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A (needlework) sampler is a piece of embroidery produced as a demonstration or test of skill in needlework. It often included the alphabet, figures, motifs, decorative borders and sometimes the name of the person who embroidered it and the date. The word sampler is derived from the Latin ‘exemplum’ - an example. Gold Embroidery Cross-stitch embroidery, Hungary, mid-20th century Embroidery is the art or handicraft of decorating fabric or other materials with designs stitched in strands of thread or yarn using a needle. ...
Needlework is another term for the handicraft of decorative sewing and textile arts. ...
History The first samplers were constructed in the 15th and 16th centuries. As there were no pre-printed patterns available for needleworkers, a stitched model was needed. Whenever a needlewoman saw a new and interesting example of a stitching pattern, she would quickly sew a small sample of it onto a piece of cloth - her 'sampler'. The patterns were sewn randomly onto the fabric as a reference for future use, and the woman would collect extra stitches and patterns throughout her lifetime. (14th century - 15th century - 16th century - other centuries) As a means of recording the passage of time, the 15th century was that century which lasted from 1401 to 1500. ...
(15th century - 16th century - 17th century - more centuries) As a means of recording the passage of time, the 16th century was that century which lasted from 1501 to 1600. ...
16th Century English samplers were stitched on a narrow band of fabric 6-9in (15-23cm) wide. As fabric was very expensive, these samplers were totally covered with stitches. These were known as band samplers and valued highly, often being mentioned in wills and passed down through the generations. These samplers were stitched using a variety of needlework styles, threads, and ornament. Many of them were exceedingly elaborate, incorporating subtly shaded colours, silk and metallic embroidery threads, and using stitches such as Hungarian, Florentine, tent, cross, long-armed cross, two-sided Italian cross, rice, running, Holbein, Algerian eye and buttonhole stitches. The samplers also incorporated small designs of flowers and animals, and geometric designs stitched using as many as 20 different colours of thread. Silk weaver Silk is a natural protein fiber that can be woven into textiles. ...
Gold Embroidery Cross-stitch embroidery, Hungary, mid-20th century Embroidery is the art or handicraft of decorating fabric or other materials with designs stitched in strands of thread or yarn using a needle. ...
Lisa Joan Thompson ...
The first printed pattern book was produced in 1523, but they were not easily obtainable and a sampler was the most common form of reference available to many women. Events April - Battle of Villalar - Forces loyal to Emperor Charles V defeat the Comuneros, a league of urban bourgeois rebelling against Charles in Spain. ...
The earliest dated surviving sampler, housed in the Victoria and Albert Museum in London, was made by Jane Bostocke who included her name and the date 1556 in the inscription. However the earliest documentary reference to sampler making is recorded in 1502. The household expense accounts of Queen Elizabeth of York record that: 'the tenth day of July to Thomas Fisshe in reward for bringing of concerve of cherys from London to Windsore . . . and for an elne of Iynnyn cloth for a sampler for the Quene'. The Cromwell Road entrance to the Victoria and Albert Museum The Victoria and Albert Museum viewed from Thurloe Square The main interior courtyard of the Victoria and Albert Museum in 2004. ...
London is the capital city of the United Kingdom and of England and is the most populous city in the European Union. ...
A border was added to samplers in the 17th century, and by the middle of the 17th century alphabets became common, with religious or moral quotations, while the entire sampler became more methodically organised. By the 18th century, samplers were a complete contrast to the scattered samples sewn earlier on. These samplers were stitched more to demonstrate knowledge than to preserve skill. The stitching of samplers was believed to be a sign of virtue, achievement and industry, and girls were taught the art from a young age. (16th century - 17th century - 18th century - more centuries) As a means of recording the passage of time, the 17th century was that century which lasted from 1601-1700. ...
A Specimen of typeset fonts and languages, by William Caslon, letter founder; from the 1728 Cyclopaedia. ...
(17th century - 18th century - 19th century - more centuries) As a means of recording the passage of time, the 18th century refers to the century that lasted from 1701 through 1800. ...
Samplers today Samplers are still stitched today, some using kits purchased from needlework shops, some from chart-packs, and many from patterns available on the Internet or through e-mail from designers. Patterns range from simple and cute using only one stitch, to complex, using 15 to 20 and more stitches. Designs range widely in style, from accurate reproductions of historic pieces to much more contemporary and modern styles. Some sampler reproductions are also available, copying colors and imperfect stithes from the originals.
Materials used include aida, evenweave, and linen fabrics, in cotton, linen, and man-made materials combined in more and more ways; and fibers from cotton floss to silk, rayon, viscose, and metallic. A decade ago (in the 1990s) colors were limited to natural and a handful of others, today the colors of fabric and fibers seem to be infinite, and new producers and distributors are springing up around the world.
One of the fascinations of working with samplers today is the availability of patterns from different historic national traditions, with Dutch, German, Spanish, English and American being just a few of the possibilities.
See also A sample cross-stitch of a Welsh dresser Cross-stitch is a popular form of counted-thread embroidery in which X-shaped stitches are used to form a picture. ...
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