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a rondo is played between episode which are played by non solo people Rondo, and its French equivalent rondeau, is a word that has been used in music in a number of ways, most often in reference to a musical form, but also in reference to a character-type that is distinct from the form. Although now called rondo form, the form started off in the Baroque period as the ritornello form, coming from the Latin word ritornare meaning "to return", indicating the return to the original theme or motif ("A"). Although consisting of a few differences, some people use the two terms interchangeably. Allegory of Music on the Opéra Garnier Music is an art form that involves organized and audible sounds and silence. ...
The term musical form refers to two related concepts: the type of composition (for example, a musical work can have the form of a symphony, a concerto, or other another generic type -- see Multi-movement forms below) the structure of a particular piece (for example, a piece can be writeen...
Ritornello. ...
In rondo form, a principal theme (sometimes called the "refrain") alternates with one or more contrasting themes, generally called "episodes," but also occasionally referred to as "digressions," "couplets," or "subordinate themes." The overall form can be represented as ABACADA ... The number of themes can vary from piece to piece, and the recurring element is sometimes embellished or shortened in order to provide for variation. In music, variation is a formal technique where material is altered during repetition; reiteration with changes. ...
The form began to be commonly used from the classical music era, though it can be found in earlier works. In the classical and romantic periods it was often used for the last movement of a sonata, symphony, concerto or piece of chamber music. The Classical period in Western music occurred from about 1730 through 1820, despite considerable overlap at both ends with preceding and following periods, as is true for all musical eras. ...
The era of Romantic music is defined as the period of European classical music that runs roughly from the early 1800s to the first decade of the 20th century, as well as music written according to the norms and styles of that period. ...
Sonata (From Latin and Italian sonare, to sound), in music, literally means a piece played as opposed to cantata (Latin cantare, to sing), a piece sung. ...
A symphony is an extended composition usually for orchestra and usually comprising four movements. ...
The term concerto (plural is concerti or concertos) usually refers to a musical work in which one solo instrument is accompanied by an orchestra. ...
For other uses, see Chamber music (disambiguation). ...
Rondo was often used by baroque composers to write Ritornello rondos. They were used in the fast movements of baroque concertos and contrast the whole orchestra (who play the main theme) against soloists (who play the episodes.) But Ritornello does differ slightly from other Rondos in that the theme is often different when it recurs but is always distinguishable as the same theme.
Classical pieces often end with a rondo. The fourth movement of a piece is often a rondo. Concertos and sonatas, however, have the third movement as a rondo.
A common expansion of rondo form is to combine it with sonata form, to create the sonata rondo form. Here, the second theme acts in a similar way to the second theme group in sonata form by appearing first in a key other than the tonic and later being repeated in the tonic key. Unlike sonata form, thematic development does not need to occur except possibly in the coda. Sonata form is a musical form that has been used widely since the early Classical period. ...
Sonata rondo form was a form of musical organization often used during the Classical music era. ...
In music theory, the key identifies the tonic triad, the chord, major or minor, which represents the final point of rest for a piece, or the focal point of a section. ...
Coda sign Coda (Italian for tail; from the Latin cauda), in music, is a passage which brings a movement or a separate piece to a conclusion through prolongation. ...
Rondo as a character-type (as distinct from the form) equates to music that is fast and vivacious—normally allegro. Music that has been designated as "rondo" normally subscribes to both the form and character. On the other hand, there are many examples of slow and reflective works that are rondo in form but not in character. Composers such as George Gershwin normally do not identify such works as "rondo".
See also Sonata rondo form was a form of musical organization often used during the Classical music era. ...
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