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SheridanMorley has produced his authorised biography of John Gielgud in a year, but does he manage to shed any light on a great life in John G? Peter Conrad
Intent on theatrical gossip, Morley remains unaware of the social and cultural changes which Gielgud, successively modernising himself, from his role an Oedipal drug addict in Noël Coward's The Vortex in 1925 to the shabby, poncing poetaster he played in Pinter's No Man's Land in 1975, took it on himself to act out.
Morley explains his procrastination by saying that only after Gielgud's death could he write about the crucial incident in his life, repressed in Gielgud's own recollections.
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