Sienna is a form of limoniteclay most famous in the production of oil paint pigments. Its yellow-brown colour comes from ferric oxides contained within. As a natural pigment, it (along with its chemical cousins ochre and umber) was one of the first pigments to be used by humans, and is found in many cave paintings.
Sienna, in and of itself, is sometimes referred to as "raw sienna", in order to differentiate it from "burnt sienna", which is a more common pigment than the raw form. The difference is in the process applied to burnt sienna, which is raw sienna heated to remove the water from the clay and redden its brownish colour.
The name derives from the most notable Renaissance location for the earth, Siena, Italy, and is short for terra di Sienna, "earth of Sienna". The mines used to produce this sienna petered out in the 1940s. Much of today's sienna production is still in Italy's offshore islands, Sardinia and Sicily, while other major deposits are found in the Appalachian Mountains, where it often goes hand-in-hand with the region's iron deposits.
Many of these deposits date back to the Precambrian, and are pointed to as evidence of the Snowball Earth hypothesis.
Sienna is quite rightly extremely popular with tourists but because it is a town and not a village like San Gimignano, for example, it usually does not seem excessively crowded.
From 1407-13 Sienna was repeatedly assaulted by King Ladislaus of Naples, because of its adhesion to the "Conciliabulum" of Pisa.
Among the renowned natives of Sienna and its environs were the Popes Alexander III, Pius II, Pius III, Alexander VII; the hermits St. Galgano (1181) and St. Giacomo (eleventh century); St. Catarina Benincasa, St. Bernardino Albizzeschi, and St. Ambrogio Sansedoni.
Sienna is a form of limoniteclay most famous in the production of oil paint pigments.
Sienna, in and of itself, is sometimes referred to as "raw sienna", in order to differentiate it from "burnt sienna", which is a more common pigment than the raw form.
The difference is in the process applied to burnt sienna, which is raw sienna heated to remove the water from the clay and redden its brownish colour.
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