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The putto is a figure of a pudgy baby, almost always male, often naked and having wings, found especially in Italian Renaissance art. The figure derives from Ancient art but was "rediscovered" in the early Quattrocento. These images are frequently, and errantly, confused with cherubs.[1] Image File history File links No higher resolution available. ...
Image File history File links No higher resolution available. ...
The Italian Renaissance began the opening phase of the Renaissance, a period of great cultural change and achievement in Europe that spanned the period from the end of the 14th century to about 1600, marking the transition between Medieval and Early Modern Europe. ...
This article needs to be cleaned up to conform to a higher standard of quality. ...
CHERUB is a series of childrens books by Robert Muchamore about a group of children who attend the CHERUB campus to be trained as secret agents. ...
Linguistics
Derivation of word The word putto is Italian singular male; the plural is putti. One never speaks of putta, which would be the female version. (That word is short for puttana, which means "slut.") In linguistics, grammatical number is a morphological category characterized by the expression of quantity through inflection or agreement. ...
In early modern Italian, the word simply meant "child"; today it's used only in this specific meaning.
In descriptions of art, some of the first known references to the word are in Vasari (Lives of the Artists, 1550/65). Giorgio Vasari (Arezzo, Tuscany July 3, 1511 - Florence, June 27, 1574) was an Italian painter and architect, mainly known for his famous biographies of Italian artists. ...
Application of word over time It seems to have developed its application as a specific term in art history only during the modern period. This article is about the academic discipline of art history. ...
Visual History Image File history File links Size of this preview: 800 × 468 pixel Image in higher resolution (2048 × 1198 pixel, file size: 206 KB, MIME type: image/jpeg) File links The following pages on the English Wikipedia link to this file (pages on other projects are not listed): Putto ...
Image File history File links Size of this preview: 800 × 468 pixel Image in higher resolution (2048 × 1198 pixel, file size: 206 KB, MIME type: image/jpeg) File links The following pages on the English Wikipedia link to this file (pages on other projects are not listed): Putto ...
The Toilet of Venus (1751) typifies the superficially pleasing elegance of Bouchers mature style. ...
Revival of putto in the renaissance Putti are a classical motif found primarily on child sarcophagi of the 2nd century, where they are depicted fighting, dancing, participating in bacchic rites, playing sports, etc. Stone sarcophagus of Pharaoh Merenptah Detail of a stone sarcophagus in the Istanbul Archeological Museum showing a hunting scene Anthropoid sarcophagus discovered at Cádiz A sarcophagus is a stone container for a coffin or body. ...
The 2nd century is the period from 101 - 200 in accordance with the Julian calendar in the Christian Era. ...
For other uses, see Dance (disambiguation). ...
Maened The Dionysian Mysteries probably began as an ancient initiation society, or family of similar societies, centred on a primeval nature god (and his consort), apparently associated with horned animals, serpents and solitary predators (primarily big cats), later known to the Greeks in the eclectic figure of Dionysus. ...
The revival of the figure of the putto is generally attributed to Donatello, in Florence in the 1420s, although there are some earlier manifestations (for example the tomb of Illaria del Carretta in Lucca). Statue of Habacuc (popularly known as Zuccone) for the Giottos Bell Tower. ...
Florence (Italian: ) is the capital city of the region of Tuscany, Italy. ...
Events and Trends Categories: 1420s ...
A tomb is a small building (or vault) for the remains of the dead, with walls, a roof, and (if it is to be used for more than one corpse) a door. ...
Lucca is a city in Tuscany, northern central Italy, situated on the river Serchio in a fertile plain near (but not on) the Ligurian Sea. ...
Where to find putti You will find putti, cupids and angels (see below) in both religious and secular art from the 1420s in Italy, the turn of the 16th century in the Netherlands and Germany, the Mannerist period and late Renaissance in France, and all over Baroque ceilings. It would be too long to list all the artists, but the best known are Donatello and Raphael (with Giulio Romano and Giovanni da Udine), and all their followers. Bold text This article is about the Roman god. ...
The Annunciation - the Angel Gabriel announces to Mary that she will bear Jesus (El Greco, 1575) An angel is an ethereal being found in many religions, whose duties are to assist and serve God. ...
Religious is a term with both a technical definition and folk use. ...
This article concerns secularity, that is, being secular, in various senses. ...
(15th century - 16th century - 17th century - more centuries) As a means of recording the passage of time, the 16th century was that century which lasted from 1501 to 1600. ...
Mannerism is the term used to describe the artistic style that arose in mid-16th century. ...
Raphael was famous for depicting illustrious figures of the Classical past with the features of his Renaissance contemporaries. ...
Block quote For other uses, see Baroque (disambiguation). ...
Statue of Habacuc (popularly known as Zuccone) for the Giottos Bell Tower. ...
Raphael or Raffaello (April 6, 1483 – April 6, 1520) was an Italian master painter and architect of the Florentine school in High Renaissance, celebrated for the perfection and grace of his paintings. ...
Fire in the Borgo, Vatican fresco Giulio Romano (ca 1499? – November 1, 1546) was an Italian painter, architect, and decorator. ...
Giovanni Nanni, also Giovanni de Ricamatori, better known as Giovanni da Udine (1487-1564), was an Italian painter and architect born in Udine. ...
They also experienced a major revival in the 19th century, where they gamboled over paintings from French academic painters, to Gustave Doré’s illustrations to Orlando Furioso, to advertisements. Alternative meaning: Nineteenth Century (periodical) (18th century — 19th century — 20th century — more centuries) As a means of recording the passage of time, the 19th century was that century which lasted from 1801-1900 in the sense of the Gregorian calendar. ...
Doré photographed by Felix Nadar. ...
Ruggiero Rescuing Angelica by Jean Auguste Dominique Ingres. ...
In the twentieth century, they appeared in Walt Disney's Fantasia For the company founded by Disney, see The Walt Disney Company. ...
Fantasia is a 1940 motion picture produced by Walt Disney. ...
Iconography of putto The iconography of putti is deliberately unfixed. It is hard to tell the difference between putti, cupids and angels. They have no specific attributes, but can take on the attributes of numerous other figures. As such, putti can take on lots of meanings.
Some of the commoner ones are
- Associations with Aphrodite, and so with romantic -- or erotic -- love
- Associations with Heaven
- Associations with peace, prosperity, mirth and leisure
The Birth of Venus, (detail) by Sandro Botticelli, 1485 Aphrodite (Greek: ΑφÏοδίτη; Latin: Venus) (IPA: English: , Ancient Greek: , Modern Greek: ) was the Greek goddess of love, lust, and beauty. ...
Historiography The historiography of this subject matter is very short. Many important and famous art historians have commented on the importance of the figure of the putto in art but few have taken up a major study. Historiography is the study of the practice of history. ...
The only scholarly book with putti in the title is: Charles Dempsey Inventing the Renaissance Putto (University of North Carolina Press, 2001).
Gallery Triumph of Galatea, by Raffael Image File history File links Size of this preview: 457 × 600 pixel Image in higher resolution (2024 × 2657 pixel, file size: 382 KB, MIME type: image/jpeg) File links The following pages on the English Wikipedia link to this file (pages on other projects are not listed): Putto ...
| Madonna of Popolo by Federico Barocci Image File history File links Size of this preview: 425 × 600 pixel Image in higher resolution (1576 × 2224 pixel, file size: 375 KB, MIME type: image/jpeg) File links The following pages on the English Wikipedia link to this file (pages on other projects are not listed): Putto ...
Annunciation (1592-96) Oil on canvas, Santa Maria degli Angeli, Perugia. ...
| by Peter Paul Rubens Image File history File links Size of this preview: 800 × 496 pixel Image in higher resolution (3200 × 1982 pixel, file size: 790 KB, MIME type: image/jpeg) File links The following pages on the English Wikipedia link to this file (pages on other projects are not listed): Putto ...
Rubens and Isabella Brant in the Honeysuckle Bower Alte Pinakothek Peter Paul Rubens (June 28, 1577 – May 30, 1640) was the most popular and prolific Flemish and European painter of the 17th century. ...
| Justice by Luca Giordano Image File history File links Download high resolution version (2536x3560, 754 KB) Description: Title: de: Fresken in der Galerie des Palazzo Medici-Riccardi in Florenz, Szene: Justizia Technique: de: Fresko Dimensions: Country of origin: de: Italien Current location (city): de: Florenz Current location (gallery): de: Palazzo Medici-Riccardi Other notes...
The creation of man, fresco in the Palazzo Medici-Riccardi in Florence, 1684-1686. ...
| Gustave Doré's illustration to Orlando Furioso Image File history File links Size of this preview: 481 × 599 pixel Image in higher resolution (971 × 1210 pixel, file size: 435 KB, MIME type: image/jpeg) Gustave Doré’s illustration of Ludovico Ariosto’s “Orlando Furiosoâ€. +/- File links The following pages on the English Wikipedia link to this file...
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Return of Spring by William-Adolphe Bouguereau Download high resolution version (1158x2040, 826 KB) File links The following pages link to this file: William-Adolphe Bouguereau William-Adolphe Bouguereau gallery Le Printemps (The Return of Spring) User:Evil Monkey/Nudity Categories: Paintings containing nudity ...
William-Adolphe Bouguereau, self-portrait (1886). ...
| St. Thomas writing the Holy Sacrament Image File history File linksMetadata Size of this preview: 483 × 599 pixel Image in higher resolution (839 × 1041 pixel, file size: 457 KB, MIME type: image/jpeg) +/- File links The following pages on the English Wikipedia link to this file (pages on other projects are not listed): Guercino Putto Metadata...
| Image File history File links Commons-logo. ...
Wikimedia Commons logo by Reid Beels The Wikimedia Commons (also called Commons or Wikicommons) is a repository of free content images, sound and other multimedia files. ...
Notes - ^ Art historian Juan Carlos Martinez writes: "Originally, Cherubs and Putti had distinctly different roles, with the former being sacred, and the latter, profane. That is, Cherubs and Seraphs (Cherubim, Seraphim) are Angels, occupying the highest angelic orders in Heaven and are thus the closest to God. On the other hand, Putti, arise from Greco-Roman classical mythos (i.e., non-Christian). They are associated with Eros/Cupid as well as with the Muse, Erato; the muse of lyric and love poetry... "Putti -- which comes from the Latin, putus, meaning 'little man' -- are...not so much babies as they are 'not human'. They are spiritual beings and thus depicted in their typically odd fashion; as winged little people of indeterminate gender. Using babies as models for Putti (or for Cherubs, either) doesn't quite get across the true concept of 'Putti-ness' as they (babies) are too guileless, for one thing, whereas Putti are clever and purposeful. They are there to help Cupid/Eros facilitate the onset of profane love -- or secular, non-religious love, as between two people, rather than the love as between a human and God. Probably, it was artists' attempts to avoid simply painting babies that has led to so many rather odd and, often, ugly, Putti. Sometimes they nailed it, sometimes not. "By the time the Baroque Era came about, which might arguably have been the high point for Cherubim and Putti, both of these little beings were usually being depicted in the same way. Which one they were, simply depended upon the theme of the painting or sculpture: If religious (sacred) -- they were Cherubs. If secular or mythic (profane) -- they were Putti. "In either case, they'd be hard to pull off successfully today because most people are unaware of their roles in semiotics, or in philosophy/mythology/history, or in religion." (Martinez, Juan Carlos. "What's With the Cherubs?" ARChives - Essays and Information on Art by Today's Experts and Professionals. Art Renewal Center, 10/5/2004[1])
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