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Encyclopedia > Revolution 9
"Revolution #9"
Song by The Beatles
Album The Beatles
Released 22 November 1968
Recorded Abbey Road Studios
May–June 1968
Genre Musique concrète, avant-garde
Length 8:13
Label Apple Records
Writer Lennon/McCartney
Producer George Martin
The Beatles track listing
"Cry Baby Cry"
(11 of disc 2)
"Revolution #9"
(12 of disc 2)
"Good Night"
(13 of disc 2)
Music sample
" Revolution #9"
Problems? See media help.

"Revolution 9" is an experimental recording which appeared on The Beatles' 1968 self-titled LP release (known as the White Album). Image File history File links Question_book-3. ... For other uses, see Song (disambiguation). ... The White Album, see The Beatles (album). ... The White Album redirects here. ... is the 326th day of the year (327th in leap years) in the Gregorian calendar. ... Year 1968 (MCMLXVIII) was a leap year starting on Monday (link will display full calendar) of the Gregorian calendar. ... This article or section does not cite any references or sources. ... This article does not cite any references or sources. ... Musique concrète (French; literally, concrete music), is a style of avant-garde music that relies on natural environmental sounds and other non-musical noises to create music. ... For experimental rock music, see experimental rock. ... In the music industry, a record label is a brand and a trademark associated with the marketing of music recordings and music videos. ... Apple Records logo, featuring a Granny Smith apple. ... A songwriter is someone who writes the lyrics to songs, the musical composition or melody to songs, or both. ... The songwriting partnership of John Lennon and Paul McCartney, usually referred to as Lennon/McCartney (sometimes McCartney/Lennon), is one of the best-known and most successful musical collaborations of all time. ... In the music industry, a record producer (or music producer) has many roles, among them controlling the recording sessions, coaching and guiding the musicians, organizing and scheduling production budget and resources, and supervising the recording, mixing and mastering processes. ... For other uses, see George Martin (disambiguation). ... The White Album redirects here. ... This article is about The Beatles song. ... Good Night is the final song by The Beatles on their self-titled album (aka The White Album). ... Image File history File links The_Beatles_-_Revolution_9. ... The White Album, see The Beatles (album). ... Year 1968 (MCMLXVIII) was a leap year starting on Monday (link will display full calendar) of the Gregorian calendar. ... The White Album redirects here. ...


The recording began as an extended ending to the album version of "Revolution", to which were added vocal and music sound clips, tape loops, and sound effects influenced by the Musique concrète styles of Karlheinz Stockhausen, Edgard Varèse, Luigi Nono, and John Cage, further manipulated with editing and sound modification techniques (stereo panning and fading). At over eight minutes it was the longest track on the album, as well as the longest Beatles track ever officially released. Revolution is a song by The Beatles, written primarily by John Lennon and attributed to Lennon-McCartney. ... Tape loops are loops of prerecorded magnetic tape used to create repetitive, rhythmic musical patterns. ... Sound effects or audio effects are artificially created or enhanced sounds, or sound processes used to emphasize artistic or other content of movies, video games, music, or other media. ... Musique concrète (French; literally, concrete music), is a style of avant-garde music that relies on natural environmental sounds and other non-musical noises to create music. ... Karlheinz Stockhausen (born August 22, 1928) is a German composer, and one of the most important and controversial composers of the 20th century (Barret 1988, 45; Harvey 1975b, 705; Hopkins 1972, 33; Klein 1968, 117; Power 1990, 30). ... Edgard Victor Achille Charles Varèse (December 22, 1883 – November 6, 1965) was a French-born composer. ... Grave of Nono in the San Michele Cemetery, Venice. ... For the Mortal Kombat character, see Johnny Cage. ... Label for 2. ... Panning, a horizontal motion in an image display or capture. ... Fading (or fading channels) are mathematical models for the distortion that a carrier-modulated telecommunication signal experiences over certain propagation media. ...


The work is credited to Lennon/McCartney (as were most Beatles songs written by either composer), though it was primarily the effort of John Lennon. George Harrison, Ringo Starr, and Yoko Ono made small contributions, while Paul McCartney did not actively participate in the track's creation. Ono's avant garde influence on Lennon's songwriting and composition is clear throughout "Revolution 9." The songwriting partnership of John Lennon and Paul McCartney, usually referred to as Lennon/McCartney (sometimes McCartney/Lennon), is one of the best-known and most successful musical collaborations of all time. ... John Winston Ono Lennon, MBE (October 9, 1940 – December 8, 1980), (born John Winston Lennon, known as John Ono Lennon) was an iconic English 20th century rock and roll songwriter and singer, best known as the founding member of The Beatles. ... For other persons named George Harrison, see George Harrison (disambiguation). ... Richard Starkey Jr, MBE (born 7 July 1940), known by his stage name Ringo Starr, is an English musician, singer, songwriter and actor, best known as the drummer for The Beatles. ... Yoko Ono Lennon (小野 洋子 Ono Yōko), born February 18, 1933) is a Japanese-American artist and musician. ... Sir James Paul McCartney, MBE (born 18 June 1942) is an Academy Award-winning English singer, songwriter and multi-instrumentalist who first gained worldwide fame as one of the founding members of The Beatles. ... For other uses, see Avant-garde (disambiguation). ...


Believing the track to be too uncommercial for even the Beatles to get away with, McCartney and producer George Martin fought hard to keep the track off the White Album, but Lennon and Ono won out, and the track was included as the second from last song at the end of the album's fourth side. For other uses, see George Martin (disambiguation). ...

Contents

Structure and content

"Revolution 9" starts with a conversation between George Martin and Alistair Taylor: For other uses, see George Martin (disambiguation). ... Alistair Taylor is the personal assistant of Brian Epstein. ...

Alistair Taylor: ...bottle of Claret for you if I'd realized. I'd forgotten all about it George, I'm sorry.
George Martin: Well, do next time.
Taylor: Will you forgive me?
Martin: Mmmm...yes...
Taylor: Cheeky bitch.

(Although this conversation is usually known to be the beginning of "Revolution 9," the time tracking from the CD indicates it as the tail end of the previous track, "Cry Baby Cry," following Paul's short solo song "Can You Take Me Back.") This article is about The Beatles song. ... Cry Baby Cry is a song by the Beatles that is the final song on White Album to feature any of the Beatles playing instruments. ...


After a brief piano introduction, a loop of a male repeating the words "number nine" (taken from an EMI examination tape) begins to be heard. This phrase fades in and out throughout the recording as a motif. Then there is chaos: feedback, impromptu screaming, rehearsed overdubs, and more tape loops. A short grand piano, with the lid up. ... In music, a motif is a perceivable or salient reoccurring fragment or succession of notes that may used to construct the entirety or parts of complete melodies, themes. ...


As some portions of "Revolution 9" are recordings of other music (from bits of Sibelius and Beethoven, to a backward snippet of a tuning orchestra, culled from the session tapes for A Day in the Life), the piece can be seen as an early example of sampling. Other audio elements include various bits of apparently nonsensical dialogue spoken by Lennon and Harrison, various found sounds, reversed sounds and recordings of American football chants. Johan Julius Christian Jean / Janne Sibelius ( ; December 8, 1865 – September 20, 1957) was a Finnish composer of classical music and one of the most notable composers of the late 19th and early 20th centuries. ... “Beethoven” redirects here. ... A Day in the Life is a song composed by John Lennon and Paul McCartney and recorded by The Beatles for their album Sgt. ... This article is about reusing existing sound recordings in creating new works. ... Nonsense is an utterance or written text in what appears to be a human language or other symbolic system, that does not in fact carry any identifiable meaning. ... Found art, or more commonly and less confusingly, Found Object (French: objet trouvé) is a term used to describe art created from common objects not normally considered to be artistic (also assemblage). ... United States simply as football, is a competitive team sport that is both fast-paced and strategic. ...


"Paul is Dead" significance

"Revolution 9" played an important part in the infamous "Paul is dead" controversy. Most notably, the repeated "number nine" played backwards can be heard as "Turn me on, dead man." If one listens carefully, the "babble", many believe, includes other hints left by the band about Paul's alleged death, including "My wings are broken," "Paul is Dead... Since the..his suicide was..." and "Get me out!" As the "Paul is dead" rumours were quickly debunked, these "clues" are creative misinterpretations of "Revolution 9" and are an interesting footnote to the Beatles' history. Paul McCartney Dead: The Great Hoax, a magazine reporting on the rumours concerning McCartney. ... For the Wikipedia policy regarding controversial issues in articles, see Wikipedia:Guidelines for controversial articles. ...


Charles Manson

Los Angeles District Attorney Vincent Bugliosi and Manson Family member Paul Watkins came up with the theory that Charles Manson believed that "Revolution 9" was a reference to Revelation 9, a book in the Bible that speaks of apocalypse and prophecy. He believed the Beatles were speaking to him through this song, and he drew many odd interpretations from the lyrics. Vincent Bugliosi (born August 18, 1934 in Hibbing, Minnesota) is an American attorney and author, best known for prosecuting Charles Manson and other defendants accused of the Tate-LaBianca murders. ... Charles Milles Manson (born November 12, 1934) is a convict who led the Manson Family, a commune or cult that he started in the U.S. city of San Francisco in 1967. ... Visions of John of Patmos, as depicted in the Très Riches Heures du Duc de Berry. ... This Gutenberg Bible is displayed by the United States Library. ... Look up Apocalypse in Wiktionary, the free dictionary. ... For other uses, see Prophecy (disambiguation). ...


Manson said 'It was the Beatles' way of telling people what was going to happen; it was their way of making prophecy; it directly paralleled the Bible's Revelation 9.' It was also the battle of Armageddon, the coming black-white revolution portrayed in sound, Manson claimed. According to Poston: 'When Charlie was listening to it, he heard in the background noise, in and around the machine gun fire and the oinking of pigs, a man's voice saying "Rise"' (it is first heard 2 minutes and 34 seconds into the song, just after the crowd sounds that follow 'lots of stab wounds as it were' and 'informed him on the third night' and just before 'Number 9, Number 9').


Related works

While "Revolution #9" is The Beatles' longest and easily strangest recording, it is not the only avant-garde song they recorded in their career. There is another, legendary recording known as "Carnival of Light", written by Paul McCartney and recorded by The Beatles during the Sgt. Pepper sessions on January 5, 1967. Like "Revolution 9", Carnival of Light is an avant garde piece, and clocks in at 13:48 minutes. The song has never been released, nor has it even been bootlegged. Very few people have ever heard the track. Paul McCartney has confirmed its existence, and the track was supposed to appear on Anthology 2 but George Harrison vetoed it. Carnival of Light was an unreleased experimental piece by The Beatles. ... The Beatles Anthology 2 is a compilation album released in March 1996 by Apple Records as part of The Beatles Anthology series. ...


The Beatles also dabbled in the avant garde during the White Album sessions with "What's The New Mary Jane", recorded in August 1968 and legally unreleased until its inclusion in Anthology 3 in 1996. The song is full of more abstract (as opposed to sound collage) sounds than "Revolution 9," but is centered around a traditional verse-chorus song, with John on piano and vocals, and George on acoustic guitar. Whats The New Mary Jane is a song written by John Lennon and performed by The Beatles. ... The Beatles Anthology 3 was released in October 1996, and includes rarities and alternatives tracks from the final two years of their career as a band ranging from the initial sessions for the White Album through to the last sessions for Let It Be and Abbey Road in January 1970. ...


Credits

  • John Lennon: Tape Loops, Spoken Vocals, Effects, Snippets and Samplings
  • George Harrison: Spoken Vocals, Tape Sampling
  • Ringo Starr: Effects and Spoken Vocals
  • Yoko Ono: Tape Loops, Spoken Vocals, effects, Snippets and Samplings

Some spoken parts from George Martin are present, along with selected piano outtakes that sound as if they were lifted from either Honey Pie or Martha My Dear, both written and played by Paul McCartney. Honey Pie is a song by The Beatles, from their 1968 album The Beatles (the White Album). Although credited to Lennon-McCartney, it was composed entirely by Paul McCartney. ... Martha My Dear is a Beatles song which first appeared on the double-disc album The Beatles (also known as The White Album). ...


See also

Carnival of Light was an unreleased experimental piece by The Beatles. ...

External links


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