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Encyclopedia > Rudy Wiebe

Rudy Henry Wiebe (born 4 October 1934) is a Canadian author and professor emeritus, Department of English at the University of Alberta since 1992.


Wiebe was born at Speedwell, near Fairholme, Saskatchewan in what would later become his family’s chicken barn. For thirteen years he lived in an isolated community of about 250 people, as part of the last generation of homesteaders to settle the Canadian west. He did not speak English until age six since Mennonites customarily speak Low German (Plautdietsch) at home and High German at Church. He attended the small school three miles from his farm and the Speedwell Mennonite Brethren Church.


He received his B.A. in 1956 and then studied under a Rotary International Fellowship at the University of Tuebingen in West Germany, near Stuttgart. In 1958 he married Tena Isaak; they now have three children. In Germany, he studied literature and theology and traveled to England, Austria, Switzerland and Italy.


Wiebe taught at Goshen College in Goshen, Indiana from 1963 to 1967. He has been a world traveler and uses his experiences in his novels.


Wiebe was awarded the Royal Society of Canada's Lorne Pierce Medal in 1986. In 2000 he was made an Officer of the Order of Canada. In 2003 Wiebe was a member of the jury for the Giller Prize.


Books by Rudy H. Wiebe

  • River of Stone: Fictions and Memories by Rudy Wiebe
  • Sweeter Than All the World by Rudy Wiebe
  • Fruits of the Earth (New Canadian Library) by Frederick Philip Grove, Rudy Wiebe
  • Peace Shall Destroy Many by Rudy Wiebe, J. M. Robinson
  • A Discovery of Strangers by Rudy Henry Wiebe
  • The Blue Mountains of China by Rudy Wiebe, Eva-Marie Kroller
  • Stolen Life: The Journey of a Cree Women by Rudy Henry Wiebe, Yvonne Johnson
  • Playing Dead: A Contemplation Concerning the Arctic by Rudy Wiebe

  Results from FactBites:
 
The Historical Validity of Rudy Weibe’s The Temptations of Big Bear. (2611 words)
Rudy Wiebe constructed his novel in such a way to make up for the limitations in the two areas he drew upon in creating this story: art and history.
Wiebe allowed us a glimpse of the other side of the rich tapestry of history, the side with suspicious red stains on it that polite society would prefer face the wall.
Wiebe admitted that he “[was] trying to unbury a story that [he saw was] there” (Cameron, 154) from the “giant slag heap left by the heroic white history” (Keith, Voice, 134).
  More results at FactBites »


 

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