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Encyclopedia > Playhouse 90

Playhouse 90 is the name of a 90-minute long dramatic television series that ran on CBS from 1956 to 1961. An anthology in form, each week presented an independent story, allowing the show to form a collective of work that includes such diverse programs as The Miracle Worker, Rod Serling's Requiem for a Heavyweight, The Comedian, In the Presence of Mine Enemies and Judgment at Nuremberg, many of which were later produced as feature-length films. A television program is the content of television broadcasting. ... CBS (an abbreviation for Columbia Broadcasting System, its former legal name) is one of the largest television networks, and formerly one of the largest radio networks, in the United States. ... Year 1956 (MCMLVI) was a leap year starting on Sunday of the Gregorian calendar. ... 1961 (MCMLXI) was a common year starting on Sunday (the link is to a full 1961 calendar). ... ANThology is the first major label album by Alien Ant Farm. ... The Miracle Worker is a play by William Gibson based upon Helen Kellers autobiography, The Story of My Life. ... Rodman Rod Edward Serling (December 25, 1924 – June 28, 1975) was an American screenwriter, most famous for his science fiction anthology series The Twilight Zone. ... Requiem for a Heavyweight was originally a 1956 teleplay written by Rod Serling and produced for the live television show Playhouse 90 in 1957. ... Maximilian Schell and Richard Widmark in Judgment at Nuremberg Judgment at Nuremberg is a 1961 film which gives a fictionalized account of the post-World War II Nuremberg Trials. ...


The show frequently dominated the annual Emmy Award ceremonies and quickly established a reputation as one of television's most distinguished programs. An Emmy Award. ...


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Playhouse 90 (660 words)
A relative latecomer to the group of live anthology dramas, Playhouse 90 was broadcast on CBS between the fall of 1956 and 1961.
Playhouse 90 established its reputation with this show and continued to maintain it throughout the remainder of its run.
Playhouse 90 stands in contrast to the prevailing trend, and its reputation benefited from both the growing nostalgia for the waning live period and a universal distaste for Hollywood on the part of New York television critics.
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