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Encyclopedia > The Bacchae
The Bacchae
Bacchus by Caravaggio
Written by Euripides
Chorus Bacchae, female followers of Dionysus
Characters Dionysus
Teiresias
Cadmus
Pentheus
Servant
Messenger
Second Messenger
Agave
Mute {{{mute}}}
Setting Thebes

The Bacchae (also known as The Bacchantes) is a tragedy by the ancient Greek playwright Euripides. It premiered posthumously at the Dionysia in 406 BC, where it won first prize. Download high resolution version (712x815, 90 KB)Bacchus by Caravaggio This image has been released into the public domain by the copyright holder, its copyright has expired, or it is ineligible for copyright. ... A statue of Euripides Euripides (c. ... In Greek mythology, Maenads [MEE-nads] were female worshippers of Dionysus, the Greek god of mystery, wine and intoxication. ... Bacchus by Caravaggio Dionysus or Dionysos (Ancient Greek: Διώνυσος or Διόνυσος; also known as Bacchus in both Greek and Roman mythology and associated with the Italic Liber), the Thracian god of wine, represents not only the intoxicating power of wine, but also its social and beneficent influences. ... In Greek mythology, Tiresias was a blind prophet, the son of the shepherd Everes and the nymph Chariclo. ... Cadmus Sowing the Dragons teeth, by Maxfield Parrish, 1908 Cadmusis my pimp, or Kadmos (Greek: Κάδμος), in Greek mythology, was the son of the king of Phoenicia and brother of Europa. ... In the Macedonian playwright Euripides play The Bacchae, Theban Maenads murdered King Pentheus after he banned the worship of Dionysus (Roman equivalent Bacchus) because the Maenads denied Pentheus divinity. ... Agave (illustrious) was the queen of Thebes in Greek mythology, mother of Pentheus and daughter of Harmonia and Cadmus. ... Thebes (in modern Greek: Θήβα - Thíva, in ancient Greek and Katharevousa: - Thēbai or Thívai) is a city in Greece, situated to the north of the Cithaeron range, which divides Boeotia from Attica, and on the southern edge of the Boeotian plain. ... A tragedy may be defined loosely as any work of fiction in which the protagonist suffers a fall in his or her fortunes, and ends in a worse state than that in which they began. ... Ancient Greece is the term used to describe the Greek-speaking world in ancient times. ... A playwright, also known as a dramatist, is someone who writes dramatic literature or drama. ... A statue of Euripides Euripides (c. ... The Dionysia was a large religious festival in ancient Athens in honour of the god Dionysus, the central event of which was the performance of tragedies and comedies. ... Centuries: 6th century BC - 5th century BC - 4th century BC Decades: 450s BC 440s BC 430s BC 420s BC 410s BC - 400s BC - 390s BC 380s BC 370s BC 360s BC 350s BC Years: 411 BC 410 BC 409 BC 408 BC 407 BC - 406 BC - 405 BC 404 BC...


Background

The Dionysus in Euripides' tale is a young, spiteful god, angry that his mortal family, the royal house of Cadmus, has denied him a place of honor as a deity. His mother, Semele, was a mistress of Zeus, and while pregnant, she was killed by divine means. Most of Semele's family, however, including her sister Agave, refuse to believe that Dionysus is the son of Zeus, and the young god is spurned in his home. He has travelled throughout Asia and other foreign lands, gathering a cult of worshippers (Maenads or Bacchantes), and at the start of the play has returned to take revenge on the house of Cadmus, disguised as a blond stranger. He has driven the women of Thebes, including his aunts, into a feral frenzy, sending them dancing and hunting on the mountain of Cithaeron, much to the horror of their families. Complicating matters, his cousin, the pompous young king Pentheus, has declared a ban on the worship of Dionysus throughout Thebes.


Plot

Dionysus first comes on stage to explain to the audience the story so far and why he decided to come to Thebes. He explains the story of his birth, how his mother Semele had enamoured the god Zeus, who had come down from Mt Olympia to lay with her. She becomes pregnant with a divine son, however none of her family believe her, thinking she had instead had an illicit relationship. Hera, jealous at her husband Zeus' betrayal, comes to Semele and tells her to ask Zeus to reveal himself in his godhead. Semele persuades him and the moment she sees him she is killed, for no-one can see a god in his true shape. In the moment of her death, Hermes swooped down and saved the fetus of Dionysus before he too was burnt. To hide the baby from Hera, Zeus has the fetus sewn up in his thigh until the baby is full term. However, the family of Semele, believed that she was killed because she had claimed untruthfully to have been visited by a god to exempt herself for her illicit affair. Her sisters (Agave and Ino included) and father (Cadmus) still believe this when Dionysus comes to Thebes. Dionysus must vindicate his mother Semele. Olympia is an ancient city in Greece, the site of the Ancient Olympic Games. ...


The old men Cadmus and Tiresias, though not under the same spell as the Theban women (who include Cadmus' daughters Ino and Agave, Pentheus' mother), have become enamored of the Bacchic rituals and are about to go out celebrating when Pentheus returns to the city and finds them dressed in festive garb. He scolds them harshly and orders his soldiers to arrest anyone else engaging in Dionysian worship. 173 Ino is an asteroid. ...


The guards return with the disguised Dionysus himself, Pentheus questions him, still not believing that Dionysus is a god, but he avoids giving him any straight answers. This greatly angers Pentheus who has him locked up. However, being a god, he is quickly able to break free and creates more havoc, razing the palace of Pentheus to the ground in a giant earthquake and fire. Word arrives via a herdsman that the Bacchae (maenads) on Cithaeron are behaving especially strangely and performing incredible feats, putting snakes in their hair in reverie of their god, suckling wild wolves and gazelle, and making wine, milk, honey and water spring up from the ground. He tells that when they tried to capture the women, they went crazy and descended on a herd of cows, ripping them to shreds with their bare hands. Had it not been for the cows the guards of Pentheus would have been torn apart. Dionysus aims to have Pentheus killed for defying him and denouncing him as a god, never praying to him or paying him libations. He slowly drives Pentheus mad, Pentheus appears possessed and strangely does everything that Dionysus wills. He convinces Pentheus to investigate the situation on the mountain himself, an undercover operation which requires the king to dress as a female Maenad to avoid detection. He dresses Pentheus, even though before Pentheus would not allow him to even touch him, showing how much power Dionysus now has over him. He then wanders up into the hills, intending to watch the maenads in order to gain information on how better to catch them. In Greek mythology, Maenads [MEE-nads] were female worshippers of Dionysus, the Greek god of mystery, wine and intoxication. ... Offerings given to the gods in Ancient Greece. ...


The god's vengeance soon turns from mere humiliation to murder. A messenger arrives at the palace to report that once they reached Cithaeron, Pentheus wanted to climb up an evergreen tree to get a better view of the Bacchants. The blonde stranger used magic to bend the tall tree and place the king at its highest branches. However, once he was safely at the top, Dionysus called out to his followers and showed the man sitting atop the tree. This, of course, drove the Bacchants wild, and they tore the trapped Pentheus down and ripped his body apart piece by piece.


After the messenger has relayed this news, Pentheus' mother, Agave, arrives carrying the head of her son which she herself had pulled off. In her possessed state she believed it was the head of a mountain lion; she proudly displays it to her father, eager to show off her successful hunt, and how brave she had been. She is confused when Cadmus does not delight in her trophy, his face contorting in horror. By that time, however, Dionysus' possession is beginning to wear off, and as Cadmus reels from the horror of his grandson's death, Agave slowly realizes what she has done. The family is destroyed, Agave and her sisters are sent into exile, and Dionysus, in a final act of revenge, returns briefly to excoriate his family one more time for their impiety. Cadmus himself is turned into a snake, Tiresias, the old Theban prophet is the only one not to suffer.


A filmed adaptation of Euripides' The Bacchae, directed by Brad Mays, will be released in 2005. A theatrical adaptation set in modern times has also been written by the playwright Chuck Mee, titled The Bacchae 2.1. In 1965, the operatic composer Hans Werner Henze wrote an opera based on The Bacchae called The Bassarids, with libretto by W. H. Auden and Chester Kallman. Charles L. Mee is an American playwright and author. ... Hans Werner Henze (born July 1, 1926 in Gütersloh, Westphalia, Germany) is a composer well known for his sometimes controversial political beliefs. ... Christopher Isherwood and W.H. Auden, photographed by Carl Van Vechten, 1939 Wystan Hugh Auden (February 21, 1907 – September 29, 1973) was an English poet and critic, widely regarded as among the most influential and important writers of the 20th century. ... Chester Kallman (7 January 1921 – 18 January 1975) was an American poet, librettist, and translator, best known for his collaborations with Igor Stravinsky Kallman was born in Brooklyn. ...


External links


  Results from FactBites:
 
Bacchae (594 words)
Euripides’ use of Choruses to narrate the action in his plays was often the source of the earliest form of theatrical criticism, but here, although perhaps not absolutely essential to the structure, the device was indispensable to the impact and power of the play as a whole.
The Bacchae is a spectacular achievement for the Celebration, with starkly angular and incredibly inventive staging by Matthews and a graffiti-overrun environmental design by Kurt Boetcher that continues through the theatre’s playing space and spills into the audience.
The concept of bringing The Bacchae into our contemporary times is a worthy one, especially the adaptor’s idea that there are "strong parallels" to the gay community’s "reluctance to examine what it is to be gay outside of a sexual context," as Rochel addresses in his program notes.
GradeSaver: ClassicNote: About The Bacchae (698 words)
The Bacchae was presented posthumously along with Iphigenia in Aulis and the lost Alcmaeon in Corinth in 406-405 BCE.
In the case of The Bacchae, the Chorus is constituted by the Bacchae, devout female worshippers of Dionysus that the god has brought with him from Asia.
Euripides' choruses are sometimes superfluous to the action, and for this he was often criticized; in the case of this play, the Chorus provides atmosphere and contributes greatly to the play's impact, but they are perhaps less than essential to the structure and plot of the play.
  More results at FactBites »


 

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