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Encyclopedia > Septimal major third

In music, the septimal major third, also called the supermajor third (by eg Helmholtz) and sometimes BP third is the musical interval exactly or approximately equal to a 9/7 ratio of frequencies. In terms of cents, it is 435 cents, a quartertone of size 36/35 sharper than a just major third of 5/4. Hermann Ludwig Ferdinand von Helmholtz (August 31, 1821 – September 8, 1894) was a German physician and physicist. ... The cent is a logarithmic unit of measure used for musical intervals. ... A major third is the larger of two commonly occuring musical intervals that span three diatonic scale degrees. ...


The septimal major third has a characteristic brassy sound which is much less sweet than a pure major third, but is classed as a 9-limit consonance. Together with the septimal minor third of 7/6, it makes up the septimal major triad, or supermajor triad. However, in terms of the overtone series, this is a utonal rather than otonal chord, being an inverted 6:7:9, ie a 1/6:1/7:1/9 chord. Just intonation tunings and scales can be described by giving an upper bound on the complexity of the harmonies admitted by the tuning or scale. ... In music, the septimal minor third, also called the subminor third (by eg Helmholtz) is the musical interval exactly or approximately equal to a 7/6 ratio of frequencies. ... Otonality and Utonality are terms introduced by Harry Partch to describe chords whose notes are the overtones (multiples) or undertones (divisors) of a given fixed tone. ... Otonality and Utonality are terms introduced by Harry Partch to describe chords whose notes are the overtones (multiples) or undertones (divisors) of a given fixed tone. ...


In the early meantone era the interval made its appearance as the alternative major third in remote keys, under the name diminished fourth. Tunings of the meantone fifth in the neighborhood of Zarlino's 2/7 comma meantone will give four septimal thirds among the twelve major thirds of the tuning; this entails that three septimal major triads appear along with one chord containing a septimal major third with an ordinary minor third above it, making up a wolf fifth. Meantone temperament is a system of musical tuning. ... A major third is the larger of two commonly occurring musical intervals that span three diatonic scale degrees. ... Gioseffo Zarlino (January 31 or March 22, 1517 – February 4, 1590), was an Italian music theorist and composer of the Renaissance. ...


References

Hermann Helmholtz and Alexander Ellis (trans), On the Sensation of Tone, Dover Publications

In music theory, the term interval describes the difference in pitch between two notes. ... For other uses, see Unison (disambiguation). ... The perfect fourth or diatessaron, abbreviated P4, is one of two musical intervals that span four diatonic scale degrees; the other being the augmented fourth, which is one semitone larger. ... The perfect fifth or diapente is one of three musical intervals that span five diatonic scale degrees; the others being the diminished fifth, which is one semitone smaller, and the augmented fifth, which is one semitone larger. ... For other uses, see Octave (disambiguation). ... A major second is one of three commonly occuring musical intervals that span two diatonic scale degrees; the others being the minor second, which is one semitone smaller, and the augmented second, which is one semitone larger. ... A major third is the larger of two commonly occuring musical intervals that span three diatonic scale degrees. ... The musical interval of a major sixth is the relationship between the first note (the root or tonic) and the sixth note in a Major scale. ... The musical interval of a Major seventh the first note (the root or tonic) and the seventh, the leading tone, in a major scale. ... A minor second is the smallest of three commonly occuring musical intervals that span two diatonic scale degrees; the others being the major second and the augmented second, which are larger by one and two semitones respectively. ... A minor third is the smaller of two commonly occurring musical intervals compounded of two steps of the diatonic scale. ... A minor sixth is the smaller of two commonly occuring musical intervals that span six diatonic scale degrees. ... The musical interval of a minor seventh the first note (the root or tonic) and the seventh in a minor scale. ... This article is about the musical interval. ... The musical interval of a minor third is the relationship between the first note (the root or tonic) and the third note in a minor scale. ... This article is about the musical interval. ... An augmented fifth is one of three musical intervals that span five diatonic scale degrees. ... An augmented sixth is one of three musical intervals that span six diatonic scale degrees. ... In music, the interval of a diminished second is an interval of a minor second, or diatonic semitone, diminished by a chromatic semitone. ... In music, a diminished third is the interval produced by flattening a minor third by a chromatic semitone. ... A major third is the larger of two commonly occurring musical intervals that span three diatonic scale degrees. ... This article is about the musical interval. ... A seventh chord is a chord or triad which has a note the seventh above the tonic in it. ... A major seventh is the larger of two commonly occurring musical intervals that span seven diatonic scale degrees. ... A neutral second is a musical interval half-way between a minor second and a major second. ... A neutral third is a musical interval between a minor third and a major third. ... A semitone (also known in the USA as a half step) is a musical interval. ... In music, the septimal minor third, also called the subminor third (by eg Helmholtz) is the musical interval exactly or approximately equal to a 7/6 ratio of frequencies. ... A seventh chord is a chord consisting of a triad plus a note forming an interval of a seventh above the chords root. ... A semitone (also known in the USA as a half step) is a musical interval. ...


 

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