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Encyclopedia > Patrick Street

Patrick Street was one of the top Irish traditional bands of the 1980s, formed in Dublin in 1986 by Kevin Burke (formerly of The Bothy Band) on fiddle, Jackie Daly (De Dannan) on button accordion, Andy Irvine (Sweeney's Men, Planxty) on bouzouki and vocals, and Arty McGlynn (Van Morrison, Planxty) on guitar. McGlynn later left the group, and other members were added: Ged Foley (The House Band, Battlefield Band) on guitar, and Declan Masterson on uilleann pipes and keyboards. They have also played with Donal Lunny, Bill Whelan and Enda Walsh.


Discography

  • Patrick Street
  • No. 2 Patrick Street
  • Irish Times
  • Cornerboys
  • All in Good Time
  • Made in Cork
  • Street Life

  Results from FactBites:
 
Patrick Street: Information from Answers.com (579 words)
Patrick Street's self-titled debut album was produced by multi-instrumentalist Donal Lunny (Planxty, the Bothy Band, Moving Hearts).
Patrick Street's third album, 3 Irish Times 3, featured the group's largest arrangements with the addition of Declan Masterson (Uillean pipes, low whistle, keyboards) and Bill Whelan (keyboards).
Patrick Street was one of the top Irish traditional bands of the 1980s, formed in Dublin in 1986 by Kevin Burke (formerly of The Bothy Band) on fiddle, Jackie Daly (De Dannan) on button accordion, Andy Irvine (Sweeney's Men, Planxty) on bouzouki and vocals, and Arty McGlynn (Van Morrison, Planxty) on guitar.
Cork City Council > Our Services: Roads & Transportation Directorate: St. Patrick Street and Grand Parade Project (1176 words)
In the case of the corner of the two streets in the project this specific point is accentuated, for example, by the installation of a large clock set into the pavement with an internal light which acts as a liminous reference for this strategic point of the project.
Similarly, the street lamp Sarah, especially designed for Cork, has the double function of illuminating the street in two different ways (diffuse or concentrated) as well as exercising the function of ordering and potentiating the asymmetrical form of the street section itself.
The architectural and chromatic quality of the facades of the buildings which delimit St. Patrick Street and Grand Parade is expressly highlighted by the simplicity of the project.
  More results at FactBites »


 

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