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Rebecca Horn (24 March 1944, Michelstadt)- ) is a German installation artist most famous for her body modifications such as Einhorn (Unicorn), a body-suit with a very large horn projecting vertically from the headpiece, and Pencil Mask, a mesh harness for the head with many pencils projecting out. In May-August, 2005 the Hayward Gallery in London held a Rebecca Horn retrospective. March 24 is the 83rd day of the year in the Gregorian Calendar (84th in leap years). ...
1944 (MCMXLIV) was a leap year starting on Saturday (the link is to a full 1944 calendar). ...
Michelstadt is a town in the state of Hesse, Germany, in the district Odenwaldkreis. ...
Installation art is art that uses sculptural materials and other media to modify the way we experience a particular space. ...
2005 (MMV) was a common year starting on Saturday of the Gregorian calendar. ...
Hayward Gallery, London The Hayward Gallery is an art gallery within the South Bank Centre, situated on the South Bank of the River Thames, in central London, England. ...
London (pronounced ) is the capital city of England and of the United Kingdom. ...
Biographpy
Rebecca Horn was born on March 24th, 1944 in Michelstadt, Germany. She is mainly a performance and installation artist, but she also writes poetry. Sometimes her poetry is influenced by her work, and on many occasions her poetry has inspired her work. She was taught to draw by her Romanian governess and became obsessed with drawing as expression because it was not as confining or labeling as oral language. Living in Germany after the end of World War II greatly affected the liking she took to drawing. "We could not speak German. Germans were hated. We had to learn French and English. We were always traveling somewhere else, speaking something else. But I had a Romanian governess who taught me how to draw. I did not have to draw in German or French or English. I could just draw."
Horn spent most of her late childhood in boarding schools and at nineteen rebelled against her parents plan of studying economics and decided to instead attend Hamburg Academy of Fine Arts. A year later she had to pull out of art school because she had contracted severe lung poisoning. 'In 1964 I was 20 years old and living in Barcelona, in one of those hotels where you rent rooms by the hour. I was working with glass fibre, without a mask, because nobody said it was dangerous, and I got very sick. For a year I was in a sanatorium. My parents died. I was totally isolated.” After experiencing this “total isolation” until she felt that her life was over before it had begun, she walked out of the hospital. She was still too ill, however, to resume life as a student or work with fiberglass and polyester. She had to take masses of antibiotics and sleep long hours to have enough energy to operate normally. She could, however, work with softer materials, and when in bed she drew with colored pencils (which are still her favorite drawing tools). She also began to slowly break out of her self-imposed isolation and began to create sculpture and strange extensions with balsa wood and cloth. “I began to produce my first body-sculptures. I could sew lying in bed." Her goal then was to quash her “loneliness by communicating through bodily forms.”
When Horn returned to the Hamburg academy she continued to make cocoon-like things. She worked with padded body extensions and prosthetic bandages. In the late sixties she began creating performance art and continued to use bodily extensions.
Notable Works Unicorn is one of Horn’s best known performance pieces in which a woman who is described by Horn as “very bourgeois” and “21 years-old and ready to marry. She is spending her money on new bedroom furniture,” walks through a field and forest on a summer morning wearing only a white horn protruding directly from the front of the top of her head and the straps holding it there. These straps are almost identical to the ones worn in Frida Kahlo’s painting “Broken Column.” With the wheat floating around the woman’s hips it is very mythical, but the straps and the horn add a feeling of modernity.
Pencil Mask is another body extension piece, made up of six straps running horizontally and three straps running vertically. Where the straps intersect a pencil has been attached. When moving her face back and forth on a near a wall the pencil marks that are made correspond directly with her movements.
Finger Gloves is a performance piece and the main prop of that performance piece and was done in 1972. They are worn like gloves, but the finger form extends with balsa wood and cloth. By being able to see what she was touching and the way in which she was touching it, it felt as if her fingers were extended and in her mind the illusion was created that she was actually touching what the extensions were touching. There is another piece that she did that is very similar to this one. It is part of her Berlin Exercises series done in 1974 called “touching the walls with both hands simultaneously”. In this piece she made more finger extension gloves, but this time measured it so that they specifically fit the selected space. If the chosen participant stood in the middle of the room, they could exactly touch opposing walls simultaneously.
Another piece that involves the illusion of feeling and one’s hand is Feather Fingers. This was also created in 1972. There is a feather attached to each finger with a metal ring. The hand becomes “as symmetrical (and as sensitive) as a bird’s wing”. When touching the opposite arm with these feather fingers one can feel the touch on the left arm and of the fingers on the right hand moving as if to touch the left arm but it is instead the feathers which make contact. Rebecca Horn describes the effect: “it is as if one hand had suddenly become disconnected from the other like two utterly unrelated beings. My sense on touch becomes so disrupted that the different behavior of each hand triggers contradictory sensations.” This piece focuses greatly on sensitivity.
Rebecca Horn continued to work more with feathers in the 1970s and 1980s and most of her pieces are like sunglasses. One would think that they are for protection or to hide behind, but the irregularity also draws attention towards the figure hiding. Many of her feathered pieces do wrap around the figure, again, like a cocoon, or are masks or fans positioned to cover or imprison the body. Some of these pieces are Cockfeather (1971), Cockfeather Mask (1973), Cockatoo Mask (1973), Paradise Widow (1975), and The Feathered Prison Fan (1978) made for Horn’s film “Die Eintänzer.” Rebecca Horn’s two other main films are titled “La Ferdinanda: Sonata for a Medici Villa,” and “Buster’s Bedroom.” “La Ferdinanda” is the only film in German, the other two are both in English. In all of these films though, Rebecca Horn’s obsession with the imperfect body and the balance between figure and objects is apparent.
She has also collaborated with Jannis Kounellis, and produced some film projects, including the film "Buster's Bedroom" (1990) with Donald Sutherland. Jannis Kounellis was born in 1936 in Piraeus, Greece. ...
Donald Sutherland in Invasion of the Body Snatchers (1978) Donald McNicol Sutherland OC (born July 17, 1935) is a prolific Canadian actor with a film career spanning over 40 years. ...
A particularly notable book on Rebecca Horn is The Glance of Infinity.
Training Rebecca Horn studied at the Hamburg Academy for Fine Arts (Hochschule für Bildende Künste) from 1964 to 1970. She was inspired by the works of Franz Kafka and Jean Genet as well as the films of Luis Buñuel and Pier Paolo Pasolini. A lung complaint forced her to change her way of working as an artist, and she began to work with soft materials such as bandages or feathers/springs. Horn lived in Hamburg until 1971, in London for a brief time, and since 1973 in Berlin. Kafka redirects here. ...
Jean Genet (December 19, 1910 - April 15, 1986), was a prominent, sometimes infamous, French writer and later political activist. ...
Luis Buñuel Portoles (February 22, 1900 – July 29, 1983) was a Spanish-born Mexican filmmaker. ...
Pier Paolo Pasolini (March 5, 1922 - November 2, 1975) was an Italian poet, intellectual, film director, and writer. ...
London (pronounced ) is the capital city of England and of the United Kingdom. ...
Berlin is the capital city and a state of Germany. ...
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