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The Stranglers are a British rock music group, formed in 1973 in Guildford.
They began as a sinister sounding, hard-edge pub rock group, and beginning in 1976, were tangentially assocated with punk rock, due in part to their opening for The Ramones' first British tour. The Stranglers were also associated with new wave music, but their idiosyncratic approach never fit completely within any musical genre
However, the four members of the group - Hugh Cornwell, Jean Jacques Burnel, Dave Greenfield and Jet Black (real name: Brian Duffy) - were not regarded as punks by their musical peers for the reason that they could actually play. They wrote a string of top ten hits, including "No More Heroes" and "Peaches", which placed the band at the forefront of the New Wave movement - a branch one step removed from the spitting, snarling punks - not to mention that The Stranglers' material was fiercely intellectual, while never pretentious or boring. The band has been quoted as saying that they did not consider themselves to be a "punk" band. It was their frequent run-ins with the law and their strong following amongst British street gangs like the Finchley Boys that gave them a menacing persona.
Their early albums are essential classics by most critic's standards. Although initially received with mixed reaction because of their supposedly "sexist" and "racist" innuendo, the Stranglers employed a sort of intelligent dog-humour in their lyrics that won over many music critics. These albums (Rattus Norvegicus, No More Heroes, Black and White) are gems. Their sense of melody and structure are free, their creativity never wanes, and with the spiraling keyboards of Dave Greenfield, the shredding guitar work of Hugh Cornwell, the rumbling bass of JJ Burnel, and the pulsating drum work of the Jet Black, these albums built a fan following that exists in full force to this day.
If one were to listen to the songs (or at least some of them) on The Raven, their 1979 album, one would clearly see the 'symptoms' of their separating from 'traditional' punk, and with that album they would lay out a musical foundation that is emulated to this day. Take one listen to the title track from the album -- even just the first minute -- and you'll be convinced. Two albums later the Stranglers released La Folie. This was both the beginning and the end of a musical era for the Stranglers, as their music took a very different turn in albums following that excellent release. This album and the ones before it are landmarks that never sound dated and even today earn critical praise.
The Stranglers went on to score hits with the ballad "Golden Brown" (1982) and "Strange Little Girl" the same year, and by 1990 had more British chart hits (28) than any other artist never to reach the number one spot. Songs of creditable quality.
Who can forget the rippling pipe organ on "Skin Deep", the best-known song from their 1984 album Aural Sculpture? Their 1986 album, Dreamtime, was also good, but reverted to softer, more soothing 'instrument work' and vocals that were clearly more subdued than Aural Sculpture and most of their albums before it.
Founding member Cornwell left in August 1990 to pursue a solo career. The remaining members recruited two replacements and have continued to tour and release independent label records to little fanfare.
The Stranglers classic period 1977-1990 has secured them a respected place in British popular music history.
Interest in The Stranglers resurfaced when, in 1999, their music was used in the soundtrack to the hit film Fight Club. Then, just one year later, singer Tori Amos covered their song "Strange Little Girl" and titled the album it was featured on "Strange Little Girls" and their song "Golden Brown" was also used in the hit film Snatch by film director Guy Ritchie. "Peaches", finally, also takes pride of place in another British movie, Sexy Beast by director Jonathan Glazer.
Discography
Solo Discographies J.J. Burnel - Euroman Cometh
- Un Jour Parfait
(with Dave Greenfield) Hugh Cornwell - 1979 Nosferatu
- 1988 Wolf
- 1992 CCW
- 1993 Wired
- 1997 Guilty
- 1999 Black Hair Black Eyes Black Suit
- 2000 Hi Fi
- 2002 Footprints in the Desert
- 2002 Sons of Shiva
- 2002 Mayday
- 2003 In the Dock
- 2004 Beyond Elysian Fields
External link - Stranglers Information Service (http://www.stranglers.net/)
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