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Encyclopedia > Sutton Hoo
Sutton Hoo ceremonial helmet (British Museum, restored). Although based on helmets of the spangenhelm type, the immediate comparisons are with contemporary Vendel Age helmets from eastern Sweden.

Sutton Hoo, (grid reference TM288487) near Woodbridge, Suffolk, England, is the site of two Anglo-Saxon cemeteries of the 6th and early 7th centuries, one of which contained an undisturbed ship burial including a wealth of artifacts of outstanding art-historical and archaeological significance. This image has been released into the public domain by the copyright holder, its copyright has expired, or it is ineligible for copyright. ... This image has been released into the public domain by the copyright holder, its copyright has expired, or it is ineligible for copyright. ... The British Museum in London, England is one of the worlds greatest museums of human history and culture. ... A spangenhelm with nasal and cheek flaps. ... The Vendel Age (550-793) was the name of a Swedish part of the Germanic Iron Age (or, more generally, the Age of Migrations). ... The British national grid reference system is a system of geographic grid references commonly used in Great Britain, different from using latitude or longitude. ... Map sources for Woodbridge at grid reference TM2649 Woodbridge is a town in Suffolk, East Anglia, England. ... Suffolk (pronounced ) is a large historic and modern non-metropolitan county in East Anglia, England. ... For other uses, see England (disambiguation). ... For other uses, see Anglo-Saxon. ... Ship burial of Igor the Old in 945, depicted by Heinrich Semiradski (1845-1902). ...


Sutton Hoo is of a primary importance to early medieval historians because it sheds light on a period of English history which is on the margin between myth, legend and historical documentation. Use of the site culminated at a time when the ruler (Raedwald) of East Anglia held senior power among the English, and played a dynamic (if ambiguous) part in the establishment of Christian rulership in England. It is central to understanding of the Anglo-Saxon Kingdom of East Anglia and of the period in a wider perspective. Justinians wife Theodora and her retinue, in a 6th century mosaic from the Basilica of San Vitale in Ravenna. ... Rædwald (d. ... Norfolk and Suffolk, the core area of East Anglia. ...


The ship-burial, excavated in 1939, is one of the most magnificent archaeological finds in England for its size and completeness, the far-reaching connections, quality and beauty of its contents, and for the profound interest of the burial ritual.


Although it is the ship-burial which commands the widest attention from tourists, there is also rich historical meaning in the two separate cemeteries, their position in relation to the Deben estuary and the North Sea, and their relation to other sites in the immediate neighbourhood. The River Deben is a medium length river in Suffolk stretching from the Estuary at Felixstowe, up inland through Melton and into smaller streams. ... The North Sea is a sea of the Atlantic Ocean, located between the coasts of Norway and Denmark in the east, the coast of the British Isles in the west, and the German, Dutch, Belgian and French coasts in the south. ...

Contents

Background

Sutton Hoo from the Deben tideway (Mound 2 visible on the horizon above the farm).
Sutton Hoo from the Deben tideway (Mound 2 visible on the horizon above the farm).

Sutton Hoo is the name of an area spread along the bluffs on the eastern bank of the River Deben opposite the harbour of Woodbridge. The word "hoo" means "spur of a hill." About 7 miles (15 km) from the sea, it overlooks the inland waters of the tidal estuary a little below the lowest convenient fording place. Of the two gravefields found here, one ('the Sutton Hoo cemetery') has always been known to exist because it consists of a group of around 20 earthen burial mounds which rise slightly above the horizon of the hill-spur when viewed from the opposite bank.[1] The other (called here the 'new' burial ground) is situated on a second hill-spur close to the present Exhibition Hall, about 500 m upstream of the first, and was discovered and partially explored in 2000 during preparations for the construction of the Hall. This also had burials under mounds, but was not known because they had long since been flattened by agricultural activity. Image File history File linksMetadata Size of this preview: 800 × 220 pixel Image in higher resolution (2423 × 665 pixel, file size: 234 KB, MIME type: image/jpeg) File links The following pages on the English Wikipedia link to this file (pages on other projects are not listed): Sutton Hoo Metadata... Image File history File linksMetadata Size of this preview: 800 × 220 pixel Image in higher resolution (2423 × 665 pixel, file size: 234 KB, MIME type: image/jpeg) File links The following pages on the English Wikipedia link to this file (pages on other projects are not listed): Sutton Hoo Metadata...


Discovery

Sutton Hoo is felt by many to be a magical place. The circumstances of its discovery and excavation add to this atmosphere of mystery. The find, so evocative and illuminating of the origins of the English nation, was made on the very eve of the Second World War. The English are people descended for a wide variety of roots, and who are associated, either by birth or by choice, with the culture of England (Latin: Anglia). ... Mushroom cloud from the nuclear explosion over Nagasaki rising 18 km into the air. ...


Mrs Edith May Pretty J.P. lived in Sutton Hoo House and owned the estate. She had moved there with her husband in 1926, but he died in 1934 leaving her with a young son. They had often wondered what the strange, rabbit-infested mounds were which they could see from the house.[2] In around 1900 an elderly resident of Woodbridge had spoken of 'untold gold' in the Sutton Hoo mounds,[3] and Mrs Pretty's nephew, a dowser, repeatedly identified signals of buried gold from what is now known to be the ship-mound.[4] Mrs Pretty became interested in Spiritualism, and was encouraged by friends who claimed to see figures at the mounds.[5] // By 1853, when the popular song Spirit Rappings was published, Spiritualism was an object of intense curiosity. ...


Through the Ipswich Museum, in 1938 she obtained the services of Basil Brown, a Suffolk man whose smallholding had failed four years earlier, and who had taken up full-time archaeology on Roman sites for the museum.[6] Mrs Pretty took Mr Brown to the site, and suggested that he start digging at Mound 1, one of the largest. The mound had obviously been disturbed, and in consultation with Ipswich Museum Brown decided instead to open three smaller mounds during 1938 with the help of three estate labourers. These did reveal interesting treasures, but only in fragments as the mounds had been robbed.[7] IPSWICH MUSEUM Early History 1846-1945 Ipswich Museum was founded in 1846 and opened in 1847 in Museum Street, then newly laid-out, with the specific remit to educate the working classes in natural history. ... Basil John Wait Brown (Bucklesham, Suffolk 1888-Rickinghall, Suffolk 1977) was a farmer, archaeologist, amateur astronomer and author who most famously discovered the buried ship at Sutton Hoo and excavated its sandy outline on the eve of war in 1939. ...

Mound 11 (front left), Mound 10 (foreground, masking Mound 1), Mound 2 (middle distance) and Sutton Hoo House, coachhouse and stables: looking north.
Mound 11 (front left), Mound 10 (foreground, masking Mound 1), Mound 2 (middle distance) and Sutton Hoo House, coachhouse and stables: looking north.

Mrs Pretty still wanted a full excavation of Mound 1 and, in May 1939, Brown began work helped by the gamekeeper and the gardener. Driving a trench from the east end they soon discovered ship-rivets in position, and the colossal size of the find began to dawn on them. After patient weeks of clearing out earth from within the ship’s hull they reached the burial chamber and realised it was undisturbed.[8] It lay beneath the exact spot where Mrs Pretty had told him to dig a year previously. Image File history File linksMetadata Size of this preview: 800 × 246 pixel Image in higher resolution (2701 × 829 pixel, file size: 362 KB, MIME type: image/jpeg) File links The following pages on the English Wikipedia link to this file (pages on other projects are not listed): Sutton Hoo Metadata... Image File history File linksMetadata Size of this preview: 800 × 246 pixel Image in higher resolution (2701 × 829 pixel, file size: 362 KB, MIME type: image/jpeg) File links The following pages on the English Wikipedia link to this file (pages on other projects are not listed): Sutton Hoo Metadata...


In June 1939 Charles Phillips of Cambridge University, hearing rumour of a ship discovery (the 1938 find), visited Ipswich Museum and was taken by Mr Maynard, the Curator, to the site. Staggered by what he now saw, within a short time Phillips, in discussion with the Ipswich Museum, the British Museum, the Science Museum and Office of Works undertook the excavation of the burial chamber. He assembled a team of experts including W.F. Grimes and O.G.S. Crawford (Ordnance Survey), Stuart and Peggy Piggot and others. Basil Brown continued to clear the ship.[9] Mrs Pretty sent Brown to a spiritualist meeting in Woodbridge, where the medium had an intimation of his discovery.[10] Charles William Phillips (April 24, 1901 - September 23, 1985) was a British archaeologist best known for leading the 1939 excavation of the Sutton Hoo burial ship, an intact collection of Anglo-Saxon grave-goods, possibly that of the 7th century East Anglian king Raedwald. ... The University of Cambridge is the second-oldest university in the English-speaking world, with one of the most selective sets of entry requirements in the United Kingdom. ... Image:Science Museum bernoulli exhibit. ... Part of an Ordnance Survey map at 1 inch to the mile scale from 1945 Ordnance Survey (OS) is an executive agency of the United Kingdom government. ...


The need for secrecy (as the wonderful finds began to appear) and various vested interests led to confrontation between Phillips and the Ipswich Museum. The museum's Honorary President, Mr Reid Moir F.R.S., had been a founder of the Prehistoric Society of East Anglia in 1908, and the Curator, Mr Maynard, was its Secretary and Editor from 1921. In 1935–6 Charles Phillips and his friend (Sir) Grahame Clark had taken control of the Society. Mr Maynard then turned his attention to developing Brown’s work for the Museum. Phillips (hostile towards Moir) had now reappeared, and he deliberately excluded Moir and Maynard from the new discovery.[11] The Prehistoric Society is an international learned society devoted to the study of the human past from the earliest times until the emergence of written history. ... Sir John Grahame Douglas Clark (1907 -1995) was a British archaeologist most notable for his work on the Mesolithic and his theories on palaeoeconomy. ...


The whole excavation was overshadowed by the imminence of war with Germany. The finds, having been packed and removed to London, were brought back for a Treasure Trove Inquest held in the autumn at Sutton village hall. Brown, who remained loyal to his employer Mrs Pretty throughout, gave his testimony with the rest, and it was decided that since the treasure was buried without the intention to recover it, it was the property of Mrs Pretty as landowner.[12] A treasure-trove is gold, silver, gems, money, jewellery, etc found hidden under ground or in cellar or attics, etc. ...


These stories alone would have been enough to get the legend of Sutton Hoo into the history books. However, Mrs Pretty made one final decision which ensured her a special place in Britain's archaeological history. In an act of almost unrivalled generosity she decided to bequeath the treasure as a gift to the whole nation, so that the meaning and excitement of her discovery could be shared by everyone.[13]


Finally the fact that this burial, among all the others, had escaped from being plundered was another of the wonderful coincidences of the Sutton Hoo legend. In medieval times the site had been divided by boundary ditches to form fields. One of those ditches cut across the western side of Mound 1, giving it a lopsided appearance. A robber pit dug in the 16th century had been sunk at the apparent centre, missing the real centre and the burial deposit by a narrow margin.


Surroundings

The tidal reaches of the Deben form one of a group of estuaries which drain from the south-eastern side of the county of Suffolk into the North Sea. From north to south these are the Alde (at its mouth called the Ore), the Butley river, the Deben and the Orwell, which at its mouth joins with the more southerly River Stour. These rivers formed paths of entry to East Anglia during the continental migrations to Britain of the 5th and 6th centuries, following the end of Roman imperial rule, and their control was important both in Roman and Anglo-Saxon times.[14] A Roman stone shore-fort stood on high ground near the mouth of the Deben on the south side, at Walton, near Felixstowe, and stood as a prominent feature in Anglo-Saxon times: it is one of the two claimed sites for the original East Anglian bishopric of Dommoc, founded c. 630.[15] The River Alde is a wide tidal estuary river in Suffolk, England, United Kingdom. ... The River Orwell from Suffolk Yacht Harbour The River Orwell is a river in the county of Suffolk, England. ... The River Stour is a river in East Anglia, England. ... Human migration denotes any movement of groups of people from one locality to another, rather than of individual wanderers. ... Roman Britain refers to those parts of the island of Great Britain controlled by the Roman Empire between 43 and 410. ... Basic ideal plan of a Roman castrum. ... Walton is a small Suffolk town between the rivers Orwell and Deben. ... , For the Aircraft manufacturer, see Seaplane Experimental Station, Felixstowe Felixstowe is a North Sea seaport in Suffolk, England. ... Dommoc, a place not certainly identified but probably within the modern county of Suffolk, was the original seat of the bishops of the Anglo-Saxon Kingdom of East Anglia. ...

Sutton Hoo in relation to Gipeswic (Ipswich) and the Wicklaw.
Sutton Hoo in relation to Gipeswic (Ipswich) and the Wicklaw.

Fifth century artefacts, including late Roman belt equipment and early continental brooches, have been found at Shottisham (south of Sutton Hoo).[16] A little way south of Woodbridge the tidal Martlesham Creek emerges into the Deben on the west side, fed from valleys with 6th century burial grounds at Rushmere, Little Bealings and Tuddenham St Martin,[17] and circling Brightwell Heath, the site of several Bronze Age and later mounds.[18] Further up the Deben, on bluffs overlooking the brackish reaches, were cemeteries of similar date at Rendlesham and Ufford.[19] A large cemetery of mixed cremation and inhumation burials stood in a similar position to Sutton Hoo at Snape, above the fordable headwaters of the river Alde, somewhat further from the river.[20] This also contained a large ship-burial, the only other burial in England comparable to the famous examples at Sutton Hoo.[21] Image File history File linksMetadata Size of this preview: 798 × 600 pixel Image in higher resolution (1483 × 1115 pixel, file size: 423 KB, MIME type: image/jpeg) Made by Steven J Plunkett, based on Suffolk Map by John Kirby (c 1730). ... Image File history File linksMetadata Size of this preview: 798 × 600 pixel Image in higher resolution (1483 × 1115 pixel, file size: 423 KB, MIME type: image/jpeg) Made by Steven J Plunkett, based on Suffolk Map by John Kirby (c 1730). ... Aquamarine, platinum and diamond brooch/pendant worn by Mrs. ... The Bronze Age is a period in a civilizations development when the most advanced metalworking has developed the techniques of smelting copper from natural outcroppings and alloys it to cast bronze. ... The Snape boat grave is a 5th-6th century boat grave foud at Snape Common, near Aldeburgh in East Anglia. ...


Within thirty years after the use of the Sutton Hoo cemetery culminated in the ship-burial, an important early monastery was founded by royal grant at Iken beside the Alde in 654 for Saint Botolph.[22] In c 660 Rendlesham is definitely identified by Bede[23] as the site of a vicus regius (royal dwelling) of King Aethelwold of the Wuffinga dynasty of the East Angles. A similar use is suggested at an earlier date,[24] though Kingston near Woodbridge (nearly opposite Sutton Hoo) is another possibility.[25] Rendlesham has a church dedication to Gregory the Great, founder of the Roman Christian mission to England which arrived in Kent in 597. Botolph or Botulph (born 610, died circa 680, pronounced with emphasis on the first syllable) was an English abbot and saint. ... Bede (IPA: ) (also Saint Bede, the Venerable Bede, or (from Latin) Beda (IPA: )), (ca. ... Æthelwold was King of East Anglia from c. ... The Wuffings were the ruling dynasty of East Anglia. ... Saint Gregory I, or Gregory the Great (called the Dialogist in Eastern Orthodoxy) (circa 540 - March 12, 604) was pope of the Catholic Church from September 3, 590 until his death. ... The Kent coat of arms For other uses, see Kent (disambiguation). ...


By the early tenth century the entire region between the Orwell and the watersheds of the Alde and Deben rivers was known as the 'Wicklaw'.[26] It is suggested that this represents an early administrative region or regio, originally centred upon Rendlesham or Sutton Hoo as the node of estuarine control, and was one of the primary components in the formation of the Kingdom of East Anglia. Also in the early 7th century Gipeswic (Ipswich), at the fordable headwaters of the Orwell estuary, began its growth as the primary centre for maritime trade in East Anglia, with Rhineland contacts,[27] so that the instruments and resources of royal power were focussed in this immediate neighbourhood. Jon Newman has made the archaeological survey of this region a special study (the East Anglian Kingdom project),[28] and Keith Wade has spearheaded the Ipswich Excavation Project since 1974 for Suffolk County Council. Timber framed buildings in St Nicholas Street The Ancient House is decorated with a particularly fine example of pargeting Ipswich (pronounced ) is the county town of Suffolk and a non-metropolitan district in East Anglia, England on the estuary of the River Orwell. ... The Rhineland (Rheinland in German) is the general name for the land on both sides of the river Rhine in the west of Germany. ...


Cemetery

Excavation history

Model of the 1939 find (chamber area outlined).

The burial ground with visible mounds has experienced diggings since at least the 16th century and was extensively dug into during the 19th century, without any useful records being made. In 1860 it was reported that nearly two bushels of iron screw bolts (presumably ship rivets) had been found at the recent opening of a mound, and that it was hoped to open others.[29] During the 1980s excavations it was shown that some burials had been laid open in the 19th century with a small platform at one side for viewing.[30] Image File history File linksMetadata Size of this preview: 800 × 555 pixel Image in higher resolution (3930 × 2724 pixel, file size: 1. ... Image File history File linksMetadata Size of this preview: 800 × 555 pixel Image in higher resolution (3930 × 2724 pixel, file size: 1. ...

  • In 1937 Mrs Pretty sought advice from Ipswich Museum's curator, who in 1938 released Basil Brown to work for her. He opened three mounds in the first season (2, 3 and 4). He found plundered cremation burials with goods in two of them. In Mound 2 (larger) he found iron ship-rivets and a disturbed chamber burial with fragments of metal and glass artefacts. The rituals and objects revealed were unusual, and at first it was undecided if they were of Viking age or early Anglo-Saxon date.[31] These finds are held by Ipswich Museum.
The intitial excavation, August 1939 (shot by H.J. Phillips).
The intitial excavation, August 1939 (shot by H.J. Phillips).
  • In spring 1939 Brown drove a trench through Mound 1 and discovered the replaced wood stain and undisturbed rivets of the ship-burial. Through late summer a team led by Charles Phillips for the Office of Works elucidated the burial chamber amidships and removed the treasure. As the astounding golden and silver treasures emerged it became certain this was an early 7th century find of greater quality than any hitherto discovered. Afterwards the hollow mound was lined with bracken and turf for protection.[32] During the War the grave-goods were put in storage and the site was used as a training ground for military vehicles.[33] Phillips and colleagues produced important publications in 1940.[34]
  • Rupert Bruce-Mitford[35] led the Sutton Hoo research team at the British Museum. They completely re-excavated Mound 1 in 1965–1971 to resolve certain problems posed by the first discovery. The ship impression was again exposed and a plaster cast taken, from which a fibre-glass shape was produced. The mound was afterwards restored to its pre-1939 appearance. The limits of Mound 5 were also determined, and evidence of prehistoric activity on the original land-surface was investigated by Ian Longworth.[36] Meanwhile the British Museum Conservation team under Harold Plenderleith, Herbert Maryon and Nigel Williams performed the immense work of scientific analysis and reconstruction of the finds. The definitive and monumental work The Sutton Hoo Ship Burial was produced in three volumes in 1975, 1978, and 1983.
Ghost image of ship revealed during initial excavation, August or September 1939 (shot by H.J. Phillips).
Ghost image of ship revealed during initial excavation, August or September 1939 (shot by H.J. Phillips).
  • The investigation of 1983–1992 was directed by Professor Martin Carver (University of York) for the Sutton Hoo Research Trust, on behalf of the British Museum and the Society of Antiquaries of London. The site was thoroughly surveyed and new techniques were developed. Topsoil was stripped across an area of the site around (and including) Mounds 2, 5, 6, 7, 17 and 18 to produce a map of soil patterns and intrusions. This showed that the mounds had been sited in relation to earlier (prehistoric and Roman) enclosure patterns. There was also found a series of Anglo-Saxon graves of execution victims, later than the primary mounds. Mound 2 was re-explored and reconstructed to its supposed Anglo-Saxon form. A new undisturbed burial (Mound 17) contained a young man with weapons and goods, alongside a separate grave containing his horse. The publication of this work came to completion in 2005.[37]

A substantial part of the gravefield has not been disturbed in modern times, but is reserved for the benefit of future investigators and future scientific methods.[38] Viking Age is the term denoting the years from about 800 to 1066 in Scandinavian History[1][2][3]. // The Vikings have been much maligned in European history, due in large part to their violent attacks on Christians in the first centuries of their excursions out of Scandinavia. ... Image File history File links No higher resolution available. ... Image File history File links No higher resolution available. ... Charles William Phillips (April 24, 1901 - September 23, 1985) was a British archaeologist best known for leading the 1939 excavation of the Sutton Hoo burial ship, an intact collection of Anglo-Saxon grave-goods, possibly that of the 7th century East Anglian king Raedwald. ... Rupert Leo Scott Bruce-Mitford (surname sometimes referred to as Mitford) (1914- 1994) was an historian and archaeologist best known for his work on treasures of the Sutton Hoo ship burial. ... Image File history File links No higher resolution available. ... Image File history File links No higher resolution available. ... This article should belong in one or more categories. ... This article is about the British university. ... The Society of Antiquaries of London is a learned society, based in the United Kingdom, concerned with the encouragement, advancement and furtherance of the study and knowledge of the antiquities and history of this and other countries. An antiquary was a person interested in the study of the past, particularly...


Contents

The field contains about 20 barrows. Professor Carver's excavation established that this was no general burying-ground, but was reserved for a select group of individuals buried with objects denoting unusual wealth or prestige. (This was unlike the Snape cemetery, where a ship-burial and other furnished graves were added to an older existing graveyard of human ashes buried in pots). Most had been cremated, and each barrow was raised to commemorate one particular person. It was used in this way for about 50–60 years during the last quarter of the sixth and the first quarter of the 7th centuries. Almost all of these graves had been plundered.[39] The mounds are discussed in thematic, not numeric order, below, because the numbering reflects the excavation history rather than the original deposition of the burials. A tumulus (plural tumuli, from the Latin word for mound or small hill, from the root to bulge, swell also found in ) is a mound of earth and stones raised over a grave or graves. ...

  • Cremation Graves and Minor Inhumations

Of the two cremations excavated in 1938 Mound 3 contained the ashes of a man and a horse placed on a wooden trough or dugout bier, together with an iron-headed throwing-axe (a Frankish weapon). The grave also contained objects imported from the eastern Mediterranean area, including a bronze ewer (lid only), part of a miniature carved plaque depicting a winged Victory, and fragments of decorated bone from a casket of similar origin.[40] The other, Mound 4, was the cremation of a man and a woman with a horse and perhaps also a dog. This included a few fragments of bone gaming-pieces.[41] A bier from Grendon church A bier is a flat frame, traditionally wooden but sometimes made of other materials, used to carry a corpse for burial in a funeral procession. ... Different types of the Francisca The francisca or francesca is a throwing axe that was used as a weapon by early Franks before the 6th century. ... Assorted ancient Bronze castings found as part of a cache, probably intended for recycling. ... This page is a candidate to be moved to Wiktionary. ... Victoria on the reverse of this coin by Constantine II. In Roman mythology, Victoria was the goddess of victory. ...


In Mounds 5, 6 and 7 Professor Carver found three cremations deposited in bronze bowls with a variety of goods. The man in Mound 5 had died from weapon blows to the skull. With him some gaming-pieces, small iron shears, a cup and an ivory box with sliding lid had escaped the looters' attention. Mound 7 was the remains of a grand cremation, in which horse, cattle, red deer, sheep and pig had been burnt with the deceased on the pyre. His goods had included gaming-pieces, an iron-bound bucket, a sword-belt fitting and a drinking vessel. Mound 6, similarly, was accompanied by cremated animals, gaming-pieces, a sword-belt fitting and a comb. The Mound 18 grave was very damaged, but of similar kind.[42]


One urned and one unurned cremation were found during the 1960s exploration to define the extent of Mound 5, together with two inhumations and a pit with a skull and fragment of decorative foil.[43] In level areas between the mounds Professor Carver found three furnished inhumations (not of execution victims). One under a small mound held a child's body with a buckle and a miniature spear. The grave of a man included two belt-buckles and a knife, and that of a woman contained a leather bag, a ring-headed pin and a chatelaine.[44] Chatelaine is a decorative belt hook or clasp worn at the waist with a series of chains suspended from it. ...

  • Mound 17: The Equestrian Grave

Most impressive of the burials not contained in a chamber is the Mound 17 grave of a young man and his horse.[45] They were in fact two separate grave-hollows side by side under a single mound, and were undisturbed (looters had dug over the intervening baulk). The man was buried in an oak coffin with his pattern welded sword at his right side. The sword-belt was wrapped around the blade, with a bronze buckle with garnet cellwork, two pyramidal strapmounts and a scabbard-buckle. By his head were a strike-a-light and a leather pouch containing rough garnets and a piece of millefiori glass. Around the coffin were two spears, a shield, a small cauldron and bronze bowl, a pot and an iron-bound bucket. Some animal ribs were probably a food offering. In the north-west corner of the man's grave was the bridle for the horse, mounted with circular gilt bronze plaques bearing deftly-controlled interlace ornament.[46] These are displayed in the Exhibition Hall at Sutton Hoo. Pattern welded pocket knife Pattern welding is the practice in sword and knife making of forming a blade of several metal pieces of differing composition that are forge-welded together and twisted and manipulated to form a pattern. ... Garnet is a group of minerals that have been used since the Bronze Age as gemstones and abrasives. ... A scabbard is a sheath for holding a sword or other large blade. ... Firesteel is a piece of high-carbon steel used for striking a spark, usually kept in a tinderbox together with flint and tinder. ... Murano Millefiori Pendant Millefiori is a glasswork technique which produces distinctive decorative patterns on glassware. ... Three-legged iron pots being used to cater for a school-leavers party in Botswana. ...


Inhumation graves containing a man and horse together, signifying an equestrian role, are known from England and Germanic Europe.[47] Most are of the sixth or early seventh century. Two Suffolk examples have been excavated at Lakenheath in western Suffolk,[48] and another found in c 1820 is recorded from Witnesham near Ipswich.[49] There is an example in the Snape cemetery.[50] Others are inferred from records of the discovery of horse furniture in cemetery contexts at Eye and Mildenhall.[51] Presumably the horse was sacrificed for the funeral. The ritual is sufficiently standardised to indicate that it reflects formal status rather than sentimental attachment. Lakenheath is a village in Suffolk, United Kingdom. ... Eye is a small town in the county of Suffolk, East Anglia, England, south of Diss, and on the River Dove. ... Mildenhall is a small market town and civil parish in the English county of Suffolk. ...

  • Mound 14: A Woman's Chamber-Grave

Although this grave had been destroyed almost completely by robbing (apparently during a heavy rainstorm), it had contained exceptionally high quality goods belonging to a woman. These included a chatelaine, a kidney-shaped purse lid, a bowl, several buckles, a dress-fastener and the hinges of a casket, all made of silver, and also a fragment of embroidered cloth.[52]

One of the Sutton Hoo burial mounds. This picture, taken during the Summer Solstice sunset on 21 June 2006, shows Mound 2 which is the only one of the Sutton Hoo mounds to have been reconstructed to its supposed original height. Alternate view.
One of the Sutton Hoo burial mounds. This picture, taken during the Summer Solstice sunset on 21 June 2006, shows Mound 2 which is the only one of the Sutton Hoo mounds to have been reconstructed to its supposed original height. Alternate view.
  • Mound 2: A Man's Chamber-Grave covered with a Ship

This extremely important grave, very damaged by looters, was excavated in 1938 by Basil Brown. It was probably the source of the many iron ship-rivets found in 1860. Brown, having found similar rivets dispersed in the mound, interpreted the burial as a small boat with square stern containing the grave deposit (by comparison with the Snape find).[53] Professor Carver's very thorough re-investigation revealed that this was essentially a rectangular plank-lined chamber, 5 m long by 2 m wide, sunk below the land surface with the body and grave-goods laid out in it. A ship (probably a smaller version of the Snape or Sutton Hoo Mound 1 type) was then placed over it, aligned east and west, before a large earth mound was raised above the whole.[54] Image File history File links Download high-resolution version (2560x1920, 2383 KB) File links The following pages on the English Wikipedia link to this file (pages on other projects are not listed): Sutton Hoo Wikipedia:Picture peer review/Sutton Hoo burial mound ... Image File history File links Download high-resolution version (2560x1920, 2383 KB) File links The following pages on the English Wikipedia link to this file (pages on other projects are not listed): Sutton Hoo Wikipedia:Picture peer review/Sutton Hoo burial mound ... A tumulus (plural tumuli, from the Latin word for mound or small hill, from the root to bulge, swell also found in ) is a mound of earth and stones raised over a grave or graves. ... is the 172nd day of the year (173rd in leap years) in the Gregorian calendar. ... Year 2006 (MMVI) was a common year starting on Sunday of the Gregorian calendar. ... Image File history File linksMetadata Size of this preview: 800 × 533 pixel Image in higher resolution (3456 × 2304 pixel, file size: 3. ...


Chemical analysis of the chamber floor suggested the presence of a body in the south-western corner. The goods, although very fragmentary, included an English blue glass cup with trailed decoration (like those from various English chamber-graves)[55] (including the new find at Prittlewell, Essex), two gilt-bronze discs with animal interlace ornament, a bronze brooch, a silver buckle, a gold-coated stud from a buckle and other items. Four objects (apart from the boat) have a special kinship to those from the Mound 1 ship-burial. The tip of a swordblade showed elaborate pattern-welding similar to the Mound 1 sword: silver-gilt drinking horn mounts were struck from the same dies as the Mound 1 horn-mounts: and two fragments of dragonlike mounts or plaques probably derived from a large shield of Vendel type, similar to the Mound 1 shield.[56] Although the rituals were not identical, the association of these objects and the ship in this grave shows an immediate connection between the two burials. Anglo-Saxon glass has been found across England during archaeological excavations of both settlement and cemetery sites. ... This article needs to be cleaned up to conform to a higher standard of quality. ... Vendel sword hilt from Norway. ...

  • Mound 1: The Sutton Hoo Ship-Burial (see below)
  • The Execution Burials (or 'Sandmen')

In contrast to the high status evident from these finds, the cemetery also contained a number of inhumations of a very different character. These were of people who had died by violent means, in some cases clearly by hanging or beheading. Often the bones had not survived, but this important part of the site's history was recovered by a special technique during the 1980s excavations. The fleshy parts of the bodies had left a stain in the sandy soil: this was laminated as work progressed, so that finally the emaciated figures of the dead were revealed. Casts were taken of several of these tableaux.


The identification and discussion of these burials has been led by Professor Carver.[57] Two main groups were excavated, one arranged around Mound 5, and the other beyond the barrow cemetery limits in the field to the east. It is thought that a gallows stood on Mound 5, a prominently visible position near a significant river-crossing point, and that these were victims of judicial execution. The executions are evidently later than Mound 5, and possibly date mostly from the 8th and 9th centuries.


Ship-burial

For a full description of the ship-burial, its excavation, contents, and analysis of them, the British Museum monograph The Sutton Hoo Ship-Burial (Bruce-Mitford 1975, 1978, 1983) remains the primary resource.

  • The Ship

Although practically none of the original timber survived, the excavated form of the ship in Mound 1 presented a very perfect image in 1939.[58] A stain in the sand had replaced the wood but had preserved many details of the construction, and nearly all of the iron planking rivets remained in their original places. Hence it was possible to survey and describe what was merely a ghost of the original ship. She was about 27 m (c 90 feet) long, pointed at either end with tall rising stem and stern posts, widening to about 4.4 m (c 14 feet) in the beam amidships with an inboard depth of about 1.5 m (c 4 ft 10 ins) over the keel line. From the keel board the hull was constructed clinker-fashion with nine planks on either side, the overlaps fastened with rivets. Twenty-six wooden frames strengthened the form within, more numerous near the stern where a steering-oar might be attached. Repairs were visible: this had been a seagoing craft of excellent craftsmanship, but there was no descending keel. A sternpost is the upright structural member or post at the stern of a (generally wooden) ship or a boat, to which is attached the transoms and the rearmost part of the keel. ... For other uses, see Keel (disambiguation). ... A hull is the body or frame of a ship or boat. ... Clinker is a boat building technique used for constructing hulls of boats and ships by fixing wooden planks and in the early nineteenth century, iron plates to each other so that the planks overlap along their edges. ... Aft of the Soleil Royal, by Jean Bérain the Elder. ... The steering oar or steering board is an oversized oar or board to control the direction of a ship or other watercraft prior to the invention of the rudder. ...

Reconstructed model of the burial-chamber. Alternate view.
Reconstructed model of the burial-chamber. Alternate view.
  • The Burial-chamber

This oak vessel of many tons weight had been hauled a considerable distance from the river to the brow of the hill, the prow facing inland to the east, and lowered into a prepared trench, so that only the tops of the stem and stern posts, some 4 m (c 13 feet) above the lowest part of the hull, rose above the land surface.[59] The decking, benches and whatever mast there may have been were removed. In the fore and aft sections, thorn-shaped wooden oar-rests were visible along the gunwales. If these were originally continuous along either side there would have been positions for forty oarsmen. However they were absent (perhaps removed) in the central section, where a chamber for the burial was constructed. This occupied a length of about 5.5 m (c 17 feet) amidships: timber walls were constructed at either end (the hull forming the side walls) and a roof (probably pitched like a house) was mounted above. Image File history File linksMetadata Size of this preview: 800 × 539 pixel Image in higher resolution (2196 × 1480 pixel, file size: 2. ... Image File history File linksMetadata Size of this preview: 800 × 539 pixel Image in higher resolution (2196 × 1480 pixel, file size: 2. ... Image File history File linksMetadata Size of this preview: 800 × 600 pixel Image in higher resolution (3072 × 2304 pixel, file size: 2. ... Þþ Thorn, or þorn (Þ, þ), is a letter in the Anglo-Saxon and Icelandic alphabets. ...

  • The Position of the Body

The excavators found no trace of a body, and originally suggested that the grave was a form of cenotaph.[60] However the arrangement and type of the buried goods, and the knowledge that these soils do dissolve bone, left little doubt that this was a burial with a body, and that it was placed in the centre of the chamber with the feet to the east. A phosphorus survey indicated higher levels of phosphorus in the area supposed to have been occupied by the body[61]. Some long time (perhaps many decades) after burial the roof collapsed violently under the weight of the mound, compressing the goods into a seam of earth.[62] The body lay on or in a central wooden structure about 9 feet long, possibly a platform or a very large coffin (interpretations vary).[63] An ironbound wooden bucket stood on the south side of this, and an iron lamp containing beeswax and a small wheel-thrown bottle of north continental make at its south-east corner. The Cenotaph, London A ceremony at the Cenotaph, London, on Sunday 12th June 2005, remembering Irish war dead Memorial Cenotaph, Hiroshima, Japan A cenotaph is a tomb or a monument erected in honor of a person or group of persons whose remains are elsewhere. ...

  • The West Wall
The shield-fittings reassembled.
The shield-fittings reassembled.

Along the inner west wall (i.e. the head end) at the north-west corner stood a tall iron stand with a grid near the top.[64] Beside this rested a very large circular shield.[65] The central boss was mounted with garnets and with die-pressed[66] plaques of interlaced animal ornament. The shield front displayed two large emblems with garnet settings, one a composite metal predatory bird and the other a long gilt casting of a flying dragon. It also bore animal-ornamented sheet strips directly die-linked to examples from the early cemetery at Vendel[67] near Old Uppsala in Sweden.[68] A small bell, possibly for an animal (?hound), lay nearby. Image File history File linksMetadata Size of this preview: 591 × 599 pixel Image in higher resolution (773 × 784 pixel, file size: 114 KB, MIME type: image/jpeg) File links The following pages on the English Wikipedia link to this file (pages on other projects are not listed): Sutton Hoo Metadata... Image File history File linksMetadata Size of this preview: 591 × 599 pixel Image in higher resolution (773 × 784 pixel, file size: 114 KB, MIME type: image/jpeg) File links The following pages on the English Wikipedia link to this file (pages on other projects are not listed): Sutton Hoo Metadata... Ohtheres mound Vendel is a parish in the Swedish province of Uppland. ... Gamla Uppsala is an area rich in archaeological remains seen from the grave field whose larger mounds (left part) are close to the royal mounds. ...


At the centre of the wall was a long square-sectioned whetstone tapered at either end and carved with human faces on each side. A ring mount topped by a bronze stag figurine was fixed to the upper end, so that it resembled a late Roman consular sceptre.[69] South of this was an iron-bound wooden bucket, one of several in the grave.[70] A whetstone is a stone used for sharpening knives and other cutting tools and is usually made out of ceramic or a hard mineral such as quartz or novaculite. ... For the record label, see Scepter Records. ...


In the south-west corner was a complex containing objects which may have hung upon the chamber wall, but were found compressed together. Lowest was a Coptic or eastern Mediterranean bronze bowl with drop handles and chased with figures of animals.[71] Above this (badly deformed) was a six-stringed Anglo-Saxon lyre in a beaver-skin bag, of a Germanic type found in wealthy Anglo-Saxon and north European graves of this date.[72] Uppermost was a large and exceptionally elaborate three-hooked hanging bowl of Insular production, with champleve enamel and millefiori mounts showing fine-line spiral ornament and red cross motifs, and with an enamelled metal fish mounted to swivel on a pin within the bowl.[73] Religions Coptic Orthodox Christianity, Coptic Catholicism, Protestantism Scriptures Bible Languages Mari, Coptic, Arabic, English, French, German A Copt (Coptic: , literally: Egyptian Christian) is a native Egyptian Christian. ... “Lyres” redirects here. ... A Hanging bowl is a copper bowl with three or four loops around the rim, designed to hang from a tripod. ... Champlevé in the decorative arts, an enameling technique or an object made by the champlevé process, which consists of cutting away troughs or cells in a metal plate and filling the depressions with pulverized vitreous enamel. ... In a discussion of art technology, enamel (or vitreous enamel, or porcelain enamel in American English) is the colorful result of fusion of powdered glass to a substrate through the process of firing, usually between 750 and 850 degrees Celsius. ...

Reproduction of the lyre by Messrs Dolmetsch.
  • The East Wall

At the east end of the chamber stood (near the north corner) an iron-bound tub of yew with a smaller bucket within. To the south were two small bronze cauldrons, one globular and one concave-sided, probably hanging against the wall. A large carinated bronze cauldron, similar to the example from a chamber-grave at Taplow, with iron mounts and two ring-handles was hung by one handle at the centre.[74] Nearby lay a chain almost 3.5 m long of complex ornamental sections and wrought links, for the suspension of such a cauldron from the beams of a large hall.[75] All these items were of a domestic character. Image File history File linksMetadata Size of this preview: 284 × 599 pixel Image in higher resolution (2067 × 4363 pixel, file size: 708 KB, MIME type: image/jpeg) Lyre reconstruction by Messrs Dolmetsch. ... Image File history File linksMetadata Size of this preview: 284 × 599 pixel Image in higher resolution (2067 × 4363 pixel, file size: 708 KB, MIME type: image/jpeg) Lyre reconstruction by Messrs Dolmetsch. ... Three-legged iron pots being used to cater for a school-leavers party in Botswana. ... Taplow is a village in Buckinghamshire, England. ...

  • The Helmet, Silver Bowls and Spoons (head area)

The objects around the likely position of the body indicate that it lay with the head close to the west end of the central wooden structure.


On the head's left side was placed the 'crested' and masked helmet, wrapped in cloths.[76] With its historiated die-struck panels and assembled mounts this is directly comparable to the helmets of the Vendel and Valsgärde cemeteries of eastern Sweden,[77] although differing in that the dome is constructed in a single vaulted shell (and therefore not strictly a spangenhelm) and in having a full mask. Although very like the Swedish examples it is a superior production. Helmets are extremely rare finds, and no other example from England is of this type with panels depicting warrior scenes, with the exception of a fragment from a burial at Caenby, Lincolnshire.[78] The helmet rusted in the grave and was shattered into hundreds of fragments when the chamber roof collapsed.[79] Ohtheres mound Vendel is a parish in the Swedish province of Uppland. ... Valsgärde is a farm at the Fyris river, ca 3 km north of Gamla Uppsala, the ancient centre of the Swedish kings and of the pagan faith in Sweden. ... A spangenhelm with nasal and cheek flaps. ... Caenby is a small hamlet within the civil parish of Glentham in the West Lindsey district of Lincolnshire, England. ... Lincolnshire (abbreviated Lincs) is a county in the east of England. ...


To the head's right was placed inverted a nested set of ten silver bowls, probably made in the Eastern Empire during the sixth century. Beneath them were two silver spoons, possibly from Byzantium itself, of a type bearing names of the Apostles.[80] One spoon is marked in original nielloed Greek lettering with the name of PAVLOC, 'Paul'. The other, matching spoon has been modified using lettering conventions of a Frankish coin-die cutter, to read CAVLOC, 'Saul'. It is claimed (but disputed) that the spoons (and possibly also the bowls) formed a baptismal gift for the buried person, alluding to the Damascene conversion of Saint Paul (Acts Ch. 9 & 13.9).[81] The Byzantine Empire is the term conventionally used to describe the Roman Empire during the Middle Ages, centered at its capital in Constantinople. ... Byzantium (Greek: Βυζάντιον) was an ancient Greek city, which, according to legend, was founded by Greek colonists from Megara in 667 BC and named after their king Byzas or Byzantas (Βύζας or Βύζαντας in Greek). ... Alternate meaning: See Apostle (Mormonism) The Christian Apostles were Jewish men chosen from among the disciples, who were sent forth (as indicated by the Greek word απόστολος apostolos= messenger), by Jesus to preach the Gospel to both Jews and Gentiles, across the... „Minden Cross“ in Niello technique, appr. ... Statue of Charlemagne (also called Karl der Große, Charles the Great) in Frankfurt, Germany. ... Paul of Tarsus (b. ... The Acts of the Apostles is a book of the Bible, which now stands fifth in the New Testament. ...

  • The Sword, Sword-harness and Spears (right side)

Parallel with the body space on the right hand lay a set of spears, tips uppermost, including three barbed angons, their heads thrust through a handle of the bronze bowl in the northeast corner.[82] Nearby was a wand with a small mount depicting a wolf.[83] Closer to the body lay the magnificent sword with gold and garnet-cloisonné pommel (85 cm or 34in long), its pattern-welded blade within its sheath.[84] Attached to this and lying towards the body was the sword harness and belt, fitted with a suite of solid gold mounts and strap-distributors of extremely intricate garnet cellwork ornament.[85] The scabbard-bosses of domed cellwork and pyramidal mounts with faceted stones in the angles are also superlative.

  • The Purse, Shoulder-clasps and Great Buckle (upper body area)
Shoulder-clasps. Alternate view. British Museum.
Shoulder-clasps. Alternate view. British Museum.

Together with the sword harness and scabbard mounts, the gold and garnet objects found in the upper body space are among the true wonders of Sutton Hoo. Their artistic and technical quality is quite exceptional. They form a co-ordinated ensemble thought to have been produced for this wearer as patron.[86] Image File history File linksMetadata Size of this preview: 800 × 532 pixel Image in higher resolution (1280 × 851 pixel, file size: 165 KB, MIME type: image/jpeg) File links The following pages on the English Wikipedia link to this file (pages on other projects are not listed): Sutton Hoo Metadata... Image File history File linksMetadata Size of this preview: 800 × 532 pixel Image in higher resolution (1280 × 851 pixel, file size: 165 KB, MIME type: image/jpeg) File links The following pages on the English Wikipedia link to this file (pages on other projects are not listed): Sutton Hoo Metadata... Image File history File linksMetadata Size of this preview: 800 × 491 pixel Image in higher resolution (1280 × 786 pixel, file size: 133 KB, MIME type: image/jpeg) File links No pages on the English Wikipedia link to this file. ...


Each shoulder-clasp consists of two matching curved halves, hinged upon a long removable chained pin.[87] The surfaces display panels of interlocking stepped garnets and chequer millefiori insets, surrounded by interlaced ornament of Germanic Style II ribbon animals. The half-round clasp ends contain garnet-work of interlocking boars with filigree surrounds. On the underside of the mounts are lugs for attachment to a stiff leather cuirass. The function of the clasps is to hold together the front and back halves of such armour so that it can fit the torso closely in the Roman manner.[88] The cuirass itself, possibly worn in the grave, did not survive. No other Anglo-Saxon cuirass clasps are known. Gravegoods from various North French and Rhineland sites, up to the 6th c. ... This article is devoted to the type of armour known as a cuirass. ...

Great Buckle.
Great Buckle.

The 'great' gold buckle is made in three parts.[89] The plate is a long ovoid of meandering but symmetrical outline with densely interwoven and interpenetrating Style II ribbon animals rendered in chip-carving on the front. The gold surfaces are punched to receive niello detail. The plate is hollow and has a hinged back, forming a secret chamber possibly for a relic. Both the tongue-plate and hoop are solid, ornamented, and expertly engineered. Garnet is not employed in this object. Image File history File linksMetadata Size of this preview: 800 × 397 pixel Image in higher resolution (1279 × 634 pixel, file size: 165 KB, MIME type: image/jpeg) File links The following pages on the English Wikipedia link to this file (pages on other projects are not listed): Sutton Hoo Metadata... Image File history File linksMetadata Size of this preview: 800 × 397 pixel Image in higher resolution (1279 × 634 pixel, file size: 165 KB, MIME type: image/jpeg) File links The following pages on the English Wikipedia link to this file (pages on other projects are not listed): Sutton Hoo Metadata...


The purse, with ornamental lid covering a lost leather pouch, hung from the waist-belt.[90] The lid consists of a kidney-shaped cellwork frame enclosing a sheet of horn, on which were mounted pairs of exquisite garnet cellwork plaques depicting predatory birds, wolves devouring men, geometric motifs, and a double panel showing horses or animals with interlaced extremities. The maker derived these images from the ornament of the Swedish-style helmets and shield-mounts. In his work they are transferred into the cellwork medium with dazzling technical and artistic virtuosity.

Purse lid. British Museum.
Purse lid. British Museum.

These are therefore the work of a master-goldsmith of his age who had access to an East Anglian armoury containing the objects used as pattern sources. As an ensemble they enabled the patron to appear in an imperial persona, and expressed his authority and resources to do so.[91] Image File history File linksMetadata Size of this preview: 800 × 523 pixel Image in higher resolution (1280 × 836 pixel, file size: 206 KB, MIME type: image/jpeg) File links The following pages on the English Wikipedia link to this file (pages on other projects are not listed): Sutton Hoo Metadata... Image File history File linksMetadata Size of this preview: 800 × 523 pixel Image in higher resolution (1280 × 836 pixel, file size: 206 KB, MIME type: image/jpeg) File links The following pages on the English Wikipedia link to this file (pages on other projects are not listed): Sutton Hoo Metadata...


Within the purse were contained 37 gold shillings or tremisses, each from a different Frankish mint and therefore deliberately formed as a collection. There were also three blank coins and two small ingots.[92] This has prompted various explanations. Possibly like the Roman obolus they were to pay the forty ghostly oarsmen in the afterworld, or were a funeral tribute, or an expression of allegiance.[93] They provide the (debated) primary evidence for the date of the burial, probably in the third decade of the 7th century.[94] // The earliest known English coins are gold pieces, modelled on contemporary Merovingian Frankish coinage, and consisting largely of tremisses: one third of a gold solidus, originally weighing 4. ...

  • The Drinking-horn complex (lower body area)

In the area corresponding to the lower legs of the body were laid out various drinking vessels. They included a pair of drinking horns of heroic distinction, made from the horns of an aurochs (a continental species of Wild Ox extinct since early mediaeval times).[95] These have matching die-stamped gilt rim mounts and vandykes, of similar workmanship and design to the shield mounts, and exactly similar to the surviving horn vandykes from Mound 2.[96] These mounts also have decisive parallels in metalwork from the Vendel cemetery.[97] In the same area stood a set of maplewood cups with similar rim-mounts and vandykes,[98] and a heap of folded textiles lay on the left side. Binomial name Subspecies Bos primigenius primigenius   (Bojanus, 1827) Bos primigenius namadicus   (Falconer, 1859) Bos primigenius mauretanicus   (Thomas, 1881) See Ur (rune) for the rune. ... For other uses, see Textile (disambiguation). ...

  • The 'Heaps' (beyond the feet, east end)

A large quantity of material including metal objects and textiles was formed into two folded or packed heaps on the foot (east) end of the central wooden structure. This included a long hauberk or coat of ring-mail (an extremely rare survival) made of alternate rows of welded and riveted iron links.[99] There were also two additional hanging bowls,[100] leather shoes,[101] a cushion or pillow stuffed with feathers, folded objects of leather, a wooden platter, and other items. At one side of the heaps lay an iron hammer-axe with a long iron handle, possibly a weapon.[102] Hauberk, Museum of Bayeux. ...

  • The Silverware and Contents (above the heaps)

On top of the folded heaps was set a fluted silver dish with drop handles, probably of Italian make, with the relief image of a female head in late Roman style worked into the bowl.[103] This contained a series of small burr-wood cups with rim-mounts, combs of antler, small metal knives, a small silver bowl, and various other small effects (possibly toilet equipment), and including a bone gaming-piece, thought to be the 'king piece' from a set.[104] (Traces of bone above the head position have suggested that a gaming-board was possibly set out, as at Taplow.) Above these was a silver ladle with gilt chevron ornament, also of Mediterranean origin.[105]


Over the whole of this, perched on top of the heaps (or their container, if there was one) lay a very large round silver platter with chased ornament, made in the Eastern Empire in around 500 AD and bearing the control stamps of Emperor Anastasius I (491–518).[106] On this plate was deposited a piece of unburnt bone of uncertain derivation.[107] Flavius Anastasius. ...


The assemblage of Mediterranean silverware in the Sutton Hoo grave is unique for this period in Britain and Europe.[108]

  • Textiles (around and on the central structure)

The burial chamber was evidently rich in textiles, represented by many fragments preserved, or replaced by metal corrosion products.[109] They included quantities of twill (possibly from cloaks, blankets or hangings), and the remains of cloaks with characteristic long-pile weaving. There appear to have been more exotic coloured hangings or spreads, including some (possibly imported) woven in stepped lozenge patterns using a Syrian technique in which the weft is looped around the warp to create a textured surface. Two other colour-patterned textiles, near the head and foot of the body area, resemble Scandinavian work of the same period. A twill weave can easily be identified by its diagonal lines. ... Evening cloak or manteau, from Costume Parisien, 1823 A cloak is a type of loose garment that is worn over indoor clothing and serves the same purpose as an overcoat—it protects the wearer from the cold, rain or wind for example, or it may form part of a fashionable... WEFT Champaign 90. ... WaRp. ...

  • The Mound

Finally the burial was completed by the construction of a long and high oval mound which not only completely covered the ship but rose above the horizon at the west or riverward side of the Sutton Hoo cemetery.[110] Although the view to the river is now obscured by Top Hat Wood, it was doubtless originally intended that the mound should brood visibly on the bluff above the river as an outward symbol of power to those using the waterway. On present evidence, this magnificent funeral appears to have been the final occasion upon which the Sutton Hoo cemetery was used for its original purpose.


Long after the mound was raised the westerly end of it was dug away when a mediaeval boundary ditch was laid out. Therefore when looters dug into the apparent centre during the sixteenth century they missed the real centre: nor could they have foreseen that the deposit lay very deep in the belly of a buried ship, well below the level of the land surface.[111] Great pains had been taken to ensure that it remained undisturbed for a very long time.


New gravefield

During the year 2000 an excavation was made by a Suffolk County Council team on the site intended for the National Trust visitor centre. The site lies some distance north of Tranmer House, at a point where the ridge of the Deben valley veers westwards to form a promontory and a south-western prospect across the river is afforded. A large area of topsoil was removed, in one corner of which a number of early Anglo-Saxon burials were discovered, some being furnished with objects of high status.[112] The following discoveries were of particular note. The standard of the National Trust The National Trust for Places of Historic Interest or Natural Beauty, usually known as The National Trust, is a British preservation organization. ... A visitor center is a place where visitors to a location can get information on the areas attractions, lodging, maps, and other items relevant to tourism. ...

  • The 'Bromeswell Bucket'

Attention was first attracted to this area by the chance discovery of a rare imported artefact of eastern Mediterranean origin of the 6th century.[113] It is part of a vessel of thin beaten bronze with vertical sides, made to contain beverage. The outer surface is decorated with a frieze of Syrian or 'Nubian' style depicting naked warriors carrying swords and shields in combat with leaping lions, executed by punch-marking. Above the frieze and below the rim is a zone of inscription in Greek lettering which translates 'Use this in good health, Master Count, for many happy years.' This is very likely to have derived from a furnished burial.

  • Group of Cremation Mounds

In an area near to Mrs Pretty's former rose garden a group of moderate-sized burial mounds was identified. The mounds had long since been levelled, but their position was shown by circular surrounding ditches. At the centre of each was a small deposit indicating the presence of a single burial, probably of unurned human ashes.

  • Cremation Burial with Hanging Bowl

This burial lay in an irregular ovate pit which contained two vessels. One was a stamped black earthenware urn of late 6th century type. The other was a large bronze hanging bowl in excellent condition, with openwork hook escutcheons (without enamel) and a related circular mount at the centre of the bowl. The mounts are very similar to an example found at Eastry, Kent (possibly a 7th century royal dwelling[114]). A Hanging bowl is a copper bowl with three or four loops around the rim, designed to hang from a tripod. ... Eastry is a remote, yet historically significant village four kilometres SW of Sandwich, in Kent. ...

  • 'Warrior' Inhumation

In this burial a man was laid out with a spear at his side and a shield of normal size over him. The shield bore two fine metal mounts, one depicting a predatory bird (not unlike the shield from the ship) and the other a thin dragonlike creature, and the boss-stud was also ornamented.[115] The Vendel-type connections with Mound 1 were significant.


History

In 1940 H.M. Chadwick (a pre-eminent Anglo-Saxon historian) gave his opinion that the ship-burial was probably the grave of King Raedwald of the East Angles, who ruled c 599-c 624 AD.[116] The primary source for Raedwald is the Historia Ecclesiastica of the Venerable Bede, completed AD 731. Rædwald (d. ... Bede (IPA: ) (also Saint Bede, the Venerable Bede, or (from Latin) Beda (IPA: )), (ca. ...


During the later 6th century (when the various Anglo-Saxon kingdoms were in process of formation), two great leaders, Ceawlin of Wessex and Ethelbert of Kent, in turn held dominion over all the rulers south of the River Humber (see Bretwalda).[117] In 597 a mission led by Saint Augustine arrived in Kent and began the first formal conversion of the English rulers and their people to Roman Christianity.[118] Raedwald was baptized in Kent, and (as Ethelbert grew old) he built up the leadership for his own nation of East Angles.[119] Ceawlin of Wessex (also spelled Ceaulin or Caelin) is recorded in the Anglo-Saxon Chronicle as being king of the West Saxons, or Wessex from 560 to 591, and named by Bede in his Historia Ecclesiastica Gentis Anglorum as the second king to hold imperium over other Anglo-Saxon kingdoms. ... Statue of Ethelbert. ... Bretwalda is an Anglo-Saxon term, the first record of which comes from the late ninth-century Anglo-Saxon Chronicle. ... Augustine of Canterbury (birth unknown, died May 26, 604) was the first Archbishop of Canterbury, sent to Ethelbert of Kent, Bretwalda (ruler) of England by Pope Gregory the Great in 597. ... The Kingdom of Kent was a kingdom of Jutes in southeast England, one of the seven traditional kingdoms of the so-called Anglo-Saxon heptarchy. ... It has been suggested that this article or section be merged with Catholicism. ...


In c 616 he was challenged by the Northumbrian ruler Aethelfrith, and defeated and slew him in a great battle.[120] Raedwald then set Edwin, a royal exile, to rule in Northumbria, and for the remainder of his life Raedwald held supreme rule (imperium) over the English.[121] He was the first southern ruler to hold Northumbria under such allegiance. Northumbria is primarily the name of an Anglian or Anglo-Saxon kingdom which was formed in Great Britain at the beginning of the 7th century, and of the earldom which succeeded the kingdom. ... Æthelfrith (d. ... Saint Edwin (alternately Eadwine or Æduini) (c. ...


Raedwald did not establish unequivocal Christian rule,[122] but at his death Edwin acquired even greater dominion than Raedwald (except in Kent), and was baptized.[123] Through further conversions with Bishop Paulinus in Northumbria, Lindsey and East Anglia under the rule of Eorpwald (Raedwald's son),[124] by cementing Christian alliances with Sigebert of East Anglia (ruled c 629–636),[125] and by his own marriage to the sister of Eadbald of Kent (ruled c 616–640),[126] Edwin (ruled c 616–632) became the first English ruler with dominion north and south of the Humber in religious obedience to Christian Rome. Edwin is known to have cultivated the public behaviour of a Roman leader.[127] Saint Paulinus, (?-October 10, 644), was the first bishop of York. ... Lindsey or Linnuis is the name of the Anglo-Saxon kingdom that lay between the Humber and the Wash, forming its inland boundaries from the course of the Witham and Trent rivers (with the inclusion of an area inside of a marshy region south of the Humber known as the... Eorpwald was the son of Redwald and reigned as king of East Anglia from 625-627. ... Sigebert of East Anglia (also known as Saint Sigebert) was King of East Anglia from c 629 to c634. ... Eadbald (died January 20, 640) (Means roughly Kindly Bold) was the King of Kent from 616 until his death. ...


The question 'Who was in the ship?' is finally unanswerable.[128] But given the exceptionally high quality of the materials (imported and commissioned) and the resources needed to assemble them, the imperial authority which the gold body equipment was intended to convey, the community involvement required in this unusual ritual at a cemetery reserved for an elite, the nearness of Sutton Hoo to a near-contemporary centre of royal power at Rendlesham, and the probable date-horizons, the identification with Raedwald still has widespread popular acceptance. From time to time other identifications are suggested.[129]


Beowulf and Vendel

It is debated whether the custom of furnished burial was explicitly pagan, or whether it was reaching a natural culmination when Christianity began to make its mark.[130] Image File history File linksMetadata Download high-resolution version (1200x1600, 516 KB) I, the creator of this work, hereby grant the permission to copy, distribute and/or modify this document under the terms of the GNU Free Documentation License, Version 1. ... Image File history File linksMetadata Download high-resolution version (1200x1600, 516 KB) I, the creator of this work, hereby grant the permission to copy, distribute and/or modify this document under the terms of the GNU Free Documentation License, Version 1. ... The Vendel era (550-793) was the name of a Swedish part of the Germanic Iron Age (or, more generally, the Age of Migrations). ... Swedish Museum of National Antiquities (Historiska museet) is a museum located in Stockholm, Sweden that is responsible for Swedish cultural history and art from the Stone Age to the 16th century. ...


Beowulf, the great surviving example of heroic Old English poetry, is set in Denmark and Sweden (mostly Götaland) during the first half of the 6th century. It opens with the funeral of a king in a ship laden with treasure, and has other descriptions of hoards including Beowulf's own mound-burial. Its picture of warrior life in the Hall of the Danish Scylding clan, with formal mead-drinking, minstrel recitation to the lyre and the rewarding of valour with gifts, and the description of a helmet, could all be illustrated from the Sutton Hoo finds. The interpretation of each has a bearing on the other.[131] This article is about the epic poem. ... Götaland Unofficial Nordic cross flag of western Götaland. ... Old English Scylding (plural Scyldingas) and Old Norse Skjöldung (plural Skjöldungar), meaning in both languages Shielding, refers to members of a legendary royal family of Danes and sometimes to their people. ... The Scandinavian clan or ætt in Old Norse, was a social group based on common descent or on the formal acceptance into the group at a þing. ...


Beowulf is a work of heroic lore, not a scholarly history. However, the real eastern Swedish connections of the Sutton Hoo material reinforce this link.[132] The Vendel and Valsgärde graves also include ships (though smaller), similar artefact groups, and many sacrificed animals.[133] Ship-burial at this date is largely confined to east Sweden and East Anglia. The rather earlier mound-burials (without ships) at Old Uppsala, in the same region, have a more direct bearing on the Beowulf story and date-horizon. The Sutton Hoo and the Swedish burials are earlier than the famous Gokstad and Oseberg ship-burials. Ohtheres mound Vendel is a parish in the Swedish province of Uppland. ... Valsgärde is a farm at the Fyris river, ca 3 km north of Gamla Uppsala, the ancient centre of the Swedish kings and of the pagan faith in Sweden. ... The Blót was the pagan Germanic sacrifice to Norse gods and Elves. ... Gamla Uppsala is an area rich in archaeological remains seen from the grave field whose larger mounds (left part) are close to the royal mounds. ... The Gokstad ship is a late 9th century Viking ship found in a ship burial beneath a burial mound at Gokstad farm in Sandar, Sandefjord, Vestfold, Norway. ... The Oseberg longship (Viking Ship Museum, Norway) vantage exactly from the front - one of the most stunning expressions of Norse art and craftsmenship The Oseberg ship was found in a large burial mound at the Oseberg farm near Tønsberg in Vestfold county, Norway, in 1904. ...

A Swedish shield from Vendel, directly comparable to the Sutton Hoo shield.
A Swedish shield from Vendel, directly comparable to the Sutton Hoo shield.

The inclusion of drinking-horns, lyre, sword and shield, bronze and glass vessels is not untypical of high-status 6th or early 7th century chamber-graves in England.[134] The selection and arrangement of goods in these graves shows a widespread conformity of household possessions and funeral custom among these wealthy people. The Sutton Hoo ship-burial is a uniquely-elaborated version of the ritual, of exceptional quality, with the addition of the regalia and instruments of power, and with Scandinavian connections more direct than the general overlap between English and north continental art of the period. Image File history File linksMetadata Download high-resolution version (1600x1200, 404 KB) I, the creator of this work, hereby grant the permission to copy, distribute and/or modify this document under the terms of the GNU Free Documentation License, Version 1. ... Image File history File linksMetadata Download high-resolution version (1600x1200, 404 KB) I, the creator of this work, hereby grant the permission to copy, distribute and/or modify this document under the terms of the GNU Free Documentation License, Version 1. ... Ohtheres mound Vendel is a parish in the Swedish province of Uppland. ...

A possible explanation for these Swedish connections lies in the well-attested northern custom by which the children of leading men were often brought up not at home, but by some distinguished friend or relative.[135] In this way, at a royal level, a future East Anglian potentate fostered in Sweden could have acquired very high quality objects of Swedish type, and have made the necessary contacts with those armourers, before returning to Britain to assume his inheritance. Image File history File linksMetadata Size of this preview: 800 × 600 pixel Image in higher resolution (1600 × 1200 pixel, file size: 488 KB, MIME type: image/jpeg) I, the creator of this work, hereby grant the permission to copy, distribute and/or modify this document under the terms of the... Image File history File linksMetadata Size of this preview: 800 × 600 pixel Image in higher resolution (1600 × 1200 pixel, file size: 488 KB, MIME type: image/jpeg) I, the creator of this work, hereby grant the permission to copy, distribute and/or modify this document under the terms of the... The Vendel era (550-793) was the name of a Swedish part of the Germanic Iron Age (or, more generally, the Age of Migrations). ... Swedish Museum of National Antiquities (Historiska museet) is a museum located in Stockholm, Sweden that is responsible for Swedish cultural history and art from the Stone Age to the 16th century. ...


Sam Newton draws together the Sutton Hoo and Beowulf links with the Raedwald identification, and using genealogical data argues that the Wuffing dynasty derived from the Geatish Wulfing house mentioned in Beowulf and the poem Widsith. Possibly the oral materials from which Beowulf was assembled belonged to East Anglian royal tradition, and they and the ship-burial took shape together as heroic restatements of migration-age origins.[136] Geats (Gautar Old Norse or Götar in Swedish) is the Old English spelling of the name of a Scandinavian people living in Götaland, land of the Geats, currently within the borders of modern Sweden. ... The Wulfings or Wylfings (the name means the wolf clan) was a prominent family/clan in Beowulf and Widsith. ... Widsith is an Old English poem of 144 lines. ... Human migration denotes any movement of groups of people from one locality to another, rather than of individual wanderers. ...


Professor Carver argues that pagan East Anglian rulers responded to the encroachment of Roman Christendom by ever more elaborate cremation rituals to express defiance and independence. The execution victims, if not human sacrifices for the ship-burial, perhaps suffered for dissent from the cult of Christian royalty.[137] The executions may coincide in date with the period of Mercian dominion in East Anglia (c 760–825).[138] Pagan and heathen redirect here. ... Mercia, sometimes spelled Mierce, was one of the kingdoms of the Anglo-Saxon heptarchy, in what is now England, in the region of the Midlands, with its heart in the valley of the River Trent and its tributary streams. ...


Art history

Sutton Hoo is a cornerstone of the study of art in Britain in the 6th–9th centuries. Professor Henderson, summarising, calls the ship treasures "the first proven hothouse for the incubation of the Insular style."[139] A full assemblage of objects of very varied origins are combined among the possessions of a person of the highest social degree. The gold and garnet fittings show the creative fusion of foregoing techniques and motifs derived from them, by a master-goldsmith working for such a patron.


From the gathering together of such possessions, and the combination or transformation of their themes and techniques in new productions, the synthesis of Insular art emerges. Drawing on Irish, Pictish, Anglo-Saxon, native British and Mediterranean artistic sources, Insular art is a fusion more complex than the purely Anglo-Irish expressed by "Hiberno-Saxon" art. The 7th century Book of Durrow, first survival of the gospel-book series including the Lindisfarne Gospels and the Book of Kells, owes as much to Pictish sculpture, to British millefiori and enamelwork and Anglo-Saxon cloisonné metalwork, as to Irish art.[140] This page (folio 292r) of the Book of Kells contains the lavishly decorated text that opens the Gospel of John. ... The Picts inhabited Caledonia (Scotland), north of the River Forth. ... Gravegoods from various North French and Rhineland sites, up to the 6th c. ... The beginning of the Gospel of Mark from the Book of Durrow. ... Folio 27r from the Lindisfarne Gospels contains the incipit from the Gospel of Matthew. ... This page (folio 292r) contains the lavishly decorated text that opens the Gospel of John. ... Cloisonné is a multi-step enamel process used to produce jewelry, vases, and other decorative items. ...


This fusion in the Sutton Hoo treasury and workshop precedes the (often royal) religious context of the scriptoria. There is thus a continuum from pre-Christian royal accumulation of precious objects from diverse cultural sources, through to the art of gospel-books, shrines and liturgical or dynastic objects in which those elements were blended. It is a parallel expression of the formation of English and Insular cultural identity, and the dissemination of royal values. That is part of the fascination of Sutton Hoo.


Exhibition

  • The treasure from the ship-burial was presented to the nation by the owner, Edith May Pretty, in a bequest of 1942, and is held and normally displayed at the British Museum in London.
  • The original finds from Mounds 2, 3 and 4, excavated in 1938, are displayed at Ipswich Museum, Suffolk, in an Anglo-Saxon Gallery (opened 1996). There are also on display British Museum replicas or reproductions of the lyre, the whetstone-sceptre, great buckle, sword-belt mounts, silver bowls, spoons and ladle, some sword-belt fittings, the coins, a large drinking-cup, and the large cauldron from the ship-burial. The display includes other objects of related interest from Suffolk.
  • The Sutton Hoo site itself, including Sutton Hoo House (now Tranmer House), was given to the English National Trust by the Trustees of the Annie Tranmer Trust during the 1990s. A visitor centre and exhibition hall were opened in March 2002, at which Seamus Heaney, the guest speaker, read from his translation of Beowulf.[141]
  • The National Trust visitor centre is sited near the Sutton Hoo cemetery and includes much of the Sutton Hoo estate. The Exhibition Hall houses the original finds from the Sutton Hoo equestrian grave (Mound 17), the newly-found hanging bowl and the Bromeswell Bucket. There are several high-quality reproductions and a life-sized recreation of the burial chamber and contents. A temporary exhibition room displays original objects on loan in annual themed exhibitions. Tranmer House is used for day-schools on related themes.
  • Reproductions: a modern reproduction of the sword was made by Patrick Bárta of TEMPL Historic Arms;[142] a re-creation of the lyre was made by Michael J. King.[143]

The British Museum in London, England is one of the worlds greatest museums of human history and culture. ... Seamus Justin Heaney (IPA: ) (born 13 April 1939) is an Irish poet, writer and lecturer who was awarded the Nobel Prize in Literature in 1995. ... This article is about the epic poem. ...

See also

History Gokstad viking ship -excavation. ... The Oseberg ship (Viking Ship Museum, Norway) Detail from the Oseberg ship View from the front - one of the most stunning expressions of Norse art and craftsmenship The Oseberg ship is a Viking ship which was found in a large burial mound at the Oseberg farm near Tønsberg in... The Snape boat grave is a 5th-6th century boat grave foud at Snape Common, near Aldeburgh in East Anglia. ... The Tune ship is a viking ship of the karv type found at Haugen farm in Østfold, Norway. ...

Notes

  1. ^ A full description of the locality and environment can be found in Bruce-Mitford 1975, 1–98.
  2. ^ Carver 1998, 2–4.
  3. ^ Phillips 1940, 152.
  4. ^ M. Hopkirk in Bruce-Mitford 1975, xxxvii.
  5. ^ (Carver 1998, 2–5). Testimony of the sightings was offered by Len Cox, son of a reputed witness, in a BBC2 programme in the 'Out of this World' series broadcast 1998.
  6. ^ ODNB, Basil John Wait Brown. Brown's diaries of the 1938 and 1939 excavations are published in Bruce-Mitford 1974, 141–169.
  7. ^ Bruce-Mitford 1975, 100–131; Carver 1998, 5–9; Markham 2002, 12–14.
  8. ^ Descriptions of the excavation are given as follows: Bruce-Mitford 1975, 156–222; Carver 1998, 9–11; Markham 2002. Bob Markham's published narrative is based on unpublished correspondence of Basil Brown and others held by the British Museum, the Ipswich Museum, and the Suffolk County Council Archaeological Service.
  9. ^ See Charles Phillips's diary of the excavation (Bruce-Mitford 1975, 732–747);Carver 1998, 11–20
  10. ^ Markham 2002, 22.
  11. ^ Clark 1985; Phillips 1987, 70–80; Plunkett 1998, 182, 189; Markham 2002, 8–9, 31–35.
  12. ^ Bruce-Mitford 1975, 718–731.
  13. ^ Markham 2002, 50–54.
  14. ^ West 1998, 261–275.
  15. ^ Fairclough and Plunkett 2000.
  16. ^ West 1998, 93–4. For an overview of similar Suffolk finds see this work and Plunkett 2005, 27–8,33–4, 44.
  17. ^ West 1998, 9–10, 92–3, 99.
  18. ^ West 1998, 12–3.
  19. ^ West 1998, 91, 100–101.
  20. ^ Filmer-Sankey and Pestell 2002.
  21. ^ Bruce-Mitford 1974, 114–140.
  22. ^ West, Scarfe and Cramp 1984.
  23. ^ Historia Ecclesiastica, iii.22.
  24. ^ Bruce-Mitford 1974, 73–113.
  25. ^ Scarfe 1986, 4, 30.
  26. ^ Warner 1996 citing Liber Eliensis; Plunkett 2005, 133–4.
  27. ^ Wade 2001.
  28. ^ Carver (Ed.) 1993.
  29. ^ Ipswich Journal, 24 Nov 1860.
  30. ^ Carver 1998, 148–153.
  31. ^ Bruce-Mitford 1975, 100–136.
  32. ^ Bruce-Mitford 1975, 137–229.
  33. ^ Carver 1998, 25–26.
  34. ^ Phillips 1940; Phillips et al., 1940.
  35. ^ O.D.N.B., Rupert L.S. Bruce-Mitford
  36. ^ Bruce-Mitford 1975, 230–344.
  37. ^ Carver 1998; Carver et al. 2005
  38. ^ http://www.suttonhoo.org/archaeology.htm Photographs of some of the excavations.
  39. ^ The most recent, complete and authoritative statement about the graveyard as a whole is that of Carver et al. 2005.
  40. ^ Bruce-Mitford 1975, 108–10, 112–15, 125–26.
  41. ^ Bruce-Mitford 1975, 124–5,131.
  42. ^ Carver 1998, 107–110.
  43. ^ Bruce-Mitford 1975; Evans 2001.
  44. ^ Carver 1998, 113–16.
  45. ^ Carver 1998, 81–90, 110–116, Pls III-V.
  46. ^ The analysis of the bridle and mounts is presented by Angela Evans in Carver et al. 2005, 201-281.
  47. ^ The example from Eschwege, Niederhonen in the Lower Werra valley (a tributary of the River Weser) is displayed at Kassel Museum, Germany.
  48. ^ Caruth and Anderson 1999.
  49. ^ Plunkett 2005, 51–3.
  50. ^ Filmer-Sankey and Pestell 2002.
  51. ^ West 1998, 31–2, 83–6.
  52. ^ Carver 1998, 81–2, 116; Evans 2001.
  53. ^ For the original discovery and finds, and their analysis, see Bruce-Mitford 1975, 104–117, 110–111.
  54. ^ Carver 1998, 75–81, 116–121.
  55. ^ Bruce-Mitford 1975, 132–134.
  56. ^ Bruce-Mitford 1975, 115–121.
  57. ^ Carver 1998, 72–75 137–147.
  58. ^ A.C. Evans and R. Bruce-Mitford in Bruce-Mitford 1975, 345–435; Evans 1986, 23–29. For its context in symbolism, see Crumlin-Pederson 1995.
  59. ^ BruceMitford 1975, 176–180; Evans 1986, 32–40; Carver 1998, 121–131.
  60. ^ Phillips 1940, 175–7.
  61. ^ Evans, A.C. 1986
  62. ^ Bruce-Mitford 1975, 488–577.
  63. ^ For a useful summary see Carver 1998, 188, Ch. 3 n.13.
  64. ^ Bruce-Mitford 1978, 403–431. This has been interpreted as a flambeau or a standard.
  65. ^ Bruce-Mitford 1978, 1–129.
  66. ^ Pressblech metal foils were impressed in a single operation using a hard die over a softer supporting surface, unlike repoussé work in which the pattern is raised manually. See Coatsworth and Pinder 2002, 109–114.
  67. ^ Stolpe and Arne 1927.
  68. ^ Bruce-Mitford 1986; Evans 1986, 49–55, 111–119.
  69. ^ Bruce-Mitford 1978, 311–393; Bruce-Mitford 1986; Evans 1986, 83–5; Plunkett 2001, 71–73.
  70. ^ The Sutton Hoo tubs and buckets are described by K. East in Bruce-Mitford 1983 (II), 554–596.
  71. ^ Bruce-Mitford 1983 (II), 732–757; Evans 1986, 63.
  72. ^ Bruce-Mitford 1974, 188–197; Bruce-Mitford 1983 (II), 611–731; Evans 1986, 69–72. The lyre was at first reconstructed as a single-armed harp with horizontal soundbox.
  73. ^ T.D. Kendrick in Phillips et al. 1940, 30–34; Bruce-Mitford 1983 (I), 206–243, 264–281, 300–306; Evans 1986, 72–75.
  74. ^ See A.C. Evans in Bruce-Mitford 1983 (II), 480–510.
  75. ^ See V.H. Fenwick in Bruce-Mitford 1983 (II), 511–553.
  76. ^ Bruce-Mitford 1978, 138–231; Evans 1986, 46–49.
  77. ^ Bruce-Mitford 1974, 210–222; Bruce-Mitford 1986; Evans 1986, 111–117; Evans 2001. cf Arwidsson 1934.
  78. ^ Bruce-Mitford 1978, 206, Fig 153.
  79. ^ The fragments were reconstructed for display at the Festival of Britain, 1951, but reinterpreted in 1971 using materials not previously identified, see Bruce-Mitford 1974, 198–209.
  80. ^ Bruce-Mitford 1983 (I), 69–146.
  81. ^ Evans 1986, 59–63; Plunkett 2001, 66–71.
  82. ^ Bruce-Mitford 1978, 241–272.
  83. ^ Bruce-Mitford 1978, 394–402; Evans 1986, 92–93.
  84. ^ Bruce-Mitford 1978, 273–310; Evans 1986, 42–44.
  85. ^ Evans 1986, 44–46.
  86. ^ Bruce-Mitford 1978, 432–625; Evans 1986, 109.
  87. ^ Bruce-Mitford 1978, 523–535, 584–589.
  88. ^ Evans 1986, 85–88. Compare, for instance, the Prima Porta statue of Augustus.
  89. ^ Bruce-Mitford 1978, 536–563; Evans 1986, 8991; Plunkett 2001, 73–75. It is 13.2 cm (5.2 ins) long, weighing 414.62 g (14.625 oz avoirdupois).
  90. ^ Bruce-Mitford 1978, 487–522; Evans 1986, 87–88
  91. ^ T.D. Kendrick in Phillips et al. 1940, 28–30; Bruce-Mitford 1975, 685–690; Evans 1986, 83–93; Plunkett 2005, 89–96.
  92. ^ Bruce-Mitford 1975, 578–677.
  93. ^ See Scarfe 1982, 30–37 for an attempt to link them to the story of Raedwald.
  94. ^ Evans 1986, 88–89.
  95. ^ Bruce-Mitford 1983 (I), 316–346; Evans 1986, 64–68.
  96. ^ Bruce-Mitford 1975, 117–118.
  97. ^ Bruce-Mitford 1986
  98. ^ Bruce-Mitford 1983 (I), 347–360; Evans 1986, 64–68.
  99. ^ Bruce-Mitford 1978, 232–240; Evans 1986, 41.
  100. ^ Bruce-Mitford 1983 (I), 244–262, 282–295.
  101. ^ See K. East in Bruce-Mitford 1983 (II), 788–812.
  102. ^ Bruce-Mitford 1983 (I), 833–843.
  103. ^ Bruce-Mitford 1983 (I), 45–61.
  104. ^ Bruce-Mitford 1983 (I), 151–153; (II), 813–832, 853–874; Evans 1986, 57–59, 68–70.
  105. ^ Bruce-Mitford 1983 (I), 146–151.
  106. ^ Bruce-Mitford 1983 (I), 4–44; Evans 1986, 57–58.
  107. ^ Phillips 1940, 175; Bruce-Mitford 1975, 547.
  108. ^ Bruce-Mitford 1974, 3–4; Evans 1986, 57.
  109. ^ See E. Crowfoot in Bruce-Mitford 1983 (II), 409–479.
  110. ^ Bruce-Mitford 1975, 144–156.
  111. ^ Carver 1998, 147.
  112. ^ Described by Jon Newman in Carver et al. 2005,483-487.
  113. ^ Mango et al. 1988.
  114. ^ See the legend of Saint AEthelred.
  115. ^ See Plunkett 2002, 22.
  116. ^ In Phillips et al. 1940, 76–87.
  117. ^ Bede, H.E. ii.5.
  118. ^ Bede, H.E. i.23–26.
  119. ^ Bede, H.E. ii.5, ii.15.
  120. ^ Bede, H.E. ii.12.
  121. ^ Bede, H.E. ii.5.
  122. ^ Bede, H.E. ii.15.
  123. ^ Bede, H.E. ii.14.
  124. ^ Bede, H.E. ii.15–16.
  125. ^ Edwin's grand-niece Hereswith married AEthilric, kinsman of Sigebert and Ecgric, and brother of his successors Anna, AEthelhere and AEthelwold, Bede H.E. iv.23. See also the East Anglian dynastic tally, Bruce-Mitford 1975, 693–694.
  126. ^ Bede, H.E. ii.9.
  127. ^ Bede, H.E. ii.16.
  128. ^ Bruce-Mitford 1975, 683–717.
  129. ^ See, e.g., Campbell 2000.
  130. ^ Bruce-Mitford 1974, 17–35.
  131. ^ Newton 1993.
  132. ^ Bruce-Mitford 1974, 35–55.
  133. ^ Arrhenius 1983.
  134. ^ E.g. Taplow, Broomfield or Prittlewell
  135. ^ du Chaillu 1889, II, 42-46.
  136. ^ Newton 1993.
  137. ^ Carver 1998, 137–143.
  138. ^ Plunkett 2005, 173.
  139. ^ Henderson and Henderson 2004, 15–29, at p16.
  140. ^ See also Henderson 1987; Henderson 1999, 19–53.
  141. ^ Heaney 1999. Find link at http://www.24hourmuseum.org.uk/nwh_gfx_en/ART12007.html
  142. ^ http://www.myarmoury.com/review_tmpl_suthoo.html
  143. ^ http://michaeljking.com/Sutton_Hoo_Lyre.htm

Rupert Leo Scott Bruce-Mitford (surname sometimes referred to as Mitford) (1914- 1994) was an historian and archaeologist best known for his work on treasures of the Sutton Hoo ship burial. ... This article is about the city of Kassel in Hessen, Germany. ... Repoussé bracelet by Thomas Feeser, ©2005. ... Prima Porta now a distant suburb 14. ... For other persons named Octavian, see Octavian (disambiguation). ... The avoirdupois (IPA: ; French:) system is a system of weights (or, properly, mass) based on a pound of seventeen ounces. ... Aethelred and his brother Aethelberht were princes of the Kingdom of Kent who were murdered in around 669, and later commemorated as saints and martyrs. ... Ecgric was an East Anglian king who shared the kingdom with his kinsman Sigebert until the abdication of Sigebert c 634. ... Anna (d. ... Aethelhere (died November 15, 655) was a King of East Anglia (653/654–655). ... Æthelwold was King of East Anglia from c. ...

Bibliography

  • Venerable Bede, Historia Ecclesiastica Gentis Anglorum, ed. B. Colgrave and R.A.B. Mynors (Oxford 1969).
  • B. Arrhenius, The chronology of the Vendel graves, in J.P. Lamm and H.-A. Nordström (eds), Vendel Period Studies, Museum of National Antiquities, Studies 2 (Stockholm 1983), 39–70.
  • G. Arwidsson, 1934, A new Scandinavian form of helmet from the Vendel time, Acta Archaeologica 5, 243–257.
  • R.L.S. Bruce-Mitford, Aspects of Anglo-Saxon Archaeology: Sutton Hoo and other Discoveries (Gollancz, London 1974).
  • R.L.S. Bruce-Mitford et al., The Sutton Hoo Ship-Burial (3 Vols in 4) (British Museum, London 1975, 1978, 1983).
  • R.L.S. Bruce-Mitford, 1986, The Sutton Hoo Ship-Burial: Some Foreign Connections, in Settimane di studio del Centro italiano di studi sull'alto medievo 32, Angli e Sassoni al di qua e al di la del mare, Spoleto Aprile/Maggio 1984 (Spoleto).
  • J. Campbell, 2000, The Impact of the Sutton Hoo discovery, in The Anglo-Saxon State (Hambledon and London, London).
  • M.O.H. Carver, The Age of Sutton Hoo. The Seventh Century in North-Western Europe (Woodbridge 1992).
  • M.O.H. Carver, Sutton Hoo: Burial Ground of Kings? (London 1998).
  • M.O.H. Carver (Ed.), Bulletins of the Sutton Hoo Research Committee 1983–1993 (Boydell, Woodbridge 1993).
  • M.O.H. Carver, A.C. Evans, C. Fern and M. Hummler, Sutton Hoo: A Seventh-century Princely Burial Ground and its Context (Report of the Research Committee of the Society of Antiquaries of London) (London 2005).
  • J. Caruth and S. Anderson, 1999, RAF Lakenheath Anglo-Saxon Cemetery, Current Archaeology 163 (June 1999), 244–250.
  • J.G.D. Clark, 1985, The Prehistoric Society: From East Anglia to the World, Proc. Prehistoric Society 51, 1–14.
  • E. Coatsworth and M. Pinder, The Art of the Anglo-Saxon Goldsmith (Boydell, Woodbridge 2002).
  • O. Crumlin-Pedersen (Ed.), The Ship as Symbol in Prehistoric and Medieval Scandinavia (Copenhagen 1995).
  • P. du Chaillu, The Viking Age (2 Vols) (John Murray, London 1889).
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  Results from FactBites:
 
Sutton Hoo - definition of Sutton Hoo in Encyclopedia (819 words)
Sutton Hoo is of primary importance to early medieval historians because it sheds light on a period in English history that otherwise has little documented evidence remaining.
The proximity of Sutton Hoo to a royal centre of authority at Rendlesham (4 miles north-east) indicate a connection between Sutton Hoo and the East Anglia royal house.
'Sutton Hoo: the grandest Anglo-Saxon burial of all.' (http://www.archaeology.co.uk/ca/timeline/saxon/suttonhoo/suttonhoo.htm)
Sutton Hoo - Wikipedia, the free encyclopedia (291 words)
Sutton Hoo, near Woodbridge, Suffolk, is the site of an Anglo-Saxon ship burial, discovered in 1939 under a long burial mound called a barrow.
The ship, dated circa 625 CE from gold coins included in the treasure, would have been 90 feet in length, powered by 38 oars.
Along with it was found the Sutton Hoo "treasure", consisting of gold and silver personal ornaments, a horse harness, jewellery, armour (including a sword, shield and helmet), silver bowls, a silver dish made in the Byzantine Empire, and a bard's lyre.
  More results at FactBites »


 

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