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Yet the music that does survive forms a sumptuous legacy, ranging from the sacred to the profane and from monophonic texture with a single melody sung alone to the richly polyphonic with several independent voices operating simultaneously.
Hildegard's musical languages falls outside of the traditional modal practice of her day, which some have attributed to her lack of traditional musical training, but her literary efforts were sanctioned by the Pope, and the care with which her manuscripts were created reflects the respect she had within her community.
From the point of view of notation, secularmusic of the Middle Ages existed on the fringes of churchly life, for most of the music scribes of the era were church musicians.
While instructional works of music were published in America as early as 1721, they continued to have a decidedly sacred flavor throughout the century.
Secular collections were not abundant until the end of the eighteenth century.
The growing importance of secularmusic in the nineteenth century is manifested in the collection.
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