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Encyclopedia > Postmodern dance

This article is part of the


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Postmodern dance is a 20th century concert dance form. A reaction to the compositional and presentation constraints of modern dance, postmodern dace hailed the use of everyday movement as valid performance art and advocated novel methods of dance composition. Claiming that Any movement was dance, and any person was a dancer (with or without training) early postmodern dance was more closely aligned with ideology of modernism rather that the architectural and literary movements of postmodernism. However, the postmodern dance movement rapidly developed to embrace the ideology of postmodernism which was reflected in the wide variety of dance works emerging from Judson dance theater, the home of postmodern dance. Lasting from the 1960s to the 1970s the main thrust of Postmodern dance was relatively short lived but its legacy lives on in contemporary dance (a blend of modernism and postmodernism) and the rise of postmodernist choreographic processes that have produced a wide rage of dance works in varying styles.

Contents

The infulence of postmodern dance

postmodern dance led to:

see also: 20th century concert dance


The postmodern choreographic process

The postmodern choreographic process may reflect the following elements:

see also: choreographic technique


Founders of postmodern dance

the founders of postmodern dance are

  • Merce Cunningham (who came before postmodern dance per se but used a postmodern choreographic process)
  • Robert Dunn (who taught composition at the Cunningham school)
  • the members of the Judson Dance Theater
  • Alwin Nikolais
  • Murray Louis

Related articles

Further reading

  • Banes, S (1987) Terpsichore in Sneakers: Post-Modern Dance. Wesleyan University Press. ISBN 0819561606
  • Banes, S (Ed) (1993) Greenwich Village 1963: Avant-Garde Performance and the Effervescent Body. Duke University Press. ISBN 082231391X
  • Banes, S (Ed) (2003) Reinventing Dance in the 1960s: Everything Was Possible. University of Wisconsin Press. ISBN 029918014X
  • Bremser, M. (Ed) (1999) Fifty Contemporary Choreographers. Routledge. ISBN 0415103649
  • Carter, A. (1998) The Routledge Dance Studies Reader. Routledge. ISBN 0415164478
  • Copeland, R. (2004) Merce Cunningham: The Modernizing of Modern Dance. Routledge. ISBN 0415965756
  • Reynolds, N. and McCormick, M. (2003) No Fixed Points: Dance in the Twentieth Century. Yale University Press. ISBN 0300093667

  Results from FactBites:
 
Postmodern dance - Wikipedia, the free encyclopedia (272 words)
Claiming that Any movement was dance, and any person was a dancer (with or without training) early postmodern dance was more closely aligned with ideology of modernism rather that the architectural and literary movements of postmodernism.
However, the postmodern dance movement rapidly developed to embrace the ideology of postmodernism which was reflected in the wide variety of dance works emerging from Judson dance theater, the home of postmodern dance.
Lasting from the 1960s to the 1970s the main thrust of Postmodern dance was relatively short lived but its legacy lives on in contemporary dance (a blend of modernism and postmodernism) and the rise of postmodernist choreographic processes that have produced a wide rage of dance works in varying styles.
Modern dance - Wikipedia, the free encyclopedia (2056 words)
Holm's dance work Metropolitan Daily was the first modern dance composition to be televised on NBC and her labanotation score for Kiss Me, Kate (1948), was the first choreography to be copyrighted in the United States.
Both Postmodern dance and Contemporary dance built upon the foundations laid by Modern dance and form part of the greater category of 20th century concert dance.
Where as Postmodern dance was a direct and opposite response to Modern dance, Contemporary dance draws on both modern and postmodern dance as a source of inspiration.
  More results at FactBites »


 

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