Bach's St. Matthew Passion, or The Passion According to St Matthew, is a musical composition for solo voices, double choir and double orchestra, with libretto by Picander. It sets chapters 26 and 27 of The Gospel of Matthew to music, with interspersed chorales and arias. It is considered by some to be Bach's greatest work, and occasionally even spoken of as the greatest work of Western music. Johann Sebastian Bach, 1748 portrait by Elias Gottlob Haussmann Johann Sebastian Bach (21 March 1685 – 28 July 1750)[1] was a German composer and organist of the baroque period, and is widely acknowledged[2] as one of the greatest composers in the Western tonal tradition; indeed, many critics and scholars... A choir or chorus is a musical ensemble of singers. ... Melbourne Symphony Orchestra Melbourne Symphony Orchestra Orchestra at City Hall (Edmonton). ... A libretto is the body of words used in an extended musical work such as an opera, operetta, oratorio, or musical. ... Picander was the pseudonym of Christian Friedrich Henrici (January 14, 1700 - May 10, 1764), German poet and librettist for many of Johann Sebastian Bachs Leipzig cantatas. ... The Gospel of Matthew (literally: according to Matthew, Greek: kata Maththaion) is one of the four Gospel accounts of the New Testament. ... A chorale is a hymn of the Lutheran church sung by the entire congregation. ... This article is about the musical term aria. ...

Structure of the work

Baroque musical settings of the Passion became common in the later 17th century. Like other oratorio passions, Bach's setting presents the Biblical text of Matthew 26-27 in a relatively simple way, primarily using recitative, while arias and ariosos set newly-written texts which comment on the various events in the Biblical narrative. Baroque music is Western classical music from the Baroque era, after the Renaissance music era and before the Classical music era proper. ... The Passion is the technical term for the suffering and Agony of Jesus that led directly to the Crucifixion, a central Christian event. ... An oratorio is a large musical composition for orchestra, vocal soloists and chorus. ... Recitative, a form of composition often used in operas, oratorios, cantatas and similar works, is described as a melodic speech set to music, or a descriptive narrative song in which the music follows the words. ... This article is about the musical term aria. ...

Two distinctive aspects of Bach's setting spring from Bach’s other church endeavors. One is the double-choir format stems from his own double-choir motets and the many such motets from other composers with which he routinely started Sunday services. The other is the extensive use of chorales, which appear in standard four-part settings, as interpolations in arias, and as a cantus firmus in large polyphonic movements, notably “O Mensch, bewein dein’ Sünde groß,” the conclusion of the first half -- a movement this work has in common with his St. John Passion -- and the opening movement, in which the sopranos “in ripieno” (often sung by children's choir today) crown a colossal buildup of polyphonic and harmonic tension. In Western music, motet is a word that is applied to a number of highly varied choral musical compositions. ... A chorale is a hymn of the Lutheran church sung by the entire congregation. ... In music, cantus firmus is the basic material to be set using polyphony. ... St. ...

The narration of the Gospel texts are sung by the Evangelist, a tenor soloist who sings entirely in free recitative accompanied only by continuo. Whenever an individual speaks as part of the story, another soloist sings those words, also in recitative; in addition to Jesus, there are named parts for Judas, Peter, a high priest, Pontius Pilate, Pilate's wife, and two ancillae (maids), although these are not always sung by all different soloists. Two passages are sung by a pair of soloists representing two simultaneous speakers, and a number of passages for several speakers, called turba parts, are sung by one of the two choirs. These latter passages are not recitative but are conventional metric music. Recitative, a form of composition often used in operas, oratorios, cantatas and similar works, is described as a melodic speech set to music, or a descriptive narrative song in which the music follows the words. ... Figured bass, or thoroughbass, is a kind of integer musical notation used to indicate intervallic content (the intervals which make up a sonority), later chords, in relation to a bass note. ... Judas Iscariot (died April AD 29–33, Hebrew יהודה איש־קריות Yəhûḏāh ʾΚ-qəriyyôṯ) was, according to the New Testament, one of the twelve original apostles of Jesus, and the one who ultimately betrayed him. ... Saint Peter, portrayed by Peter Paul Rubens in a papal chasuble and pallium holding keys, was one of the twelve disciples of Jesus and the first Pope of the Catholic Church. ... Pontius Pilate (Latin Pontius Pilatus) was the governor of the small Roman province of Judea from AD 26 until around AD 36, although Tacitus believed him to be the procurator of that province. ...

Jesus' recitatives are particularly distinctive in always being accompanied not by continuo alone but by the entire string section of the first orchestra using long notes, creating a full, sustained sound often referred to as Jesus' "halo." Only his final words, Eli, eli, lama sabachthani, are sung without this halo.

Interpolated texts

The arias, set to texts by Picander, are interspersed between sections of the Gospel text, and are sung by various soloists and with a variety of instrumental accompaniments, typical of the oratorio style. Picander was the pseudonym of Christian Friedrich Henrici (January 14, 1700 - May 10, 1764), German poet and librettist for many of Johann Sebastian Bachs Leipzig cantatas. ... An oratorio is a large musical composition for orchestra, vocal soloists and chorus. ...

The interpolated texts point to a theology which makes the sacrifice on the cross very personal. Almost every text brings home the significance to modern Christians of Jesus’ suffering, from the chorale “Ich bin’s, ich sollte büßen” (“It is I who should suffer and be bound for hell”) to the alto’s desire to anoint Jesus with her tears (“Buß und Reu”), to the bass’s offer to bury Jesus himself (“Mache dich, mein Herze, rein”). Jesus is often referred to as “my Jesus.” The chorus, which expresses great anger at Judas, calling for hell to swallow him up, are themselves rebuked by Jesus: those who take up the sword die by the sword. It is no accident that the chorus alternates between participating in the narrative (in the turba parts) and commenting on it as modern believers; there is an identification between the two.

Equally significant is that there is no mention of the coming Resurrection in any of these texts. Modern Protestant churches treat the crucifixion primarily as a prelude to Easter, only important inasmuch as one can’t be resurrected without dying first. For Bach, following in the footsteps of Anselm of Canterbury, the crucifixion itself is the endpoint, the source of redemption. The emphasis is on the suffering of Jesus in the place of the sinners, and it is the resurrection which is secondary, only important to show God’s power and to give an example of what redemption from sin might consist of. The chorus sings, “tear me from my fears / Through your own fear and pain.” The bass, calling it the “sweet cross,” says “Yes, of course this flesh and blood in us / want to be forced to the cross; / the better it is for our soul, / the more bitter it feels.“ This article is about the religious meaning of the word Resurrection. For other meanings see Resurrection (disambiguation). ... Crucifixion is an ancient method of execution, in which the victim was tied or nailed to a large wooden cross (Latin: crux) and left to hang there until dead. ... Easter is the most important religious holiday of the Christian liturgical year, observed in March, April, or May to celebrate the resurrection of Jesus from the dead after his death by crucifixion (see Good Friday), which Christians believe happened at about this time of year around AD 30-33. ... Saint Anselm of Canterbury (1033 or 1034 – April 21, 1109), a widely influential medieval philosopher and theologian, held the office of Archbishop of Canterbury from 1093 to 1109. ...

The “mourning” referred to in the opening movement is not mourning for the dead Jesus, but rather for our own sinfulness, culminating in the “O Lamm Gottes” chorale sung by the children, referring to the ritual sacrifice of Jesus like an Old Testament lamb, as an offering for sin. This theme is reinforced by the concluding chorale of the first half, “O Mensch, bewein dein’ Sünde groß” (“O mortal, bewail your great sin”).

Compositional style

Bach’s music is as deep as the text. His recitatives are never mechanical, but set the mood for the particular passage, often highlighting emotionally charged words such as “crucify,”, “kill,” or “mourn” with twisting chromatic melodies. The description of Peter’s weeping after having denied Jesus is especially poignant. Jesus’ prophecies of doom are accompanied by diminished seventh chords and sudden modulations; compare that to the relatively cheerful music of the Eucharistic proclamation (“drink, all of you, this is my blood...”). The cock crowing and the pouring of perfume on Jesus’ head are set to pictorial lines. While these details are more of an effort to hear for modern audiences than they were for people in Bach’s time who heard recitative all the time, the effort is well worth it. Think of it as exceptionally dramatic reading, rather than music, and these details will be easier to hear. In the turba parts, the two choruses sometimes alternate, giving the impression of being buffeted from all sides (e.g. “Weissage uns, Christe”) and sometimes sing together (“Herr, wir haben gedacht”); other times only one chorus sings (chorus I always takes the parts of the disciples) or alternating, for example when “some bystanders” say “He’s calling for Elijah” and “others” say “Wait to see if Elijah comes to help him.” Generally speaking, a diminished chord is a chord which has a diminished fifth in it. ... In music, modulation is most commonly the act or process of changing from one key (tonic, or tonal center) to another, also known as a key change. ... DISCiPLE, Miles Gordon Technologys first product, was a floppy disk interface for the Sinclair ZX Spectrum home computer. ...

In the arias, the instruments (either solo or in groups) are equal partners with the voices, and some of Bach’s most beautiful writing ever is in these movements. In addition to his excellent melodies and counterpoint, but could always find a way to match the details of his compositions with the texts. For example, in “Buß und Reu,” the flutes start playing a raindrop-like staccato as the alto sings about the drops of her tears. The strings play a violent motive to symbolize scourging in “Erbarm’ es, Gott.” In “Blute nur,” the line about the “serpent” is set with a twisty melody. The crowd shouts “Crucify him” twice with a jagged, dissonant theme; but in between, the quiet, reflective “Aus Liebe will mein Heiland sterben” symbolizes the inner calm of faith in a world of violence, with frequent stops and a heavenly feel, lacking even continuo support. Figured bass, or thoroughbass, is a kind of integer musical notation used to indicate intervallic content (the intervals which make up a sonority), later chords, in relation to a bass note. ...

History

Bach's St. Matthew Passion was probably written in 1727. Only two of the four (or five) settings of the Passion which Bach wrote have survived; the other is the St. John Passion. The St. Matthew Passion was first performed on either Good Friday 1727 and/or Good Friday 1729 in the Thomaskirche in Leipzig, where Bach was the cantor. He revised it by 1736, performing it again on March 30, 1736, this time including two organs in the instrumentation. Events June 11 - George, Prince of Wales becomes King George II of Great Britain. ... The Passion is the technical term for the suffering and Agony of Jesus that led directly to the Crucifixion, a central Christian event. ... St. ... Good Friday is a holy day celebrated by Christians on the Friday before Easter or Pascha. ... Events July 30 - Baltimore, Maryland is founded. ... Map of Germany showing Leipzig   Leipzig? [ˈlaiptsɪç] (Polish; Sorbian/Lusatian: Lipsk) is the largest city in the federal state (Bundesland) of Saxony in Germany. ... The Casavant pipe organ at Notre-Dame de Montréal Basilica, Montreal The organ is a keyboard musical instrument with a distinctive sound, nowadays produced in several ways but originally produced by pipes. ...

The St. Matthew Passion was not heard outside of Leipzig until 1829, when Felix Mendelssohn performed an abbreviated version of it in Berlin, to great acclaim. 1829 was a common year starting on Thursday (see link for calendar). ... Felix Mendelssohn Bartholdy at the age of thirty Jakob Ludwig Felix Mendelssohn Bartholdy, known simply as Felix Mendelssohn (February 3, 1809 – November 4, 1847) was a German composer of the early Romantic period. ...   Berlin? (pronounced: , German ) is the capital of Germany and its largest city, with 3,426,000 inhabitants (as of January 2005); down from 4. ...

In 1995, it was featured as the opening music of the film Casino, as well as its ending music, as performed by the Chicago Symphony Orchestra. Casino is a 1995 movie directed by Martin Scorsese, based on the book of the same name by Nicholas Pileggi and Larry Shandling. ... The Chicago Symphony Orchestra, based in Chicago, Illinois, is one of the leading orchestras in the world. ...