8 is the 281st day of the year in the Gregorian Calendar (282nd in leap years). ... Year 1881 (MDCCCLXXXI) was a common year starting on Saturday (link will display the full calendar). ... October 10 is the 283rd day of the year (284th in leap years). ... Year 1881 (MDCCCLXXXI) was a common year starting on Saturday (link will display the full calendar). ... November 22 is the 326th day (327th on leap years) of the year in the Gregorian calendar. ... Year 1882 (MDCCCLXXXII) was a common year starting on Sunday (link will display the full calendar) of the Gregorian calendar or a common year starting on Tuesday of the 12-day slower Julian calendar. ... September 22 is the 265th day of the year in the Gregorian calendar (266th in leap years). ... Year 1881 (MDCCCLXXXI) was a common year starting on Saturday (link will display the full calendar). ... March 23 is the 82nd day of the year in the Gregorian Calendar (83rd in leap years). ... Year 1882 (MDCCCLXXXII) was a common year starting on Sunday (link will display the full calendar) of the Gregorian calendar or a common year starting on Tuesday of the 12-day slower Julian calendar. ... November 7 is the 311th day of the year (312th in leap years) in the Gregorian Calendar, with 54 days remaining. ... 1900 (MCM) was an exceptional common year starting on Monday (link will display the full calendar) of the Gregorian calendar, but a leap year starting on Saturday of the Julian calendar. ... April 20 is the 110th day of the year in the Gregorian calendar (111th in leap years). ... 1901 (MCMI) was a common year starting on Tuesday (link will display calendar) of the Gregorian calendar (or a common year starting on Wednesday of the 13-day-slower Julian calendar). ... April 4 is the 94th day of the year in the Gregorian calendar (95th in leap years). ... 1907 (MCMVII) was a common year starting on Tuesday (link will display the full calendar) of the Gregorian calendar (or a common year starting on Wednesday of the 13-day-slower Julian calendar). ... August 24 is the 236th day of the year in the Gregorian Calendar (237th in leap years), with 129 days remaining. ... 1907 (MCMVII) was a common year starting on Tuesday (link will display the full calendar) of the Gregorian calendar (or a common year starting on Wednesday of the 13-day-slower Julian calendar). ...

Historical casting

The following tables show the casts of the principal original productions and D'Oyly Carte Opera Company touring repertory at various times through to the company's 1982 closure:

Richard Temple was an English opera singer, actor and stage director, best known for his work in the Gilbert & Sullivan comic operas. ... Frank Thornton as Major Murgatroyd in Patience Frank Thornton (1845-December 18, 1918) was an English actor, comedian, and stage manager. ... Durward Lely (September 2, 1852 â€“ February 29, 1944) was a Scottish opera singer primarily known as the creator of tenor roles in Gilbert & Sullivans comic operas, including Nanki-Poo in The Mikado. ... Robert Evett was a theatre manager and producer. ... George Grossmith, as illustrated in The Idler magazine, 1897 George Grossmith (December 9, 1847 - March 1, 1912) was an English actor and comic writer, best remembered for his work with Gilbert & Sullivan. ... John Handford Ryley, (c. ... Walter Passmore (May 10, 1867 â€“ August 29, 1946) was a singer and actor best known as a successor to George Grossmith in the comic baritone roles in Gilbert and Sullivan operas with the DOyly Carte Opera Company. ... Charles H. Workman (May 5, 1873 â€“ May 1, 1923) was a singer and actor best known as a successor to George Grossmith in the comic baritone roles in Gilbert and Sullivan operas. ... Rutland Barrington (January 15, 1853 - May 31, 1922) was an English actor, comedian, and musical comedy star, best remembered for his work with Gilbert & Sullivan. ... Sir Henry Lytton (born London, 3 January 1865, died London 15 August 1936) was the leading exponent of the patter roles in Gilbert and Sullivan operas in the early part of the twentieth century. ... Jessie Bond (January 10, 1853â€“June 17, 1942) was an English singer and actress best known for creating most of the mezzo-soprano soubrette roles in the Gilbert and Sullivan comic operas. ... Alice Barnett (May 17, 1846 â€“ April 14, 1901) was an English singer and actress, best known for her performances in contralto roles of the Gilbert and Sullivan operas with the DOyly Carte Opera Company. ... Rosina Brandram (July 2, 1846 â€“ February 28, 1907) was an English opera singer and actress primarily known for her work in the Gilbert & Sullivan comic operas with the DOyly Carte Opera Company. ... Leonora Braham Leonora Braham (February 3, 1853 â€“ November 23, 1931) was an English opera singer and actress primarily known as the creator of principal soprano roles in the Gilbert & Sullivan comic operas. ... Isabel Jay was born in Wandsworth, London, on October 17, 1879. ... Darrell Fancourt (March 8, 1886 â€“ August 29, 1953) was an English bass-baritone, known for his performances of the Savoy Operas with the DOyly Carte Opera Company. ... Darrell Fancourt (March 8, 1886 â€“ August 29, 1953) was an English bass-baritone, known for his performances of the Savoy Operas with the DOyly Carte Opera Company. ... Darrell Fancourt (March 8, 1886 â€“ August 29, 1953) was an English bass-baritone, known for his performances of the Savoy Operas with the DOyly Carte Opera Company. ... Martyn Green (1899 - 1975) was an actor primarily known for his work in Gilbert & Sullivan operettas. ... John Dean (September 2, 1897 â€“ March 20, 1990) was an English singer and actor, best known for his performances in the tenor roles of the Savoy Operas with the DOyly Carte Opera Company. ... Sir Henry Lytton (born London, 3 January 1865, died London 15 August 1936) was the leading exponent of the patter roles in Gilbert and Sullivan operas in the early part of the twentieth century. ... Sir Henry Lytton (born London, 3 January 1865, died London 15 August 1936) was the leading exponent of the patter roles in Gilbert and Sullivan operas in the early part of the twentieth century. ... Martyn Green (1899 - 1975) was an actor primarily known for his work in Gilbert & Sullivan operettas. ... Grahame Clifford (December 25, 1909? - 19??), was an English opera singer and actor primarily known for his work in the Gilbert and Sullivan comic operas with the DOyly Carte Opera Company. ... Leslie Rands (January 7, 1900â€“December 6, 1972) was an English opera singer, best known for his performances in baritone roles of the Savoy Operas with the DOyly Carte Opera Company. ... Leslie Rands (January 7, 1900â€“December 6, 1972) was an English opera singer, best known for his performances in baritone roles of the Savoy Operas with the DOyly Carte Opera Company. ... Nellie Briercliffe (1889 â€“ December 12, 1966) was an English singer and actress, best known for her performances in the mezzo-soprano roles of the Savoy Operas with the DOyly Carte Opera Company. ... Marjorie Eyre (1897 â€“ December 3, 1987) was an English opera singer, best known for her performances in the soprano and mezzo-soprano roles of the Savoy Operas with the DOyly Carte Opera Company. ... Marjorie Eyre (1897 â€“ December 3, 1987) was an English opera singer, best known for her performances in the soprano and mezzo-soprano roles of the Savoy Operas with the DOyly Carte Opera Company. ... Bertha Lewis (May 22, 1887 â€“ May 8, 1931) was an English opera singer and actress primarily known for her work as principal contralto in the Gilbert & Sullivan comic operas with the DOyly Carte Opera Company. ... Bertha Lewis (May 22, 1887 â€“ May 8, 1931) was an English opera singer and actress primarily known for her work as principal contralto in the Gilbert & Sullivan comic operas with the DOyly Carte Opera Company. ... Ella Halman, (July 18, 1906 â€“ March 20, 1995) was an English opera singer, best known for her performances in the contralto roles of the Savoy Operas with the DOyly Carte Opera Company. ... Darrell Fancourt (March 8, 1886 â€“ August 29, 1953) was an English bass-baritone, known for his performances of the Savoy Operas with the DOyly Carte Opera Company. ... Donald Adams (December 20, 1928 â€“ April 8, 1996) was an English singer and actor, best known for his performances in bass-baritone roles of the Savoy Operas with the DOyly Carte Opera Company. ... Donald Adams (December 20, 1928 â€“ April 8, 1996) was an English singer and actor, best known for his performances in bass-baritone roles of the Savoy Operas with the DOyly Carte Opera Company. ... John Ayldon (born December 11, 1943) is an English opera singer, best known for his performances in bass-baritone roles of the Savoy Operas with the DOyly Carte Opera Company. ... Peter Pratt (March 21, 1923 – January 11, 1995) was a British actor and bass singer who started his career in the Gilbert and Sullivan operettas but later moved to radio and television work. ... John Reed is an English baritone singer and actor, known for his performances in the comic leads of the Gilbert and Sullivan operettas. ... Leonard Osborn (1915 â€“ September 26, 1994) was an English opera singer, best known for his performances in the tenor roles of the Savoy Operas with the DOyly Carte Opera Company. ... Leonard Osborn (1915 â€“ September 26, 1994) was an English opera singer, best known for his performances in the tenor roles of the Savoy Operas with the DOyly Carte Opera Company. ... Philip Potter (born February 6, 1936) is an English singer and actor, best known for his performances in the tenor roles of the Savoy Operas with the DOyly Carte Opera Company. ... Alexander Meston Reid (March 21, 1945 â€“ October 31, 1993), better known as Meston Reid, was a Scottish opera singer, best known for his performances in tenor roles of the Savoy Operas with the DOyly Carte Opera Company. ... Martyn Green (1899 - 1975) was an actor primarily known for his work in Gilbert & Sullivan operettas. ... Peter Pratt (March 21, 1923 – January 11, 1995) was a British actor and bass singer who started his career in the Gilbert and Sullivan operettas but later moved to radio and television work. ... John Reed is an English baritone singer and actor, known for his performances in the comic leads of the Gilbert and Sullivan operettas. ... John Reed is an English baritone singer and actor, known for his performances in the comic leads of the Gilbert and Sullivan operettas. ... Alan Styler (1925 â€“ September 1, 1970) was an English opera singer, best known for his performances in baritone roles of the Savoy Operas with the DOyly Carte Opera Company. ... Kenneth Sandford, (June 28, 1924 â€“ September 19, 2004) was an English singer and actor, best known for his performances in baritone roles of the Savoy Operas with the DOyly Carte Opera Company. ... Kenneth Sandford, (June 28, 1924 â€“ September 19, 2004) was an English singer and actor, best known for his performances in baritone roles of the Savoy Operas with the DOyly Carte Opera Company. ... Joyce Wright (born June 23, 1922) is an English singer and actress, best known for her performances in the mezzo-soprano roles of the Savoy Operas with the DOyly Carte Opera Company. ... Patricia Leonard, (born c. ... Valerie Masterson (soprano) was born in Birkenhead and after studying at the Matthay School of Music in Liverpool and the Royal College of Music, she made her debut as Frasquita in Carmen in Salzburg in 1963. ... Ella Halman, (July 18, 1906 â€“ March 20, 1995) was an English opera singer, best known for her performances in the contralto roles of the Savoy Operas with the DOyly Carte Opera Company. ... Ann Drummond-Grant (1905 â€“ September 11, 1959) was an English singer and actress, best known for her performances in contralto roles of the Gilbert and Sullivan operas with the DOyly Carte Opera Company. ...

Contents

Background

Roles

Synopsis

Act I

Act II

Musical numbers

Act I

Act II

Production history

Historical casting

See also

Notes

References

External links

Contents

Background GA_googleFillSlot("encyclopedia_square");

Roles

Synopsis

Act I

Act II

Musical numbers

Act I

Act II

Production history

Historical casting

See also

Notes

References

External links

Background