Picturesque is an aesthetic ideal first introduced into English cultural debate in 1782 by William Gilpin in Observations of the River Wye, and Several Parts of South Wales, etc. Relative Chiefly to Picturesque Beauty; made in the Summer of the Year 1770, a practical book which instructed England's leisured travelers to examine "the face of a country by the rules of picturesque beauty". Picturesque, along with the aesthetic and cultural strands of Gothic and Celticism, was a part of the emerging Romantic sensibility of the 18th century. Aesthetics (or esthetics) (from the Greek word αισθητική) is a branch of philosophy dealing with the nature of beauty. ... An engraving of Gilpin from 1869. ... Romantics redirects here. ...

As the title of Gilpin's work suggests, picturesque needs to be explained in terms of its relationship to two other aesthetic ideals: those of the beautiful and the sublime. By the last third of the 18th century, Enlightenment rationalist ideas about aestheticism were being challenged by looking at the experiences of beauty and sublimity as being non-rational (instinctual). Aesthetic experience was not just a rational decision - one did not look at a pleasing curved form and decide it was beautiful - rather it was a matter of basic human instinct and came naturally. Edmund Burke in his 1757 Philosophical Enquiry into the Origin of Our Ideas of the Sublime and the Beautiful said the soft gentle curves appealed, he thought, to the male sexual desire, while the sublime horrors appealed to our desires for self-preservation.^[1] Picturesque arose as a mediator between the opposed ideals of beauty and the sublime, showing the possibilities that existed in between these two rationally idealized states. As Thomas Gray wrote in 1765 of the Scottish Highlands "The mountains are ecstatic.. None but.. God know how to join so much beauty with so much horror." ^[1]. See also Gilpin and the picturesque. For beauty as a characteristic of a persons appearance, see Physical attractiveness. ... In aesthetics, the sublime (from the Latin sublimis (exalted)) is the quality of transcendent greatness, whether physical, moral, intellectual or artistic. ... For other uses, see Thomas Gray (disambiguation). ... An engraving of Gilpin from 1869. ...

Background

The Chancel and Crossing of Tintern Abbey, Looking towards the East Window by J. M. W. Turner, 1794

During the mid 18th century the idea of purely scenic pleasure touring began to take hold among the English leisured class. Gilpin's work was a direct challenge to the ideology of the well established Grand Tour, showing how an exploration of rural Britain could compete with classically oriented tours of the Continent.^[2] The irregular, anti-classical, ruins and even ruined people - the ragged poor (viewed from a safe distance of course) - became sought after themes. Can-tinted portable mirrors to frame and darken the scenes they visited, it was named after 17th century landscape painter Claude Lorraine whose work Gilpin saw as synonymous with the picturesque and who Gilpin encouraged emulation. As Malcolm Andrews remarks, there is "something of the big-game hunter in these tourists, boasting of their encounters with savage landscapes, "capturing" wild scenes, and "fixing" them as pictorial trophies in order to sell them or hang them up in frames on their drawing room walls".^[2] Gilpin himself asked, "shall we suppose it a greater pleasure to the sportsman to pursue a trivial animal, than it is to the man of taste to pursue the beauties of nature?"^[2] After 1815 when Europe was available to travel again after the wars, new fields for picturesque-hunters opened up in Italy. Anna James wrote in 1820 "Had I never visited Italy, I think I should never have understood the word picturesque".^[1] Henry James exclaimed in Albano in the 1870s "I have talked of the picturesque all my life; now at last.. I see it".^[1]. Joseph Mallord William Turner (23 April 1775[1] – 19 December 1851) was an English Romantic landscape painter, watercolourist and printmaker, whose style can be said to have laid the foundation for Impressionism. ... For other uses, see Grand Tour (disambiguation). ... Seaport by Claude Lorrain Claude Lorrain (Lorraine, c1604 - Rome, November 23, 1682) was a French painter considered to be one of the greatest landscape painters. ... For other uses of this name, see Henry James (disambiguation). ... There are communes that have the name Albano in Italy: Albano di Lucania, in the province of Potenza Albano Laziale, in the province of Rome Albano SantAlessandro, in the province of Bergamo Albano Vercellese, in the province of Vercelli This is a disambiguation page — a navigational aid which lists...

Picturesque tourists were also encouraged to reshape the landscapes as settings for English country houses, exemplified by Lancelot 'Capability' Brown. Following Gilpin's advice, many landowners began designing gardens with irregular sight lines and prefabricated ruins of 'classical' structures. Holkham Hall, one of the grandest English country houses not only displayed the owners fashionable and cultivated tastes, but was the epicentre of a vast landed estate, providing employment to hundreds The English country house is generally accepted as a large house or mansion, once in the ownership of an... Capability Brown, by Nathaniel Dance, ca. ...

Picturesque meaning literally "in the manner of a picture; fit to be made into a picture" was a word used as early as 1703 (Oxford English Dictionary), and derived from an Italian term pittoresco, meaning, "in the manner of a painter," William Gilpin's Essay on Prints (1768) defined picturesque as " ... a term expressive of that peculiar kind of beauty, which is agreeable in a picture" (xii).

Notable works

• Gilpin's Three Essays: On Picturesque Beauty; On Picturesque Travel; and on Sketching Landscape: to which is Added a Poem, On Landscape Painting was published in London, 1792.
• Richard Payne Knight, An Analytical Inquiry into the Principles of Taste, soon followed, and went into several editions that the author revised and expanded.
• A third great essay on the Picturesque was Uvedale Price, An Essay on the Picturesque, as Compared with the Sublime and the Beautiful; and on the Use of Studying Pictures, for the Purpose of Improving Real Landscape, revised. edition London, 1796.
• Dorothy Wordsworth wrote Recollections of a Tour Made in Scotland, A. D. 1803 (1874) considered a classic of picturesque travel writing.
• William Combe and Thomas Rowlandson published an 1809 poem with pictures called The Tour of Doctor Syntax in Search of the Picturesque which was a satire of the ideal and famously skewered Picturesque-hunters.
• Humphry Repton applied picturesque theory to the practice of landscape design. In conjunction with the work of Price and Knight, this led to the 'picturesque theory' that designed landscapes should be composed like landscape paintings with a foreground, a middle ground and a background. Repton believed that the foreground should be the realm of art (with formal geometry and ornamental planting), that the middleground should have a parkland character of the type created by Brown and that the background should have a wild and 'natural' character.
• John Ruskin identified the "picturesque" as a genuinely modern aesthetic category, in The Seven Lamps of Architecture.
• In modern times, the essay by the English architectural historian Christopher Hussey, The Picturesque: Studies in a Point of View, 1927 focused modern thinking on the development of this approach. The picturesque idea continues to have a profound influence on garden design and planting design.

Richard Payne Knight (15 February 1750 - 23 April 1824) was a Classical scholar and connoisseur best known for his theories of picturesque beauty and for his interest in ancient phallic imagery. ... Uvedale Price (1747 - 1829) Author of the Essay on the Picturesque (1794), Uvedale Price was a Herefordshire landowner who was at the heart of the picturesque debate of the 1790s. ... Dorothy Mae Ann Wordsworth (December 25, 1771 – January 25, 1855) was an English poet and diarist. ... A late 19th century painting of a jaunting car similar to the one used by Dorothy, William and Samuel. ... William Combe (1741 - 1823) was a miscellaneous writer. ... Thomas Rowlandson (July 1756 - April 22, 1827) was an English caricaturist. ... Notable gardeners Luis Barragán Geoffrey Bawa Lancelot Capability Brown Charles de lÉcluse Esther Dean Charlie Dimmock A. J. Downing Ian Hamilton Finlay Bob Flowerdew Pippa Greenwood C. Z. Guest Robert Hart Michael Heseltine Hotsukimaru Derek Jarman Thomas Jefferson Gertrude Jekyll William Kent André Le Nôtre Peter Joseph... Upper: Steel-plate engraving of Ruskin as a young man, made circa 1845, scanned from print made circa 1895. ... Christopher Hussey (1899 - 1970) was one of the chief authorities on British domestic architecture of the generation that also included Dorothy Stroud and Sir John Summerson. ... Garden design is the art and process of designing and creating plans for layout and planting of gardens and landscapes. ...

References

1. ^ ^{a b c d} James Buzard (2001). "The Grand Tour and after (1660-1840)". In The Cambridge Companion to Travel Writing.
2. ^ ^{a b c} Glenn Hooper (2001). "The Isles/Ireland". In The Cambridge Companion to Travel Writing.

See also

• Grand Tour
• Landscape painting
• Context theory
• Planting design
• Wye Valley

For other uses, see Grand Tour (disambiguation). ... To meet Wikipedias quality standards, this article or section may require cleanup. ... Context theory Environmental design and planning rest on theories of how new development should relate to its context. ... Planting design The art of design with plant material is related to the art of garden design but has a different emphasis and a different approach. ... Tintern Abbey in the Wye Valley, viewed from the Devils Pulpit near Tidenham The Wye Valley Area of Outstanding Natural Beauty (AONB) is an internationally important protected landscape area straddling the border between England and Wales. ...

External links

• George P. Landow, "Ruskin on the Picturesque"
• "Turner's journeys of the imagination"
• Landscape Style of Repton, Price and Knight
• Pictures and Poetry. Debunking the Bunk: An Examination of Picturesque Influence, by Keith Waddington. A Masters Thesis at Concordia University.