Postmodernist film describes the ideas of postmodernism in film. Postmodernism in film can loosely be used to describe a film in which the audience's suspension of disbelief is destroyed, or at the very least toyed with, in order to free the audience's appreciation of the work, and the creator's means with which to express it. The cornerstones of conventional narrative structure and characterisation are changed and even turned on their head in order to create a work in which internal logic forms its means of expression. Postmodernity (also called post-modernity or the postmodern condition) is a term used to describe the social and cultural implications of postmodernism. ... Postmodern philosophy is an eclectic and elusive movement characterized by its criticism of Western philosophy. ... Postmodern art (sometimes called po-mo) is a term used to describe art which is thought to be after or in contradiction to some aspect of modernism. ... 1000 de La Gauchetière, with ornamented and strongly defined top, middle and bottom. ... Libeskinds Imperial War Museum North in Manchester comprises three apparently intersecting curved volumes. ... This article or section is in need of attention from an expert on the subject. ... Postmodern music is both a musical style and a musical condition. ... In the humanities and social sciences, critical theory has two quite different meanings with different origins and histories, one originating in social theory and the other in literary criticism. ... A KFC franchise in Kuwait. ... Minimalism describes movements in various forms of art and design, especially visual art and music, where the work is stripped down to its most fundamental features and core self expression. ... Minimalist music is a genre of experimental or Downtown music named in the 1960s based mostly in consonant harmony, steady pulse (if not immobile drones), stasis and slow transformation, and often reiteration of musical phrases or smaller units such as figures, motifs, and cells. ... Consumerist redirects here. ... The term Postmodernism (sometimes abbreviated Pomo[1]) was coined in 1949 to describe a dissatisfaction with modern architecture, founding the postmodern architecture. ... Film is a term that encompasses individual motion pictures, the field of film as an art form, and the motion picture industry. ...

Though a popular movement in theatre, particularly with Bertolt Brecht's epic theatre and his Verfremdungseffekt (Alienation effect), postmodernism didn't break into cinematic mainstream until the advent of the French New Wave in the 1950s and 1960s, with such films as Jean-Luc Godard's À bout de souffle; and in Italy with Antonioni's L'avventura (1960) and Fellini's 8 1/2 (1963). Luis Buñuel and Salvador Dalí's 1928 surrealist short Un Chien Andalou could be argued as a post modernist film. However, its extreme deconstruction of structure and character make its meaning almost entirely arbitrary. In order to convey some desired meaning, postmodernist films continue to maintain conventional elements in order for the audience to grasp them. Two such examples are Jane Campion's Two Friends, in which the story of two school girls is showed in episodic segments arranged in reverse order; and Karel Reisz's The French Lieutenant's Woman, in which the story being played out on the screen is mirrored in the private lives of the actors playing it, which we also see. Bertolt Brecht Brecht redirects here. ... The alienation effect (from the German Verfremdungseffekt) is a theatrical and cinematic device which prevents the audience from losing itself passively and completely in the character created by the actor, and which consequently leads the audience to be a consciously critical observer. ... François Truffauts New Wave film Jules et Jim The New Wave (French: la Nouvelle Vague) was a blanket term coined by critics for a group of French filmmakers of the late 1950s and 1960s, influenced (in part) by Italian Neorealism. ... Jean-Luc Godard (photograph by David Horvitz) Jean-Luc Godard (born 3 December 1930 in Paris) is a French filmmaker and one of the most influential members of the Nouvelle Vague, or French New Wave. Born in Paris to Franco-Swiss parents, he was educated in Nyon, later studying at... Breathless was the English language title given to the French film À bout de souffle, (literally, At the end of breath), directed by Jean-Luc Godard and released in 1960, becoming one of the best-known films of the French New Wave. ... Lavventura (The Adventure) is an Italian film written and directed by Michelangelo Antonioni. ... 8½ is the name of a 1963 film by Italian director Federico Fellini. ... Luis Buñuel Portolés (February 22, 1900 – July 29, 1983) was a Spanish-born filmmaker who worked mainly in Mexico and France, but also in his native country and the United States. ... Salvador Domingo Felipe Jacinto Dalí i Domènech, Marquis of Pubol (May 11, 1904 – January 23, 1989), was a Spanish surrealist painter. ... Year 1928 (MCMXXVIII) was a leap year starting on Sunday (link will display full calendar) of the Gregorian calendar. ... = Luis Buñuel | writer = Luis Buñuel Salvador Dalí | starring = Pierre Batcheff Simone Mareuil Luis Buñuel Salvador Dalí Jaime Miravilles | music = | cinematography = Albert Duverger Jimmy Berliet | editing = Luis Buñuel | released = June 6, 1929 | runtime = 16 min. ... Jane Campion (born April 30, 1954 in Wellington, New Zealand) is an Academy Award-winning film maker. ... Karel Reisz (born 1926, Ostrava, Czechoslovakia, died London, United Kingdom, 2002) was a Jewish refugee who became one of the most important film-makers in post war Britain. ... The French Lieutenants Woman is a 1969 novel by John Fowles. ...

By making small but significant changes to the conventions of cinema, the artificiality of the experience and the world presented are emphasised in the audience's mind in order to remove them from the conventional emotional bonds they have to the subject matter, and to give them a new view of it. An example is Michael Winterbottom's 24 Hour Party People in which the character based on Tony Wilson frequently breaks out of the constructed world of the film and talks directly to the audience straight through the camera lens. Jarring in effect, it conveys the characters' pre-occupation with breaking free of the cultural and economic constructions of the world they live in. Winterbottom at the Toronto International Film Festival. ... 24 Hour Party People is a 2002 film about Manchesters popular music community from 1977 to 1997, and specifically about Factory Records. ... Tony Wilson presents So It Goes in 1976 Anthony (Tony) Howard Wilson is an English record label owner, radio presenter, TV show host, nightclub manager, impresario and journalist for Granada Television and the BBC. // Wilson was (born February 20, 1950, in Salford, Greater Manchester. ...

Winterbottom's postmodernist effect, however, is hardly new: Federico Fellini, among other master filmmakers, used it memorably in Satyricon (1969) and Amarcord (1973). David Lynch's Mulholland Drive (2001) exploits postmodernist aesthetics to an unusual degree while Quentin Tarantino`s Pulp Fiction is considered one of the finest examples of Postmodernist film. This article or section does not cite any references or sources. ... Satyricon (or Satyrica) is a Latin novel, believed to have been written by Gaius Petronius, though the manuscript text of the Satyricon calls him Titus Petronius. ... Amarcord (1973), directed by Federico Fellini, is a semi-autobiographical coming-of-age tale that combines poignancy with bawdy comedy. ... Map of Mulholland Drive (orange) and Mulholland Highway (brown) in Los Angeles County. ... Quentin Jerome Tarantino (born March 27, 1963) is an American film director, actor, and screenwriter. ... Pulp Fiction is an Academy Award-winning 1994 film written by Quentin Tarantino and Roger Avery; and directed by Tarantino. ...

The antithesis of postmodern cinema is remodernist film in which emphasis is placed on a subjective emotional connection to the film. Remodernism rejects postmodernism because of its perceived "failure to answer or address any important issues of being a human being".^[1] This so-called "failure" is debatable. One such remodernist film is Jesse Richards short Shooting at the Moon. Remodernist film developed in the United States and the United Kingdom in the late 1990s and early 21st century and is related to the British art movement Stuckism and its manifesto, Remodernism. ... Jesse Richards as Frank in his film Franks Wild Years Jesse Richards (born July 17, 1975) is a painter, filmmaker and photographer from New Haven, Connecticut and was affiliated with the British art movement Stuckism. ... Matthew Martin and Leila Laaraj in the film Shooting at the Moon Shooting at the Moon is a short Super-8 punk/Remodernist film directed by Jesse Richards and Nicholas Watson and features music by Billy Childish. ...

These two styles of filmmaking, however, need not be mutually exclusive. Since postmodernism has been absorbed into the contemporary lexicon of filmmakers, it has become just another way to explore themes and characters.

A combination of postmodernism and remodernism is Scot McPhie's In My Image, which is remodernist in its style but postmodernist in its sensibilites. Conventions of character and narrative structure are maintained, but the major themes of religion and colonisation are tackled in a classically postmodern way. In one scene an idealist barrister cross-examines a converted New Guinean highlander over his new found religious beliefs by deconstructing the role of language in meaning and, ultimately, belief itself. However, in the film's dénouement, the postmodern thematic arguments are cast away for a humanist respect of the characters for one another, regardless of their beliefs. New Guinea, located just north of Australia, is the worlds second largest island, having become separated from the Australian mainland when the area now known as the Torres Strait flooded around 5000 BC. The name Papua has also been long-associated with the island: this is discussed further under...

References

External Links

• Post-modernism and Authorship in David Lynch's Blue Velvet