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Encyclopedia > Paul Sacher

Paul Sacher (April 28, 1906May 26, 1999) was a Swiss conductor, patron and impresario. April 28 is the 118th day of the year (119th in leap years) in the Gregorian Calendar, with 247 days remaining. ... 1906 (MCMVI) was a common year starting on Monday (see link for calendar). ... May 26 is the 146th day of the year in the Gregorian calendar (147th in leap years). ... 1999 (MCMXCIX) was a common year starting on Friday, and was designated the International Year of Old Farts by the Sometimes-United Nations. ... A conductor conducting a band at a ceremony A conductors score and batons Conducting is the act of directing a musical performance by way of visible gestures. ... Generally, patronage is the act of supporting or favoring some person, group, or institution. ... An impresario is a manager or producer in one of the entertainment industries, usually Music or Theatre. ...


He studied under Felix Weingartner among others. In 1926 he founded the Basel Chamber Orchestra (Basler Kammerorchester) to play works written before the classical period and modern works. Immensely wealthy, he commissioned works from many well known composers, including Igor Stravinsky (who provided him with the Concerto in D), Béla Bartók (Divertimento and the Music for Strings, Percussion and Celesta), Arthur Honegger (many works, including the Second Symphony and the Fourth Symphony (Deliciae Basilienses ), Paul Hindemith, Hans Werner Henze, Richard Strauss, Elliott Carter, and Harrison Birtwistle. Pierre Boulez's Messagesquisse was one of a number of pieces written in order to celebrate Sacher's seventieth birthday. Felix Weingartner, Edler von Münzberg (June 2, 1863 – May 7, 1942) was a conductor, composer and pianist. ... 1926 (MCMXXVI) was a common year starting on Friday (link will take you to calendar). ... The Classical period in Western music occurred from about 1730 through 1820, despite considerable overlap at both ends with preceding and following periods, as is true for all musical eras. ... Igor Fyodorovich Stravinsky (Russian: И́горь Фёдорович Страви́нский Igor Fjodorovič Stravinskij) (June 17, 1882 – April 6, 1971) was a Russian-born composer of modern classical music. ... Béla Bartók in 1927 Bartok redirects here. ... Music for Strings, Percussion and Celesta is a piece of classical music by Béla Bartók. ... Arthur Honegger in 1921. ... Paul Hindemith (November 16, 1895 – December 28, 1963) was a German composer, violist, teacher, theorist and conductor. ... Hans Werner Henze (born July 1, 1926 in Gütersloh, Westphalia, Germany) is a composer well known for his left-wing political beliefs. ... Richard Strauss Richard Strauss (June 11, 1864 – September 8, 1949) was a German composer of the late Romantic era, particularly noted for his tone poems and operas. ... Elliott Cook Carter, Jr. ... Sir Harrison Paul Birtwistle, CH (born July 15, 1934) is a British composer, widely seen as one of the most significant modern composers from that country. ... Pierre Boulez Pierre Boulez (IPA: /pjɛʁ.buˈlÉ›z/) (born March 26, 1925) is a conductor and composer of classical music. ...


He was named as the world's third richest man in the 1990s, having married the heiress of the pharmaceutical company, Hoffmann-La Roche. See also 1990s, the band The 1990s decade refers to the years from 1990 to 1999, inclusive, sometimes informally including popular culture from the late 1980s and shortly after the year 2000. ... A pharmaceutical company, or drug company, is a company licensed to discover, develop, market and distribute drugs. ... Hoffmann-La Roche, Ltd. ...


External links

  • Biography at Paul Sacher Foundation site
  • BBC feature

  Results from FactBites:
 
MUSIC | UC Santa Cruz (5034 words)
She was artistic director of the 1996 Pacific Rim Festival of Contemporary Music, and has an interest in establishing an ongoing Festival of Traditional and Contemporary Music in Santa Cruz.
Paul Nauert is a music theorist and composer whose areas of interest include rhythm and meter, music cognition, and mathematical and computer models of compositional resources and procedures.
His recent work stems from a view of music as "time organized by sound." Current projects include an essay on harmonic progression in posttonal music, a book (with the working title Rhythms and Algorithms) on computer-based strategies for generating and coordinating musical rhythms, and software tools to support both the harmony and the rhythm projects.
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