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Encyclopedia > Simon Vouet

Vouet's allegory La Richesse was painted ca 1640 for one of the royal chateaux of France (Louvre)
Vouet's allegory La Richesse was painted ca 1640 for one of the royal chateaux of France (Louvre)

Simon Vouet (1590 - 1649) was the French painter and draftsman who introduced the Italian Baroque style to France. A French contemporary, lacking the term "Baroque," said, "In his time the art of painting began to be practiced here in a nobler and more beautiful way than ever before," and the allegory of "Riches" (illustration, right) demonstrates a new heroic sense of volumes, a breadth and confidence without decorative mannerisms. Vouet's new style was distinctly Italian, after his years of study in Italy, from 1613 to 1627, mostly in Rome where the Baroque style was originating in these years, but he also visited Venice, Bologna, where the Caracci had their academy, and Genoa and Naples. Simon Vouets allegory of Riches, ca 1640, Louvre Museum File history Legend: (cur) = this is the current file, (del) = delete this old version, (rev) = revert to this old version. ... Simon Vouets allegory of Riches, ca 1640, Louvre Museum File history Legend: (cur) = this is the current file, (del) = delete this old version, (rev) = revert to this old version. ... A château ( French for castle; plural châteaux) is a manor house or residence of the lord of the manor or a country house of gentry, usually French, with or without fortifications. ... The main courtyard of the Louvre. ... Events March 14 - Battle of Ivry - Henry IV of France again defeats the forces of the Catholic League under the Duc de Mayenne. ... // Events January 30 - King Charles I of England, Scotland and Ireland is beheaded. ... Adoration, by Peter Paul Rubens: dynamic figures spiral down around a void: draperies blow: a whirl of movement lit in a shaft of light, rendered in a free bravura handling of paint In arts, the Baroque (or baroque) is both a period and the style that dominated it. ... Events January - Galileo observes Neptune, but mistakes it for a star and so is not credited with its discovery. ... Events A Dutch ship makes the first recorded sighting of the coast of South Australia. ... The Flight into Egypt (1603) Oil on canvas, 122 x 230 cm Galleria Doria_Pamphili, Rome Annibale Carracci (November 3, 1560, in Bologna - July 15, 1609, in Rome) was an Italian painter, etcher and engraver. ...


Vouet was a natural academic, who studied and absorbed everything in his environment and distilled them: Caravaggio dramatic lighting, Italian Mannerism, Paolo Veronese's color, and the art of the Carracci, Guercino, and Guido Reni. Famous and respected, he was president of Rome's Accademia di San Luca, when Louis XIII called him to France. An academy is an institution for the study of higher learning. ... Michelangelo Merisi da Caravaggio (September 28, 1573 – July 18, 1610), usually called Caravaggio after his hometown near Milan, was an Italian Baroque painter, whose large religious works portrayed saints and other biblical figures as ordinary people. ... Louis XIII in full military regalia, by Peter Paul Rubens, 1622-25: On a ribbon at his hip is the Cross of the Order of Saint Esprit Louis XIII (September 27, 1601 – May 14, 1643), called the Just (French: le Juste), was King of France from 1610 to 1643. ...


In Paris, Vouet was the fresh dominating force, painting public altarpieces and allegorical decors for private patrons. Vouet's atelier produced a whole school of French painters for the following generation, and through Vouet French Baroque painting retained a classicizing restraint from the outset. Compare French Baroque artists Philippe de Champaigne, Nicolas Poussin and above all, Charles le Brun, his most influential pupil, who organized all the interior decorative painting at Versailles and dictated official style at the court of Louis XIV of France, but who jealously excluded Vouet from the Académie Royale in 1648. Vouet's other students included Valentin de Boulogne, the main figure of the French "Caravaggisti", Pierre Mignard, Eustache Le Sueur, Nicolas Chaperon, Claude Mellan and the Flemish artist Abraham Willaerts. Ex Voto (1662) by Philippe de Champaigne Philippe de Champaigne (26 May 1602 - 12 August 1674) was a Baroque era painter of the French school. ... Les Bergers d’Arcadie. ... Charles Le Brun Charles Le Brun (February 24, 1619 - February 22, 1690) was a French painter and art theorist, one of the dominant artists in 17th century France. ... This article is about the city of Versailles. ... For the musical group of the same name, see Louis XIV (band). ... // Events Peace treaty signed at Westphalia ends the Thirty Years War. ... Michelangelo Merisi da Caravaggio (September 28, 1573 – July 18, 1610), usually called Caravaggio after his hometown near Milan, was an Italian Baroque painter, whose large religious works portrayed saints and other biblical figures as ordinary people. ... Pierre Mignard (1610-1695), called—to distinguish him from his brother Nicholas— Le Romain, was a French painter. ... Eustache Le Sueur (November 19, 1617 - April 30, 1655), one of the founders of the French Academy of painting, was born at Paris, where he passed his whole life. ...


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  Results from FactBites:
 
Simon Vouet - LoveToKnow 1911 (160 words)
SIMON VOUET (1590-1649), French painter, was born at Paris on the 9th of January 1590.
Vouet was an exceedingly skilful painter, especially in decoration, and executed important works of this class for Cardinal Richelieu (Rueil and Palais Royal) and other great nobles.
His better easel pictures bear a curious resemblance to those of Sassoferrato.
simonvouet.html (1320 words)
Simon Vouet was recognized as a great painter already at the age of 14, when he was elected to go to England and paint the portrait of a Lady.
Simon Vouet left for Constantinople in 1612, and continued on to Venice where he remains for a year, and continues on to Rome at the end of 1613 which was an important period for him, it is there is paintings became recognized.
The tecnic in Vouet’s painting enhances the importance of the muses first, they are dressed with specific color cloth; blue and pink enhances the paleness of their faces, both muses are the main noticeable element of the painting.
  More results at FactBites »

 

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